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Ethno Identity Dance for Sex, Fun and Profit
by Anthony ShayPeople all over the world dance traditional and popular dances that havebeen staged for purposes of representing specific national and ethnic groups. Anthony Shay suggests these staged dance productions be called "ethno identitydances", especially to replace the term "folk dance," which Shay suggestsshould refer to the traditional dances found in village settings as an organicpart of village and tribal life. Shay investigates the many motives that impelpeople to dance in these staged productions: dancing for sex or dancing sexydances, dancing for fun and recreation, dancing for profit - such as dancingfor tourists - dancing for the nation or to demonstrate ethnic pride. In thisstudy Shay also examines belly dance, Zorba Dancing in Greek nightclubs andrestaurants, Tango, Hula, Irish step dancing, and Ukrainian dancing.
Ethno-Techno: Writings on Performance, Activism and Pedagogy
by Guillermo Gomez-PenaGuillermo Gómez-Peña has spent many years developing his unique style of performance-activism; his theatricalizations of postcolonial theory. In Ethno-Techno: Writings on Performance, Activism and Pedagogy, he pushes the boundaries still further, exploring what's left for artists to do in a post-9/11 repressive culture of what he calls 'the mainstream bizarre'.Over forty-five photos document his artistic experiments and the text not only explores and confronts his political and philosophical parameters; it offers groundbreaking insights into his, and his company's, methods of production, development and teaching.The result is an extraordinary and inspiring glimpse into the life and work of one of the most daring, innovative and challenging performance artists of our age.
Ethnocinema: Intercultural Arts Education
by Anne M. HarrisThe first book entirely devoted to the practice and ethics of the emerging methodology of ethnocinema, this volume brings vividly to life not only the Sudanese young women with whom the author has collaborated for two years, but her own struggles as researcher, teacher and intercultural fellow traveller. A superb resource for anyone interested in conducting their own ethnocinema research project, the contents will be welcomed too by classroom teachers who recognise a need for alternative pedagogies within diverse classrooms, and peripatetic researchers and students who search for authentic representations of their own experiences within the academy and education system. With access to online filmed material included, this publication is part handbook and part theoretical treatise framing a new creative ethnographic methodology. One of a rare breed of books covering the visual research techniques that are gaining traction in the academic community, it also introduces ground-breaking intercultural research into Sudanese women who have resettled in the West. Functional as pedagogic material in university and high school classrooms, this package has broad appeal in the academic and educational sectors. "It is innovative, gutsy, practical, useful, critical and follows principles of socially just research." Prof Carolyn Ellis, University of Southern Florida, USA "This is an ambitious and passionate work. The author has taken on the task not only of exploring the difficult experiences of a group of young refugee women but has also reflected bravely on her own personal and professional life."Assoc Prof Greg Noble, University of Western Sydney, Australia "This is an ambitious and passionate work. The author has taken on the task not only of exploring the difficult experiences of a group of young refugee women but has also reflected bravely on her own personal and professional life." Assoc Prof Greg Noble, University of Western Sydney, Australia "This is an ambitious and passionate work. The author has taken on the task not only of exploring the difficult experiences of a group of young refugee women but has also reflected bravely on her own personal and professional life." Assoc Prof Greg Noble, University of Western Sydney, Australia "It is innovative, gutsy, practical, useful, critical and follows principles of socially just research." Prof Carolyn Ellis, University of Southern Florida, USA "This is an ambitious and passionate work. The author has taken on the task not only of exploring the difficult experiences of a group of young refugee women but has also reflected bravely on her own personal and professional life." Assoc Prof Greg Noble, University of Western Sydney, Australia "This is an ambitious and passionate work. The author has taken on the task not only of exploring the difficult experiences of a group of young refugee women but has also reflected bravely on her own personal and professional life." Assoc Prof Greg Noble, University of Western Sydney, Australia "This is an ambitious and passionate work. The author has taken on the task not only of exploring the difficult experiences of a group of young refugee women but has also reflected bravely on her own personal and professional life." Assoc Prof Greg Noble, University of Western Sydney, Australia
Ethnodramatherapy: Integrating Research, Therapy, Theatre and Social Activism into One Method
by Stephen SnowEthnodramatherapy explores the integration of the performance ethnography method, known as ethnodrama, with the principles and practices of drama therapy to establish a sound theoretical formulation for ethnodramatherapy, and considers its use as art, as therapy, as research and as a vehicle for social justice. The book begins by defining ethnodramatherapy – an original synthesis created by the author through deep study and practice of Mienczakowski’s enthnodrama, combined with 35 years of his own practice and research in drama therapy, creative arts therapies and therapeutic theatre. The book describes the origins of ethnodramatherapy, along with its evolution and method. It then delves into applications of the practice highlighted by five case studies with different audiences in different settings. Subjects include adults with developmental disabilities, female adolescents in youth protection, caregivers for loved ones with mental illnesses and Chinese students exploring controversial issues of oppression in China. Complex ethical issues are reviewed and suggestions are made on how to deal with some of the challenging ethical situations that are likely to arise in the ethnodramatherapy process. What emerges is a powerful tool that harnesses theatrical art, ethnographic research and the clinical techniques of drama therapy to create a potential for emancipatory experience for both performers and audiences. This exciting and dynamic synthesis of drama therapy, performance ethnography, theatrical art and social activism will be of interest to the whole community of theatre practitioners and scholars who use theatre to effect individual and social change, including the disciplines of applied theatre, theatre education, experimental theatre, performance studies, and, of course, drama therapy, psychodrama and the other creative arts therapies.
Ethnographic Film
by Karl G. HeiderFrom reviews of the first edition:"Ethnographic Film can rightly be considered a film primer for anthropologists. "-Choice"This is an interesting and useful book about what it means to be ethnographic and how this might affect ethnographic filmmaking for the better. It obviously belongs in all departments of anthropology, and most ethnographic filmmakers will want to read it. "-EthnohistoryEven before Robert Flaherty released Nanook of the North in 1922, anthropologists were producing films about the lifeways of native peoples for a public audience, as well as for research and teaching. Ethnographic Film (1976) was one of the first books to provide a comprehensive introduction to this field of visual anthropology, and it quickly became the standard reference. In this new edition, Karl G. Heider thoroughly updates Ethnographic Film to reflect developments in the field over the three decades since its publication, focusing on the work of four seminal filmmakers-Jean Rouch, John Marshall, Robert Gardner, and Timothy Asch. He begins with an introduction to ethnographic film and a history of the medium. He then considers many attributes of ethnographic film, including the crucial need to present "whole acts," "whole bodies," "whole interactions," and "whole people" to preserve the integrity of the cultural context. Heider also discusses numerous aspects of making ethnographic films, from ethics and finances to technical considerations such as film versus video and preserving the filmed record. He concludes with a look at using ethnographic film in teaching.
The Ethnographic Optic: Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema (New Directions in National Cinemas)
by Laure AstourianThe Ethnographic Optic traces the surprising role of ethnography in French cinema in the 1960s and examines its place in several New Wave fictions and cinéma vérité documentaries during the final years of the French colonial empire. Focusing on prominent French filmmakers Jean Rouch, Chris Marker, and Alain Resnais, author Laure Astourian elucidates their striking pivot from centering their work on distant lands to scrutinizing their own French urban culture. As awareness of the ramifications of the shrinking empire grew within metropolitan France, these filmmakers turned inward what their similarly white, urban, bourgeois predecessors had long turned outward toward the colonies: the ethnographic gaze.Featuring some of the most canonical and best-loved films of the French tradition, such as Moi, un Noir, La jetée, and Muriel, this is an essential book for readers interested in national identity and cinema.
Ethnography for Designers
by Galen CranzEthnography for Designers teaches architects and designers how to listen actively to the knowledge people have about their own culture. This approach gives structure to values and qualities. It does this by noting the terms and underlying structure of thought people use to describe aspects of their culture. By responding to underlying cognitive patterns, the architect can both respond to the user and interpret creatively. Thus, ethno-semantic methods can help designers to enhance their professional responsibility to users and, at the same time, to feel fulfilled creatively. This book is a practical guide for those teaching social factors and social research methods to designers and for those using these methods in practice.
Ethnomusicology, Queerness, Masculinity: Silence=Death
by Stephen AmicoThis open access book explores the disciplinary, disciplined, and recent interdisciplinary sites and productions of ethnomusicology and queerness, arguing that both academic realms are founded upon a destructive masculinity—indissolubly linked to coloniality and epistemic hegemony—and marked by a monologic, ethnocentric silencing of embodied, same-sex desire. Ethnomusicology’s fetishization of masculinizing fieldwork; queerness’s functioning as Anglophone master category; and both domains’ devaluation of sensuality and experience, concomitant with an adherence to provincial, Western conceptions of knowledge production, are revealed as precluding the possibilities for equitable, dialogic pluriversality. Enlisting the sonic as theoretical intervention, the disciplined/disciplining ethno and queer are reimagined in relation to negative emotions and intractable affect, ultimately vanquished, and replaced by explorations of sound, sex/uality, and experiential somaticity within a protean, postdisciplinary space of material/epistemic equity. This uncompromising, long-overdue critique will be of interest to researchers and students from numerous theoretical backgrounds, including music, sound, gender, queer, and postcolonial/decolonial studies.
An Ethology of Religion and Art: Belief as Behavior (Routledge Studies in Religion)
by Bryan RennieDrawing from sources including the ethology of art and the cognitive science of religion this book proposes an improved understanding of both art and religion as behaviors developed in the process of human evolution. Looking at both art and religion as closely related, but not identical, behaviors a more coherent definition of religion can be formed that avoids pitfalls such as the Eurocentric characterization of religion as belief or the dismissal of the category as nothing more than false belief or the product of scholarly invention. The book integrates highly relevant insights from the ethology and anthropology of art, particularly the identification of "the special" by Ellen Dissanayake and art as agency by Alfred Gell, with insights from, among others, Ann Taves, who similarly identified "specialness" as characteristic of religion. It integrates these insights into a useful and accurate understanding and explanation of the relationship of art and religion and of religion as a human behavior. This in turn is used to suggest how art can contribute to the development and maintenance of religions. The innovative combination of art, science, and religion in this book makes it a vital resource for scholars of Religion and the Arts, Aesthetics, Religious Studies, Religion and Science and Religious Anthropology.
Etienne Decroux (Routledge Performance Practitioners)
by Thomas LeabhartEtienne Decroux is the primary creator of Corporeal Mime and one of modern theatre’s most charismatic innovators, known for his ground-breaking use of the body as the principal means of expression on stage. This second edition combines: an overview of Decroux’s life and work an analysis of Decroux’s Words on Mime, the first book to be written about this art a series of practical exercises offering an introduction to Corporeal Mime technique. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
Etienne Decroux and his Theatre Laboratory (Routledge Icarus Ser.)
by Marco de MarinisEtienne Decroux and His Theatre Laboratory is based on the long-awaited translation of Marco De Marinis' monumental work on mime in the twentieth century: Mimo e teatro nel Novecento (1993). Now revised and updated, the volume focuses specifically on the seminal role played by French mime artist and pedagogue Etienne Decroux. Mime is a theatrical form of ancient tradition. In the nineteenth century, it saw both apogee and crisis in the west with the realistic and gesticulating 'white pantomime'. In the twentieth century, it underwent a radical overhaul, transforming into an 'abstract' corporeal art that shunned imitation and narrative, and which instead tended towards the plastic, elliptic, allusive, and symbolic transposition of actions and situations. This book is the result of detailed investigations, based on contemporary accounts and obscure or unpublished materials. Through the examination of the creative, pedagogical, and theoretical work of the 'inventor' of the new mime art, Etienne Decroux, De Marinis focuses on the different assumptions underlying the various modes of the problematic presence of mime in the theatre of the twentieth century: from the utopia of a 'pure' theatre, attributed to the sole essence of the actor, to its decline into a closed poetic genre often nostalgically stuck in the past; from mime as a pedagogical tool for the actor to mime as an expressive and virtuosic means in the hands of the director.
Etowah (Images of America)
by S. Durant TullockIn 1902, the Louisville and Nashville Railroad was looking for a place halfway between Cincinnati and Atlanta to build a rail center. This site would be the home of a rail yard for crew changes and shops to build and repair boxcars. After being turned down for two locations, the railroad looked to an area at the foot of Starr Mountain rich with timber to build the shops and railcars. Several years later, a decision was made to go forward with this site, and in 1906 the L&N Railroad built its first planned community. In one year, over 2,000 people were employed by the line, and a town emerged. One hundred years later, the town maintains a rich heritage built around the rail.
Etowah County
by Mike GoodsonEtowah County, located in northeast Alabama, was formed in 1866 from parts of Marshall, Calhoun, St. Clair, DeKalb, Blount, and Cherokee Counties. Originally known as Baine, the area was named Etowah County in 1868. Although the smallest county in Alabama in land area, Etowah is rich in local history.
Etowah County
by Bob Scarboro Mike GoodsonDrawing from, among other sources, the collection of famed photographer Adolph Lebourg, a French immigrant who traveled to Alabama with a circus, Scarboro and Goodson combine wonderful images with insightful text to provide a unique look at the county's heritage. Especially evident in Lebourg's photographs is a passion for motorcycles, providing a great point of interest for many of the book's images. Etowah County includes such points of interest as the Kyle Home, which once stood on the present site of the Etowah County Courthouse, the home of Alabama Power Company founder W.P. Lay, andseveral of the county's early movie theaters. Many local businesses and industries are highlighted in the early years of their existence. Also included are glimpses of such local events as parades, sporting events, and the beautiful Nocallula Falls. Whether one is a longtime resident familiar with all the area has to offer, or a newcomer eager to learn more of the county's heritage, Etowah County is a wonderful look at days gone by.
Etowah County Volume II
by Bob Scarboro Mike GoodsonEtowah County Volume II traces the history of everyday citizens in this Alabama community. Largely derived from the collections of local photographers Bob Scarboro and Hugh Hall, the images in this volume depict the county's championship sports teams, the drive-in theaters and restaurants of the post-World War II era, and the mansions that once lined Forrest Avenue. Also included are two rare and seldom-seen photographs-the old dummy engine of the streetcar line that ran from Gadsden to Attalla, and the wooden dance pavilion located beneath Noccalula Falls at the turn of the century. Readers will discover the lasting contributions made to Etowah County by such notable early settlers as Col. R.B. Kyle, Capt. James M. Elliott Jr., Gen. Daniel Turrentine, and Judge John H. Disque. Many of the area's schools, businesses, and churches can be attributed to the efforts of these enterprising individuals. Etowah County Volume II also celebrates the contributions made by the hard-working, everyday people who have made this Alabama community a memorable place to live.
Études for Architects
by Joseph ChomaOrganized around a series of pedagogical exercises, this book provides a visual journey through a series of games architects can play as a means to design. Aimed specifically at beginner design students, learning objectives include: computational thinking and making, introduction to design as an iterative, reflective, and rigorous process, ideas of continuity and discontinuity, and understanding the bias and constraints of analog and digital tooling. The text is simple and straightforward to understand and in addition the author draws explanatory diagrams to elaborate on each exercise's description. He also includes visually compelling student work to provide insight into the possibilities of each exercise. Finally, the book includes eighteen case studies from Europe, the USA, Mexico, and Asia to inspire and inform.
EU Islands and the Clean Energy Transition (SpringerBriefs in Energy)
by Gabriel Winter-Althaus Antonio Pulido-Alonso Lourdes Trujillo Enrique Rosales-AsensioThis book explains the challenges and barriers of island energy systems in the European Union. It reviews the research projects carried out to date, and proposes a new feasible scheme that could be advantageous to many isolated energy systems. The book contains a thorough literature review, to ensure the originality of its ideas. It provides a clear insight of the opportunities and difficulties facing EU island energy systems.
EU Promotion of Human Rights for LGBTI Persons in Uganda: Translating and Organizing a Wicked Problem
by Lydia MalmedieExamining the EU's promotion of human rights for lesbian, gay, bisexual, trans+ and intersex (LGBTI) persons in Uganda during the period of 2009 to 2017, this book investigates how a public administration defines and deals with a wicked problem. The empirical puzzle of how the topic of human rights for LGBTI persons, despite its highly contested nature, travelled between Brussels and Kampala, became codified in form of LGBTI Guidelines (2013) and institutionalized within EU foreign policy is addressed as one of translation and sensemaking. The investigation focuses on the process of problem definition in everyday practice by EU staff and EU member states’ staff in Brussels and Kampala. This book therefore provides key insights into how public administrations deal with wicked problems, how contested ideas can become institutionalized and how an idea is translated and made sense of across time, levels and cultural boundaries. The findings are of interest especially to scholars of wicked problems, sociological new institutionalism and public administration as well as international relations and EU studies, human rights, gender and sexuality studies.
Eucharist and the Poetic Imagination in Early Modern England
by Sophie ReadThe Reformation changed forever how the sacrament of the Eucharist was understood. This study of six canonical early modern lyric poets traces the literary afterlife of what was one of the greatest doctrinal shifts in English history. Sophie Read argues that the move from a literal to a figurative understanding of the phrase 'this is my body' exerted a powerful imaginative pull on successive generations. To illustrate this, she examines in detail the work of Southwell, Donne, Herbert, Crashaw, Vaughan and Milton, who between them represent a broad range of doctrinal and confessional positions, from the Jesuit Southwell to Milton's heterodox Puritanism. Individually, each chapter examines how Eucharistic ideas are expressed through a particular rhetorical trope; together, they illuminate the continued importance of the Eucharist's transformation well into the seventeenth century - not simply as a matter of doctrine, but as a rhetorical and poetic mode.
Euclid Creek
by Edward Siplock Bob Gibbons Roy LarickOver the centuries, Euclid Creek's torrents have drilled through bluestone and shale, carving deep gorges in a gentle landscape. Modes of transport have always guided human life in the watershed. Early Native Americans trekked the creek's gorge rims to form an extensive trail network. In 1796, Moses Cleaveland's survey crew named "the big crick" Euclid, in honor of the inventor of survey mathematics. As early settlers arrived, they turned the Indian trails into county roads and used the creek to power saw and grist mills. By the 1850s, steam railroads took Euclid Creek wine and bluestone to distant markets. In 1896, electrified rails gave impetus for summer resorts and country estates. By 1920, automobiles were ferrying suburbanites to Tudor side streets. Now, Interstate highways funnel exurbanites into shopping centers. Framed in the history of transport, Euclid Creek tells the story of this Great Lake tributary stream and her many different communities. Euclid Creek is a unique history of the Great Lake tributary stream and her many different communities. Drawing from numerous archives, the authors surmount municipal boundaries to show the whole history of a nearly forgotten natural landmark.
Eufòria: Perseguim un somni
by Enric EstebanLes històries dels concursants d'Eufòria, el programa musical de més èxit de TV3 Descobriu les històries dels concursants d’Eufòria i què els va portar a participar al programa. De primera mà, us revelaran com han aconseguit acomplir el somni d’actuar davant de milers de persones al Palau Sant Jordi. Però... què els va portar a participar en aquest talent show? Què han après del programa? Quina relació han tingut entre ells? Quins han estat els moments més divertits? I els que preferirien no haver viscut? Aquest llibre recull les anècdotes més emocionants de la primera temporada d'Eufòria i les històries de vida d'aquests artistes 360º que ja s'han convertit en referents per a tota una generació.
Eugene O'Neill's Philosophy of Difficult Theatre: Pity, Fear, and Forgiveness (Routledge Advances in Theatre & Performance Studies)
by Jeremy KillianThrough a close re-examination of Eugene O’Neill’s oeuvre, from minor plays to his Pulitzer-winning works, this study proposes that O’Neill’s vision of tragedy privileges a particular emotional response over a more “rational” one among his audience members. In addition to offering a new paradigm through which to interpret O’Neill’s work, this book argues that O’Neill’s theory of tragedy is a robust account of the value of difficult theatre as a whole, with more explanatory scope and power than its cognitivist counterparts. This paradigm reshapes our understanding of live theatrical tragedy’s impact and significance for our lives. The book enters the discussion of tragic value by way of the plays of Eugene O’Neill, and through this study, Killian makes the case that O’Neill has refused to allow Plato to define the terms of tragedy’s merit, as the cognitivists have. He argues that O’Neill’s theory of tragedy is non-cognitive and locates the value of a play in its ability to trigger certain emotional responses from the audience. This would be of great interest to students and scholars of performance studies, literature and philosophy.
Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave Studies in Theatre and Performance History)
by Shannon L. WalshThis book strives to unmask the racial inequity at the root of the emergence of modern physical culture systems in the US Progressive Era (1890s–1920s). This book focuses on physical culture – systematic, non-competitive exercise performed under the direction of an expert – because tracing how people practiced physical culture in the Progressive Era, especially middle- and upper-class white women, reveals how modes of popular performance, institutional regulation, and ideologies of individualism and motherhood combined to sublimate whiteness beneath the veneer of liberal progressivism and reform. The sites in this book give the fullest picture of the different strata of physical culture for white women during that time and demonstrate the unracialization of whiteness through physical culture practices. By illuminating the ways in which whiteness in the US became a default identity category absorbed into the “universal” ideals of culture, arts, and sciences, the author shows how physical culture circulated as a popular performance form with its own conventions, audience, and promised profitability. Finally, the chapters reveal troubling connections between the daily habits physical culturists promoted and the eugenics movement’s drive towards more reproductively efficient white bodies. By examining these written, visual, and embodied texts, the author insists on a closer scrutiny of the implicit whiteness of physical culture and forwards it as a crucial site of analysis for performance scholars interested in how corporeality is marshaled by and able to contest local and global systems of power.
Eugenics, 'Aristogenics', Photography: Picturing Privilege
by Kris Belden-AdamsThis is the first study to explore the connections between late-19th-century university/college composite class portraits and the field of eugenics – which first took hold in the United States at Harvard University. Eugenics, "Aristogenics," Photography takes a closer look at how composite portraiture documented an idealized “reality” of the New England social-caste experience and explains how, when positioned in relation to the individual stories and portraits of members of the class, the portraits reveal points of non-conformity and rebellion with their own rhetoric.
Eugenio Barba (Routledge Performance Practitioners)
by Jane TurnerEugenio Barba is recognized as one of the most important theatre practitioners working today. Along with the company he founded over fifty years ago, the world-acclaimed Odin Teatret, he continues to produce extraordinary theatre performances that tour the world, and his International School of Theatre Anthropology has greatly developed research into the craft of the actor. Now revised and updated, this volume reveals the background to and work of a major influence on twentieth- and twenty-first century performance. Eugenio Barba is the first book to combine: an overview of Barba’s work and that of his company, Odin Teatret exploration of his writings and ideas on theatre anthropology, and his unique contribution to contemporary performance research in-depth analysis of the 2000 production of Ego Faust, performed at the International School of Theatre Anthropology a practical guide to training exercises developed by Barba and the actors in the company. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.