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Alcarràs: Una història sobre la terra, la pagesia i la família

by Carla Simón

Una història sobre la terra, la pagesia i la família Un viatge al cor d'Alcarràs -tot el que hi ha al darrere i al cor la pel·lícula- que recull el guió i la concepció de la pel·lícula que ja és al cim del cinema en català: com va ser pensada, definida i rodada per la seva creadora, Clara Simón, i el coguinista per Arnau Vilaró . A les pàgines d' aquest llibre, no només hi podrem conèixer Alcarràs i la família Solé, sinó també la Carla Simón i la seva manera de fer cinema i d'entendre'l: sempre des de l'amor i el respecte, treballant les pel·lícules com si fossin peces d'orfebreria La crítica ha dit:«Alcarràs és una joia amb gust a préssec i Carla Simón una directora genial que ha fet orfebreria! Una pel·lícula que, per sobre de tot, és veritat».Jordi Basté «A Alcarràs, la llengua ens situa en aquest punt del mapa i no en cap altre, una parla indestriable de tots els sorolls i silencis».Marta Rojals «Alcarràs ens ha fet pujar l’autoestima com a país. Aquest premi ha anat molt més enllà d’una pel·lícula de cinema, ha anat a un poble, a una llengua, a un camp que es perd».Natza Farré «Senzillament, la vida».Jaume Figueras

Alcatraz: History and Design of a Landmark

by Donald MacDonald Ira Nadel

This illustrated volume by the authors of Golden Gate Bridge explores the history and design of San Francisco’s infamous island prison.Award-winning architect Donald MacDonald and acclaimed author Ira Nadel present the first complete history of Alcatraz told through its architecture. In friendly illustrations and accessible text, Alcatraz reveal the design decisions that have shaped the island from its first brick and masonry fortress to the infamous concrete cellblock, to the landscape design of its contemporary gardens and bird sanctuaries.Packed with intriguing facts throughout, this little treasure allows an unprecedented glimpse into the life of the island. It is an entertaining look at one of the nation’s most visited destinations.

Alcestis, Medea, Hippolytus

by Diane Arnson Svarlien Robin Mitchell-Boyask Euripides

This new volume of three of Euripides' most celebrated plays offers graceful, economical, metrical translations that convey the wide range of effects of the playwright's verse, from the idiomatic speech of its dialogue to the high formality of its choral odes.

Alchemists of the Stage: Theatre Laboratories in Europe (Routledge Icarus Ser.)

by Mirella Schino

What is a theatre laboratory? Why a theatre laboratory? This book tries to answer these questions focusing on the experiences and theories, the visions and the techniques, the differences and similarities of European theatre laboratories in the twentieth century. It studies in depth the Studios of Stanislavski and Meyerhold, the school of Decroux, the Teatr Laboratorium of Jerzy Grotowski and Ludwik Flaszen, as well as Eugenio Barba's Odin Teatret. Theatre laboratories embody a theatre practice which defies the demands and fashions of the times, the usual ways of production and the sensible functions which stage art enjoys in our society. It is a theatre which refuses to be only art and whose radical research forges new conditions with a view to changing both the actor and the spectator. This research transforms theatrical craft into a laboratory which has been compared to the laboratory of the alchemists, who worked not on material but on substance. The alchemists of the stage did not operate only on forms and styles, but mainly on the living matter of the theatre: the actor, seen not just as an artist but above all as a representative of a new human being. Laboratory theatres have rarely been at the centre of the news. Yet their underground activity has influenced theatre history. Without them, the same idea of theatre, as it has been shaped in the course of the twentieth century, would have been different. In this book Mirella Schino recounts, as in a novel, the vicissitudes of a group of practitioners and scholars who try to uncover the technical, political and spiritual perspectives behind the word laboratory when applied to the theatre.

Alchemy, Jung, and Remedios Varo: Cultural Complexes and the Redemptive Power of the Abjected Feminine (Research in Analytical Psychology and Jungian Studies)

by Dennis Pottenger

Alchemy, Jung, and Remedios Varo offers a depth psychological analysis of the art and life of Remedios Varo, a Spanish surrealist painter. The book uses Varo’s paintings in a revolutionary way: to critique the patriarchal underpinnings of Jungian psychology, alchemy, and Surrealism, illuminating how Varo used painting to address cultural complexes that silence female expression. The book focuses on how the practice of alchemical psychology, through the power of imagination and the archetypal Feminine, can lead to healing and transformation for individuals and culture. Alchemy, Jung, and Remedios Varo offers the first in-depth psychological treatment of the role alchemy played in the friendship between Varo and Leonora Carrington—a connection that led to paintings that protest the pitfalls of patriarchy. This unique book will be of great interest for academics, scholars, and post-graduate students in the fields of analytical psychology, art history, Surrealism, cultural criticism, and Jungian studies.

Alchemy, Paracelsianism, and Shakespeare’s The Winter’s Tale (Palgrave Studies in Literature, Science and Medicine)

by Martina Zamparo

This book explores the role of alchemy, Paracelsianism, and Hermetic philosophy in one of Shakespeare’s last plays, The Winter’s Tale. A perusal of the vast literary and iconographic repertory of Renaissance alchemy reveals that this late play is imbued with several topoi, myths, and emblematic symbols coming from coeval alchemical, Paracelsian, and Hermetic sources. It also discusses the alchemical significance of water and time in the play’s circular and regenerative pattern and the healing role of women. All the major symbols of alchemy are present in Shakespeare’s play: the intertwined serpents of the caduceus, the chemical wedding, the filius philosophorum, and the so-called rex chymicus. This book also provides an in-depth survey of late Renaissance alchemy, Paracelsian medicine, and Hermetic culture in the Elizabethan and Jacobean ages. Importantly, it contends that The Winter’s Tale, in symbolically retracing the healing pattern of the rota alchemica and in emphasising the Hermetic principles of unity and concord, glorifies King James’s conciliatory attitude.

Alcohol Ink: Step-by-Step Techniques for Ink-Based Fluid Art

by Desirée Delâge

Make vibrant abstract art with ink! Includes over twenty step-by-step tutorials on this colorful creative technique. Alcohol inks have exploded onto the art scene with the rise of fluid art techniques such as paint pouring. These accessible inks can be used to create stunning abstract art, even if you&’re a total beginner. Through the step-by-step tutorials and exercises in this book, you&’ll learn everything you need to know to get started with alcohol ink and how to combine techniques into bold, colorful artworks. In addition to paintings on paper, you&’ll discover inspiration and advice on using the techniques to decorate a wide range of surfaces, including ceramics, plastic, glass, wood, and more, to make fashion and home accessories and striking handmade gifts.

Alef Is for Allah: Childhood, Emotion, and Visual Culture in Islamic Societies

by Jamal J. Elias

Alef Is for Allah is the first groundbreaking study of the emotional space occupied by children in modern Islamic societies. Focusing primarily on visual representations of children from modern Turkey, Iran, and Pakistan, the book examines these materials to investigate concepts such as innocence, cuteness, gender, virtue, and devotion, as well as community, nationhood, violence, and sacrifice. In addition to exploring a subject that has never been studied comparatively before, Alef Is for Allah extends the boundaries of scholarship on emotion, religion, and visual culture and provides unique insight into Islam as it is lived and experienced in the modern world.

Aleister Crowley: Art, Sex, and Magick in the Weimar Republic

by Tobias Churton

A biographical history of Aleister Crowley’s activities in Berlin from 1930 to 1932 as Hitler was rising to power • Examines Crowley’s focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with magical orders • Explores Crowley’s relationships with Berlin’s artists, filmmakers, writers, and performers such as Christopher Isherwood, Jean Ross, and Aldous Huxley • Recounts the fates of Crowley’s friends and colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition Gnostic poet, painter, writer, and magician Aleister Crowley arrived in Berlin on April 18, 1930. As prophet of his syncretic religion “Thelema,” he wanted to be among the leaders of art and thought, and Berlin, the liberated future-gazing metropolis, wanted him. There he would live, until his hurried departure on June 22, 1932, as Hitler was rapidly rising to power and the black curtain of intolerance came down upon the city. Known to his friends affectionately as “The Beast,” Crowley saw the closing lights of Berlin’s artistic renaissance of the Weimar period when Berlin played host to many of the world’s most outstanding artists, writers, filmmakers, performers, composers, architects, philosophers, and scientists, including Albert Einstein, Bertolt Brecht, Ethel Mannin, Otto Dix, Aldous Huxley, Jean Ross, Christopher Isherwood, and many other luminaries of a glittering world soon to be trampled into the mud by the global bloodbath of World War II. Drawing on previously unpublished letters and diary material by Crowley, Tobias Churton examines Crowley’s years in Berlin and his intense focus on his art, his work as a spy for British Intelligence, his colorful love life and sex magick exploits, and his contacts with German Theosophy, Freemasonry, and magical orders. He recounts the fates of Crowley’s colleagues under the Nazis as well as what happened to Crowley’s lost art exhibition--six crates of paintings left behind in Germany as the Gestapo was closing in. Revealing the real Crowley long hidden from the historical record, Churton presents “the Beast” anew in all his ambiguous and, for some, terrifying glory, at a blazing, seminal moment in the history of the world.

Aleister Crowley in America: Art, Espionage, and Sex Magick in the New World

by Tobias Churton

An exploration of Crowley’s relationship with the United States • Details Crowley’s travels, passions, literary and artistic endeavors, sex magick, and psychedelic experimentation • Investigates Crowley’s undercover intelligence adventures that actively promoted U.S. involvement in WWI • Includes an abundance of previously unpublished letters and diaries Occultist, magician, poet, painter, and writer Aleister Crowley’s three sojourns in America sealed both his notoriety and his lasting influence. Using previously unpublished diaries and letters, Tobias Churton traces Crowley’s extensive travels through America and his quest to implant a new magical and spiritual consciousness in the United States, while working to undermine Germany’s propaganda campaign to keep the United States out of World War I. Masterfully recreating turn-of-the-century America in all its startling strangeness, Churton explains how Crowley arrived in New York amid dramatic circumstances in 1900. After other travels, in 1914 Crowley returned to the U.S. and stayed for five years: turbulent years that changed him, the world, and the face of occultism forever. Diving deeply into Crowley’s 5-year stay, we meet artists, writers, spies, and government agents as we uncover Crowley’s complex work for British and U.S. intelligence agencies. Exploring Crowley’s involvement with the birth of the Greenwich Village radical art scene, we discover his relations with writers Sinclair Lewis and Theodore Dreiser and artists John Butler Yeats, Leon Engers Kennedy, and Robert Winthrop Chanler while living and lecturing on now-vanished “Genius Row.” We experience his love affairs and share Crowley’s hard times in New Orleans and his return to health, magical dynamism, and the most colorful sex life in America. We examine his controversial political stunts, his role in the sinking of the passenger ship Lusitania, his making of the “Elixir of Life” in 1915, his psychedelic experimentation, his prolific literary achievements, and his run-in with Detroit Freemasonry. We also witness Crowley’s influence on Scientology founder L. Ron Hubbard and rocket fuel genius Jack Parsons. We learn why J. Edgar Hoover wouldn’t let Crowley back in the country and why the FBI raided Crowley’s organization in LA. Offering a 20th-century history of the occult movement in the United States, Churton shows how Crowley’s U.S. visits laid the groundwork for the establishment of his syncretic “religion” of Thelema and the now flourishing OTO, as well as how Crowley’s final wish was to have his ashes scattered in the Hamptons.

Aleister Crowley in England: The Return of the Great Beast

by Tobias Churton

• Reveals Crowley&’s sex magick relations in London and his contacts with important figures, including Dion Fortune, Gerald Gardner, Jack Parsons, Dylan Thomas, and black equality activist Nancy Cunard • Explores Crowley&’s nick-of-time escape from the Nazi takeover in Germany and offers extensive confirmation of Crowley&’s work for British intelligence • Examines the development of Crowley&’s later publications and his articles in reaction to the Nazi Gestapo actively persecuting his followers in Germany After an extraordinary life of magical workings, occult fame, and artistic pursuits around the globe, Aleister Crowley was forced to spend the last fifteen years of his life in his native England, nearly penniless. Much less examined than his early years, this final period of the Beast&’s life was just as filled with sex magick, espionage, romance, transatlantic conflict, and extreme behavior. Drawing on previously unpublished diaries and letters, Tobias Churton provides the first detailed treatment of the final years of Crowley&’s life, from 1932 to 1947. He opens with Crowley&’s nick-of-time escape from the Nazi takeover in Germany and his return home to England, flat broke. Churton offers extensive confirmation of Crowley&’s work as a secret operative for MI5 and explores how Crowley saw World War II as the turning point for the &“New Aeon.&” He examines Crowley&’s notorious 1934 London trial, which resulted in his bankruptcy, and shares inside stories of Crowley&’s relations with Californian O.T.O. followers, including rocket-fuel specialist Jack Parsons, and his attempt to take over H. Spencer Lewis&’s Rosicrucian Order. The author reveals Crowley&’s sex magick relations in London and his contacts with spiritual leaders of the time, including Dion Fortune and Wicca founder Gerald Gardner. He examines Crowley&’s dealings with artists such as Dylan Thomas, Alfred Hitchcock, Augustus John, Peter Warlock, and Peter Brooks and dispels the accusations that Crowley was racist, exploring his work with lifelong friend, black equality activist Nancy Cunard. Churton also examines the development of Crowley&’s later publications such as Magick without Tears as well as his articles in reaction to the Nazi Gestapo who was actively persecuting his remaining followers in Germany. Presenting an intimate and compelling study of Crowley in middle and old age, Churton shows how the Beast still wields a wand-like power to delight and astonish.

Aleister Crowley in India: The Secret Influence of Eastern Mysticism on Magic and the Occult

by Tobias Churton

Follow Aleister Crowley through his mystical travels in India, which profoundly influenced his magical system as well as the larger occult world • Shares excerpts from Crowley&’s unpublished diaries and details his travels in India, Burma, and Sri Lanka from 1901 to 1906 • Reveals how Crowley incorporated what he learned in India--jnana yoga, Vedantist, Tantric, and Buddhist philosophy--into his own school of Magick • Explores the world of Theosophy, yogis, Hindu traditions, and the first Buddhist sangha to the West as well as the first pioneering expeditions to K2 and Kangchenjunga in 1901 and 1905 Early in life, Aleister Crowley&’s dissociation from fundamentalist Christianity led him toward esoteric and magical spirituality. In 1901, he made the first of three voyages to the Indian subcontinent, searching for deeper knowledge and experience. His religious and magical system, Thelema, shows clear influence of his thorough experimental absorption in Indian mystical practices. Sharing excerpts from Crowley&’s unpublished diaries, Tobias Churton tells the true story of Crowley&’s adventures in India from 1901 to 1906, culminating in his first experience of the supreme trance of jnana (&“gnostic&”) yoga, Samadhi: divine union. Churton shows how Vedantist and Advaitist philosophies, Hindu religious practices, yoga, and Mahayana and Theravada Buddhism informed Crowley&’s spiritual system and reveals how he built on Madame Blavatsky and Henry Steel Olcott&’s prior work in India. Churton illuminates links between these beliefs and ancient Gnostic systems and shows how they informed the O.T.O. system through Franz Hartmann and Theodor Reuss. Churton explores Crowley&’s early breakthrough in consciousness research with a Dhyana trance in Sri Lanka, becoming a devotee of Shiva and Bhavani, fierce avatar of the goddess Parvati. Recounting Crowley&’s travels to the temples of Madurai, Anuradhapura, and Benares, Churton looks at the gurus of yoga and astrology Crowley met, while revealing his adventures with British architect, Edward Thornton. Churton also details Crowley&’s mountaineering feats in India, including the record-breaking attempt on Chogo Ri (K2) in 1902 and the Kangchenjunga disaster of 1905. Revealing how Crowley incorporated what he learned in India into his own school of Magick, including an extensive look at his theory of correspondences, the symbology of 777, and the Thelemic synthesis, Churton sheds light on one of the most profoundly mystical periods in Crowley&’s life as well as how it influenced the larger occult world.

Aleister Crowley in Paris: Sex, Art, and Magick in the City of Light

by Tobias Churton

• Investigates the tales of Crowley &“raising Pan,&” going mad, and working gay sex magick in Paris• Uncovers Crowley&’s involvement in the Belle Époque with sculptor Auguste Rodin and other artists and in the 1920s with Berenice Abbott, Nancy Cunard, Man Ray, André Gide, and Aimée Crocker• Reveals Crowley&’s &“expulsion&” from Paris in 1929 as a high-level conspiracy against CrowleyExploring occultist, magician, poet, painter, and writer Aleister Crowley&’s longstanding and intimate association with Paris, Tobias Churton provides the first detailed account of Crowley&’s activities in the City of Light.Using previously unpublished letters and diaries, Churton explores how Crowley was initiated into the Golden Dawn&’s Inner Order in Paris in 1900 and how, in 1902, he relocated to Montparnasse. Soon engaged to Anglo-Irish artist Eileen Gray, Crowley pontificates and parties with English, American, and French artists gathered around sculptor Auguste Rodin: all keen to exhibit at Paris&’s famed Salon d&’Automne. In 1904—still dressed as &“Prince Chioa Khan&” and recently returned from his Book of the Law experience in Cairo—Crowleydines with novelist Arnold Bennett at Paillard&’s. In 1908 Crowley is back in Paris to prove it&’s possible to attain Samadhi (or &“knowl­edge and conversation of the Holy Guardian Angel&”) while living a modern life in a busy metropolis. In 1913 he organizes a demonstra­tion for artistic and sexual freedom at Oscar Wilde&’s tomb. Until war spoils all in 1914, Paris is Crowley&’s playground.The author details how, after returning from America in 1920, and though based at his &“Abbey of Thelema&” in Sicily, Crowley can&’t leave Paris alone. When Mussolini expels him from Italy, Paris becomes his home from 1924 until 1929. Churton reveals Crowley&’s part in the jazz-age explosion of modernism, as the lover of photographer Berenice Abbott and many others, and how he enjoyed camaraderie with Man Ray, Nancy Cunard, André Gide, and Aimée Crocker. The author explores Crowley&’s adventures in Tunisia, Algeria, the Riviera,his battle with heroin addiction, his relation­ship with daughter Astarte Lulu—raised at Cefalù—and finally, a high-level ministerial conspiracy to get him out of Paris.Reconstructing Crowley&’s heyday in the last decade and a half of France&’s Belle Époque and the &“roaring Twenties,&” this book illuminates Crowley&’s place within the artistic, literary, and spiritual ferment of the great City of Light.

Alejandro González Iñárritu (Contemporary Film Directors)

by Celestino Deleyto Maria Del Azcona

This in-depth study of Mexican film director Alejandro González Iñárritu explores his role in moving Mexican filmmaking from a traditional nationalist agenda towards a more global focus. Working in the United States and in Mexico, Iñárritu crosses national borders while his movies break the barriers of distribution, production, narration, and style. His features also experiment with transnational identity as characters emigrate and settings change. In studying the international scope of Iñárritu's influential films Amores Perros, 21 Grams, and Babel, Celestino Deleyto and María del Mar Azcona trace common themes such as human suffering and redemption, chance, and accidental encounters. The authors also analyze the director's powerful visual style and his consistent use of multiple characters and a fragmented narrative structure. The book concludes with a new interview with Iñárritu that touches on the themes and subject matter of his chief works.

Alek: From Sudanese Refugee to International Supermodel

by Alek Wek

Since the day she was scouted by a modeling agent while shopping at a London street fair when she was just nineteen, Alek Wek's life has been nothing short of a fantasy. When she's not the featured model in print campaigns for hip companies, or gracing the cover of Elle, she is working the runways of Paris, New York, and Milan to model for the world's leading designers, including Karl Lagerfeld for Chanel. But nothing in her early years prepared her for the life of a model.Born in Wau, in the southern Sudan, Alek knew only a few years of peace with her family before they were caught up in a ruthless civil war that pitted outlaw militias, the Muslim-dominated government, and southern rebels against each other in a brutal conflict that killed nearly two million people. Here is her daring story of fleeing the war on foot and her escape to London, where her rise from young model to supermodel was all the more notable because of Alek's non-European looks. A probe into the Sudanese conflict and an inside look into the life of a most unique supermodel, Alek is a book that will inspire as well as inform.

Aleksandr Blok's Trilogy of Lyric Dramas: A Puppet Show, The King on the Square and the Unknown Woman (Routledge Harwood Russian Theatre Archive Ser.)

by Timothy C. Westphalen

Aleksandr Blok's Trilogy of Lyric Dramas gathers together for the first time in English translation the first three plays by Aleksandr Blok, the pre-eminent poet of Russian Symbolism and one of the greatest poets of the twentieth century. The three plays that constitute the trilogy - A Puppet Show, The King on the Square and The Unknown Woman - are pivotal documents in the development of modernist drama. In his productions of A Puppet Show; and The Unknown Woman, Meyerhold first began to work the basic tenets of his approach to grotesque and constructivist theatre. Moreover, A Puppet Show provided the inspiration and much of the foundation for Meyerhold's theoretical writings. As a result, these plays are indispensable to any student of Meyerhold or modernist theatre. The plays are presented in the context of the poetry from which they issued in order to suggest how Blok developed the themes and motifs of the plays in other genres.

Aleksandr Vampilov: The Major Plays (Russian Theatre Archive Ser. #Vol. 6.)

by Alma Law

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Alex Anderson's Baby Quilts With Love: 12 Timeless Projects for Today’s Nursery

by Alex Anderson

Alex Anderson's bundles of baby quilts! • Alex's new baby quilts are FRESH, FUN, and FABULOUS! • Moms, grandmas, aunts, godmothers, and ALEX FANS: you'll love making something special for the little ones in your life • First-timers and experts will love the charming designs Super-star Alex Anderson delivers smart, attainable, fresh designs-and the know-how to get them done right. No one does illustrated instructions better than Alex, and her bright, friendly style is perfectly suited to her new love-baby quilts! These quilts positively sparkle, swing, and buzz with energy. You'll find pastels, brights and primaries; bees, baskets, and beaches. First-time quilters can make many of the quilts with the help of Alex's expanded "Basics" section. More advanced quilters keep coming back to Alex for her gorgeous designs and clever twists. All twelve quilts are crib size. *Important Note about PRINT ON DEMAND Editions: This title will be printed after purchase and will arrive separately from any in-stock items. Please allow approximately 2 weeks for USA delivery, with an additional 2 weeks for international shipments. Expedited shipping is not available on POD Editions. The printing quality in this copy will vary from the original offset printing edition and may look more saturated due to printing on demand by a high-quality printer on uncoated (non-glossy) paper. The information presented in this version is the same as the most recent printed edition. Any pattern pullouts have been separated and presented as single pages.

Alex Anderson's Hand & Machine Appliqué

by Alex Anderson

Fall in Love with Appliqué! • Learn to add beautiful appliqué to any quilt by hand or machine • 7 charming quilts get you started • 3 hand appliqué techniques: needle-turn, raw-edged, and reverse appliqué • 3 machine appliqué techniques: invisible, raw-edged, and free-motion appliqué • From beloved teacher and TV/Internet host Alex Anderson Beloved quilting teacher and TV personality Alex Anderson shows you how easy it is to enhance any quilt with appliquéd flowers, leaves, hearts, and other shapes.

Alexa Hampton: Design, Style, and Influence

by Alexa Hampton

From Alexa Hampton, one of today&’s greatest interior designers and owner of Mark Hampton LLC, comes a beautifully photographed memoir about her journey into design and the inspirations that shaped her iconic style.The anatomies of my chosen surrounding are rich with meaning, authentic and borrowed, and are a snapshot (or many snapshots) of a lifetime spent in the world of design.In her newest book, Alexa Hampton takes you on a journey through her life&’s work: her beautifully appointed pre-war apartment on 59th street in Manhattan. She highlights the art, textiles, and objects in her spaces, along with the design and fashion tastemakers who inspired their use. In doing so, she acknowledges some of the big movements, auctions, and people that rocked the world of design and made an indelible mark on her.An intimate look into Alexa&’s personal design process, including the countless updates and redecorations of her own home, this book is a personal history of interior design and a love letter to an iconic home.

Alexander Girard, Architect: Creating Midcentury Modern Masterpieces (Painted Turtle)

by Deborah Lubera Kawsky Ruth Adler Schnee

During the midcentury period, Michigan attracted visionary architects, designers, and theorists, including Alexander Girard. While much has been written about Girard’s vibrantly colored and patterned textiles for Herman Miller, the story of his Detroit period (1937­–53)—encompassing interior and industrial design, exhibition curation, and residential architecture—has not been told. Alexander Girard, Architect: Creating Midcentury Modern Masterpieces by Deborah Lubera Kawsky is the first comprehensive study of Girard’s exceptional architectural projects, specifically those concentrated in the ultra-traditional Detroit suburb of Grosse Pointe. One exciting element of the book is the rediscovery of another Girard masterpiece—the only surviving house designed entirely by Girard, and former residence to Mr. and Mrs. John McLucas. Restored in consultation with iconic midcentury designer Ruth Adler Schnee, the McLucas house represents the culmination of Girard’s Detroit design work at midcentury. Stunning color photographs capture the unique design elements—including the boldly colored glazed brick walls of the atrium—reminiscent of Girard’s role as color consultant for the GM Tech Center. Original Girard drawings for the building plan, interior spaces, and custom-designed furniture document the mind of a modernist master at work and are made available to the public for the first time in this beautiful book. Alexander Girard, Architect is a beautiful, informative book suited for enthusiasts of Alexander Girard, the midcentury modern aesthetic, and Detroit history, art, and architecture.

The Alexander Medvedkin Reader

by Nikita Lary Jay Leyda Alexander Medvedkin

Filmmaker Alexander Medvedkin (1900-89), a contemporary of Sergei Eisenstein and Alexander Dovzhenko, is celebrated today for his unique form of "total" documentary cinema, which aimed to bridge the distance between film and life, as well as for his use of satire during a period when the Soviet authorities preferred that laughter be confined to narrowly prescribed channels. This collection of selected writings by Medvedkin is the first of its kind and reveals how his work is a crucial link in the history of documentary film. Although he was a dedicated Communist, Medvedkin's satirical approach and social critiques ultimately led to his suppression by the Soviet regime. State institutions held back or marginalized his work, and for many years, his films were assumed to have been lost or destroyed. These texts, many assembled for this volume by Medvedkin himself, document for the first time his considerable achievements, experiments in film and theater, and attempts to develop satire as a major Soviet film genre. Through scripts, letters, autobiographical writings, and more, we see a Medvedkin supported and admired by figures like Eisenstein, Dovzhenko, and Maxim Gorky.

Alexander Payne: Interviews (Conversations with Filmmakers Series)

by Julie Levinson

Since 1996, Alexander Payne (b. 1961) has made seven feature films and a short segment of an omnibus movie. Although his body of work is quantitatively small, it is qualitatively impressive. His movies have garnered numerous accolades and awards, including two Academy Awards for Best Adapted Screenplay. As more than one interviewer in this volume points out, he maintains an impressive and unbroken winning streak. Payne's stories of human strivings and follies, alongside his mastery of the craft of filmmaking, mark him as a contemporary auteur of uncommon accomplishment. In this first compilation of his interviews, Payne reveals himself as a captivating conversationalist as well. The discussions collected here range from 1996, shortly after the release of his first film, Citizen Ruth, to the 2013 debut of his film, Nebraska. He also mentions the long process of bringing to fruition his most recent film, Downsizing. Over his career, he muses on many subjects including his own creative processes, his commitment to telling character-centered stories, and his abiding admiration for movies and directors from across decades of film history. Critics describe Payne as one of the few contemporary filmmakers who consistently manages to buck the current trend toward bombastic blockbusters. Like the 1970s director-driven cinema that he cherishes, his films are small-scale character studies that manage to maintain a delicate balance between sharp satire and genuine poignancy.

Alexander Pope’s Catholic Vision: "Slave to no sect"

by G. Douglas Atkins

A fresh look at the greatest poet of early eighteenth-century England, this highly readable book focuses on Pope's religious thinking and major poems. G. Douglas Atkins extends the argument that the Roman Catholic poet was no Deist, 'closet' or otherwise.

The Alexander Technique: Twelve fundamentals of integrated movement

by Penelope Easten

This book gets back to the core of the Alexander Technique (AT), much of which is not known even to most teachers. This is because Alexander (1869-1955) changed what he was doing at least three times, around 1912, 1923, and 1930, each time leaving key elements behind, unexplained. These lost elements include natural breathing, his biomechanics to alter the body for ourselves, the real thought processes of his directions, how he used inhibition and quiet attentiveness to discover intrinsic movement patterns, and how he used vision as part of his process. There are snippets of AT history throughout, and a potted history of what really happened in the AT, as it has not been told before, but the emphasis is on AT in the context of integrated movement.

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