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Ambient Commons: Attention in the Age of Embodied Information (The\mit Press Ser.)
by Malcolm McCulloughOn rediscovering surroundings when information goes everywhere.The world is filling with ever more kinds of media, in ever more contexts and formats. Glowing rectangles have become part of the scene; screens, large and small, appear everywhere. Physical locations are increasingly tagged and digitally augmented. Amid this flood, your attention practices matter more than ever. You might not be able to tune this world out. So it is worth remembering that underneath all these augmentations and data flows, fixed forms persist, and that to notice them can improve other sensibilities. In Ambient Commons, Malcolm McCullough explores the workings of attention through a rediscovery of surroundings.McCullough describes what he calls the Ambient: an increasing tendency to perceive information superabundance whole, where individual signals matter less and at least some mediation assumes inhabitable form. He explores how the fixed forms of architecture and the city play a cognitive role in the flow of ambient information. As a persistently inhabited world, can the Ambient be understood as a shared cultural resource, to be socially curated, voluntarily limited, and self-governed as if a commons? Ambient Commons invites you to look past current obsessions with smart phones to rethink attention itself, to care for more situated, often inescapable forms of information.
Ambient Commons
by Malcolm McculloughThe world is filling with ever more kinds of media, in ever more contexts andformats. Glowing rectangles have become part of the scene; screens, large and small, appeareverywhere. Physical locations are increasingly tagged and digitally augmented. Sensors, processors,and memory are not found only in chic smart phones but also built into everyday objects. Amid thisflood, your attention practices matter more than ever. You might not be able to tune this world out. So it is worth remembering that underneath all these augmentations and data flows, fixed formspersist, and that to notice them can improve other sensibilities. In AmbientCommons, Malcolm McCullough explores the workings of attention though a rediscovery ofsurroundings. Not all that informs has been written and sent; not all attention involves deliberatethought. The intrinsic structure of space -- the layout of a studio, for example, or a plaza --becomes part of any mental engagement with it. McCullough describes what he calls the Ambient: anincreasing tendency to perceive information superabundance whole, where individual signals matterless and at least some mediation assumes inhabitable form. He explores how the fixed forms ofarchitecture and the city play a cognitive role in the flow of ambient information. As apersistently inhabited world, can the Ambient be understood as a shared cultural resource, to besocially curated, voluntarily limited, and self-governed as if a commons? AmbientCommons invites you to look past current obsessions with smart phones to rethink attentionitself, to care for more situated, often inescapable forms of information.
Ambient Media: Japanese Atmospheres of Self
by Paul RoquetAmbient Media examines music, video art, film, and literature as tools of atmospheric design in contemporary Japan, and what it means to use media as a resource for personal mood regulation. Paul Roquet traces the emergence of ambient styles from the environmental music and Erik Satie boom of the 1960s and 1970s to the more recent therapeutic emphasis on healing and relaxation.Focusing on how an atmosphere works to reshape those dwelling within it, Roquet shows how ambient aesthetics can provide affordances for reflective drift, rhythmic attunement, embodied security, and urban coexistence. Musicians, video artists, filmmakers, and novelists in Japan have expanded on Brian Eno's notion of the ambient as a style generating "calm, and a space to think," exploring what it means to cultivate an ambivalent tranquility set against the uncertain horizons of an ever-shifting social landscape. Offering a new way of understanding the emphasis on "reading the air" in Japanese culture, Ambient Media documents both the adaptive and the alarming sides of the increasing deployment of mediated moods.Arguing against critiques of mood regulation that see it primarily as a form of social pacification, Roquet makes a case for understanding ambient media as a neoliberal response to older modes of collective attunement--one that enables the indirect shaping of social behavior while also allowing individuals to feel like they are the ones ultimately in control.
Ambient Television: Visual Culture and Public Space
by Anna MccarthyAlthough we tend to think of television primarily as a household fixture, TV monitors outside the home are widespread: in bars, laundromats, and stores; conveying flight arrival and departure times in airports; uniting crowds at sports events and allaying boredom in waiting rooms; and helping to pass the time in workplaces of all kinds. In Ambient Television Anna McCarthy explores the significance of this pervasive phenomenon, tracing the forms of conflict, commerce, and community that television generates outside the home. Discussing the roles television has played in different institutions from 1945 to the present day, McCarthy draws on a wide array of sources. These include retail merchandising literature, TV industry trade journals, and journalistic discussions of public viewing, as well as the work of cultural geographers, architectural theorists, media scholars, and anthropologists. She also uses photography as a research tool, documenting the uses and meanings of television sets in the built environment, and focuses on such locations as the tavern and the department store to show how television is used to support very different ideas about gender, class, and consumption. Turning to contemporary examples, McCarthy discusses practices such as Turner Private Networks' efforts to transform waiting room populations into advertising audiences and the use of point-of-sale video that influences brand visibility and consumer behavior. Finally, she inquires into the activist potential of out-of-home television through a discussion of the video practices of two contemporary artists in everyday public settings. Scholars and students of cultural, visual, urban, American, film, and television studies will be interested in this thought-provoking, interdisciplinary book.
Ambiguity and Film Criticism: Reasonable Doubt (Palgrave Close Readings in Film and Television)
by Hoi Lun LawThis book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask “why is it as it is?” Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism.
The Ambiguous Legacy of Socialist Modernist Architecture in Central and Eastern Europe (Routledge Research in Architecture)
by Mariusz E. Sokołowicz Aleksandra Nowakowska Błażej CiarkowskiThis book examines the unique socialist-modernist architecture built in the twentieth century in Central and Eastern Europe as a source of heritage and of existing and potential value for the present and future generations. Due to the historical context in which it was created, such architecture remains ambiguous. On the one hand, the wider public associates it with the legacy of the unpleasant period of the real socialist economic regime. Yet, on the other hand, it is also a manifestation of social modernization and the promotion of a significant proportion of the population. This book focuses particularly on concrete heritage, a legacy of modernist architecture in Central and Eastern Europe, and it was this material that enabled their rebuilding after World War II and modernization during the following decades. The authors search for the value of modernist architecture and using case studies from Poland, Bulgaria, Northern Macedonia, Lithuania and Slovenia verify to what extent this heritage is embedded in the local socio-economic milieu and becomes a basis for creating new values. They argue that the challenge is to change the ways we think about heritage, from looking at it from the point of view of a single monument to thinking in terms of a place with its own character and identity that builds its relation to history and its embeddedness in the local space. Furthermore, they propose that the preservation of existing concrete structures and adapting them to modern needs is of great importance for sustainability. With increasing awareness of the issue of preserving post-war architectural heritage and the strategies of dissonant heritage management, this multidisciplinary study will be of interest to architecture historians, conservators, heritage economists, urban planners and architects.
Ambition, Art, and Image-Making in an Early Quattrocento Court: The Palazzo Trinci Frescoes (Routledge Research in Art History)
by Sarah RobertsThis study provides new interpretations of the little-known but fascinating Palazzo Trinci frescoes, relating them for the first time both to their physical context and to their social, political, and cultural environment.Chapters show how a humanist agenda subverted the historical and mythical associations more frequently used to promote powerful families, to point the Trinci family in new directions. It also shows how the artists involved adapted established civic, religious, and chivalric imagery in support of these ideas. The book argues that the resulting decorations are highly unusual for the period, in their serious political and social purpose. Positioning the Trinci as bringers of peace, not war, the family is now associated with culture and education and presented as willing to encourage debate about the character of the virtuous ruler and the nature of good government.The book will be of interest to scholars working in art history and Renaissance studies.
Ambitious Form: Giambologna, Ammanati, and Danti in Florence
by Michael W. ColeAmbitious Form describes the transformation of Italian sculpture during the neglected half century between the death of Michelangelo and the rise of Bernini. The book follows the Florentine careers of three major sculptors--Giambologna, Bartolomeo Ammanati, and Vincenzo Danti--as they negotiated the politics of the Medici court and eyed one another's work, setting new aims for their art in the process. Only through a comparative look at Giambologna and his contemporaries, it argues, can we understand them individually--or understand the period in which they worked. Michael Cole shows how the concerns of central Italian artists changed during the last decades of the Cinquecento. Whereas their predecessors had focused on specific objects and on the particularities of materials, late sixteenth-century sculptors turned their attention to models and design. The iconic figure gave way to the pose, individualized characters to abstractions. Above all, the multiplicity of master crafts that had once divided sculptors into those who fashioned gold or bronze or stone yielded to a more unifying aspiration, as nearly every ambitious sculptor, whatever his training, strove to become an architect.
Ambitious II: Fear No Doubt, Rewire, Fly Higher
by LikewiseAMBITIOUS II is a motivating, eye-opening venture to explore the inhibiting areas of fear, anxiety, and doubt. You will relate right away. Written from Likewise's vantage point and interspersed with his pivotal episodes, his knowledge, groundbreaking methods, and sincere eagerness to assist the readers shine brilliantly throughout the pages. This timely book is choc-full of original concepts, terms, and tips. Find out how to transform from a "negative noggin" to a "positive processor." Discover your personality type: are you "smooth-wired," "lightning-wired," or a "smooth-lightning wired" dynamo? Ultimately, you will learn how to successfully rewire and fly higher!
Ambridge
by Larry R. SlaterIn 1905, the German religious settlement of Economy changed forever from what its charismatic founder had planned in 1824. Built to await the Second Coming, Economy was passed from the hands of the moribund Harmony Society to the American Bridge division of United States Steel Corporation. The new owners renamed the town Ambridge. As the mill town burst into life, the population spiked from 600 to approximately 37,000 by 1945. Inevitably, Ambridge felt the collapse of big steel. In the 1750s, this land along the Ohio River held Log Town, which was a meeting place for Colonial and Native American leaders. Later there was Legionville, where Gen. Anthony Wayne trained American troops during the early Indian wars. This was followed by the final home of a utopian society and one of the largest mill complexes of the 20th century. Through vintage photographs, Ambridge chronicles the diverse history and evolution of this community.
Ambush: Surprise Attack in Ancient Greek Warfare
by Rose Mary SheldonThere are two images of warfare that dominate Greek history. The better known is that of Achilles, the Homeric hero skilled in face-to-face combat to the death. He is a warrior who is outraged by deception on the battlefield. The alternative model, equally Greek and also taken from Homeric epic, is Odysseus, the man of twists and turns of The Odyssey. To him, winning by stealth, surprise or deceit was acceptable.Greek warfare actually consists of many varieties of fighting. It is common for popular writers to assume that the hoplite phalanx was the only mode of warfare used by the Greeks. The fact is, however, that the use of spies, intelligence gathering, ambush, and surprise attacks at dawn or at night were also a part of Greek warfare, and while not the supreme method of defeating an enemy, such tactics always found their place in warfare when the opportunity or the correct terrain or opportunity presented itself.Ambush will dispel both the modern and ancient prejudices against irregular warfare and provides a fresh look at the tactics of the ancient Greeks.
Ameera, Unveiled
by Kathleen VarnAt the age of forty-eight, happily remarried and retired from her legal assistant, gerbil wheel, Kat decides to break out of her shell and try her hand at belly dancing. What begins as a hobby leads her to filling a coveted spot in Palmetto Oasis Middle Eastern Dance Troupe. With less than eight weeks to prepare, Kat's thrown into a world of performing she is terrified to face, all leading to a week of giving lessons and performing in Jamaica. Traveling with eight glittery strangers, she forges deep bonds under outrageous circumstances at what they'd soon all discover was a clothing-optional resort. Struggling with paralyzing stage fright and searching for the deeper root of her fears, Kat feverishly seeks a way to release Ameera, her inner dance queen. By the end of the week, the audience is mesmerized by the powerful presence and synchronicity of women joined at the hip by scares and some glitter. Kat soon knows, with the help of eight sisters in dance, that she is finally part of a tribe, discovering an oasis to refresh her thirst to be a part of a circle of wome
Amellia Bedellias Masterpiece
by Herman ParishAmelia Bedelia visits an art museum, where her confusion leads to surprising results.
Amerasia
by Elizabeth Horodowich Alexander NagelA connected world as imagined by early modern European artists, mapmakers, and writers, where Asia and the Americas were on a continuumAmerica and Asia mingled in the geographical and cultural imagination of Europe for well over a century after 1492. Through an array of texts, maps, objects, and images produced between 1492 and 1700, this compelling and revelatory study immerses the reader in a vision of a world where Mexico really was India, North America was an extension of China, and South America was marked by a variety of biblical and Asian sites. It asks, further: What does it mean that the Amerasian worldview predominated at a time when Europe itself was coming into cultural self-definition? Each of the chapters focuses on a particular artifact, map, image, or book that illuminates aspects of Amerasia from specific European cultural milieus. Amerasia shows how it was possible to inhabit a world where America and Asia were connected either imaginatively when viewed from afar, or in reality when traveling through the newly encountered lands. Readers will learn why early modern maps regularly label Mexico as India, why the “Amazonas” region was named after a race of Asian female warriors, and why artifacts and manuscripts that we now identify as Indian and Chinese are entangled in European collections with what we now label Americana.Elizabeth Horodowich and Alexander Nagel pose a dynamic model of the world and of Europe’s place in it that was eclipsed by the rise of Eurocentric colonialist narratives in the nineteenth and twentieth centuries. To rediscover this history is an essential part of coming to terms with the emergent polyfocal global reality of our own time.
America, As Seen on TV: How Television Shapes Immigrant Expectations around the Globe
by Clara E RodríguezFinalist, 2020 Latino Book Awards, Best Academic Themed BookThe surprising effects of American TV on global viewers As a dominant cultural export, American television is often the first exposure to American ideals and the English language for many people throughout the world. Yet, American television is flawed, and, it represents race, class, and gender in ways that many find unfair and unrealistic. What happens, then, when people who grew up on American television decide to come to the United States? What do they expect to find, and what do they actually find? In America, As Seen on TV, Clara E. Rodríguez surveys international college students and foreign nationals working or living in the US to examine the impact of American television on their views of the US and on their expectations of life in the United States. She finds that many were surprised to learn that America is racially and economically diverse, and that it is not the easy-breezy, happy endings culture portrayed in the media, but a work culture. The author also surveys US-millennials about their consumption of US TV and finds that both groups share the sense that American TV does not accurately reflect racial/ethnic relations in the US as they have experienced them. However, the groups differ on how much they think US TV has influenced their views on sex, smoking and drinking. America, As Seen on TV explores the surprising effects of TV on global viewers and the realities they and US millennials actually experience in the US.
America at the Fair: Chicago's 1893 World's Columbian Exposition
by Chaim M. RosenbergAt the time of the World's Columbian Exposition of 1893, the United States was fast becoming the world's leading economy. Chicago, the host city, had grown in less than half a century from a village to the country's second-largest metropolis. During this, the Gilded Age, the world's most extensive railroad and steamship networks poured ceaselessly through Chicago, carrying the raw goods and finished products of America's great age of invention and industrial expansion. The Fair was the largest ever at the time, with 65,000 exhibitors and millions of visitors. It has been called the "Blueprint of the American Future" and marked the beginning of the national economy and consumer culture.
America Builds: Source Documents in American Architecture and Planning (Icon Editions Ser.)
by Leland M. RothArchitecture requires a broad definition. It involves more than simply questions of style, esoteric theory, or technical progress; it is the physical record of a culture's relationship to its technology and the land, and, most important, of the system of values concerning men's relationships with one another. Hence this volume, like my Concise Hist
America Dancing
by Megan PughThe history of American dance reflects the nation's tangled culture. Dancers from wildly different backgrounds learned, imitated, and stole from one another. Audiences everywhere embraced the result as deeply American. Using the stories of tapper Bill "Bojangles" Robinson, Ginger Rogers and Fred Astaire, ballet and Broadway choreographer Agnes de Mille, choreographer Paul Taylor, and Michael Jackson, Megan Pugh shows how freedom--that nebulous, contested American ideal--emerges as a genre-defining aesthetic. In Pugh's account, ballerinas mingle with slumming thrill-seekers, and hoedowns show up on elite opera house stages. Steps invented by slaves on antebellum plantations captivate the British royalty and the Parisian avant-garde. Dances were better boundary crossers than their dancers, however, and the issues of race and class that haunt everyday life shadow American dance as well. Deftly narrated, America Dancing demonstrates the centrality of dance in American art, life, and identity, taking us to watershed moments when the nation worked out a sense of itself through public movement.
America Dreaming: How Youth Changed America in the Sixties
by Laban Carrick HillLaban Hill, author of the acclaimed Harlem Stomp, is back with an in-depth exploration of America in the 1960's and the young people who built a new world around them and changed our society significantly. Like Harlem Stomp, America Dreaming is an educational and visual look into a time of energy and influence. Covering subjects such as the civil rights movement, hippie culture, black nationalism, and the feminist movement, Hill paints a sprawling picture of life in the '60's and shows how teenagers were on the forefront of the societal changes that occurred during this grand decade. America Dreaming is a virtual time capsule, full of photos, song lyrics, poetry, art, protest posters, sixties lingo and iconography that will give readers an authentic and inspiring experience.
America First: Naming the Nation in US Film
by Mandy MerckAt a time when the expanded projection of US political, military, economic and cultural power draws intensified global concern, understanding how that country understands itself seems more important than ever. This collection of new critical essays tackles this old problem in a new way, by examining some of the hundreds of US films that announce themselves as titularly 'American'. From early travelogues to contemporary comedies, national nomination has been an abiding characteristic of American motion pictures, heading the work of Porter, Guy-Blaché, DeMille, Capra, Sternberg, Vidor, Minnelli and Mankiewicz. More recently, George Lucas, Paul Schrader, John Landis and Edward James Olmos have made their own contributions to Hollywood’s Americana. What does this national branding signify? Which versions of Americanism are valorized, and which marginalized or excluded? Out of which social and historical contexts do they emerge, and for and by whom are they constructed? Edited by Mandy Merck, the collection contains detailed analyses of such films as The Vanishing American, American Madness, An American in Paris, American Graffiti, American Gigolo, American Pie and many more.
America from the Air: An Aviator's Story
by Wolfgang LangewiescheA memoir of a pilot who learned to fly in the 1930's as well as a look at America from the air as it appeared in the 1940's. At the same time it is a study of the joys of flying.
America in Literature and Film: Modernist Perceptions, Postmodernist Representations
by Ahmed ElbeshlawyUtilizing Lacan's psychoanalytic theory and Zizek's philosophical adaption of it, this book brings into dialogue a series of modernist and postmodernist literary works, films, and critical theory that are concerned with defining America. Ahmed Elbeshlawy demonstrates that how America is perceived in certain texts reveals not only the idealization or condemnation of it, but an imago, or constructed image of the perceiver as well. In turn, texts which particularly focus on demonstrating how other texts about America communicate an untrustworthy message themselves communicate an unreliable message, inventing and reinventing a series of imagos of America. These imagos refer to both idealized and deformed images of America constructed by the perceivers of America. The first part of this book is concerned with modernist perceptions of America, and includes discussion of Adorno, Benjamin, Kafka, D. H. Lawrence, as well as Emerson and Seymour Martin Lipset. The second part is dedicated to postmodernist representations of America, focusing on texts by Edward Said, Ihab Hassan, Susan Sontag, David Shambaugh and Charles W. Brooks, and films including Lars von Trier's Dogville and D.W. Griffith's Birth of a Nation.
America Noir: Underground Writers and Filmmakers of the Postwar Era
by David CochranIn America Noir David Cochran details how ten writers and filmmakers challenged the social pieties prevalent during the Cold War, such as the superiority of the American democracy, the benevolence of free enterprise, and the sanctity of the suburban family. Rod Serling's The Twilight Zone featured victims of vast, faceless, bureaucratic powers. Jim Thompson's noir thrillers, such as The Grifters, portrayed the ravages of capitalism on those at the bottom of the social ladder. Patricia Highsmith, in The Talented Mr. Ripley, placed an amoral con man in an international setting, implicitly questioning America's fitness as leader of the free world. Charles Willeford's pulp novels, such as Wild Wives and Woman Chaser, depicted the family as a hotbed of violence and chaos.These artists pioneered a detached, ironic sensibility that radically juxtaposed cultural references and blurred the distinctions between "high" and "low" art. Their refusal to surrender to the pressures for political conformity and their unflinching portrayal of the underside of American life paved the way for the emergence of a 1960s counterculture that forever changed the way America views itself.
America on Film: Representing Race, Class, Gender, and Sexuality at the Movies
by Harry M. Benshoff Sean GriffinA comprehensive and insightful examination of the representation of diverse viewpoints and perspectives in American cinema throughout the 20th and 21st centuries America on Film: Representing Race, Class, Gender and Sexuality at the Movies, now in its third edition, is an authoritative and lively examination of diversity issues within American cinema. Celebrated authors and academics Harry M. Benshoff and Sean Griffin provide readers with a comprehensive discussion and overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, sexuality, and ability. The book incorporates several different theoretical perspectives, including film genre, auteurism, cultural studies, Orientalism, the "male gaze," feminism, and queer theory. The authors examine each selected subject via representative films, figures, and movements. Each chapter also includes an in-depth analysis of a single film to illuminate and inform its discussion of the chosen topic. America on Film fearlessly approaches and tackles several controversial areas of representation in film, including the portrayal of both masculinity and femininity in film and African- and Asian-Americans in film. It devotes the entirety of Part V to an analysis of the depiction of sex and sexuality in American film, with a particular emphasis on the portrayal of homosexuality. Topics covered include: The structure and history of American filmmaking, including a discussion of the evolution of the business of Hollywood cinema African Americans and American film, with a discussion of BlacKkKlansman informing its examination of broader issues Asian, Latin/x, and Native Americans on film Classical Hollywood cinema and class, with an in-depth examination of The Florida Project Women in classical Hollywood filmmaking, including a discussion of the 1955 film, All that Heaven Allows Perfect for undergraduate and graduate students in film, media, and diversity-related courses, the book also belongs on the shelves of anyone interested in diversity issues in the context of American studies, communications, history, or gender studies. Lastly, it's ideal for use within corporate diversity training curricula and human relations training within the entertainment industry.
America on Film: Representing Race, Class, Gender, and Sexuality at the Movies
by Harry M. Benshoff Sean GriffinAmerica on Film: Representing Race, Class, Gender, and Sexuality in the Movies is a lively introduction to issues of diversity as represented within the American cinema. Introduces issues of diversity as represented within the American cinema in a lively and accessible manner. Provides a comprehensive overview of the industrial, socio-cultural, and aesthetic factors that contribute to cinematic representations of race, class, gender, and sexuality. Is designed specifically for students and includes 101 illustrations, a glossary of key terms, questions for discussion, and lists for futher reading and further viewing. Includes case studies of a number of films, including The Lion King, The Jazz Singer, Smoke Signals, The Grapes of Wrath, and The Celluloid Closet. Each chapter features a concise overview of the topic at hand, a discussion of representative films, figures, and movements, and an in-depth analysis of a single film.