- Table View
- List View
Alachua County, Florida (Black America Series)
by Lizzie Prb JenkinsAlachua County's African American ancestry contributed significantly to the area's history. Onceenslaved pioneers Richard and Juliann Sams settled in Archer as early as 1839. They were former slaves of James M. Parchman, who journeyed through the wilderness from Parchman, Mississippi. They and others shaped the county's history through inventions, education, and work ethics based on spirituality. This book shows people working together, from the early1800s rural farm life, when racial violence was routine, until African Americans broke the chains of injustice and started organizing and controlling civic affairs.
Aladdin "Built in a Day" House Catalog, 1917 (Dover Architecture)
by Aladdin CompanyDesigns for 60 homes, from a simple four-room cottage with a front porch to a comfortable two-story home with four bedrooms, a reception hall, and pantry. Shown in landscaped exteriors, floor plans, and overhead cutaway views. With detailed commentaries on each design.
Alain Resnais: Interviews (Conversations with Filmmakers Series)
by T. Jefferson KlineAmong the most innovative and influential filmmakers of the twentieth century, Alain Resnais (1922–2014) did not originally set out to become a director. He trained as an actor and film editor and, during the sixty-eight years of his working life, delved into virtually every corner of filmmaking, working at one time or another as screenwriter, assistant director, camera operator and cinematographer, special effects coordinator, technical consultant, and even author of source material. From such award-winning documentaries as Van Gogh and Night and Fog to the groundbreaking dramas Hiroshima mon amour, Last Year at Marienbad, and Muriel, Resnais’s films experiment with such themes as consciousness, memory, and the imagination. Distinguishing himself from associations with the French New Wave movement, Resnais considered his films to be “anti-illusionist,” never allowing his spectators to forget they were watching a work of art. In Alain Resnais: Interviews, editor Lynn A. Higgins collects twenty-one interviews with the filmmaker, twelve of which are translated into English for the first time. Spanning his entire career from his early short subjects to his final feature film, the volume highlights Resnais’s creative strategies and principles, illuminates his place in world cinema history, and situates his work relative to the New Wave, American film, and experimental filmmaking more broadly. Like his films, the interviews collected here reveal a creator who is at once an intellectual, a philosopher, an entertainer, a craftsman, and an artist.
Alameda (Postcard History Series)
by Greta Dutcher Stephen RowlandAlameda was once a peninsula of grassy fields and sandy beaches, separated from Oakland by a snaking estuary. A tidal canal made Alameda an island in 1902 and its waterfront became a major shipping port. Park Street�s bay-windowed commercial buildings looked out on a prosperous city of streetcars and comfortable homes. Between the two world wars, Alameda�s Neptune Beach resort and amusement park became the �Coney Island of the West,� eventually boasting a Moorish entrance tower on Webster Street, a stadium, two swimming pools, a high dive, and a roller coaster called the �Whoopie.� Alameda�s strategic location made its �airdrome� the busiest in the world in the 1930s and eventually attracted a U.S. Coast Guard base, known as Government Island, and the Alameda Naval Air Station.
Alameda
by Stephen Rowland Greta DutcherAlameda was once a peninsula of grassy fields and sandy beaches, separated from Oakland by a snaking estuary. A tidal canal made Alameda an island in 1902 and its waterfront became a major shipping port. Park Street's bay-windowed commercial buildings looked out on a prosperous city of streetcars and comfortable homes. Between the two world wars, Alameda's Neptune Beach resort and amusement park became the "Coney Island of the West," eventually boasting a Moorish entrance tower on Webster Street, a stadium, two swimming pools, a high dive, and a roller coaster called the "Whoopie." Alameda's strategic location made its "airdrome" the busiest in the world in the 1930s and eventually attracted a U.S. Coast Guard base, known as Government Island, and the Alameda Naval Air Station.
Alameda by Rail
by Bruce Singer Grant UteAcross the great bay from San Francisco, the city of Alameda evolved into an island hometown of fine Victorian and Craftsman architecture and a port containing a naval air station, shipbuilding center, and the winter home of the long-gone Alaska Packers fleet of "tall ships." But Alameda also was a busy railroad town. In 1864, a passenger railroad with a ferry connection created a commute to San Francisco. In 1869, the city became the first Bay Area terminus of the Transcontinental Railroad. Alameda became an island because a railroad allowed construction crews to dig a tidal canal, separating it from Oakland in 1902. Later generations rode steam, then electric, trains to a grand ferry pier where ornate watercraft guided them the 20 minutes to San Francisco. An auto tube, and later the San Francisco Oakland Bay Bridge, hastened the demise of ferry, then rail, operations before World War II.
Alameda County Fire Department (Images of America)
by Firefighter Heather MarquesAlameda County spans from the shores of the San Francisco Bay to the golden inland hills. Alameda County Fire Department (ACFD) is comprised of multiple consolidated agencies that began joining forces and sharing resources in 1993. Protecting unincorporated county land as well as Ashland, Cherryland, San Lorenzo, Castro Valley, San Leandro, Dublin, Union City, Newark, Emeryville, and the National Laboratories at Livermore and Berkeley, ACFD serves over 500 square miles and 330,000 citizens. This legacy stretches back 140 years, recalling the shared experiences of bucket brigades, teams of horses pulling steam-engine pumpers down muddy roads, the advent of motorized apparatus, and the days when school boys would be pulled from class to ride tailboard to fight blazes in the hills. These agencies have sent soldiers to two world wars, survived massive earthquakes, fought catastrophic wildfires, and touched the lives of Bay Area citizens for over a century. The ACFD is the sum of its many unique parts, which together form a premier, all-risk fire department.
Alamogordo
by Peter L. EidenbachIn 1898, the El Paso and Northeastern Railroad established New Mexico's first preplanned development community at Alamogordo. This city and its satellite communities of Tularosa, La Luz, and Cloudcroft are the only urban settlements in an area almost as large as Connecticut--the vast deserts and mountains of the Tularosa Basin are where people "climb for water and dig for wood." Alamogordo became the county seat after Otero County was created to modify the trial venue for the murder of Albert Fountain and his son Henry. West Texas ranching families moved into the Tularosa Basin in the 1880s and depended on ranching, farming, and tourism until World War II led to the creation of the Alamogordo Army Air Field (Holloman Air Force Base) and White Sands Proving Ground, the birthplace of the U.S. space and missile program. The first atomic explosion, Trinity, took place in White Sand's northwest corner on July 16, 1945. Col. John Stapp, pioneer of aerospace medicine, rode rocket sleds at the Holloman Test Track, leading to modern automotive seat belts.
Alan Ball: Conversations (Television Conversations Series)
by Thomas FahyAlan Ball: Conversations features interviews that span Alan Ball's entire career and include detailed observations and insights into his Academy Award-winning film American Beauty and Emmy Award-winning television shows Six Feet Under and True Blood. Ball began his career as a playwright in New York, and his work soon caught the attention of Hollywood television producers. After writing for the sitcoms Grace Under Fire and Cybill, Ball turned his attention to the screenplay that would become American Beauty. The critical success of this film opened up exciting possibilities for him in the realm of television. He created the critically acclaimed show Six Feet Under, and after the series finale, he decided to explore the issue of American bigotry toward the Middle East in his 2007 play All That I Will Ever Be and the film Towelhead, which he adapted and directed in the same year. Ball returned to television once again with the series True Blood—an adaptation of the humorous, entertaining, and erotic world of Charlaine Harris’s vampire novels. In 2012 Ball announced that he would step down as executive producer of True Blood, in part, to produce both a new television series and his screenplay, What’s the Matter with Margie?
Alan Bennett: A Critical Introduction (Studies in Modern Drama)
by Joseph O'MealyAlan Bennett is perhaps best known in the UK for the BBC production of his Talking Heads TV plays, while the rest of the world may recognize him for the film adaptation of his play, The Madness of King George. O'Mealy points out that Bennett is a social critic strongly influenced by Beckett and Swift, interested in depicting and analyzing the role playing of everyday life, a'la sociologist Ervin Goffman.
Alan J. Pakula: Interviews (Conversations with Filmmakers Series)
by Tom RyanRenowned for his masterful storytelling, Alan J. Pakula (1928–1998) left an indelible mark on cinema history. Alan J. Pakula: Interviews offers a concise yet comprehensive overview of the director’s illustrious career, from his early days in Hollywood to his rise as a major filmmaker. From the famous “paranoia trilogy” of Klute, The Parallax View, and All the President’s Men to the gripping psychological drama of Sophie’s Choice and his often-undervalued later work, Pakula’s diverse filmography has captivated audiences and critics alike. The first published collection of interviews with the acclaimed director, this volume presents an illuminating portrait of Pakula as a filmmaker, an artist, and a man of many parts. The eighteen pieces compiled here, including an illuminating introduction and previously unpublished 1983 interview by editor Tom Ryan, provide a broad overview of Pakula’s career. In his own words, Pakula recounts his experience as Robert Mulligan’s producer, reflects on the bulk of films he made as director, and outlines his approach to the art of filmmaking. Taken as a whole, Alan J. Pakula: Interviews is a treasure trove of cinematic wisdom and a fitting tribute to the legacy of an important American filmmaker.
Alan Lacer's Woodturning Projects & Techniques
by Alan LacerSelected from more than 15 years of articles from one of the country's top turners, Alan Lacer's Woodturning Projects & Techniques has everything you need to learn to turn and take your lathe skills to the next level.This book includes an in-depth look at techniques, tools and chucks that will help perfect your core turning skills. You'll learn the right tools to use, how to handle them safely and how to maintain them. Lacer's expert instruction helps you master the bowl gouge, the spindle-roughing gouge, the skew and other essential turning tools. You'll also gain insight into finishing techniques, French polishing and working with spalted wood.Once you've sharpened your skills with the Tools & Techniques section, put your new knowledge to the test with 20 beautiful projects covering a wide range of turned forms and turning techniques.Sharpen your end-grain hollowing skills by turning a lovely wine gobletPractice turning spheres by creating your own bocce ball lawn gameGain insight into making multiples by turning matching table legsTurn a table lamp to practice flowing contoursLearn how to work with green wood by making a natural-edge bowlAnd much more!Complete with expert instruction, step-by-step photos, guides to sources and materials and tips for avoiding common pitfalls, this book is sure to help you improve your turning craft - and make some stunning pieces in the process.
Alan Moore, Out from the Underground: Cartooning, Performance, and Dissent (Palgrave Studies in Comics and Graphic Novels)
by Maggie GrayThis book explores Alan Moore's career as a cartoonist, as shaped by his transdisciplinary practice as a poet, illustrator, musician and playwright as well as his involvement in the Northampton Arts Lab and the hippie counterculture in which it took place. It traces Moore's trajectory out from the underground comix scene of the 1970s and into a commercial music press rocked by the arrival of punk. In doing so it uncovers how performance has shaped Moore's approach to comics and their political potential. Drawing on the work of Bertholt Brecht, who similarly fused political dissent with experimental popular art, this book considers what looking strangely at Alan Moore as cartoonist tells us about comics, their visual and material form, and the performance and politics of their reading and making.
Alan Partridge: Big Beacon
by Alan Partridge"Not only has Alan Partridge created an entirely new storytelling structure, it's very funny indeed." Jon Ronson'Partridge... has become the man our time deserves. Aha!' The TimesIn Big Beacon, Norwich's favourite son and best broadcaster, Alan Partridge, triumphs against the odds. TWICE.Using an innovative 'dual narrative' structure you sometimes see in films, Big Beacon tells the story of how Partridge heroically rebuilt his TV career, rising like a phoenix from the desolate wasteland of local radio to climb to the summit of Mount Primetime and regain the nationwide prominence his talent merits. But then something quite unexpected and moving, because Big Beacon also tells the story of a selfless man, driven to restore an old lighthouse to its former glory, motivated by nothing more than respect for a quietly heroic old building that many take for granted, which some people think is a metaphor for Alan himself even though it's not really for them to say.* Leaving his old life behind and relocating to a small coastal village in Kent, Alan battles through adversity, wins the hearts and minds of a suspicious community, and ultimately shows himself to be a quite wonderful man. * The two strands will run in tandem, their narrative arcs mirroring each other to make the parallels between the two stories abundantly clear to the less able reader.
Alan Partridge: Big Beacon
by Alan Partridge"Not only has Alan Partridge created an entirely new storytelling structure, it's very funny indeed." Jon Ronson'Partridge... has become the man our time deserves. Aha!' The TimesIn Big Beacon, Norwich's favourite son and best broadcaster, Alan Partridge, triumphs against the odds. TWICE.Using an innovative 'dual narrative' structure you sometimes see in films, Big Beacon tells the story of how Partridge heroically rebuilt his TV career, rising like a phoenix from the desolate wasteland of local radio to climb to the summit of Mount Primetime and regain the nationwide prominence his talent merits. But then something quite unexpected and moving, because Big Beacon also tells the story of a selfless man, driven to restore an old lighthouse to its former glory, motivated by nothing more than respect for a quietly heroic old building that many take for granted, which some people think is a metaphor for Alan himself even though it's not really for them to say.* Leaving his old life behind and relocating to a small coastal village in Kent, Alan battles through adversity, wins the hearts and minds of a suspicious community, and ultimately shows himself to be a quite wonderful man. * The two strands will run in tandem, their narrative arcs mirroring each other to make the parallels between the two stories abundantly clear to the less able reader.
Alan Rickman: The Unauthorised Biography
by Maureen PatonIn this revised and updated biography, Maureen Paton encompasses the private, professional and political life of this most enigmatic, charismatic and intensely private of actors.
Alanatomy: The Inside Story
by Alan Carr***If you loved Alan's first memoir - Look Who It Is! - then his follow-up, Alanatomy, will take you further into the hilarious and bizarre world of the country's favourite chatty man.***'As laugh out loud as his TV shows' Daily MirrorIt must seem strange to you that I've called a book Alanatomy . . . For anyone who has taken the time to see my stand-up performances or watched my chat show, 'Chattyman', knows that my body has hardly been kind to me - in fact there've been times when we've actually stopped talking to each other. Balding, myopic, often flaky with psoriasis, back fat that hangs suspended like a cape, a voice that could strip varnish, an increasingly dodgy hip and even dodgier teeth. Why would you draw attention to it? you must ask. Couldn't you just call the book something else? Do you think the Great British Public is ready to pore over your body? Well, as I turn forty and take stock of my showbiz life over the last ten years or so, I have learnt to embrace my flaws and face my shortcomings. In fact, strange as it might seem, the things I hate about myself have become my trademark and I am slowly, begrudgingly learning to, if not love them, to at least live with them. I am ready now to take a long hard look at myself and that's what Alanatomy is. It's the story of my rise to fame: the joys, the traumas, the parties, the disappointments. Hopefully you will find it witty, fun, heartwarming, but more importantly honest, and that it will keep you entertained every time you pick it up. Alanatomy is the chance for you to get beneath my skin and see the real me because, and to continue the anatomical theme if I may, this showbiz existence can sometimes feel like an autopsy - picked at, probed and scrutinized with every inch of your body held up for analysis, but unlike an actual autopsy, you are very much alive. So I give you Alanatomy: The Inside Story. I am laying myself out on the slab for your entertainment; naked, stripped bare. Grab your scalpel, peel back the skin and go deep, have a good old probe around at my life so far. Yes, you are going to find guts, a fair bit of cheek, maybe even a little bit of gristle, but hopefully, you'll find a whole lot of heart.
Alaska's Bush Pilots (Images of Aviation)
by Rob Stapleton Alaska Aviation MuseumBush pilots are known as rough, tough, resourceful people who fly their aircraft into tight spots in the worst of weather. Alaska's bush pilots are all of that and more. Acting as pioneers in a land with 43,000 miles of coastline and North America's largest mountains, Alaska's bush pilots were and are visionaries of a lifestyle of freedom. Flying came late to Alaska but caught on quickly. The first flight was made over a three-day exhibition at Fairbanks, July 3-5, 1913. James Martin first flew that aircraft, owned by him and his wife, Lilly, and investors Arthur Williams and R.S. McDonald. Ever since, Alaskan bush pilots have found that they were calculators of their own fate, flying in fragile aircraft over vast stretches of tundra or through towering mountain passes. This book examines the pioneer aviators and the aircraft types such as the Stearman, Stinson, and Lockheed, many of which were tested and crashed in the far north regions of Alaska.
Alaska's Whaling Coast
by Dale VinnedgeIn 1850, commercial whaling ships entered the Bering Sea for the first time. There, they found the summer grounds of bowhead whales, as well as local Inuit people who had been whaling the Alaskan coast for 2,000 years. Within a few years, almost the entire Pacific fleet came north each June to find a path through the melting ice, and the Inuit way of whaling--in fact, their entire livelihood--would be forever changed. Baleen was worth nearly $5 a pound. But the new trading posts brought guns, alcohol, and disease. In 1905, a new type of whaling using modern steel whale-catchers and harpoon cannons appeared along the Alaskan coast. Yet the Inuit and Inupiat continue whaling today from approximately 15 small towns scattered along the Arctic Ocean and the Bering Strait. Whaling for these people is a life-or-death proposition in a land considered uninhabitable by many, for without the whale, whole villages probably could not survive as they have for centuries.
Albert and the Whale: Albrecht Dürer and How Art Imagines Our World
by Philip HoareAn illuminating exploration of the intersection between life, art and the sea from the award-winning author of The Whale.In 1520, Albrecht Dürer, the most celebrated artist in Northern Europe, sailed to Zeeland to see a whale. A central figure of the Renaissance, no one had painted or drawn the world like him. Dürer drew hares and rhinoceroses in the way he painted saints and madonnas. The wing of a bird or the wing of an angel; a spider crab or a bursting star like the augury of a black hole, in Dürer's art, they were part of a connected world. Everything had meaning. But now he was in crisis. He had lost his patron, the Holy Roman Emperor. He was moorless and filled with wanderlust. In the shape of the whale, he saw his final ambition. Dürer was the first artist to truly employ the power of reproduction. He reinvented the way people looked at, and understood, art. He painted signs and wonders; comets, devils, horses, nudes, dogs, and blades of grass so accurately that even today they seem hyper-real, utterly modern images. Most startling and most modern of all, he painted himself, at every stage of his life. But his art captured more than the physical world, he also captured states of mind. Albert and the Whale explores the work of this remarkable man through a personal lens. Drawing on Philip&’s experience of the natural world, and of the elements that shape our contemporary lives, from suburbia to the wide open sea, Philip will enter Dürer's time machine. Seeking his own Leviathan, Hoare help us better understand the interplay between art and our world in this sublimely seductive book.
Albert Brooks: Interviews (Conversations with Filmmakers Series)
by Alexander GreenhoughAlbert Brooks: Interviews brings together fourteen profiles of and conversations with Brooks (b. 1947), in which he contemplates, expounds upon, and hilariously jokes about the connections between his show business upbringing, an ambivalence about the film industry, the nature of fame and success, and the meaning and purpose of comedy. Throughout all these encounters, Brooks expresses an unwavering commitment to his own artistic expression as a filmmaker and a rejection of mainstream conventions. With his questioning and critical disposition, nothing seems certain for Albert Brooks except for the integrity of art and the necessity for a wry skepticism about the incongruities of everyday life in corporate America. Brooks is neither a Hollywood insider nor an outsider. He’s somewhere in-between. Since the early 1970s, this inimitable actor-writer-director has incisively satirized the mass media system from within. After initial work as an inventive comedian, both live and on network television, Brooks contributed six shorts to the first season of Saturday Night Live, which earned him a cult following for their avant-garde form and sensibility. These were followed by his feature debut, Real Life, the first of only seven films—including Modern Romance, Lost in America, and Defending Your Life—that Brooks has directed to date. His limited output reflects not only the difficulty in financing idiosyncratic films, but equally the exacting seriousness which Brooks has in making audiences laugh and think at the same time.
Albert Finney: A Well-Seasoned Life
by Gabriel Hershman‘Hershman has managed to gather a huge amount of information and distill it into a book that is not only respectful but full of insights into what makes this unstarriest of stars able to produce brilliant work without appearing to break a sweat.’ - Kathryn Hughes, Mail on SundayHe was a Salford-born, homework-hating bookie’s son who broke the social barriers of British film. He did his share of roistering, and yet outlived his contemporaries and dodged typecasting to become a five-time Oscar nominee and one of our most durable international stars. Bon vivant, perennial rebel, self-effacing character actor, charismatic charmer, mentor to a generation of working-class artists, a byword for professionalism, lover of horseflesh and female flesh – Albert Finney is all these things and more.Gabriel Hershman’s colourful and riveting account of Finney’s life and work, which draws on interviews with many of his directors and co-stars, examines how one of Britain’s greatest actors built a glittering career without sacrificing his integrity.
Albert Maysles (Contemporary Film Directors)
by Joe McelhaneyAlbert Maysles has created some of the most influential documentaries of the postwar period. Such films as Salesman,Gimme Shelter, and Grey Gardens continue to generate intense debate about the ethics and aesthetics of the documentary form. In this in-depth study, Joe McElhaney offers a novel understanding of the historical relevance of Maysles. By closely focusing on Maysles's expressive use of his camera, particularly in relation to the filming of the human figure, this book situates Maysles's films within not only documentary film history but film history in general, arguing for their broad-ranging importance to both narrative film and documentary cinema. Complete with an engaging interview with Maysles and a detailed comparison of the variant releases of his documentary on the Beatles (What's Happening: The Beatles in the U.S.A. and The Beatles: The First U.S. Visit), this work is a pivotal study of a significant filmmaker.
Albert P. Ryder (The Great American Artists Series)
by Lloyd GoodrichAlbert Pinkham Ryder, along with Winslow Homer and Thomas Eakins, is recognized as one of the great “ancestors” of American painting, although he was largely unknown in his own time. Twentieth-century taste discovered him and his mystical pictures have had a profound effect on modern abstract art.Lloyd Goodrich is Director of the Whitney Museum of American Art under whose auspices his definitive biography of Thomas Eakins was published in 1933. For many years Mr. Goodrich has been carrying on research in the life and work of Albert P. Ryder, in preparation for a definitive biography. Since Ryder’s work has been widely forged, with the forgeries outnumbering the genuine pictures about eight to one, this study has involved examination of hundreds of paintings, using x-rays and other scientific methods. The present volume, originally published in 1959, has the advantage of these years of thorough study.
Albertus: The Biography of a Typeface (The ABC of Fonts) (The ABC of Fonts)
by Simon GarfieldOne of the most beautiful handcrafted typefaces in the world, Albertus is also one of the most enduring. The face of thousands of book jackets, and the chosen look for David Bowie, Coldplay, Star Wars and London street signs, Albertus is as as warmly enticing on film posters as it is on memorial plaques.The story of the font is one displacement (its designer Berthold Wolpe was a German Jewish refugee who went on to design the masthead for The Times), but also one of permanence, for it has proved a fresh, vibrant and indestructible face for almost a century. In this unique celebration, the designer's children reveal the history of its creation and the erratic brilliance of their father, while the book grapples with one of the fundamental artistic questions: what makes great art not only survive but flourish in each new age and medium?