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Actividades para Niños: Actividades Gratis o Casi Gratis para niños ¡Que Ellos Amaran!

by James Christiansen Salvador Sandoval Sanchez

¿Sus hijos este verano se quejan de que "no hay nada que hacer" o "estoy aburrido" ? ¿Necesitas algunas ideas nuevas para mantenerlos entretenidos hasta que la escuela regrese a la sesión? No busque más - esta guía de actividades gratuitas y baratas para niños le ayudará a patear el blues de aburrimiento! Mis hijos son probablemente como el suyo: les encanta estar fuera de la escuela, pero pronto los sonidos de "estoy aburrido" y "no hay nada que hacer" eco a través de nuestra casa y tanto mi esposa y yo anhelamos algo para mantenerlos entretenidos y evitar que comiencen a quejarse. Con esta motivación, he recolectado grandes actividades gratuitas o casi gratuitas para los niños que mis hijos adoran y el suyo también! En este libro aprenderá: 1. Cómo mantener a los preescolares entretenidos y cómo hacerlo economicamente! 2. Divertirse y casi gratis actividades interiores y al aire libre para niños de 6 a 8 años. 3. Cómo divertirse con niños mayores e independientes con un presupuesto 4. Actividades de interior y al aire libre para niños de todas las edades 5. Actividades divertidas con estilo, incluyendo actividades de aprendizaje de niños para niños de todas las edades ¿Necesitas otra razón para comprar este libro? Aquí hay una gran: dono el 5% de los ingresos de las ventas de mis libros a la lectura es fundamental, el más grande y más respetado fonfo de alfabetización para niños sin fines de lucro en América! Detenga las quejas y cure el aburrimiento de hoy. ¡Consiga este libro y consiga algunas grandes ideas para las actividades de los niños !hoy!

Activism (Whitechapel: Documents of Contemporary Art)

by Afonso Dias Ramos Tom Snow

An edited collection that addresses the vital intersection of contemporary art and activism in this watershed cultural moment.Activism is a critical point of contention for institutions and genealogies of contemporary art around the world. Yet artists have consistently engaged in activist discourse, lending their skills to social movements, and regularly participating in civil and social rights campaigns while also boycotting cultural institutions and exerting significant pressure on them. This timely volume, edited by Tom Snow and Afonso Ramos, addresses an extraordinary moment in debates over the institutional frameworks and networks of art including large-scale direct actions, as well as a radical rethinking of art venues and urban spaces according to racial, class, or gender-based disparities, including demonstrations against the extractive and exploitative practices of neoliberal accumulation and climate catastrophe.From ACT UP and its affiliate groups since the dawn of the AIDS crisis to the counter-spectacle and street theatrics of the so-called Arab Spring and Occupy, to ongoing protest movements such as Black Lives Matter, Rhodes Must Fall, and Decolonize This Place, activist aesthetics has proven increasingly difficult to define under traditional classifications. Resurgent campaigns for decolonial reckoning, ecological justice, gender equality, indigenous rights and antiracist pedagogies indicate that the role of activism in contemporary art practice urges a critical reassessment. One pressing question is whether contemporary art&’s most radical politics now takes place outside, against, or in spite of, conventional sites of display such as museums, biennials, and galleries.Artists surveyed include: ACT UP, Basel Abbas & Ruanne Abou-Rahme, Allora & Calzadilla, Tania Bruguera, Black Audio Film Collective, Chto Delat, Andrea Fraser, Nan Goldin, Sanja Iveković, Gulf Labor, Amar Kanwar, Leslie Labowitz, Liberate Tate, Sethembile Msezane, Zanele Muholi, Jan Nikolai Nelles & Nora Al-Badri, Decolonize This Place, Michael Rakowitz, Oliver Ressler. Writers include: Dave Beech, Judith Butler, Amílcar Cabral, Elias Canetti, Douglas Crimp, Jodi Dean, Gilles Deleuze, T.J. Demos, Nina Dubrovsky, Süreyyya Evren, Catherine Flood, Matthew Fuller, David Graeber, Gavin Grindon Félix Guattari, Brian Holmes, Carrie Lambert-Beatty, Lucy Lippard, Yates McKee, MTL Collective, Gregory Sholette, Françoise Vergès, Peter Weiss, Eyal Weizman.

Activism in Architecture: Bright Dreams of Passive Energy Design (Routledge Research in Architecture)

by Carolina Dayer Margot McDonald

This edited collection gathers contributions from a diverse range of renowned scholars and professionals to uncover the unique relationship between passive architectural systems and activism. Focusing on the pioneering work of the influential American chemist and inventor, Harold R. Hay (1909–2009), and the environmental awareness events that took hold in the United States during the 1960s and 1970s, the book assembles essays which closely examine Hay's contribution to architecture and the work of those who directly and tangentially were affected by it. The book also offers insights into the role of passive energy design today. Appealing to researchers, architects and students interested in architecture and design technology, Activism in Architecture explores the role of passive environmental inventions as an active agent in shaping socio-political debates.

Activist: Portraits of Courage

by KK Ottesen

A speech on the radio. A high school literature class. A promise made to a mother.Activism begins in small ways and in unexpected places. In this inspiring book, over forty activists from Billie Jean King to Senator Bernie Sanders and Grover Norquist to Al Sharpton recount the experiences that sparked their journeys and share the beliefs that keep them going. These are citizens who met challenge with action. Their visions for peace, equality, and justice have reshaped American society—from voting to reproductive rights, and from the environment to the economy.• Brings together multiple generations from different (sometimes opposite perspectives)• Features KK Ottesen's luminous photographs revealing passion, purpose and optimism• Powerful narratives that collective remind us that anyone can take the future into their own handsFans of 1960Now, Martha Rosler: Irrespective, and Charles White: A Retrospective will love this book. This book is perfect for:• Activists, old and new• Politically engaged readers • Photography fans• Millennials

Activity, Behavior, and Healthcare Computing (Ubiquitous Computing, Healthcare and Well-being)

by Guillaume Lopez Sozo Inoue Tahera Hossain Rahman Ahad, Md Atiqur

Activity, Behavior, and Healthcare Computing relates to the fields of vision and sensor-based human action or activity and behavior analysis and recognition. As well as a series of methodologies, the book includes original methods, exploration of new applications, excellent survey papers, presentations on relevant datasets, challenging applications, ideas and future scopes with guidelines. Featuring contributions from top experts and top research groups globally related to this domain, the book covers action recognition, action understanding, gait analysis, gesture recognition, behavior analysis, emotion and affective computing, healthcare, dementia, nursing, Parkinson’s disease, and related areas. It addresses various challenges and aspects of human activity recognition – both in sensor-based and vision-based domains. This is a unique edited book covering both domains in the field of activity and behavior.

Activités pour enfants : Activités gratuites ou presque que vos enfants vont adorer !

by James Christiansen

Vos enfants se plaignent qu'il n'y a rien à faire ou qu'ils s'ennuient ? Vous avez besoin de nouvelles idées pour les divertir jusqu'à la rentrée scolaire ou le temps d'un après-midi ? Ne cherchez plus. Ce guide proposant des activités gratuites ou peu coûteuse vous aidera à combattre l'ennui ! Mes enfants sont probablement comme les vôtres : ils adorent être en vacances scolaires, mais très rapidement les « je m'ennuie » et « il n'y a rien à faire » se font entendre dans la maison et ma femme et moi aspirons à trouver une idée pour les divertir et pour éviter les plaintes. C'est cette motivation qui m'a poussé à recueillir des idées d'activités gratuites ou presque que mes enfants ont adorées et que les vôtres adoreront aussi ! Grâce à ce livre, vous apprendrez à : 1. Divertir des enfants en âge d'aller à l'école maternelle sans que cela ne vous coûte cher ! 2. Divertir des enfants de 6 à 8 ans grâce à des activités en plein air et en intérieur presque gratuites. 3. Vous amuser avec des enfants plus âgés et indépendants, avec peu de moyens. 4. Proposer des activités à des enfants de tout âge, que ce soit en intérieur ou en extérieur. 5. Proposer des activités amusantes pertinentes et éducatives pour des enfants de tout âge. Vous avez besoin d'une autre raison pour acheter ce livre ? En voici une : je fais don de 5 % du prix de vente de mes livres à l'association Reading Is Fundamental, la principale organisation à but non lucratif pour l'alphabétisation des enfants, qui est aussi la plus respectée aux Etats-Unis ! Finies les plaintes ! Fini l'ennui ! Maintenant. Procurez-vous ce livre dès aujourd'hui et obtenez de superbes idées d'activités pour enfants !

Actor Networks of Planning: Exploring the Influence of Actor Network Theory

by Yvonne Rydin Laura Tate

Planning is centrally focused on places which are significant to people, including both the built and natural environments. In making changes to these places, planning outcomes inevitably benefit some and disadvantage others. It is perhaps surprising that Actor Network Theory (ANT) has only recently been considered as an appropriate lens through which to understand planning practice. This book brings together an international range of contributors to explore such potential of ANT in more detail. While it can be thought of as a subset of complexity theory, given its appreciation for non-linear processes and responses, ANT has its roots in the sociology of scientific and technology studies. ANT now comprises a rich set of concepts that can be applied in research, theoretical and empirical. It is a relational approach that posits a radical symmetry between social and material actors (or actants). It suggests the importance of dynamic processes by which networks of relationships become formed, shift and have effect. And while not inherently normative, ANT has the potential to strengthen other more normative domains of planning theory through its unique analytical lens. However, this requires theoretical and empirical work and the papers in this volume undertake such work. This is the first volume to provide a full consideration of how ANT can contribute to planning studies, and suggests a research agenda for conceptual development and empirical application of the theory.

Actor Training

by Alison Hodge

Actor Training expands on Alison Hodge's highly-acclaimed and best-selling Twentieth Century Actor Training. This exciting second edition radically updates the original book making it even more valuable for any student of the history and practice of actor training. The bibliography is brought right up to date and many chapters are revised. In addition, eight more practitioners are included - and forty more photographs - to create a stunningly comprehensive study. The practitioners included are: Stella Adler; Eugenio Barba; Augusto Boal; Anne Bogart; Bertolt Brecht; Peter Brook; Michael Chekhov; Joseph Chaikin; Jacques Copeau; Philippe Gaulier; Jerzy Grotowski; Maria Knebel; Jacques Lecoq; Joan Littlewood; Sanford Meisner; Vsevolod Meyerhold; Ariane Mnouchkine; Monika Pagneux; Michel Saint-Denis; Włodzimierz Staniewski; Konstantin Stanislavsky; Lee Strasberg The historical, cultural and political context of each practitioner's work is clearly set out by leading experts and accompanied by an incisive and enlightening analysis of the main principles of their training, practical exercises and key productions. This book is an invaluable introduction to the principles and practice of actor training and its role in shaping modern theatre.

Actor Training in Anglophone Countries: Past, Present and Future (Routledge Advances in Theatre & Performance Studies)

by Peter Zazzali

Actor Training in Anglophone Countries offers a firsthand account of the most significant acting programs in English-speaking countries throughout the world. The culmination of archival research and fieldwork spanning six years, it is the only work of its kind that studies the history of actor training from an international perspective. It presents the current moment as crucial for student actors and those who teach them. As the profession continues to change, new and progressive approaches to training have become as urgent as they are necessary. Using drama schools and universities as its subjects of inquiry, this book investigates acting programs in the UK, Ireland, the US, Canada, Australia, and New Zealand. Among the case studies are the Royal Academy of Dramatic Art, National Theatre School of Canada, Western Australian Academy of Performing Arts, and Carnegie Mellon University. All recognized for their distinguished reputations by industry professionals and acting teachers alike, the book examines each program’s pedagogical approach, administrative structure, funding apparatus, and alumni success. In doing so, it identifies the challenges facing acting schools today and offers a new direction for training in the twenty-first century. Actor Training in Anglophone Countries will be of interest to theatre and performance scholars, artists, students, and teachers.

Actor Training the Laban Way (Second Edition): An Integrated Approach to Voice, Speech, and Movement

by Barbara Adrian

The Groundbreaking Actor Training Guide, Enhanced with New Videos and Expert Advice from Acting Professionals Actors, teachers, and students of performing arts: sharpen your skills and release your potential with Actor Training the Laban Way, a groundbreaking approach to physical and vocal movement. Utilizing theories of preeminent movement theorist Rudolf Laban, acting teacher and performer Barbara Adrian integrates voice, speech, and movement training with illustrated individual and group exercises that include: Breath Support Building Dynamic Alignment Expanding Vocal Tone and Range Articulation and Rhythmic Exploration Enhancing Strength and Stamina Improving Balance and Flexibility Developing a Relationship to the Environs Revealing Your Emotional State through Physical and Vocal Action This second edition also includes an all-new chapter of advice from acting professionals on how they deploy these exercises and techniques in their acting preparation, practice, and performance. New appendices offer readers links to video supplements as well as exercises in IPA.Actor Training the Laban Way will make any performer more impulsive, imaginative, and expressive.

Actor Training the Laban Way: An Integrated Approach to Voice, Speech, and Movement

by Barbara Adrian

* Individual, partner, and group exercises to make any actor more expressive * Crucial acting tips based on the work of distinguished theorist Rudolf Laban * 65 original illustrations of anatomy and warm-up exercises This in-depth, fully illustrated guide offers a groundbreaking approach to understanding physical and vocal movement that will enable readers to discover how to maximize their potential. Packed with practical exercises for individuals, partners, and group work, this book integrates voice, speech, and movement. Exercises for breath support, tone, range, articulation, dynamic alignment, balance, flexibility, strength, and stamina, as well as building relationships, Actor Training the Laban Way is essential reading for all serious actors, acting teachers, and students.

Actor's Guide: Your First Year in Hollywood

by Lisa Mulcahy Michael St. Nicolas

For every actor beginning a career in Hollywood, this indispensable guide will lay out a clear and comprehensible path with tried-and-true advice. Up-to-date resources and new interviews with recently established actors experiencing the current movieland scene--as well as the timeless voices of established actors and industry pros--make this a rich compendium of Hollywood know-how. Delve into the industry with the support from An Actor’s Guide: Your First Year in Hollywood and discover with confidence how to: Find work through a variety of sources Deliver stunning auditions Join SAG-AFTRA Get a great headshot and put together a stunning resume Build your credentials and gain exposure Hone your craft with professional training and classes Snag a top-notch agent Utilize the power of social media From settling into Los Angeles and sticking to a tight budget, to adventures in reality TV and landing the breakthrough parts you came to Hollywood for, any actor eager to learn will get his or her fair share of insider knowledge with this manual and will discover how to create a positive experience while launching an exciting career.

Actor-Network Dramaturgies: The Argentines of Paris (Palgrave Studies in Theatre and Performance History)

by Stefano Boselli

This book provides key critical tools to significantly broaden the readers’ perception of theatre and performance history: in line with posthuman thought, each chapter engages Actor-Network Theory and similar theories to reveal a comprehensive range of human and non-human agents whose collaborations impact theatre productions but are often overlooked. The volume also greatly expands the information available in English on the networks created by several Argentine artists. Through a transnational, transatlantic perspective, case studies refer to the lives, theatre companies, staged productions, and visual artworks of a number of artists who left Buenos Aires during the 1960s due to a mix of personal and political reasons. By establishing themselves in the French capital, queer playwright Copi and directors Jorge Lavelli, Alfredo Arias, and Jérôme Savary, among others, became part of the larger group of intellectuals known as “the Argentines of Paris” and dominated the Parisian theatre scene between the 1980s and 90s. Focusing on these Argentine artists and their nomadic peripeteias, the study thus offers a detailed description of the complexity of agencies and assemblages inextricably involved in theatre productions, including larger historical events, everyday objects, sexual orientation, microbes, and even those agents at work well before a production is conceived.

Actor-Network Theory at the Movies: Reassembling the Contemporary American Teen Film With Latour

by Björn Sonnenberg-Schrank

This book is one of the first to apply the theoretical tools proposed by French philosopher Bruno Latour to film studies. Through the example of the Hollywood Teen Film and with a particular focus on Actor-Network Theory (ANT), the book delineates how Teen Film has established itself as one of Hollywood’s most consistent and dynamic genres. While many productions may recycle formulaic patterns, there is also a proliferation of cinematic coming-of-age narratives that are aesthetically and politically progressive, experimental, and complex. The case studies develop a Latourian film semiotics as a flexible analytical approach which raises new questions, not only about the history, types and tropes of teen films, but also about their aesthetics, mediality, and composition. Through an exploration of a wide and diverse range of examples from the past decade, including films by female and African-American directors, urban and rural perspectives, and non-heteronormative sexualities, Actor-Network Theory at the Movies demonstrates how the classic Teen Film canon has been regurgitated, expanded, and renewed.

Actors Carved and Cast: Netherlandish Sculpture of the Sixteenth Century

by Ethan Matt Kavaler

Painting has long dominated discussions of Netherlandish art. Yet in the sixteenth century sculpture was held in considerably higher regard than painting, especially in foreign lands. This beautifully illustrated book is the first comprehensive study of sixteenth-century Netherlandish sculpture, and it opens an important window onto the works and milieu of these artists. Netherlanders dominated the sculptural world of northern Europe. They made the most prestigious tombs and altarpieces, alabaster reliefs, and boxwood collectibles for patrons throughout Iberia, France, and Central Europe. Even in Italy they were a formidable presence; the most famous sculptor in Europe in the second half of the sixteenth century was Giambologna, a Fleming who spent the greater part of his career in Florence. A great many of these artists immigrated to foreign courts—so many that the history of Netherlandish sculpture in the second half of the sixteenth century plays out largely abroad. Netherlandish carvers and casters relocated to what are today Austria, Denmark, England, France, Germany, Italy, Poland, Portugal, Spain, Sweden, and Ukraine. Sculpture, more so than painting, was an essential tool in discourses of power.Offering an essential new perspective on a fascinating period in art history, Actors Carved and Cast will appeal to scholars of sculpture and all those interested in Northern Renaissance art.

Actors and Audiences: Conversations in the Electric Air

by Caroline Heim

Actors and Audiences explores the exchanges between those on and off the stage that fill the atmosphere with energy and vitality. Caroline Heim utilises the concept of "electric air" to describe this phenomenon and discuss the charge of emotional electricity that heightens the audience’s senses in the theatre. In order to understand this electric air, Heim draws from in-depth interviews with 79 professional audience members and 22 international stage and screen actors in the United Kingdom, United States, France and Germany. Tapping into the growing interest in empirical studies of the audience, this book documents experiences from three productions – The Encounter, Heisenberg and Hunger. Peer Gynt – to describe the nature of these conversations. The interviews disclose essential elements: transference, identification, projection, double consciousness, presence, stage fright and the suspension of disbelief. Ultimately Heim reveals that the heart of theatre is the relationship between those on- and off-stage, the way in which emotions and words create psychological conversations that pass through the fourth wall into an "in-between space," and the resulting electric air. A fascinating introduction to a unique subject, this book provides a close examination of actor and audience perspectives, which is essential reading for students and academics of Theatre, Performance and Audience Studies.

Actors on Guard: A Practical Guide for the Use of the Rapier and Dagger for Stage and Screen

by Dale Anthony Girard

Actors on Guard is the most comprehensive and detailed book on the art of theatrical swordplay available today. It provides the reader with the historical, theoretical and practical basis for learning, practicing and presenting theatrical sword fights. Focusing specifically on the Elizabethan rapier and dagger (the most popular weapons used in stage fights), Actors on Guard provides actors, directors, teachers, stage managers and technicians the skills and knowledge essential to presenting safe and effective fights, both for stage and screen.

Actors on Guard: Training, Rehearsal and Performance Techniques with the Rapier and Dagger for the Stage and Screen

by Dale Anthony Girard

Actors on Guard, Second Edition is the most comprehensive book covering the current practices in learning, rehearsing and performing safe and dynamic swordfights with the single rapier and the rapier and dagger for both stage and screen. Focusing specifically on the Elizabethan rapier and dagger – the most popular weapons used in stage fights – Actors on Guard provides actors, directors, teachers, stage managers and technicians the skills and knowledge essential to presenting safe and effective swordfights. The book takes the reader through the complex process of selecting safe stage weapons, learning the basic handling and management of the rapier and dagger, as well as how to safely move and interact in the potentially dangerous process of learning, rehearsing and performing choreographed swordplay. This new edition has been revised with current industry practices, featuring hundreds of step-by-step practical exercises in the care and handling of prop swords, footwork, guards, parries, cutting and thrusting techniques, blade taking actions, disarms, wounds and kills using the rapier and dagger, with revised diagrams and photographs. An excellent sourcebook for university stage combat classes as well as self-learners, Actors on Guard provides the reader with the historical, theoretical and practical basis for mastering the art of sword fighting for the stage and screen. The book includes access to a wealth of online resources, with additional information that expands upon specific mechanics, techniques and concepts covered in the text as well as some video demonstrations of solo and partnered techniques and exercises.

Actors on Guard: Training, Rehearsal and Performance Techniques with the Rapier and Dagger for the Stage and Screen

by Dale Anthony Girard

Actors on Guard, Second Edition is the most comprehensive book covering the current practices in learning, rehearsing and performing safe and dynamic swordfights with the single rapier and the rapier and dagger for both stage and screen.Focusing specifically on the Elizabethan rapier and dagger – the most popular weapons used in stage fights – Actors on Guard provides actors, directors, teachers, stage managers and technicians the skills and knowledge essential to presenting safe and effective swordfights. The book takes the reader through the complex process of selecting safe stage weapons, learning the basic handling and management of the rapier and dagger, as well as how to safely move and interact in the potentially dangerous process of learning, rehearsing and performing choreographed swordplay. This new edition has been revised with current industry practices, featuring hundreds of step-by-step practical exercises in the care and handling of prop swords, footwork, guards, parries, cutting and thrusting techniques, blade taking actions, disarms, wounds and kills using the rapier and dagger, with revised diagrams and photographs.An excellent sourcebook for university stage combat classes as well as self-learners, Actors on Guard provides the reader with the historical, theoretical and practical basis for mastering the art of sword fighting for the stage and screen.The book includes access to a wealth of online resources, with additional information that expands upon specific mechanics, techniques and concepts covered in the text as well as some video demonstrations of solo and partnered techniques and exercises.

Actors, Audiences, and Emotions in the Eighteenth Century: Communities of Sentiment (Palgrave Studies in the History of Emotions)

by Glen McGillivray

This book offers an innovative account of how audiences and actors emotionally interacted in the English theatre during the middle decades of the eighteenth century, a period bookended by two of its stars: David Garrick and Sarah Siddons. Drawing upon recent scholarship on the history of emotions, it uses practice theory to challenge the view that emotional interactions between actors and audiences were governed by empathy. It carefully works through how actors communicated emotions through their voices, faces and gestures, how audiences appraised these performances, and mobilised and regulated their own emotional responses. Crucially, this book reveals how theatre spaces mediated the emotional practices of audiences and actors alike. It examines how their public and frequently political interactions were enabled by these spaces.

Actresses and Mental Illness: Histrionic Heroines (Interdisciplinary Research in Gender)

by Fiona Gregory

Actresses and Mental Illness investigates the relationship between the work of the actress and her personal experience of mental illness, from the late nineteenth through to the end of twentieth century. Over the past two decades scholars have made great advances in our understanding of the history of the actress, unearthing the material conditions of her working life, the force of her creative agency and the politics of her reception and representation. By focusing specifically on actresses’ encounters with mental illness, Fiona Gregory builds on this earlier work and significantly supplements it. Through detailed case studies of both well-known and neglected figures in theatre and film history, including Mrs Patrick Campbell, Vivien Leigh, Frances Farmer and Diana Barrymore, it shows how mental illness – actual or supposed – has impacted on actresses’ performances, careers and celebrity. The book covers a range of topics including: representing emotion on stage; the ‘failed’ actress; actresses and addiction; and actresses and psychiatric treatment. Actresses and Mental Illness expands the field of actress studies by showing how consideration of the personal experience of the actress influences our understanding of her work and its reception. The book underscores how the actress can be perceived as a representative public woman, acting as a lens through which we can examine broader attitudes to women and mental illness.

Actresses as Working Women: Their Social Identity in Victorian Culture (Gender in Performance)

by Tracy C. Davis

Using historical evidence as well as personal accounts, Tracy C. Davis examines the reality of conditions for `ordinary' actresses, their working environments, employment patterns and the reasons why acting continued to be such a popular, though insecure, profession. Firmly grounded in Marxist and feminist theory she looks at representations of women on stage, and the meanings associated with and generated by them.

Acts of Authority/Acts of Resistance: Theater and Politics in Colonial and Postcolonial India

by Nandi Bhatia

Despite its importance to literary and cultural texts of resistance, theater has been largely overlooked as a field of analysis in colonial and postcolonial studies. Acts of Authority/Acts of Resistance seeks to address that absence, as it uniquely views drama and performance as central to the practice of nationalism and anti-colonial resistance. Nandi Bhatia argues that Indian theater was a significant force in the struggle against oppressive colonial and postcolonial structures, as it sought to undo various schemes of political and cultural power through its engagement with subjects derived from mythology, history, and available colonial models such as Shakespeare. Bhatia's attention to local histories within a postcolonial framework places performance in a global and transcultural context. Drawing connections between art and politics, between performance and everyday experience, Bhatia shows how performance often intervened in political debates and even changed the course of politics. One of the first Western studies of Indian theater to link the aesthetics and the politics of that theater, Acts of Authority/Acts of Resistance combines in-depth archival research with close readings of dramatic texts performed at critical moments in history. Each chapter amplifies its themes against the backdrop of specific social conditions as it examines particular dramatic productions, from The Indigo Mirror to adaptations of Shakespeare plays by Indian theater companies, illustrating the role of theater in bringing nationalist, anticolonial, and gendered struggles into the public sphere.

Acts of Conspicuous Compassion: Performance Culture and American Charity Practices

by Moeschen Sheila C.

"Acts of Conspicuous Compassion" investigates the relationship between performance culture and the cultivation of charitable sentiment in America, exploring the distinctive practices that have evolved to make the plea for charity legible and compelling. From the work of 19th-century melodramas to the televised drama of transformation and redemption in reality TV s "Extreme Makeover: Home Edition," "Acts of Conspicuous Compassion" charts the sophisticated strategies employed by various charity movements responsible for making organized benevolence alluring, exciting, and seemingly uncomplicated. Sheila C. Moeschen brokers a new way of accounting for the legacy and involvement of disabled people within charity specifically, the articulation of performance culture as a vital theoretical framework for discussing issues of embodiment and identity dislodges previously held notions of the disabled existing as passive, objects of pity. This work gives rise to a more complicated and nuanced discussion of the participation of the disabled community in the charity industry, of the opportunities afforded by performance culture for disabled people to act as critical agents of charity, and of the new ethical and political issues that arise from employing performance methodology in a culture with increased appetites for voyeurism, display, and complex spectacle. "

Acts of Gaiety: LGBT Performance and the Politics of Pleasure

by Sara Warner

Acts of Gaiety explores the mirthful modes of political performance by LGBT artists, activists, and collectives that have inspired and sustained deadly serious struggles for revolutionary change. The book explores antics such as camp, kitsch, drag, guerrilla theater, zap actions, rallies, manifestos, pageants, and parades alongside more familiar forms of "legitimate theater. " Against queer theory's long-suffering romance with mourning and melancholia and a national agenda that urges homosexuals to renounce pleasure if they want to be taken seriously by mainstream society, Acts of Gaiety seeks to reanimate notions of "gaiety" as a political value for LGBT activism. The book mines the archives of lesbian-feminist activism of the 1960s-70s, highlighting the outrageous gaiety that lay at the center of the social and theatrical performances of the era and uncovering original documents long thought to be lost. Juxtaposing historical figures such as Valerie Solanas and Jill Johnston with more recent performers and activists (including Hothead Paisan, Bitch & Animal, and the Five Lesbian Brothers), Warner shows how reclaiming this largely discarded and disavowed past elucidates possibilities for being and belonging. Acts of Gaiety explores the mutually informing histories of gayness as politics and as joie de vivre, along with the centrality of liveliness to queer performance and protest.

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