- Table View
- List View
Albinus on Anatomy
by Robert Beverly Hale Terence CoyleAll 80 of the great 18th-century descriptive anatomist's original copperplate engravings of the human skeletal and muscular systems, containing 230 individual illustrations, are reproduced in this edition. Muscles and bones are rendered individually and in related groups from varying perspectives. A work of great scientific merit, this volume is a magnificent work of art as well.
Albion (Images of America)
by Avis A. TownsendAlbion highlights a historic community in the Lake Ontairo region of western New York State. With vintage photographs and fascinating detail, the book records Courthouse Square, early salt roads and quarries, splendid cobblestone houses, the Erie Canal passing through town, famous resident George Pullman, Rich's Corners, two correctional facilities, and the outstanding garden-style Mount Albion Cemetery.
Albion and Noble County (Images of America)
by Emily Hunter Mark R HunterNamed after Indiana's first US senator, Noble County was formed in 1836, just eight years after the first recorded white settlers arrived and 20 years after Indiana's formation. Settlements grew with transportation: a trail from Fort Wayne became the now-historic Lincoln Highway; the Sylvan Lake dam, built to supply a proposed canal, attracted author Gene Stratton Porter; and railroads arrived. Each time the population grew and shifted until the citizens voted to place the county seat in "The Center," the geographic center of Noble County. Soon, Albion occupied the space, making it the smallest township in America. With 117 lakes, the Elkhart River, a state park, and numerous historic sites, Noble County became a destination for tourists, while Albion's historical downtown area, centered on a century-old courthouse in a town carved from wilderness, stands in the center of it all.
Albion in the 20th Century (Images of America)
by Frank PassicThe Albion Malleable Iron Company was the major influence in bringing hundreds of workers from eastern and southern Europe, and from southern U.S. states to Albion, Michigan, in the early 20th century. These workers established their families and lived their lives in this industrial town, which grew to become a true "melting pot" of ethnic diversity in the 20th century.Albion in the 20th Century features more than 225 photographs from the personal collection of Albion historian Frank Passic, which chronologically show the changes in the community. The book focuses on everyday workers (including union officials and factory workers) and ball teams-plus "famous" people such as wildlife artist Lynn Bogue Hunt and writer-photographer Gwen Dew. Notable events chronicled include the capture of the Purple Gang car, the 1994 NCAA Division III Albion College Britons national football championship, and the Cardboard Classic sled race.
Albrecht Durer: A Guide to Research (Artist Resource Manuals)
by Jane Campbell HutchisonHutchison's book is a complete guide on Durer and the research on his work, his historical import and his aesthetic legacy.
Albrecht Dürer and the Depiction of Cultural Differences in Renaissance Europe (Routledge Critical Junctures in Global Early Modernities)
by Heather MadarThis book provides a comprehensive assessment of Dürer’s depictions of human diversity, focusing particularly on his depictions of figures from outside his Western European milieu. Heather Madar contextualizes those depictions within their broader artistic and historical context and assesses them in light of current theories about early modern concepts of cultural, ethnic, religious and racial diversity. The book also explores Dürer’s connections with contemporaries, his later legacy with respect to his imagery of the other and the broader significance of Nuremberg to early modern engagements with the world beyond Europe. The book will be of interest to scholars working in art history, Renaissance studies and Renaissance history.
Albrecht Dürer and the Embodiment of Genius: Decorating Museums in the Nineteenth Century
by Jeffrey Chipps SmithDuring the nineteenth century, Albrecht Dürer’s art, piety, and personal character were held up as models to inspire contemporary artists and—it was hoped—to return Germany to international artistic eminence. In this book, Jeffrey Chipps Smith explores Dürer’s complex posthumous reception during the great century of museum building in Europe, with a particular focus on the artist’s role as a creative and moral exemplar for German artists and museum visitors.In an era when museums were emerging as symbols of civic, regional, and national identity, dozens of new national, princely, and civic museums began to feature portraits of Dürer in their elaborate decorative programs embellishing the facades, grand staircases, galleries, and ceremonial spaces. Most of these arose in Germany and Austria, though examples can be seen as far away as St. Petersburg, Stockholm, London, and New York City. Probing the cultural, political, and educational aspirations and rivalries of these museums and their patrons, Smith traces how Dürer was painted, sculpted, and prominently placed to accommodate the era’s diverse needs and aspirations. He investigates what these portraits can tell us about the rise of a distinct canon of famous Renaissance and Baroque artists—addressing the question of why Dürer was so often paired with Raphael, who was considered to embody the greatness of Italian art—and why, with the rise of German nationalism, Hans Holbein the Younger often replaced Raphael as Dürer’s partner.Accessibly written and comprehensive in scope, this book sheds new light on museum building in the nineteenth century and the rise of art history as a discipline. It will appeal to specialists in nineteenth-century and early modern art, the history of museums and collecting, and art historiography.
Albrecht Dürer and the Embodiment of Genius: Decorating Museums in the Nineteenth Century
by Jeffrey Chipps SmithDuring the nineteenth century, Albrecht Dürer’s art, piety, and personal character were held up as models to inspire contemporary artists and—it was hoped—to return Germany to international artistic eminence. In this book, Jeffrey Chipps Smith explores Dürer’s complex posthumous reception during the great century of museum building in Europe, with a particular focus on the artist’s role as a creative and moral exemplar for German artists and museum visitors.In an era when museums were emerging as symbols of civic, regional, and national identity, dozens of new national, princely, and civic museums began to feature portraits of Dürer in their elaborate decorative programs embellishing the facades, grand staircases, galleries, and ceremonial spaces. Most of these arose in Germany and Austria, though examples can be seen as far away as St. Petersburg, Stockholm, London, and New York City. Probing the cultural, political, and educational aspirations and rivalries of these museums and their patrons, Smith traces how Dürer was painted, sculpted, and prominently placed to accommodate the era’s diverse needs and aspirations. He investigates what these portraits can tell us about the rise of a distinct canon of famous Renaissance and Baroque artists—addressing the question of why Dürer was so often paired with Raphael, who was considered to embody the greatness of Italian art—and why, with the rise of German nationalism, Hans Holbein the Younger often replaced Raphael as Dürer’s partner.Accessibly written and comprehensive in scope, this book sheds new light on museum building in the nineteenth century and the rise of art history as a discipline. It will appeal to specialists in nineteenth-century and early modern art, the history of museums and collecting, and art historiography.
Albrecht Dürer and the Epistolary Mode of Address
by Shira BrismanArt historians have long looked to letters to secure biographical details; clarify relationships between artists and patrons; and present artists as modern, self-aware individuals. This book takes a novel approach: focusing on Albrecht Dürer, Shira Brisman is the first to argue that the experience of writing, sending, and receiving letters shaped how he treated the work of art as an agent for communication. In the early modern period, before the establishment of a reliable postal system, letters faced risks of interception and delay. During the Reformation, the printing press threatened to expose intimate exchanges and blur the line between public and private life. Exploring the complex travel patterns of sixteenth-century missives, Brisman explains how these issues of sending and receiving informed Dürer’s artistic practices. His success, she contends, was due in large part to his development of pictorial strategies—an epistolary mode of address—marked by a direct, intimate appeal to the viewer, an appeal that also acknowledged the distance and delay that defers the message before it can reach its recipient. As images, often in the form of prints, coursed through an open market, and artists lost direct control over the sale and reception of their work, Germany’s chief printmaker navigated the new terrain by creating in his images a balance between legibility and concealment, intimacy and public address.
The Album of the World Emperor: Cross-Cultural Collecting and the Art of Album-Making in Seventeenth-Century Istanbul
by Emine FetvacıThe first study of album-making in the Ottoman empire during the seventeenth century, demonstrating the period’s experimentation, eclecticism, and global outlookThe Album of the World Emperor examines an extraordinary piece of art: an album of paintings, drawings, calligraphy, and European prints compiled for the Ottoman sultan Ahmed I (r. 1603–17) by his courtier Kalender Paşa (d. 1616). In this detailed study of one of the most important works of seventeenth-century Ottoman art, Emine Fetvacı uses the album to explore questions of style, iconography, foreign inspiration, and the very meaning of the visual arts in the Islamic world.The album’s thirty-two folios feature artworks that range from intricate paper cutouts to the earliest examples of Islamic genre painting, and contents as eclectic as Persian and Persian-influenced calligraphy, studies of men and women of different ethnicities and backgrounds, depictions of popular entertainment and urban life, and European prints depicting Christ on the cross that in turn served as models for apocalyptic Ottoman paintings. Through the album, Fetvacı sheds light on imperial ideals as well as relationships between court life and popular culture, and shows that the boundaries between Ottoman art and the art of Iran and Western Europe were much more porous than has been assumed. Rather than perpetuating the established Ottoman idiom of the sixteenth century, the album shows that this was a time of openness to new models, outside sources, and fresh forms of expression.Beautifully illustrated and featuring all the folios of the original seventy-page album, The Album of the World Emperor revives a neglected yet significant artwork to demonstrate the distinctive aesthetic innovations of the Ottoman court.
Albuquerque Beer: Duke City History on Tap (American Palate)
by Chris JacksonAlbuquerque’s commercial brewing scene dates back to 1888, when the Southwestern Brewery & Ice Company was launched. It later churned out thirty thousand barrels of beer per year and distributed throughout the region. Nearly thirty years later, Prohibition halted brewing save for a brief comeback in the late 1930s. In 1993, the modern era emerged with a handful of breweries opening across the city. However, Marble Brewery’s 2008 opening revived Albuquerque’s dormant craft beer scene. Since its opening, the city has welcomed dozens of breweries, brewpubs and taprooms. Writer Chris Jackson recounts the hoppy history of brewing in the Duke City.
Albuquerque International Balloon Fiesta® (Images of Modern America)
by Albuquerque International Balloon Fiesta Heritage CommitteeFrom its humble beginning in 1972 when 13 hot-air balloons ascended from an Albuquerque shopping center parking lot to a stunning annual gathering of 500-plus aeronauts, the Albuquerque International Balloon Fiesta lives on as the most-photographed air show on the planet. As you page through this book, imagine yourself going along for the ride and soaring to new heights. Or if you prefer to keep your feet on the ground, imagine yourself strolling among hundreds of swaying giants, seemingly lost in a dizzying kaleidoscope of color. Join in the camaraderie that draws pilots and fans to Albuquerque from all over the world. You will find yourself mesmerized by the Balloon Fiesta’s signature events and its spirited competition among hot-air balloon pilots. As an added attraction, step back in time to when hydrogen-gas balloons once graced Albuquerque skies and enjoy the fascinating world of silent flight, the America’s Challenge Gas Balloon Race.
Alcarràs: Una història sobre la terra, la pagesia i la família
by Carla SimónUna història sobre la terra, la pagesia i la família Un viatge al cor d'Alcarràs -tot el que hi ha al darrere i al cor la pel·lícula- que recull el guió i la concepció de la pel·lícula que ja és al cim del cinema en català: com va ser pensada, definida i rodada per la seva creadora, Clara Simón, i el coguinista per Arnau Vilaró . A les pàgines d' aquest llibre, no només hi podrem conèixer Alcarràs i la família Solé, sinó també la Carla Simón i la seva manera de fer cinema i d'entendre'l: sempre des de l'amor i el respecte, treballant les pel·lícules com si fossin peces d'orfebreria La crítica ha dit:«Alcarràs és una joia amb gust a préssec i Carla Simón una directora genial que ha fet orfebreria! Una pel·lícula que, per sobre de tot, és veritat».Jordi Basté «A Alcarràs, la llengua ens situa en aquest punt del mapa i no en cap altre, una parla indestriable de tots els sorolls i silencis».Marta Rojals «Alcarràs ens ha fet pujar l’autoestima com a país. Aquest premi ha anat molt més enllà d’una pel·lícula de cinema, ha anat a un poble, a una llengua, a un camp que es perd».Natza Farré «Senzillament, la vida».Jaume Figueras
Alcatraz: History and Design of a Landmark
by Donal Macdonald Ira NadelShrouded in mystery and rich with history, Alcatraz draws over a million visitors each year. This enlightening volume provides the first complete history of Alcatraz told through its architecture. In friendly illustrations and accessible text, authors Donald MacDonald and Ira Nadel reveal the design decisions that have shaped the island from its first brick and masonry fortress to the infamous concrete cellblock, to the landscape design of its contemporary gardens and bird sanctuaries. Packed with intriguing facts throughout, this little treasure allows an unprecedented glimpse into the life of the island. In a lovely cloth-bound package, this is an eminently giftable book and an entertaining look at one of the nation's most visited destinations.
Alcestis, Medea, Hippolytus
by Diane Arnson Svarlien Robin Mitchell-Boyask EuripidesThis new volume of three of Euripides' most celebrated plays offers graceful, economical, metrical translations that convey the wide range of effects of the playwright's verse, from the idiomatic speech of its dialogue to the high formality of its choral odes.
Alchemists of the Stage: Theatre Laboratories in Europe (Routledge Icarus Ser.)
by Mirella SchinoWhat is a theatre laboratory? Why a theatre laboratory? This book tries to answer these questions focusing on the experiences and theories, the visions and the techniques, the differences and similarities of European theatre laboratories in the twentieth century. It studies in depth the Studios of Stanislavski and Meyerhold, the school of Decroux, the Teatr Laboratorium of Jerzy Grotowski and Ludwik Flaszen, as well as Eugenio Barba's Odin Teatret. Theatre laboratories embody a theatre practice which defies the demands and fashions of the times, the usual ways of production and the sensible functions which stage art enjoys in our society. It is a theatre which refuses to be only art and whose radical research forges new conditions with a view to changing both the actor and the spectator. This research transforms theatrical craft into a laboratory which has been compared to the laboratory of the alchemists, who worked not on material but on substance. The alchemists of the stage did not operate only on forms and styles, but mainly on the living matter of the theatre: the actor, seen not just as an artist but above all as a representative of a new human being. Laboratory theatres have rarely been at the centre of the news. Yet their underground activity has influenced theatre history. Without them, the same idea of theatre, as it has been shaped in the course of the twentieth century, would have been different. In this book Mirella Schino recounts, as in a novel, the vicissitudes of a group of practitioners and scholars who try to uncover the technical, political and spiritual perspectives behind the word laboratory when applied to the theatre.
Alchemy, Jung, and Remedios Varo: Cultural Complexes and the Redemptive Power of the Abjected Feminine (Research in Analytical Psychology and Jungian Studies)
by Dennis PottengerAlchemy, Jung, and Remedios Varo offers a depth psychological analysis of the art and life of Remedios Varo, a Spanish surrealist painter. The book uses Varo’s paintings in a revolutionary way: to critique the patriarchal underpinnings of Jungian psychology, alchemy, and Surrealism, illuminating how Varo used painting to address cultural complexes that silence female expression. The book focuses on how the practice of alchemical psychology, through the power of imagination and the archetypal Feminine, can lead to healing and transformation for individuals and culture. Alchemy, Jung, and Remedios Varo offers the first in-depth psychological treatment of the role alchemy played in the friendship between Varo and Leonora Carrington—a connection that led to paintings that protest the pitfalls of patriarchy. This unique book will be of great interest for academics, scholars, and post-graduate students in the fields of analytical psychology, art history, Surrealism, cultural criticism, and Jungian studies.
Alchemy, Paracelsianism, and Shakespeare’s The Winter’s Tale (Palgrave Studies in Literature, Science and Medicine)
by Martina ZamparoThis book explores the role of alchemy, Paracelsianism, and Hermetic philosophy in one of Shakespeare’s last plays, The Winter’s Tale. A perusal of the vast literary and iconographic repertory of Renaissance alchemy reveals that this late play is imbued with several topoi, myths, and emblematic symbols coming from coeval alchemical, Paracelsian, and Hermetic sources. It also discusses the alchemical significance of water and time in the play’s circular and regenerative pattern and the healing role of women. All the major symbols of alchemy are present in Shakespeare’s play: the intertwined serpents of the caduceus, the chemical wedding, the filius philosophorum, and the so-called rex chymicus. This book also provides an in-depth survey of late Renaissance alchemy, Paracelsian medicine, and Hermetic culture in the Elizabethan and Jacobean ages. Importantly, it contends that The Winter’s Tale, in symbolically retracing the healing pattern of the rota alchemica and in emphasising the Hermetic principles of unity and concord, glorifies King James’s conciliatory attitude.
Alcohol Ink: Step-by-Step Techniques for Ink-Based Fluid Art
by Desirée DelâgeMake vibrant abstract art with ink! Includes over twenty step-by-step tutorials on this colorful creative technique. Alcohol inks have exploded onto the art scene with the rise of fluid art techniques such as paint pouring. These accessible inks can be used to create stunning abstract art, even if you&’re a total beginner. Through the step-by-step tutorials and exercises in this book, you&’ll learn everything you need to know to get started with alcohol ink and how to combine techniques into bold, colorful artworks. In addition to paintings on paper, you&’ll discover inspiration and advice on using the techniques to decorate a wide range of surfaces, including ceramics, plastic, glass, wood, and more, to make fashion and home accessories and striking handmade gifts.
Alef Is for Allah: Childhood, Emotion, and Visual Culture in Islamic Societies
by Jamal J. EliasAlef Is for Allah is the first groundbreaking study of the emotional space occupied by children in modern Islamic societies. Focusing primarily on visual representations of children from modern Turkey, Iran, and Pakistan, the book examines these materials to investigate concepts such as innocence, cuteness, gender, virtue, and devotion, as well as community, nationhood, violence, and sacrifice. In addition to exploring a subject that has never been studied comparatively before, Alef Is for Allah extends the boundaries of scholarship on emotion, religion, and visual culture and provides unique insight into Islam as it is lived and experienced in the modern world.
Aleister Crowley: Art, Sex, and Magick in the Weimar Republic
by Tobias ChurtonA biographical history of Aleister Crowley’s activities in Berlin from 1930 to 1932 as Hitler was rising to power • Examines Crowley’s focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with magical orders • Explores Crowley’s relationships with Berlin’s artists, filmmakers, writers, and performers such as Christopher Isherwood, Jean Ross, and Aldous Huxley • Recounts the fates of Crowley’s friends and colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition Gnostic poet, painter, writer, and magician Aleister Crowley arrived in Berlin on April 18, 1930. As prophet of his syncretic religion “Thelema,” he wanted to be among the leaders of art and thought, and Berlin, the liberated future-gazing metropolis, wanted him. There he would live, until his hurried departure on June 22, 1932, as Hitler was rapidly rising to power and the black curtain of intolerance came down upon the city. Known to his friends affectionately as “The Beast,” Crowley saw the closing lights of Berlin’s artistic renaissance of the Weimar period when Berlin played host to many of the world’s most outstanding artists, writers, filmmakers, performers, composers, architects, philosophers, and scientists, including Albert Einstein, Bertolt Brecht, Ethel Mannin, Otto Dix, Aldous Huxley, Jean Ross, Christopher Isherwood, and many other luminaries of a glittering world soon to be trampled into the mud by the global bloodbath of World War II. Drawing on previously unpublished letters and diary material by Crowley, Tobias Churton examines Crowley’s years in Berlin and his intense focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with German Theosophy, Freemasonry, and magical orders. He recounts the fates of Crowley’s colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition--six crates of paintings left behind in Germany as the Gestapo was closing in. Revealing the real Crowley long hidden from the historical record, Churton presents “the Beast” anew in all his ambiguous and, for some, terrifying glory, at a blazing, seminal moment in the history of the world.
Aleister Crowley in America: Art, Espionage, and Sex Magick in the New World
by Tobias ChurtonAn exploration of Crowley’s relationship with the United States • Details Crowley’s travels, passions, literary and artistic endeavors, sex magick, and psychedelic experimentation • Investigates Crowley’s undercover intelligence adventures that actively promoted U.S. involvement in WWI • Includes an abundance of previously unpublished letters and diaries Occultist, magician, poet, painter, and writer Aleister Crowley’s three sojourns in America sealed both his notoriety and his lasting influence. Using previously unpublished diaries and letters, Tobias Churton traces Crowley’s extensive travels through America and his quest to implant a new magical and spiritual consciousness in the United States, while working to undermine Germany’s propaganda campaign to keep the United States out of World War I. Masterfully recreating turn-of-the-century America in all its startling strangeness, Churton explains how Crowley arrived in New York amid dramatic circumstances in 1900. After other travels, in 1914 Crowley returned to the U.S. and stayed for five years: turbulent years that changed him, the world, and the face of occultism forever. Diving deeply into Crowley’s 5-year stay, we meet artists, writers, spies, and government agents as we uncover Crowley’s complex work for British and U.S. intelligence agencies. Exploring Crowley’s involvement with the birth of the Greenwich Village radical art scene, we discover his relations with writers Sinclair Lewis and Theodore Dreiser and artists John Butler Yeats, Leon Engers Kennedy, and Robert Winthrop Chanler while living and lecturing on now-vanished “Genius Row.” We experience his love affairs and share Crowley’s hard times in New Orleans and his return to health, magical dynamism, and the most colorful sex life in America. We examine his controversial political stunts, his role in the sinking of the passenger ship Lusitania, his making of the “Elixir of Life” in 1915, his psychedelic experimentation, his prolific literary achievements, and his run-in with Detroit Freemasonry. We also witness Crowley’s influence on Scientology founder L. Ron Hubbard and rocket fuel genius Jack Parsons. We learn why J. Edgar Hoover wouldn’t let Crowley back in the country and why the FBI raided Crowley’s organization in LA. Offering a 20th-century history of the occult movement in the United States, Churton shows how Crowley’s U.S. visits laid the groundwork for the establishment of his syncretic “religion” of Thelema and the now flourishing OTO, as well as how Crowley’s final wish was to have his ashes scattered in the Hamptons.
Aleister Crowley in England: The Return of the Great Beast
by Tobias Churton• Reveals Crowley&’s sex magick relations in London and his contacts with important figures, including Dion Fortune, Gerald Gardner, Jack Parsons, Dylan Thomas, and black equality activist Nancy Cunard • Explores Crowley&’s nick-of-time escape from the Nazi takeover in Germany and offers extensive confirmation of Crowley&’s work for British intelligence • Examines the development of Crowley&’s later publications and his articles in reaction to the Nazi Gestapo actively persecuting his followers in Germany After an extraordinary life of magical workings, occult fame, and artistic pursuits around the globe, Aleister Crowley was forced to spend the last fifteen years of his life in his native England, nearly penniless. Much less examined than his early years, this final period of the Beast&’s life was just as filled with sex magick, espionage, romance, transatlantic conflict, and extreme behavior. Drawing on previously unpublished diaries and letters, Tobias Churton provides the first detailed treatment of the final years of Crowley&’s life, from 1932 to 1947. He opens with Crowley&’s nick-of-time escape from the Nazi takeover in Germany and his return home to England, flat broke. Churton offers extensive confirmation of Crowley&’s work as a secret operative for MI5 and explores how Crowley saw World War II as the turning point for the &“New Aeon.&” He examines Crowley&’s notorious 1934 London trial, which resulted in his bankruptcy, and shares inside stories of Crowley&’s relations with Californian O.T.O. followers, including rocket-fuel specialist Jack Parsons, and his attempt to take over H. Spencer Lewis&’s Rosicrucian Order. The author reveals Crowley&’s sex magick relations in London and his contacts with spiritual leaders of the time, including Dion Fortune and Wicca founder Gerald Gardner. He examines Crowley&’s dealings with artists such as Dylan Thomas, Alfred Hitchcock, Augustus John, Peter Warlock, and Peter Brooks and dispels the accusations that Crowley was racist, exploring his work with lifelong friend, black equality activist Nancy Cunard. Churton also examines the development of Crowley&’s later publications such as Magick without Tears as well as his articles in reaction to the Nazi Gestapo who was actively persecuting his remaining followers in Germany. Presenting an intimate and compelling study of Crowley in middle and old age, Churton shows how the Beast still wields a wand-like power to delight and astonish.
Aleister Crowley in India: The Secret Influence of Eastern Mysticism on Magic and the Occult
by Tobias ChurtonFollow Aleister Crowley through his mystical travels in India, which profoundly influenced his magical system as well as the larger occult world • Shares excerpts from Crowley&’s unpublished diaries and details his travels in India, Burma, and Sri Lanka from 1901 to 1906 • Reveals how Crowley incorporated what he learned in India--jnana yoga, Vedantist, Tantric, and Buddhist philosophy--into his own school of Magick • Explores the world of Theosophy, yogis, Hindu traditions, and the first Buddhist sangha to the West as well as the first pioneering expeditions to K2 and Kangchenjunga in 1901 and 1905 Early in life, Aleister Crowley&’s dissociation from fundamentalist Christianity led him toward esoteric and magical spirituality. In 1901, he made the first of three voyages to the Indian subcontinent, searching for deeper knowledge and experience. His religious and magical system, Thelema, shows clear influence of his thorough experimental absorption in Indian mystical practices. Sharing excerpts from Crowley&’s unpublished diaries, Tobias Churton tells the true story of Crowley&’s adventures in India from 1901 to 1906, culminating in his first experience of the supreme trance of jnana (&“gnostic&”) yoga, Samadhi: divine union. Churton shows how Vedantist and Advaitist philosophies, Hindu religious practices, yoga, and Mahayana and Theravada Buddhism informed Crowley&’s spiritual system and reveals how he built on Madame Blavatsky and Henry Steel Olcott&’s prior work in India. Churton illuminates links between these beliefs and ancient Gnostic systems and shows how they informed the O.T.O. system through Franz Hartmann and Theodor Reuss. Churton explores Crowley&’s early breakthrough in consciousness research with a Dhyana trance in Sri Lanka, becoming a devotee of Shiva and Bhavani, fierce avatar of the goddess Parvati. Recounting Crowley&’s travels to the temples of Madurai, Anuradhapura, and Benares, Churton looks at the gurus of yoga and astrology Crowley met, while revealing his adventures with British architect, Edward Thornton. Churton also details Crowley&’s mountaineering feats in India, including the record-breaking attempt on Chogo Ri (K2) in 1902 and the Kangchenjunga disaster of 1905. Revealing how Crowley incorporated what he learned in India into his own school of Magick, including an extensive look at his theory of correspondences, the symbology of 777, and the Thelemic synthesis, Churton sheds light on one of the most profoundly mystical periods in Crowley&’s life as well as how it influenced the larger occult world.
Aleister Crowley in Paris: Sex, Art, and Magick in the City of Light
by Tobias Churton• Investigates the tales of Crowley &“raising Pan,&” going mad, and working gay sex magick in Paris• Uncovers Crowley&’s involvement in the Belle Époque with sculptor Auguste Rodin and other artists and in the 1920s with Berenice Abbott, Nancy Cunard, Man Ray, André Gide, and Aimée Crocker• Reveals Crowley&’s &“expulsion&” from Paris in 1929 as a high-level conspiracy against CrowleyExploring occultist, magician, poet, painter, and writer Aleister Crowley&’s longstanding and intimate association with Paris, Tobias Churton provides the first detailed account of Crowley&’s activities in the City of Light.Using previously unpublished letters and diaries, Churton explores how Crowley was initiated into the Golden Dawn&’s Inner Order in Paris in 1900 and how, in 1902, he relocated to Montparnasse. Soon engaged to Anglo-Irish artist Eileen Gray, Crowley pontificates and parties with English, American, and French artists gathered around sculptor Auguste Rodin: all keen to exhibit at Paris&’s famed Salon d&’Automne. In 1904—still dressed as &“Prince Chioa Khan&” and recently returned from his Book of the Law experience in Cairo—Crowleydines with novelist Arnold Bennett at Paillard&’s. In 1908 Crowley is back in Paris to prove it&’s possible to attain Samadhi (or &“knowledge and conversation of the Holy Guardian Angel&”) while living a modern life in a busy metropolis. In 1913 he organizes a demonstration for artistic and sexual freedom at Oscar Wilde&’s tomb. Until war spoils all in 1914, Paris is Crowley&’s playground.The author details how, after returning from America in 1920, and though based at his &“Abbey of Thelema&” in Sicily, Crowley can&’t leave Paris alone. When Mussolini expels him from Italy, Paris becomes his home from 1924 until 1929. Churton reveals Crowley&’s part in the jazz-age explosion of modernism, as the lover of photographer Berenice Abbott and many others, and how he enjoyed camaraderie with Man Ray, Nancy Cunard, André Gide, and Aimée Crocker. The author explores Crowley&’s adventures in Tunisia, Algeria, the Riviera,his battle with heroin addiction, his relationship with daughter Astarte Lulu—raised at Cefalù—and finally, a high-level ministerial conspiracy to get him out of Paris.Reconstructing Crowley&’s heyday in the last decade and a half of France&’s Belle Époque and the &“roaring Twenties,&” this book illuminates Crowley&’s place within the artistic, literary, and spiritual ferment of the great City of Light.