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Extreme Face Painting: 50 Friendly & Fiendish Step-by-Step Demos
by Brian WolfePut a new face on fun!No matter what your experience level, you can turn everyday faces into sweet, funny or frightening works of art that move, laugh, grow and always make people smile! The first half of this book features fun, friendly transitions, such as birds and butterflies, puppies and princesses, knights and night skies. Part Two crosses over to the dark side with strikingly horrible, downright unnerving personas, including vampires, zombies, gargoyles and other foul, freakish creeps. · Easy-to-follow instruction from two award-winning artists· 50 step-by-step projects ranging from simple to more advanced· Designs include popular kid and adult themes for parties, performances, Halloween and other occasions· Expert techniques for painting remarkably realistic textures, making human features virtually disappear, creating the look of age and other surprising, fool-the-eye effectsFull of friendly instruction for beginners and fresh inspiration for seasoned painters, this book will help you make art as original as the face that is painted!
Extreme Halloween
by Tom NardoneAll new diabolical ideas from the bestselling author of Extreme Pumpkins— the ultimate guide to reviving the grisly true spirit of Halloween. From baking hemorrhaging desserts to burying family and friends alive, the outrageous projects in this guide will inspire readers to transform the house, the yard, the kids, and the wardrobe for the scariest Halloween ever. Some of the spooky ideas include: • Alligator in the Leaf Pile • Toilet Bowl of Candy • Fog Your Yard • Buried Alive • Turning a Garage into a Haunted House • A Cake that Bleeds • Costumes to Disturb and Amuse For any fan of Halloween, this extreme celebration will spook, inspire, and help freak out the neighbors. .
Extreme Perspective! For Artists: Learn the Secrets of Curvilinear, Cylindrical, Fisheye, Isometric, and Other Amazing Drawing Systems that Will Make Your Drawings Pop Off the Page
by David ChelseaIn this sequel to the classic bestseller Perspective! For the Comic Book Artist, David Chelsea takes perspective to a whole other level—by exploring the most dramatic viewpoints employed by today&’s artists. Many of these techniques have been carefully guarded secrets for centuries. But David, and his hollow-headed friend, Mugg, make them accessible to a new generation of artists, cartoonists, illustrators, and animators. In Extreme Perspective! For Artists, you&’ll learn how to • Render complicated multi-sided objects in perfect perspective• Create accurate shadows and reflections from your own imagination• Master the most difficult kinds of curvilinear perspective systems• Draw eye-popping images in fisheye perspective• Use your computer to create elaborate scenes quicker and more easily• … And much, much more!
The Eye: An Insider's Memoir of Masterpieces, Money and the Magnetism of Art
by Philippe CostamagnaIt's a rare and secret profession, comprising a few dozen people around the world equipped with a mysterious mixture of knowledge and innate sensibility. Summoned to Swiss bank vaults, Fifth Avenue apartments, and Tokyo storerooms, they are entrusted by collectors, dealers, and museums to decide if a coveted picture is real or fake and to determine if it was painted by Leonardo da Vinci or Raphael. The Eye lifts the veil on the rarified world of connoisseurs devoted to the authentication and discovery of Old Master artworks. This is an art adventure story and a memoir all in one, written by a leading expert on the Renaissance whose métier is a high-stakes detective game involving massive amounts of money and frenetic activity in the service of the art market and scholarship alike. It's also an eloquent argument for the enduring value of visual creativity, told with passion, brilliance, and surprising candor. PHILIPPE COSTAMAGNA is a specialist in sixteenth-century Italian painting and director of the Musée des Beaux-Arts in Ajaccio, Corsica. He is the author of a book on the Florentine Renaissance painter Pontormo.
The Eye: An Insider's Memoir of Masterpieces, Money, and the Magnetism of Art
by Philippe Costamagna&“Lifting the veil on the shadowy world of art insiders, Costamagna delivers an entertaining reflection on the dealers, devotees, and decision makers.&” —Town & Country Magazine It&’s a rare and secret profession, comprising a few dozen people around the world equipped with a mysterious mixture of knowledge and innate sensibility. Summoned to Swiss bank vaults, Fifth Avenue apartments and Tokyo storerooms, they are entrusted by collectors, dealers and museums to decide if a coveted picture is real or fake and to determine if it was painted by Leonardo da Vinci or Raphael. The Eye brings to light the rarified world of connoisseurs devoted to the authentication and discovery of Old Master art works. This is an art adventure story and a memoir all in one, written by a leading expert on the Renaissance whose métier is a high-stakes detective game involving massive amounts of money and frenetic activity in the service of the art market and scholarship alike. It&’s also an eloquent argument for the enduring value of visual creativity, told with passion, brilliance and surprising candor. &“[A] rollicking and erudite tour of the art world . . . Costamagna&’s candor and well-earned hubris make for an entertaining foray into the high-stakes art world.&” —Publishers Weekly &“As thrilling as a police novel.&” —La Croix &“An insider&’s look at the dramatic world of attributing and dating art . . . This art world Sherlock Holmes travels the globe . . . Delightful.&” —Introspective Magazine &“One comes away feeling somewhat re-sensitized to beauty and somewhat nostalgic for an era when museums weren&’t the selfie-stick madhouses they are today.&” —The Washington Post
The Eye: How the World's Most Influential Creative Directors Develop Their Vision
by Nathan WilliamsThey’re often behind the scenes, letting their work take center stage. But now Nathan Williams, founder and creative director of Kinfolk magazine and author of The Kinfolk Table, The Kinfolk Home, and The Kinfolk Entrepreneur—with over 250,000 copies in print combined—brings more than 90 of the most iconic and influential creative directors into the spotlight. In The Eye, we meet fashion designers like Claire Waight Keller and Thom Browne. Editorial directors like Fabien Baron and Marie-Amélie Sauvé. Tastemakers like Grace Coddington and Linda Rodin. We learn about the books they read, the mentors who guided them, their individual techniques for achieving success. We learn how they developed their eye—and how they’ve used it to communicate visual ideas that have captured generations and will shape the future. As an entrepreneur whose own work is defined by its specific and instantly recognizable aesthetic, Nathan Williams has a unique vision of contemporary culture that will make this an invaluable book for art directors, designers, photographers, stylists, and any creative professionals seeking inspiration and advice.
Eye Contact: Photographing Indigenous Australians
by Jane LydonAn indigenous reservation in the colony of Victoria, Australia, the Coranderrk Aboriginal Station was a major site of cross-cultural contact the mid-nineteenth century and early twentieth. Coranderrk was located just outside Melbourne, and from its opening in the 1860s the colonial government commissioned many photographs of its Aboriginal residents. The photographs taken at Coranderrk Station circulated across the western world; they were mounted in exhibition displays and classified among other ethnographic "data" within museum collections. The immense Coranderrk photographic archive is the subject of this detailed, richly illustrated examination of the role of visual imagery in the colonial project. Offering close readings of the photographs in the context of Australian history and nineteenth- and early-twentieth-century photographic practice, Jane Lydon reveals how western society came to understand Aboriginal people through these images. At the same time, she demonstrates that the photos were not solely a tool of colonial exploitation. The residents of Coranderrk had a sophisticated understanding of how they were portrayed, and they became adept at manipulating their representations. Lydon shows how the photographic portrayals of the Aboriginal residents of Coranderrk changed over time, reflecting various ideas of the colonial mission--from humanitarianism to control to assimilation. In the early twentieth century, the images were used on stereotypical postcards circulated among the white population, showing what appeared to be compliant, transformed Aboriginal subjects. The station closed in 1924 and disappeared from public view until it was rediscovered by scholars years later. Aboriginal Australians purchased the station in 1998, and, as Lydon describes, today they are using the Coranderrk photographic archive in new ways, to identify family members and tell stories of their own.
An Eye for Art: Focusing on Great Artists and Their Work
by National Gallery of ArtLavishly illustrated with hundreds of full-color images, this family-oriented art resource introduces children to more than 50 great artists and their work, with corresponding activities and explorations that inspire artistic development, focused looking, and creative writing. This treasure trove of artwork from the National Gallery of Art includes, among others, works by Raphael, Rembrandt, Georgia O'Keeffe, Henri Matisse, Chuck Close, Jacob Lawrence, Pablo Picasso, and Alexander Calder, representing a wide range of artistic styles and techniques. Written by museum educators with decades of hands-on experience in both art-making activities and making art relatable to children, the activities include sculpting a clay figure inspired by Edgar Degas; drawing an object from touch alone, inspired by Joan Miro's experience as an art student; painting a double-sided portrait with one side reflecting physical traits and the other side personality traits, inspired by Leonardo da Vinci's Ginevra de' Benci; and creating a story based on a Mary Cassatt painting. Educators, homeschoolers, and families alike will find their creativity sparked by this art extravaganza.
An Eye for Color: The Story of Josef Albers
by Natasha Wing Julia Breckenreid<p>As a child, Josef Albers loved to watch his handyman father paint houses.When Josef grew up and became an artist, he reduced each image to its simplest shapes, breaking it down into blocks of color. <p>He made an incredible discovery: he could alter the entire mood of a painting just by changing the way he combined the colors! Josef spent his entire life studying color, and what he found revolutionized the way people look at art.</p>
The Eye of Conscience: Photographers and Social Change
by Milton Meltzer Bernard ColePhotographs by noted photographers, past and present, and how photography has captured history and changed our existence.<P><P> Jane Addams Children’s Book Award Honor Book
Eye of Newt and Toe of Frog, Adder's Fork and Lizard's Leg: The Lore and Mythology of Amphibians and Reptiles
by Marty CrumpFrom celebrated herpetologist and science writer Marty Crump, a beautifully illustrated exploration of the interlinked stories of herp folklore, natural history, and conservation. Frogs are worshipped for bringing nourishing rains, but blamed for devastating floods. Turtles are admired for their wisdom and longevity, but ridiculed for their sluggish and cowardly behavior. Snakes are respected for their ability to heal and restore life, but despised as symbols of evil. Lizards are revered as beneficent guardian spirits, but feared as the Devil himself. In this ode to toads and snakes, newts and tuatara, crocodiles and tortoises, herpetologist and science writer Marty Crump explores folklore across the world and throughout time. From creation myths to trickster tales; from associations with fertility and rebirth to fire and rain; and from the use of herps in folk medicines and magic, as food, pets, and gods, to their roles in literature, visual art, music, and dance, Crump reveals both our love and hatred of amphibians and reptiles—and their perceived power. In a world where we keep home terrariums at the same time that we battle invasive cane toads, and where public attitudes often dictate that the cute and cuddly receive conservation priority over the slimy and venomous, she shows how our complex and conflicting perceptions threaten the conservation of these ecologically vital animals. Sumptuously illustrated, Eye of Newt and Toe of Frog, Adder’s Fork and Lizard’s Leg is a beautiful and enthralling brew of natural history and folklore, sobering science and humor, that leaves us with one irrefutable lesson: love herps. Warts, scales, and all.
Eye of the Century: Film, Experience, Modernity (Film and Culture Series)
by Francesco CasettiIs it true that film in the twentieth century experimented with vision more than any other art form? And what visions did it privilege? In this brilliant book, acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of twentieth-century modernity. He suggests that film defined a unique gaze, not only because it recorded many of the century's most important events, but also because it determined the manner in which they were received.Casetti begins by examining film's nature as a medium in an age obsessed with immediacy, nearness, and accessibility. He considers the myths and rituals cinema constructed on the screen and in the theater and how they provided new images and behaviors that responded to emerging concerns, ideas, and social orders. Film also succeeded in negotiating the different needs of modernity, comparing and uniting conflicting stimuli, providing answers in a world torn apart by conflict, and satisfying a desire for everydayness, as well as lightness, in people's lives. The ability to communicate, the power to inform, and the capacity to negotiate-these are the three factors that defined film's function and outlook and made the medium a relevant and vital art form of its time.So what kind of gaze did film create? Film cultivated a personal gaze, intimately tied to the emergence of point of view, but also able to restore the immediacy of the real; a complex gaze, in which reality and imagination were combined; a piercing gaze, achieved by machine, and yet deeply anthropomorphic; an excited gaze, rich in perceptive stimuli, but also attentive to the spectator's orientation; and an immersive gaze, which gave the impression of being inside the seen world while also maintaining a sense of distance. Each of these gazes combined two different qualities and balanced them. The result was an ever inventive synthesis that strived to bring about true compromises without ever sacrificing the complexity of contradiction. As Casetti demonstrates, film proposed a vision that, in making opposites permeable, modeled itself on an oxymoronic principle. In this sense, film is the key to reading and understanding the modern experience.
Eye of the Century: Film, Experience, Modernity
by Francesco CasettiIn this brilliant book, acclaimed film scholar Francesco Casetti examines film's nature and role in the twentieth century, an age obsessed with immediacy, worried about newness, eager for nearness and transparency, and torn apart by conflict. In its time, cinema negotiated the different needs of modernity, compared and united conflicting stimuli, and provided answers for everydayness. Film cultivated a personal gaze, intimately tied to the emergence of point of view, but also able to restore the immediacy of the real; a complex gaze, in which reality and imagination were combined; a piercing gaze, achieved by machine, and yet deeply anthropomorphic; an excited gaze, rich in perceptive stimuli, but also attentive to the spectator's orientation; and an immersive gaze, which gave the impression of being inside the seen world while also maintaining a sense of distance. Each of these gazes combined two different qualities and balanced them, resulting in a synthesis that strived to bring about true compromises without ever sacrificing the complexity of contradiction. As Casetti demonstrates, film proposed a vision that, in making opposites permeable, modeled itself on an oxymoronic principle, and is therefore the key to understanding the modern experience.
Eye of the Sixties: Richard Bellamy and the Transformation of Modern Art
by Judith E. SteinIn 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert support of America’s first celebrity art collectors, Robert and Ethel Scull, Bellamy gained his footing just as pop art, minimalism, and conceptual art were taking hold and the art world was becoming a playground for millionaires. Yet as an eccentric impresario dogged by alcohol and uninterested in profits or posterity, Bellamy rarely did more than show the work he loved. As fellow dealers such as Leo Castelli and Sidney Janis capitalized on the stars he helped find, Bellamy slowly slid into obscurity, becoming the quiet man in oversize glasses in the corner of the room, a knowing and mischievous smile on his face.Born to an American father and a Chinese mother in a Cincinnati suburb, Bellamy moved to New York in his twenties and made a life for himself between the Beat orbits of Provincetown and white-glove events like the Guggenheim’s opening gala. No matter the scene, he was always considered “one of us,” partying with Norman Mailer, befriending Diane Arbus and Yoko Ono, and hosting or performing in historic Happenings. From his early days at the Hansa Gallery to his time at the Green to his later life as a private dealer, Bellamy had his finger on the pulse of the culture. Based on decades of research and on hundreds of interviews with Bellamy’s artists, friends, colleagues, and lovers, Judith E. Stein’s Eye of the Sixties rescues the legacy of the elusive art dealer and tells the story of a counterculture that became the mainstream. A tale of money, taste, loyalty, and luck, Richard Bellamy’s life is a remarkable window into the art of the twentieth century and the making of a generation’s aesthetic.--"Bellamy had an understanding of art and a very fine sense of discovery. There was nobody like him, I think. I certainly consider myself his pupil." --Leo Castelli
Eye of the Taika: New Zealand Comedy and the Films of Taika Waititi (Contemporary Approaches to Film and Media Series)
by Matthew BannisterEye of the Taika: New Zealand Comedy and the Films of Taika Waititi is the first book-length study of comic film director and media celebrity Taika Waititi. Author Matthew Bannister analyses Waititi’s feature films and places his other works and performances—short films, TV series, advertisements, music videos, and media appearances—in the fabric of popular culture. The book’s thesis is that Waititi’s playful comic style draws on an ironic reading of NZ identity as Antipodean camp, a style which reflects NZ’s historic status as colonial underdog. The first four chapters of Eye of the Taika explore Waititi’s early life and career, the history of New Zealand and its film industry, the history of local comedy and its undervaluation in favor of more "serious" art, and ethnicity in New Zealand comedy. Bannister then focuses on Waititi’s films, beginning with Eagle vs Shark (2007) and its place in "New Geek Cinema," despite being an outsider even in this realm. Bannister uses Boy (2010) to address the "comedian comedy," arguing that Waititi is a comedic entertainer before being a director. With What We Do in The Shadows (2014), Bannister explores Waititi’s use of the vampire as the archetypal immigrant struggling to fit into mainstream society, under the guise of a mockumentary. Waititi’s Hunt for the Wilderpeople (2016), Bannister argues, is a family-friendly, rural-based romp that plays on and ironizes aspects of Aotearoa/New Zealand identity. Thor: Ragnarok (2017) launched Waititi into the Hollywood realm, while introducing a Polynesian perspective on Western superhero ideology. Finally, Bannister addresses Jojo Rabbit (2019) as an "anti-hate satire" and questions its quality versus its topicality and timeliness in Hollywood. By viewing Waititi’s career and filmography as a series of pranks, Bannister identifies Waititi’s playful balance between dominant art worlds and emergent postcolonial innovations, New Zealand national identity and indigenous Aotearoan (and Jewish) roots, and masculinity and androgyny. Eye of the Taika is intended for film scholars and film lovers alike.
Eye Tracking Methodology
by Andrew T. DuchowskiDespite the availability of cheap, fast, accurate and usable eye trackers, there is little information available on how to develop, implement and use these systems. This book aims to fill that gap in the market by providing an accessible introduction for practitioners and students. The first part of the book covers useful background information, including an introduction to the human visual system and key issues in visual perception and eye movement. The second part surveys eye-tracking devices and gives a detailed introduction to the technical requirements for installing a system and developing an application program. It focuses on video-based, corneal-reflection eye trackers - the most widely available and affordable type of system. The final part looks at a number of interesting and challenging applications in areas such as Human Factors, Collaborative Systems, Virtual Reality, Marketing and Advertising. Eye Tracking Methodology: Theory and Practice will be an invaluable guide for practitioners responsible for developing or implementing an eye tracking system. It will also be an invaluable teaching text for relevant modules on advanced undergraduate and postgraduate courses such
Eyeing the Flash
by Peter FentonThe year is 1963, the setting small-town Michigan. Pete Fenton is just another well-mannered math student until he meets Jackie Barron, a teenage grifter who introduces him to the carnival underworld -- and lures him with the cons, the double-dealing, and, most of all, the easy money. The memoir of a shy middle-class kid turned first-class huckster, Eyeing the Flash is highly unorthodox, and utterly compelling.
Eyeliner: A Cultural History
by Zahra HankirA New York Times Book Review Editors' Choice Pick&“Cosmetic, tool of rebellion, status signifier: Eyeliner has been all these and more. Moving through millenniums and across civilizations, Hankir gives the makeup its eye-opening due.&” —The New York Times Book Review&“An impressive, rigorously researched, winding path through centuries and over continents.&” —NPR.org&“I loved Eyeliner. Hankir approaches her subject with dedicated curiosity, humility, and humor, blending anthropology, travel writing, memoir and history. A treat.&” —Kassia St. Clair, author of The Secret Lives of ColorFrom the acclaimed editor of Our Women on the Ground comes a dazzling exploration of the intersections of beauty and power around the globe, told through the lens of an iconic cosmeticFrom the distant past to the present, with fingers and felt-tipped pens, metallic powders and gel pots, humans have been drawn to lining their eyes. The aesthetic trademark of figures ranging from Nefertiti to Amy Winehouse, eyeliner is one of our most enduring cosmetic tools; ancient royals and Gen Z beauty influencers alike would attest to its uniquely transformative power. It is undeniably fun—yet it is also far from frivolous.Seen through Zahra Hankir&’s (kohl-lined) eyes, this ubiquitous but seldom-examined product becomes a portal to history, proof both of the stunning variety among cultures across time and space and of our shared humanity. Through intimate reporting and conversations—with nomads in Chad, geishas in Japan, dancers in India, drag queens in New York, and more—Eyeliner embraces the rich history and significance of its namesake, especially among communities of color. What emerges is an unexpectedly moving portrait of a tool that, in various corners of the globe, can signal religious devotion, attract potential partners, ward off evil forces, shield eyes from the sun, transform faces into fantasies, and communicate volumes without saying a word.Delightful, surprising, and utterly absorbing, Eyeliner is a fascinating tour through streets, stages, and bedrooms around the world, and a thought-provoking reclamation of a key piece of our collective history.
Eyes Beyond The Horizon
by Eleanor G. Bowman Susan F. TitusStory of the Far East Broadcasting Company's shortwave radio ministry
The Eyes of the Heart: A Memoir of the Lost and Found
by Frederick BuechnerFrom critically acclaimed author and Pulitzer Prize runner-up Frederick Buechner comes another powerfully honest memoir, The Eyes of the Heart. Full of poinant insights into his most personal relationships, this moving account traces how the author was shaped as much by his family's secrets as by its celebrations.Within the innermost chambers of his consciousness, Buechner, in his characteristically self-searching style, explores the mysteries and truths behind his deepest connections to family, friends, and mentors. Extraordinarily moving, this memoir follows not chronology but the converging paths of Buechner's imagination and memory.Buechner invites us into his library-his own Magic Kingdom, Surrounded by his beloved books and treasures, we discover how they serve as the gateway to Buechner's mind and heart. He draws the reader into his recollections, moving seamlessly from reminiscence to contemplation. Buechner recounts events such as the tragic suicide of his father and its continual fallout on his life, intimate and little-known details about his deep friendship with the late poet James Merrill, and his ongoing struggle to understand the complexities of his relationship to his mother.This cast of characters comprised of Buechner's relatives and loved ones is brought to vibrant life by his peerless writing and capacity to probe the depths of his own consciousness. Buechner visits his past with an honest eye and a heart open to the most painful and life-altering of realizations. heartbreaking and enlightening, The Eyes of the Heart is a treasure for any who have ever pondered the meaning and mystery of their own past.As "one of our finest writers," according to author Annie Dillard, Frederick Buechner provides yet another chapter in the tale of his life in this gripping memoir tracing the complicated roots and path of his inner life and family, with their multitude of intersections." The Eyes of the Heart stands as a touching testimonial to the significance of kinship to the author as well as to the legions of readers who have come to regard him as one of their own.
The Eyes of the Skin: Architecture and the Senses
by Juhani PallasmaaTHE EYES OF THE SKIN Explore the relationship between architecture and the sensory experience with the fourth edition of this groundbreaking work First published in 1996, The Eyes of the Skin is a classic of architectural theory. It asks the far-reaching question why, when there are five senses, is one single sense—sight—so predominant in architectural culture and design? With the ascendancy of the digital and the all-pervasive use of the image electronically, the subject is all the more pressing and topical since the first edition’s publication. Juhani Pallasmaa argues that the suppression of the other four sensory realms has led to the overall impoverishment of our built environment, often diminishing the emphasis on the spatial experience of a building and architecture’s ability to inspire, engage and be wholly life enhancing. For a student reading this text for the first time, The Eyes of the Skin is a revelation. It provides a fresh, compelling insight into architectural culture which continues to inspire more than a quarter-century after its initial publication. The fourth edition of The Eyes of the Skin also features: The author’s latest views on the emphasis of place, unfocused perception and existential experience Updates and clarifications throughout, to reinforce how our sense of self in the world remains our most important sense with the greatest architectural impact An updated Foreword that touches on the current understanding of the seminal importance of the existential sense The Eyes of the Skin is a must-read for all architecture students, who will find its insights transformative.
The Eyes of the Skin
by Juhani PallasmaaFirst published in 1996, The Eyes of the Skin has become a classic of architectural theory. It asks the far-reaching question why, when there are five senses, has one single sense - sight - become so predominant in architectural culture and design? With the ascendancy of the digital and the all-pervasive use of the image electronically, it is a subject that has become all the more pressing and topical since the first edition's publication in the mid-1990s. Juhani Pallasmaa argues that the suppression of the other four sensory realms has led to the overall impoverishment of our built environment, often diminishing the emphasis on the spatial experience of a building and architecture's ability to inspire, engage and be wholly life enhancing.For every student studying Pallasmaa's classic text for the first time, The Eyes of the Skin is a revelation. It compellingly provides a totally fresh insight into architectural culture. This third edition meets readers' desire for a further understanding of the context of Pallasmaa's thinking by providing a new essay by architectural author and educator Peter MacKeith. This text combines both a biographical portrait of Pallasmaa and an outline of his architectural thinking, its origins and its relationship to the wider context of Nordic and European thought, past and present. The focus of the essay is on the fundamental humanity, insight and sensitivity of Pallasmaa's approach to architecture, bringing him closer to the reader. This is illustrated by Pallasmaa's sketches and photographs of his own work. The new edition also provides a foreword by the internationally renowned architect Steven Holl and a revised introduction by Pallasmaa himself.
Eyes with Winged Thoughts: Poems and Photographs
by Gordon ParksIn Eyes with Winged Thoughts, the forty-four photographs and fifty-eight poems, reflecting on his long and extraordinary life, offer a rare glimpse of his thoughts and feelings about everything from romantic love to the Iraq war and the passing of Pope John Paul II. He has done it all. Gordon Parks's life is an astonishing litany of firsts: in the 1940s he was the first African-American photographer to work for the Farm Security Administration and for Vogue and Life magazines; in the 1960s he would become the first African-American director of a major motion picture. A dominating figure in contemporary American culture, he is an artist of uncompromising vision and creativity. In 2002 Parks received the Jackie Robinson Foundation Lifetime Achievement Award and was inducted into the International Photography Hall of Fame, just the latest in a series of honors that began when he received a prestigious Julius Rosenwald Fellowship in 1941 and which now includes an Emmy, a National Medal of the Arts, and over fifty honorary doctorates. Now in his nineties, he could easily rest on his laurels, but the luminous photographs on display in Eyes with Winged Thoughts and the poems -- some meditative and lyrical, some raw with emotion about the war in Iraq and the tragedy of the tsunami -- show that he is still a true American Renaissance man.
Eyewitness to Old St Peter's: A Study of Maffeo Vegio's 'Remembering the Ancient History of St. Peter's Basilica in Rome,' with Translation and a Digital Reconstruction of the Church
by Christine Smith Joseph F. O'Connor Matffeo VegioOld St Peter's Basilica in Rome stood for over eleven centuries until it was demolished to make room for today's church on the same Vatican site. Its last eyewitness, Maffeo Vegio, explained to the Roman hierarchy how revival of the papacy, whose prestige after the exile to Avignon had been diminished, was inseparable from a renewed awareness of the primacy of Peter's Church. To make his case, Vegio wrote a history founded on credible written and visual evidence. The text guides us through the building's true story in its material reality, undistorted by medieval guides. This was its living memory and a visualization of the continuity of Roman history into modern times. This volume makes available the first complete English translation of Vegio's text. Accompanied by full-color digital reconstructions of the Basilica as it appeared in Vegio's day.
Eyewitness to Titanic: From Building the Great Ship to the Search for Its Watery Grave
by Terri Dougherty Sean Stewart Price Sean McCollumView the story of the doomed ship Titanic through the eyes of those who knew it best. Builders, crew members, passengers, and explorers who discovered the wreck each have their own perspectives. Feel the pride of builders as they put the final touches on the grand staircase and the deep sadness of survivors who left loved ones behind. It's the story of the Titanic like you've never heard it before.