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The Fall of a Great American City: New York and the Urban Crisis of Affluence
by Kevin BakerThe Fall of a Great American City is the story of what is happening today in New York City and in many other cities across America. It is about how the crisis of affluence is now driving out everything we love most about cities: small shops, decent restaurants, public space, street life, affordable apartments, responsive government, beauty, idiosyncrasy, each other. This is the story of how we came to lose so much—how the places we love most were turned over to land bankers, billionaires, the worst people in the world, and criminal landlords—and how we can - and must - begin to take them back. Co-published with Harper's Magazine, where an earlier version of this essay was originally published in 2018.As New York City approaches the third decade of the twenty-first century, it is in imminent danger of becoming something it has never been before: unremarkable. By unremarkable I don’t just mean periodic, slump-in-the-art-world, all-the-bands-suck, cinema-is-dead boring. I mean flatlining. No longer a significant cultural entity but a blank white screen of mere existence. I mean The-World’s-Largest-Gated-Community-with-a-few-cupcake-shops. For the first-time in our history, creative-youngpeople- will-no-longer want-to-come-here boring. Even, New-York-is-over boring. Or worse, New York is like everywhere else. Unremarkable. This is not some new phenomenon, but a cancer that’s been metastasizing on the city for decades now. Even worse, it’s not something that anyone wants, except the landlords, and not even all of them. What’s happening to New York now—what’s already happened to most of Manhattan, its core, and what is happening in every American city of means, Boston, Washington, San Francisco, Seattle, you name it—is something that almost nobody wants, but everybody gets. As such, the current urban crisis exemplifies our wider crisis: an America where we believe that we no longer have any ability to control the systems we live under.
Fall-Out Shelters for the Human Spirit
by Michael L. KrennDuring the Cold War, culture became another weapon in America's battle against communism. Part of that effort in cultural diplomacy included a program to arrange the exhibition of hundreds of American paintings overseas. Michael L. Krenn studies the successes, failures, contradictions, and controversies that arose when the U.S. government and the American art world sought to work together to make an international art program a reality between the 1940s and the 1970s. The Department of State, then the United States Information Agency, and eventually the Smithsonian Institution directed this effort, relying heavily on the assistance of major American art organizations, museums, curators, and artists. What the government hoped to accomplish and what the art community had in mind, however, were often at odds. Intense domestic controversies resulted, particularly when the effort involved modern or abstract expressionist art. Ultimately, the exhibition of American art overseas was one of the most controversial Cold War initiatives undertaken by the United States. Krenn's investigation deepens our understanding of the cultural dimensions of America's postwar diplomacy and explores how unexpected elements of the Cold War led to a redefinition of what is, and is not, "American."
Fall River (Images of America)
by Rob LewisThe city known today as Fall River, Massachusetts, considered until 1803 to be a part of Freetown and until 1862 to be partially contained within the boundaries of Rhode Island, came into its own as a great industrial city in the latter half of the nineteenth century. The massive power of the Quequechan River fueled several mills, and Fall River granite provided the basis for a developing stone-cutting business. Over the years, the city's numerous villages have been home to many hard-working and loyal residents. These residents historically have much to be proud of: in many ways Fall River led the region in the development of technology and public education. By the 1880s, the city was equipped with telephones, streetcars, and electrical service, and the B.M.C. Durfee High School-opened in 1886-was considered the finest in the nation. Through the 200-plus photographs and informative captions in this marvelous new visual history, local author Rob Lewis seeks to remind residents of Fall River's glorious past; his work also suggests the future potential of this significant American city as we approach the millennium.
Fallacy of Silver Age
by Omry RonenIn this study, Ronen critically examines the term "Silver Age", which over the years has gained such wide currency among historians and connoisseurs of 20th century Russian culture. The author traces the origin and the controversial development of what he condemns as an influential misnomer. Ronen sets out to debunk the myth that attributes invention of the term to Nikolai Berdiaev, and in turn traces this widely used catchword in the critical idiom from an abscure, avante-garde manifesto to the present day. He lays to rest the use of the term which he sees as the most misleading constituent of Russia's contemporary cultural self-awareness and self-assessment.
Fallen Glory: The Lives and Deaths of History's Greatest Buildings
by James Crawford“A narrative that spans seven millennia, five continents and even reaches into cyberspace. . . . I savored each page.” —Henry Petroski, Wall Street JournalIn Fallen Glory, James Crawford uncovers the biographies of some of the world’s most fascinating lost and ruined buildings, from the dawn of civilization to the cyber era. The lives of these iconic structures are packed with drama and intrigue, featuring war and religion, politics and art, love and betrayal, catastrophe and hope. They provide the stage for a startling array of characters, including Gilgamesh, the Cretan Minotaur, Agamemnon, Nefertiti, Genghis Khan, Henry VIII, Catherine the Great, Adolf Hitler, and even Bruce Springsteen.The twenty-one structures Crawford focuses on include The Tower of Babel, The Temple of Jerusalem, The Library of Alexandria, The Bastille, Kowloon Walled City, the Berlin Wall, and the Twin Towers of the World Trade Center. Ranging from the deserts of Iraq, the banks of the Nile and the cloud forests of Peru, to the great cities of Jerusalem, Istanbul, Paris, Rome, London and New York, Fallen Glory is a unique guide to a world of vanished architecture. And, by picking through the fragments of our past, it asks what history’s scattered ruins can tell us about our own future.“Witty and memorable . . . moving as well as myth-busting.” —Times Literary Supplement (UK)“[An] elegant, charged book . . . A well-written prize for students of history, archaeology, and urban planning.” —Kirkus Reviews, starred review“Astute, entertaining, and affecting.” —Booklist“A lovely, wise book.” —Alexander McCall Smith, New Statesman (UK)“A cabinet of curiosities, a book of wonders with unexpected excursions and jubilant and haunting marginalia.” —Spectator (UK)
Fallen Idols: Twelve Statues That Made History
by Alex Von Tunzelmann'Alex von Tunzelmann is one of the most gifted historians writing today. Brilliant and trenchant, witty and wise, Fallen Idols is a book you will adore, devour, and talk about to everyone you know. Hesitate no longer; buy this book.' Suzannah Lipscomb, author, award-winning historian and broadcaster'Like all the best historians von Tunzelmann uses the past to explain what the hell is going on today. She does so with a flair, her signature mix of scholarship and succinctness that is so compelling. If you want to make sense of the statues debate, and the coming culture war over our history, this is where you need to start.' Dan Snow'A timely, sparkling and often hilarious book.' Michael Wood In 2020, statues across the world were pulled down in an extraordinary wave of global iconoclasm. From the United States and the United Kingdom to Canada, South Africa, the Caribbean, India, Bangladesh, and New Zealand, Black Lives Matter protests defaced and hauled down statues of slaveholders, Confederates, and imperialists. Edward Colston was hurled into the harbour in Bristol, England. Robert E. Lee was covered in graffiti in Richmond, Virginia. Christopher Columbus was toppled in Minnesota, beheaded in Massachusetts, and thrown into a lake in Virginia. King Leopold II of the Belgians was set on fire in Antwerp and doused in red paint in Ghent. Winston Churchill was daubed with the word 'racist' in London.Statues are one of the most visible - and controversial - forms of historical storytelling. The stories we tell about history are vital to how we, as societies, understand our past and create our future. So whose stories do we tell? Who or what defines us? What if we don't all agree? How is history made, and why?FALLEN IDOLS looks at twelve statues in modern history. It looks at why they were put up; the stories they were supposed to tell; why those stories were challenged; and how they came down.History is not erased when statues are pulled down. If anything, it is made.
Fallen Idols: History is not erased when statues are pulled down. It is made.
by Alex von Tunzelmann'Alex von Tunzelmann is one of the most gifted historians writing today. Brilliant and trenchant, witty and wise, Fallen Idols is a book you will adore, devour, and talk about to everyone you know. Hesitate no longer; buy this book.' Suzannah Lipscomb, author, award-winning historian and broadcaster'Like all the best historians von Tunzelmann uses the past to explain what the hell is going on today. She does so with a flair, her signature mix of scholarship and succinctness that is so compelling. If you want to make sense of the statues debate, and the coming culture war over our history, this is where you need to start.' Dan Snow'A timely, sparkling and often hilarious book.' Michael Wood A hugely entertaining and informative narrative on one of the key arguments raging across the globe - how does one honestly celebrate a country's past without knocking down celebrated heroes.In 2020, statues across the world were pulled down in an extraordinary wave of global iconoclasm. From the United States and the United Kingdom to Canada, South Africa, the Caribbean, India, Bangladesh, and New Zealand, Black Lives Matter protests defaced and hauled down statues of slaveholders, Confederates, and imperialists. Edward Colston was hurled into the harbour in Bristol, England. Robert E. Lee was covered in graffiti in Richmond, Virginia. Christopher Columbus was toppled in Minnesota, beheaded in Massachusetts, and thrown into a lake in Virginia. King Leopold II of the Belgians was set on fire in Antwerp and doused in red paint in Ghent. Winston Churchill was daubed with the word 'racist' in London.Statues are one of the most visible - and controversial - forms of historical storytelling. The stories we tell about history are vital to how we, as societies, understand our past and create our future. So whose stories do we tell? Who or what defines us? What if we don't all agree? How is history made, and why?FALLEN IDOLS looks at twelve statues in modern history. It looks at why they were put up; the stories they were supposed to tell; why those stories were challenged; and how they came down.History is not erased when statues are pulled down. If anything, it is made.(P)2021 Headline Publishing Group Limited
Fallen Monuments and Contested Memorials
by Juilee DeckerFallen Monuments and Contested Memorials examines how the modification, destruction, or absence of monuments and memorials can be viewed as performative acts that challenge prescribed, embodied narratives in the public realm. Bringing together international, multidisciplinary approaches, the chapters in this volume interrogate the ways in which memorial constructions disclose implicitly and explicitly the proxy battle for public memory and identity, particularly since 2015. Acknowledging the ways in which the past — which is given agency through monuments and memorials — intrudes into daily life, this volume offers perspectives from researchers that answer questions about the roles of monuments and memorials as persistent, yet mutable, works whose meanings are not fixed but are, rather, subject to processes of continual re-interpretation. By using monuments and memorials as lenses through which to view race, memory, and the legacies of war, power, and subjugation, this volume demonstrates how these works, and their visible representations of entitlement, possession, control, and authority, can offer the opportunity to pose and answer questions about whose memory matters and what our symbols say about who we are and what we value. Fallen Monuments and Contested Memorials is essential reading for scholars and students studying cultural heritage, history, art history, and public history. It will be particularly useful to those with an interest in public monuments and memorials; colonial and post-colonial history; memory studies; and nationalism, race, and ethnic studies.
Fallen Superheroes
by Adam Mock Scott Allen Perry Eric CurtisUsing superheroes as the allegory, this colorful photo narrative explores the not-so-glamorous and sometimes dark realities of those who strive to live their dreams against all odds. The creators of Mime Very Own Book have reunited to pair trademark imagery with witty snippets to create a hilarious visual smorgasbord of real people and their quest to see themselves as more than they really are. From fast food to the simple pleasures of gardening, this lighthearted spoof reveals the superhero in all.
Falling: A Daughter, a Father, and a Journey Back
by Elisha CooperElisha Cooper spends his mornings creating children's books and his afternoons playing with his two daughters. But when he discovers a lump in five-year-old Zoë's midsection as she sits on his lap at a Chicago Cubs game, everything changes. Surgery, sleepless nights, months of treatment, a drumbeat of worry. Even as the family moves to New York and Zoë starts kindergarten, they must navigate a new normal: school and soccer and hot chocolate at the local café, interrupted by anxious visits to the hospital. Elisha and his wife strive to help their daughters maintain a sense of stability and joy in their family life. And he tries to understand this new world--how it changes art and language and laughter--as he holds on to the protective love he feels for his child. With the observant eye of an artist and a remarkable sense of humor, Elisha captures his family's journey through a perilous time and, in the process, shows how we are all transformed by the fear and hope we feel for those we loveFrom the Hardcover edition.
Falling: the most thrilling blockbuster read of the summer
by T. J. NewmanPRE-ORDER THE PAPERBACK EDITION OF DROWNING, THE THRILLING NEW BLOCKBUSTER BY T. J. NEWMAN. OUT JUNE 2024. &‘Amazing . . . Intense suspense, shocks and scares plus chilling insider authenticity make this one very special&’ LEE CHILD 'FALLING is the best kind of thriller (for me as a reader anyway). Characters you care deeply about. Nonstop, totally authentic suspense' JAMES PATTERSON&‘Attention, please: T. J. Newman has written the perfect thriller! GILLIAN FLYNN, #1 bestselling author of Gone GirlYou just boarded a flight to New York.There are one hundred and forty-three other passengers onboard.What you don&’t know is that thirty minutes before the flight your pilot&’s family was kidnapped.For his family to live, everyone on your plane must die.The only way the family will survive is if the pilot follows his orders and crashes the plane. Enjoy the flight. ***Praise for Falling*** &‘Think Speed on a passenger jet - with the cockpit dials turned up to supersonic&’ Ian Rankin &‘Stunning and relentless. This is Jaws at 35,000 feet&’ Don Winslow &‘The best thriller I&’ve read in years. Buckle up&’ Adrian McKinty &‘Attention, please: T. J. Newman has written the perfect thriller! ... Terrific and terrifying, a true page-turner.. A must-read for summer vacation' Gillian Flynn, #1 bestselling author of Gone Girl &‘A jet-propelled thriller that will have you in its grip from first page to last. A truly astonishing debut and an incredible work of pure suspense&’ Steve Cavanagh 'Newman keeps up an extreme pace from the first page—a near-impossible task, considering that the hero is locked in a cockpit, unable to take action himself. This novel is like the films Die Hard and Speed on steroids, creating one of the year&’s best thrillers' Library Journal &‘With characters you&’ll root for and a plot that dips and bounces like a plane hitting turbulence, this thrill ride is impossible to put down&’ Daily Mail &‘A scorching thriller&’ Evening Standard 'Newman&’s [flight attendant] background means Falling brings a freshness and depth to the genre' The Guardian 'A superlative debut . . . This tense, convincing thriller marks the arrival of an assured new talent' Publishers Weekly ' ...full of the kind of authentic detail that comes from personal experience' Literary Review &‘Gripping from the first sentence, this thriller is like no other&’ OK! Magazine 'A remarkable debut' The Sunday Times '... a tense and claustrophobic read, the fast-paced action zipping along at an astonishing rate' Refinery29
The Falling Between Us
by Ash ParsonsAll-consuming fame and fortune prove too much for a teen popstar who suddenly goes missing--Eddie and the Cruisers for the Justin Bieber era."An uplifting story of love, grief, and forgiveness."--Kirkus ReviewsA Junior Library Guild Selection!Just eight months ago, fifteen-year-old Roxanne Stewart was stuck in her tiny, middle-of-nowhere hometown with no prospects of leaving. But after her boyfriend, Joshua Blackbird, posts a performance of an original song on YouTube, he becomes an overnight sensation, catapulting to the dizzying heights of celebrity, and Rox joins him on the whirlwind ride of a massive national tour.But it's not long before the never-blinking eye of fame begins weighing them both down--the constant hunger of managers, diehard fans who call themselves "Birdies," record execs, paparazzi, and even family, all leeching onto Joshua.Then one day, Joshua Blackbird disappears. Was it a suicide? An accident? Rox will stop at nothing to find out the truth. The Falling Between Us is a haunting love story and a piercing look at the costs of fame.Praise for The Falling Between Us"With a shrewd and sympathetic narrator and multiple elements of interest--music, celebrity, grief, mental health--this novel is a recommended first purchase." --School Library Journal
Falling, Floating, Flickering: Disability and Differential Movement in African Diasporic Performance (Crip #7)
by Hershini Bhana YoungInsists on the importance of embodiment and movement to the creation of Black socialityLinking African diasporic performance, disability studies, and movement studies, Falling, Floating, Flickering approaches disability transnationally by centering Black, African, and diasporic experiences. By eschewing capital’s weighted calculus of which bodies hold value, this book centers alternate morphologies and movement practices that have previously been dismissed as abnormal or unrecognizable. To move beyond binaries of ability, Hershini Bhana Young traverses multiple geohistories and cultural forms stretching from the United States and the Mediterranean to Sierra Leone, Nigeria, and South Africa, as well as independent and experimental film, novels, sculptures, images, dance, performances, and anecdotes. In doing so, she argues for the importance of differential embodiment and movement to the creation and survival of Black sociality, and refutes stereotypic notions of Africa as less progressive than the West in recognizing the rights of disabled people. Ultimately, this book foregrounds the engagement of diasporic Africans, who are still reeling from the violence of colonialism, slavery, poverty, and war, as they gesture toward a liberatory Black sociality by falling, floating, and flickering.
Falling in Love with Statues: Artificial Humans from Pygmalion to the Present
by George L. HerseyHersey reveals what has been an instrumental practice since antiquity in our efforts to understand, improve, and empower ourselves. Hersey's history of statue love begins in Cyprus, home of the legendary sculptor Pygmalion, who famously grew enamored of his own creation.
Falling Monuments, Reluctant Ruins: The persistence of the past in the architecture of apartheid
by Goolam Vahed Arianna Lissoni Sally Gaule Nnamdi Elleh Ali Khangela Hlongwane Hilton Judin Faeeza Ballim Kelly Gillespie Tara Weber Eric Itzkin Roshan Dadoo Yasmin Mayat Brendan Hart Temba Middelmann Barbara Morovich Pauline Guinard Muchaparara MusemwaThis edited collection looks at ruins and vacant buildings as part of South Africa’s oppressive history of colonialism and apartheid and ways in which the past persists into the present
Falling Rocket: James Whistler, John Ruskin, and the Battle for Modern Art
by Paul Thomas MurphyThe untold story of the artistic battle between James Abbot MacNeill Whistler and John Ruskin over Whistler&’s controversial, ground-breaking Nocturne in Black and Gold: The Falling Rocket.In November 1878, America&’s greatest painter sued England&’s greatest critic for a bad review. The painter won—but ruined himself in the process. The painter: James Abbot MacNeill Whistler, whose combination of incredible talent, unflagging energy, and relentless self-promotion had by that time brought him to the very edge of artistic preeminence. The critic: John Ruskin, Slade Professor of Art at Oxford University, whose four-decades&’ worth of prolific and highly respected literary output on aesthetics had made him England&’s unchallenged and seemingly unchallengeable arbiter of art. Though Whistler and Ruskin both lived in London and moved in the same artistic world, they had, until June, 1877, managed to remain entirely clear of one another. This was unusual because Whistler had a mercurial temperament, a belligerent personality, and seemed to thrive on opposition: he once challenged a man to a duel because the man accused the painter of sleeping with his wife. (Whistler had, in fact, slept with the man&’s wife.) That November, John Ruskin walked into the Grosvenor Gallery&’s new exhibition of art and gazed with horror upon Whistler&’s Nocturne in Black and Gold: The Falling Rocket. The painting was Whistler&’s interpretation of a fireworks display at a local pleasure garden. But to Ruskin it was nothing more than a chaotic, incomprehensible mess of bright spots upon dark masses: not art but its antithesis—a disturbing and disgusting assault upon everything he had ever written or taught on the subject. He quickly channeled that anger into a seething review. The internationally-reported, widely discussed, and hugely-entertaining trial that followed was a titanic battle between the opposing ideas and ideals of two larger-than-life personalities. For these two protagonists, Whistler v Ruskin was the battle of a lifetime—or more accurately, a battle of their two lifetimes. Paul Thomas Murphy&’s Falling Rocket also recounts James Whistler&’s turbulent but triumphant development from artistic oblivion in the 1880s to artistic deification in the 1890s, and also Ruskin&’s isolated, befogged, silent final years after his public humiliation. The story of Whistler v Ruskin has a dramatic arc of its own, but this riveting new book also vividly evokes an artistic world in energetic motion, culturally and socially, in the last decades of the nineteenth century.
Fallingwater: The Building of Frank Lloyd Wright's Masterpiece
by Marc Harshman Anna Egan SmuckerIn Bear Run, Pennsylvania, a home unlike any other perches atop a waterfall. The water's tune plays differently in each of its sunlight-dappled rooms; the structure itself blends effortlessly into the rock and forest behind it. This is Fallingwater, a masterpiece equally informed by meticulous research and unbounded imagination, designed by the lauded American architect Frank Lloyd Wright. This book guides young readers through Wright's process designing Fallingwater, from his initial inspirations to the home's breathtaking culmination. It is a exploration of a man, of dreams, and of the creative process; a celebration of potential. Graceful prose and rich, dynamic illustrations breathe life into the story of Frank and Fallingwater, a man and home utterly unlike any other.A Bulletin of the Center for Children's Books 2017 Blue Ribbon BookA National Council for the Social Studies Notable Social Studies Trade Book for Young People
Fallingwater Rising: Frank Lloyd Wright, E. J. Kaufmann, and America's Most Extraordinary House
by Franklin TokerFallingwater Rising is a biography not of a person but of the most famous house of the twentieth century. Scholars and the public have long extolled the house that Frank Lloyd Wright perched over a Pennsylvania waterfall in 1937, but the full story has never been told. When he got the commission to design the house, Wright was nearing seventy, his youth and his early fame long gone. It was the Depression, and Wright had no work in sight. Into his orbit stepped Edgar J. Kaufmann, a Pittsburgh department-store mogul--"the smartest retailer in America"--and a philanthropist with the burning ambition to build a world-famous work of architecture. It was an unlikely collaboration: the Jewish merchant who had little concern for modern architecture and the brilliant modernist who was leery of Jews. But the two men collaborated to produce an extraordinary building of lasting architectural significance that brought international fame to them both and confirmed Wright's position as the greatest architect of the twentieth century. Fallingwater Rising is also an enthralling family drama, involving Kaufmann, his beautiful cousin/wife, Liliane, and their son, Edgar Jr., whose own role in the creation of Fallingwater and its ongoing reputation is central to the story. Involving such key figures of the l930s as Frida Kahlo, Albert Einstein, Henry R. Luce, William Randolph Hearst, Ayn Rand, and Franklin Roosevelt, Fallingwater Rising shows us how E. J. Kaufmann's house became not just Wright's masterpiece but a fundamental icon of American life. One of the pleasures of the book is its rich evocation of the upper-crust society of Pittsburgh--Carnegie, Frick, the Mellons--a society that was socially reactionary but luxury-loving and baronial in its tastes, hobbies, and sexual attitudes (Kaufmann had so many mistresses that his store issued them distinctive charge plates they could use without paying). Franklin Toker has been studying Fallingwater for eighteen years. No one but he could have given us this compelling saga of the most famous private house in the world and the dramatic personal story of the fascinating people who made and used it. A major contribution to both architectural and social history.
Fallon (Images of America)
by Valerie Serpa Michon MackedonIn the mid- to late 19th century, nonnative populations first settled Fallon, Nevada, and the surrounding areas in Churchill County. Tracts of land were claimed from a desert floor, watered sporadically by the Carson River, which, in "good years," flows abundantly through the region. Fallon can be seen as a palimpsest, having once exclusively been home to Native Americans and then becoming an overland crossroads. In the mid-1890s, Jim Richards established a store at the crossing and Mike Fallon opened a small post office nearby. Now referred to as the "Oasis of Nevada," it is home to thousands. Lahontan Dam, completed in 1915, strengthened early agricultural roots and inspired rural dreams of verdant plenitude. Churchill County presently supports dairies and vineyards as well as farms and ranches. The city of Fallon has developed in significant ways, taking pride in its cultural life, schools, parks, businesses, and city-owned utility enterprises.
Fallout Shelter
by David MonteyneIn 1961, reacting to U.S. government plans to survey, design, and build fallout shelters, the president of the American Institute of Architects, Philip Will, told the organization's members that "all practicing architects should prepare themselves to render this vital service to the nation and to their clients." In an era of nuclear weapons, he argued, architectural expertise could "preserve us from decimation."In Fallout Shelter, David Monteyne traces the partnership that developed between architects and civil defense authorities during the 1950s and 1960s. Officials in the federal government tasked with protecting American citizens and communities in the event of a nuclear attack relied on architects and urban planners to demonstrate the importance and efficacy of both purpose-built and ad hoc fallout shelters. For architects who participated in this federal effort, their involvement in the national security apparatus granted them expert status in the Cold War. Neither the civil defense bureaucracy nor the architectural profession was monolithic, however, and Monteyne shows that architecture for civil defense was a contested and often inconsistent project, reflecting specific assumptions about race, gender, class, and power.Despite official rhetoric, civil defense planning in the United States was, ultimately, a failure due to a lack of federal funding, contradictions and ambiguities in fallout shelter design, and growing resistance to its political and cultural implications. Yet the partnership between architecture and civil defense, Monteyne argues, helped guide professional design practice and influenced the perception and use of urban and suburban spaces. One result was a much-maligned bunker architecture, which was not so much a particular style as a philosophy of building and urbanism that shifted focus from nuclear annihilation to urban unrest.
Fallschirmjäger: German Paratroopers, 1937-1941 (Images of War #19)
by François Cochet&“[An] excellent volume . . . The training and uniforms of this elite fighting force are well-covered, as are descriptions of the battles fought.&” —Army Rumour Service As elite troops, the German Fallschirmjäger (paratroopers) were regularly engaged in front line combat during the Second World War. Their famed actions such as the fighting in Scandinavia, the taking of the Belgian fortress Eden-Emal in May 1940, and the Battle for Crete just a year later, have given them the reputation of being determined, courageous and loyal soldiers. This book covers the early years of the Fallschirmstruppen (paratroop units) before the beginning of the war, until the height of their successes in 1941, after which the Fallschirmjäger were more often deployed in a more &“traditional&” way, even though high-risk actions (such as at Monte Cassino, the Gran Sasso Raid) allowed them to reconnect once more with their glorious past. &“The very popular Images of War series has established a format with a large number of rare photographs in each book and clear concise text supporting the photographic selection. This new addition follows the proven format to provide a graphic history and analysis of German paratroopers in WWII. Highly Recommended.&” —Firetrench &“Model figure hobbyists and diorama builders can find lots of visual inspirations for future projects.&” —Toy Soldier & Model Figure
Fallschirmjäger: German Paratroopers, 1942-1945 (Images of War)
by François CochetThe second volume following the World War II exploits of the famed German parachute unit—from the battle of Crete to the surrender of the Third Reich. As elite troops, the German Fallschirmjäger (paratroopers) were regularly engaged in front line combat during the Second World War. Their famed actions such as the fighting in Scandinavia, the taking of the Belgian fortress Eden-Emal in May 1940, and the Battle for Crete just a year later, have given them the reputation of being determined, courageous and loyal soldiers. This book continues the pictorial history of the Fallschirmjäger, focusing on the period following the bloody Battle for Crete. Used as elite infantry, first in the USSR and then in Africa, the Fallschirmjäger were able to reconnect with their glorious past, whether in Italy or on the Greek Islands, as they jumped from their Ju 52s to engage the enemy. Their hard fighting in Italy helped to cement the legend of &“the Green Devils,&” with the British General Harold Alexander describing them as &“tenacious, highly trained men, hardened by their many actions and combats.&” However, during the fighting in Normandy, the Ardennes and on the Eastern Front, the number of veterans decreased, meaning it was the young German paratroopers who finally surrendered the Third Reich on 8 May 1945. &“François Cochet&’s two-volumes in the Images of War series are not only an excellent introduction to this force and its combat history in the war, but also much, much more.&” —Avon Napoleonic Fellowship
Falmouth (Images of America)
by Nancy Kougeas Falmouth Historical Society Ann SearsFor hundreds of years, people have been drawn to Falmouth, the town of the "shining sea," immortalized by Falmouth native Katherine Lee Bates in her poem America, the Beautiful. Quakers, farmers, whaling captains, marine scientists, Coast Guardsmen, summer residents, Portuguese immigrants from the Azores and Cape Verde Islands, vacationers, and retiring World War II veterans have all found a special place in Falmouth. The photographs in Falmouth celebrate these people and the town they have built. Through the eyes of nearly fifty photographers, these views capture the glorious natural and architectural heritage that has defined the three-hundred-and-forty-year history of this Cape Cod community. From the spare lines of the Quaker meetinghouse and the poorhouse to the spires of churches and the elaborate summer "cottages" of Falmouth's golden age in the 1880s, these vintage photographs offer a rich visual tour through the town's history. Unforgettable images of people-whalers posing for the camera on rare trips home, fishermen returning to port, cranberry pickers, and wealthy summer residents playing croquet in summer whites-combine to show the unique community that is Falmouth.
Falmouth (Images of America)
by The Falmouth Historical SocietyFalmouth began as a farming and fishing town with an active wooden ship-building industry along the Presumpscot River Estuary. The town later developed a number of small villages, each with a post office, stores, and its own school. Following the Civil War, the population dropped and did not begin to increase until the beginning of World War II. Wealthy Portland residents and out-of-state visitors established summer estates in Falmouth Foreside. With the introduction of the automobile and the electric trolley in the early 1900s, the Falmouth Foreside and West Falmouth areas enjoyed an influx of people who could live in Falmouth and work in Portland. After World War II, Falmouth continued to increase in size as roads were improved and more houses were built. Today Falmouth remains a growing community with extensive retail, health, retirement, and service facilities.
Fame Amid the Ruins: Italian Film Stardom in the Age of Neorealism
by Stephen GundleItalian cinema gave rise to a number of the best-known films of the postwar years, from Rome Open City to Bicycle Thieves. Although some neorealist film-makers would have preferred to abolish stars altogether, the public adored them and producers needed their help in relaunching the national film industry. This book explores the many conflicts that arose in Italy between 1945 and 1953 over stars and stardom, offering intimate studies of the careers of both well-known and less familiar figures, shedding new light on the close relationship forged between cinema and society during a time of political transition and shifting national identities.