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American Art, volume 38 number 1 (Spring 2024)
by American ArtThis is volume 38 issue 1 of American Art. American Art publishes innovative peer-reviewed scholarship on the history of art and related visual culture. The journal critically engages with the material and conceptual conditions of art and provides a forum for the expanding field of American art history. It welcomes scholarship on the role played by art in the ongoing transnational and transcultural formation of America as a contested geography, identity, and idea. Committed to rigorous inquiry, the journal presents a range of approaches to the production and consumption of art.
American Art, volume 38 number 2 (Summer 2024)
by American ArtThis is volume 38 issue 2 of American Art. American Art publishes innovative peer-reviewed scholarship on the history of art and related visual culture. The journal critically engages with the material and conceptual conditions of art and provides a forum for the expanding field of American art history. It welcomes scholarship on the role played by art in the ongoing transnational and transcultural formation of America as a contested geography, identity, and idea. Committed to rigorous inquiry, the journal presents a range of approaches to the production and consumption of art.
American Artists Engage the Built Environment, 1960-1979 (Routledge Research in Art History)
by Susanneh BieberThis volume reframes the development of US-American avant-garde art of the long 1960s—from minimal and pop art to land art, conceptual art, site-specific practices, and feminist art—in the context of contemporary architectural discourses. Susanneh Bieber analyzes the work of seven major artists, Donald Judd, Robert Grosvenor, Claes Oldenburg, Robert Smithson, Lawrence Weiner, Gordon Matta-Clark, and Mary Miss, who were closely associated with the formal-aesthetic innovations of the period. While these individual artists came to represent diverse movements, Bieber argues that all of them were attracted to the field of architecture—the work of architects, engineers, preservationists, landscape designers, and urban planners—because they believed these practices more directly shaped the social and material spaces of everyday life. This book’s contribution to the field of art history is thus twofold. First, it shows that the avant-garde of the long 1960s did not simply develop according to an internal logic of art but also as part of broader sociocultural discourses about buildings and cities. Second, it exemplifies a methodological synthesis between social art history and poststructural formalism that is foundational to understanding the role of art in the construction of a more just and egalitarian society. The book will be of interest to scholars working in art history, architecture, urbanism, and environmental humanism.
American Artists On Art: From 1940 To 1980
by Sherron SparksFrom the Preface: The fact that so much of modern art has devoted itself to the exploration and assertion of its own identity is reflected in, but does not explain, the increasing amount of writing and talking on the part of contemporary artists. Rather, the whole history of the changing role of art and artists in a democratic, industrial, and technological society stands behind the spate of artists' words and the public's hunger for them--even some of the general public out there beyond art's little circle. Statements by artists appeal somewhat the way drawings do: they bring us, or at least they hold the promise of bringing us, closer to the artist's thoughts and feelings and to an understanding of his or her modus operandi; they hold the keys to a mysterious realm. And sometimes they offer us the sheer pleasure of good reading. Such is the primary raison d'etre of this book.Its other motivation is educational, and stems from the frustrating lack, in teaching contemporary art, of any single compilation of statements by American artists from 1940 to the present.... This anthology differs in several respects from those others that do include documents of American art since 1940.... The selection I have made is devoted exclusively to statements of artists; it is limited to the last four decades; it presents in a single volume a representative and fairly comprehensive coverage of major developments in American art beginning with Abstract Expressionism; and, whenever possible, it cities the first, or among the very earliest, documents signalizing a shift in the definition, intent, or direction of art."
American Association Milwaukee Brewers, The (Images of Baseball)
by Bob Koehler Rex HamannMany people know of Milwaukee's famous beer brewers, such as Schlitz, Pabst, and Miller, but these pages contain the story of the original baseball Brewers. The Milwaukee Brewers of the American Association spent 51 seasons (1902-1952) on the city's near north side. To have had the opportunity to stretch out in the sun-soaked stands of Borchert Field during that era was to witness minor league baseball at its best. The Brewers were the second-winningest franchise in the league's history, and names like Tom "Sugar Boy" Dougherty and Nick "Tomato Face" Cullop were once household words throughout the city. This book stands as a tribute to the colorful history of this team and to all the former players, coaches, and managers who ever wore the woolens for Milwaukee.
American Autopia: An Intellectual History of the American Roadside at Midcentury (Midcentury: Architecture, Landscape, Urbanism, and Design)
by Gabrielle EsperdyEarly to mid-twentieth-century America was the heyday of a car culture that has been called an "automobile utopia." In American Autopia, Gabrielle Esperdy examines how the automobile influenced architectural and urban discourse in the United States from the earliest days of the auto industry to the aftermath of the 1970s oil crisis. Paying particular attention to developments after World War II, Esperdy creates a narrative that extends from U.S. Routes 1 and 66 to the Las Vegas Strip to California freeways, with stops at gas stations, diners, main drags, shopping centers, and parking lots along the way.While it addresses the development of auto-oriented landscapes and infrastructures, American Autopia is not a conventional history, offering instead an exploration of the wide-ranging evolution of car-centric territories and drive-in typologies, looking at how they were scrutinized by diverse cultural observers in the middle of the twentieth century.Drawing on work published in the popular and professional press, and generously illustrated with evocative images, the book shows how figures as diverse as designer Victor Gruen, geographer Jean Gottmann, theorist Denise Scott Brown, critic J.B. Jackson, and historian Reyner Banham constructed "autopia" as a place and an idea. The result is an intellectual history and interpretive roadmap to the United States of the Automobile.
American Avant-Garde Theatre: A History (Theatre Production Studies)
by Arnold AronsonThis stunning contribution to the field of theatre history is the first in-depth look at avant-garde theatre in the United States from the early 1950s to the 1990s. American Avant-Garde Theatre offers a definition of the avant-garde, and looks at its origins and theoretical foundations by examining: *Gertrude Stein *John Cage *The Beat writers *Avant-garde cinema *Abstract Expressionism *Minimalism There are fascinating discussions and illustrations of the productions of the Living Theatre, the Wooster Group, Open Theatre, Ontological-Hysteric Theatre and Performance Group. among many others. Aronson also examines why avant-garde theatre declined and virtually disappeared at the end of the twentieth century.
American Axe: The Tool That Shaped a Continent
by Brett McLeodFrom bronze axes of the Viking conquests to the American homesteader&’s felling axe, this is a tool that has shaped human history like few others. American Axe pays tribute to this iconic instrument of settlement and industry, with rich history, stunning photography, and profiles of the most collectible vintage axes such as The Woodslasher, Keen Cutter, and True Temper Perfect. Combining his experiences as a forester, axe collector, and former competitive lumberjack, author Brett McLeod conveys the allure of this deceptively simple woodcutting implement and celebrates the resurging interest in its story and use.
American Beauties: The Artwork of Harrison Fisher
by Harrison FisherHarrison Fisher's portraits of healthy, poised, active, and confident women set the standard of American beauty in the early 20th century -- and he enjoyed a celebrity status that was unparalled for an illustrator. This original publication compiles his very best black-and-white and color illustrations for Cosmopolitan, The Saturday Evening Post, books, and other publications.
American Blockbuster: Movies, Technology, and Wonder (Sign, Storage, Transmission)
by Charles R. AclandBen-Hur (1959), Jaws (1975), Avatar (2009), Wonder Woman (2017): the blockbuster movie has held a dominant position in American popular culture for decades. In American Blockbuster Charles R. Acland charts the origins, impact, and dynamics of this most visible, entertaining, and disparaged cultural form. Acland narrates how blockbusters emerged from Hollywood's turn to a hit-driven focus during the industry's business crisis in the 1950s. Movies became bigger, louder, and more spectacular. They also became prototypes for ideas and commodities associated with the future of technology and culture, accelerating the prominence of technological innovation in modern American life. Acland shows that blockbusters continue to be more than just movies; they are industrial strategies and complex cultural machines designed to normalize the ideologies of our technological age.
American & British 410 Shotguns
by Ronald Gabriel410's are generally lightweight shotguns that produce little kick, making them a popular choice for beginners, youth, or anyone sensitive to recoil. However, their full choke barrels force them to concentrate the available shot, therefore they require the precision of an expert to be effective at any significant distant. Collectors, historians, enthusiasts, and those recapturing their youth will be captivated by this fascinating recount of the .410. Representing the culmination of 30 years of research, this book catalogs the 125-year developments history of the .410 shotgun in both the United States and Britain. A mixture of rich images and historic illustrations provide a treasure chest of information valuable to small-bore enthusiasts-both collectors and hunters alike. Coverage includes makers such as Browning, Ithaca, Winchester, Boss, Holland & Holland, Purdey, and others. Plus, all significant gunmakers include detailed listings of production numbers.
The American Builder's Companion: Or A System Of Architecture, Particularly Adapted To The Present Style Of Building; Illustrated With Seventy Copperplate Engravings (classic Reprint) (Dover Architecture)
by Asher BenjaminThere is scarcely a New England town which does not contain houses, church spires, or ornamental interior details derived from the Late Colonial architectural designs of Asher Benjamin (1773-1845). Benjamin disseminated his ideas chiefly through his publications, of which this book is the most important.Books such as The American Builder's Companion were written for local carpenters to be used as manuals and guides. They made it possible for small-town carpenters, who were already skilled in rudimentary carpentry and house construction, to give their buildings sophistication and style. There were instructions for raising and supporting several types of roofs, constructing winding stairs, spacing fluting evenly on columns, modeling and mounting friezes, etc. Carpenters were thus able to plan, build, and decorate complex, ornate structures.The American Builder's Companion includes rules and definitions of practical geometry and discussion of methods for drawing basic shapes and cutting them out of solids. There are designs for interior ornament -- patterns for decorative cornices, moldings, banisters, stucco ceiling ornaments, mantels, etc., as well as designs for doorways and windows. Benjamin also deals with problematic structural elements, and finally provides full plans and elevations for private houses, wooden churches, and a court house.Important as one of the single, major disseminators of a style which became almost ubiquitous in the Northeast, Benjamin's book also contains a rich store of evidence on problems and achievements of early American builders. Direct references to tools, materials, common practices and processes, and unconscious indication of taste and aesthetic values of the time will be invaluable to students of architecture, experts in restoration, and readers interested in American history and culture. New introduction by William Morgan. 70 plates.
American By Degrees: The Extraordinary Lives of French Ambassador Jules Jusserand
by Robert J. YoungThe expressions of American hostility toward France after 9/11 are not new - Franco-American relations in the early twentieth century were also difficult, characterized by the same antagonistic depictions of the other's culture. Ambassador Jules Jusserand's years in Washington (1903-24) were defined by efforts to correct such misconceptions, whether they came from the venomous pens of French extremists or from members of William Randolph Hearst's press empire. In An American by Degrees Robert Young explores Ambassador Jusserand's life and legacy. Fluent in English, married to an American, and a historian who was a frequent guest at many American universities, Jusserand deftly cultivated American sympathies for France. His tasks as a diplomat were formidable, whether during the period of America's war-time neutrality - when France was nearly over-run by the German army - or when as allies they competed for control of the peace process or sought to resolve post-war issues like disarmament, war debts, and reparations. Jusserand relentlessly reminded Americans that France had been an ally during their Revolution and that their concept of "civilization" was part of France's intellectual and cultural legacy. His emphasis on their shared history was natural, as befitted the first winner of the Pulitzer Prize in History and only the second foreigner to serve as president of the American Historical Association.
An American Cakewalk: Ten Syncopators of the Modern World
by Zeese PapanikolasThe profound economic and social changes in the post-Civil War United States created new challenges to a nation founded on Enlightenment and transcendental values, religious certainties, and rural traditions. Newly-freed African Americans, emboldened women, intellectuals and artists,and a polyglot tide of immigrants found themselves in a restless new world of railroads, factories, and skyscrapers where old assumptions were being challengedand new values had yet to be created. InAn American Cakewalk: Ten Syncopators of the Modern World, Zeese Papanikolas tells the lively and entertaining story of a diverse group of figures in the arts and sciences who inhabited this new America. Just as ragtime composers subverted musical expectations by combining European march timing with African syncopations, so this book's protagonists--who range from Emily Dickinson toThorstein Veblen and from Henry and William James to Charles Mingus--interrogated the modern American world through their own "syncopations" of cultural givens. The old antebellum slave dance, the cakewalk, with its parody of the manners and pretensions of the white folks in the Big House, provides a template of how the tricksters, shamans, poets, philosophers, ragtime pianists, and jazz musicians who inhabit this book used the arts of parody, satire, and disguise to subvert American cultural norms and to create new works of astonishing beauty and intellectual vigor.
American Childhood: A Photographic History
by Todd BrewsterA remarkable collection of over 200 stunning photographs of children—from the Civil War era to the present—that captures the ever-changing experience of childhood throughout American history.Did Americans &“invent&” childhood? Author Todd Brewster believes we did, or at least childhood as &“a period of life cordoned off from that of full maturity, covered with a veil of protection, and subject to a program of nurture.&” That&’s the inspiration behind this rich, compelling volume of rarely seen historical images drawn from the photography collections at the Library of Congress, The Metropolitan Museum of Art, the New York Public Library, and the Magnum Photo Agency as well as dozens of other archives, flea markets, and antique shops. The result is a carefully curated paean to American youth: 200-plus photos from all parts of American history, joined by a series of deeply insightful essays on the topic of the American child. American Childhood reveals American children of all types: white, Black, gay, straight, poor, middle-class, upper class, in cities, on farms, at work, at play, lost in reverie, posing for the camera, or captured in their innocence as the lens gazes at them from afar. Some of them would go on to fame: A young Mark Twain is here. So is a juvenile Thomas Edison, Shirley Temple, Lady Gaga, Sammy Davis Jr., Truman Capote, and dozens of others. Can you see the spark of genius in the life of a child? Brewster thinks so. Still, most subjects here are unknown; in many cases a photograph may be the only public trace they have left behind. Both a powerful study of American childhood and a beautiful gallery of extraordinary photography, American Childhood is a terrific addition to an under-appreciated part of American history.
American Choral Directors Association (Images of America)
by Tim Sharp Christina PruchaAmerican Choral Directors Association (ACDA) was formed in Kansas City, Missouri, on February 24, 1959, by 35 choral directors from around the United States. They aimed to create an organization that would meet the professional needs of all choir directors. To achieve this goal, they made the promotion of excellence in choral music through performance, composition, publication, research, and teaching their central purpose. In addition, ACDA strives through arts advocacy to elevate choral music's position in American society. From the original steering committee to today's leaders, this central purpose continues to drive ACDA's development. Among the ways that ACDA has promoted excellence in choral music are national and division conventions featuring the best choirs in the world, awards given to individuals who have in some way contributed to the art of choral music, state workshops and clinics, and honor choirs and commissioned works. Each generation that has passed through ACDA has left its indelible mark. The first generation built the foundation and gave ACDA its purpose. The second generation gave ACDA its independence and voice. The third generation leads the organization into a new and more globally connected world. And through it all, ACDA remains true to promoting choral music excellence.
American Cinema and Cultural Diplomacy: The Fragmented Kaleidoscope
by Thomas J. CobbThis book contends that Hollywood films help illuminate the incongruities of various periods in American diplomacy. From the war film Bataan to the Revisionist Western The Wild Bunch, cinema has long reflected US foreign policy’s divisiveness both directly and allegorically. Beginning with the 1990s presidential drama The American President and concluding with Joker’s allegorical treatment of the Trump era, this book posits that the paradigms for political reflection are shifting in American film, from explicit subtexts surrounding US statecraft to covert representations of diplomatic disarray. It further argues that the International Relations theorist Walter Mead’s concept of a US polity dominated by contesting beliefs, or a ‘kaleidoscope’, permeates these changing paradigms. This synergy reveals a cultural milieu where foreign policy fissures are increasingly encoded by cinematic representation. The interdisciplinarity of this focus renders this book pertinent reading for scholars and students of American Studies, Film Studies and International Relations, along with those generally interested in Hollywood filmmakers and foreign policy.
American Cinema of the 2010s: Themes and Variations (Screen Decades: American Culture/American Cinema)
by Dennis Bingham Michele Schreiber David Greven Raymond Haberski Jr. Alexandra Keller Daniel Smith-Rowsey Lisa Bode Cynthia Baron Julie Levinson Mikal J. GainesThe 2010s might be remembered as a time of increased polarization in American life. The decade contained both the Obama era and the Trump era, and as the nation’s political fissures widened, so did the gap between the haves and have-nots. Hollywood reflected these divisions, choosing to concentrate on big franchise blockbusters at the expense of mid-budget films, while new players like Netflix and Amazon offered fresh opportunities for low-budget and independent filmmakers. As the movie business changed, films ranging from American Sniper to Get Out found ways to speak to the concerns of a divided nation. The newest installment in the Screen Decades series, American Cinema in the 2010s takes a close look at the memorable movies, visionary filmmakers, and behind-the-scenes drama that made this decade such an exciting time to be a moviegoer. Each chapter offers an in-depth examination of a specific year, covering a wide variety of films, from blockbuster superhero movies like Black Panther and animated films like Frozen to smaller-budget biopics like I, Tonya and horror films like Hereditary. This volume introduces readers to a decade in which established auteurs like Quentin Tarantino were joined by an exceptionally diverse set of new talents, taking American cinema in new directions.
American Cinematographers in the Great War, 1914-1918
by Cooper C. Graham Ron van van Dopperen James W. CastellanAt the start of hostilities in World War I, when the United States was still neutral, American newsreel companies and newspapers sent a new kind of journalist, the film correspondent, to Europe to record the Great War. These pioneering cameramen, accustomed to carrying the Kodaks and Graflexes of still photography, had to lug cumbersome equipment into the trenches. Facing dangerous conditions on the front, they also risked summary execution as supposed spies while navigating military red tape, censorship, and the business interests of the film and newspaper companies they represented. Based on extensive research in European and American archives, American Cinematographers in the Great War, 1914-1918 follows the adventures of these cameramen as they managed to document and film the atrocities around them in spite of enormous difficulties.
American Circus Posters
by Charles Philip FoxThe Children's Dream of Fairy-Land (1893) . . . Living Statues on Horseback (1890s) . . . Real Roman Hippodrome, Five Continent Menagerie (1890s) . . . Uno, Queen Supreme of the Serpent Kingdom (1894) . . . Dancing Girls, Mounted Guards and Truly Lavish Displays (1903) . . . "Twisting Double Somersault," A Feat Never Before Attempted by the Most Intrepid Aerialists (1904) . . . Desperado's Terrible Leap for Life, A Terrific Descent of 80 Feet Through Space Landing Upon His Chest on a Skid (1909) . . . The Imperial Chinese Circus Stars (1914) . . . An Army of Clowns (1920s) . . . Pallenberg's Wonder Bears (1920s) . . . Gargantua the Great (1938).Originally put in store windows and posted on sheds, barns, buildings, walls and fences, these 18 extremely rare posters, most not previously reproduced, are collected together for the first time. The quality of reproduction is superb: reproduced in full color directly from the originals, these posters have been printed in an extra large format and on coated stock so that every detail is clear. They are an exciting visual history, capturing the pageantry and color that the circus was and is. They are also extremely fine examples of almost 50 years of poster art and American advertising. There are acrobats, elephants, tigers, lions, parades, tents, trains, and many specialized acts: May Wirth, the Riding Rooneys, the Astounding Clarkonians, etc. The posters date from the 1890s to the 1940s, and include one by Norman Bel Geddes. They feature many American circuses: Ringling Bros., Barnum & Bailey, Sells, Sparks, Hagenbeck-Wallace. The historical introduction and captions are by Charles Philip Fox, Director of Research and Development with the Ringling Bros. and Barnum & Bailey Circus.
The American City in the Cinema
by James A. ClappThe American city and the American movie industry grew up together in the early decades of the twentieth century, making film an ideal medium through which to better understand urban life. Exploiting the increasing popularity of large metropolitan cities and urban lifestyle, movies chronicled the city and the stories it generated. In this volume, urbanist James A. Clapp explores the reciprocal relationship between the city and the cinema within the dimensions of time and space.A variety of themes and actualizations have been repeated throughout the history of the cinema, including the roles of immigrants, women, small towns, family farms, and suburbia; and urban childhoods, family values, violent crime, politics, and dystopic futures. Clapp examines the different ways in which the city has been characterized as well as how it has been portrayed as a character itself.Some of the films discussed include Metropolis, King Kong, West Side Story, It's a Wonderful Life, American Beauty, Rebel without a Cause, American Graffiti, Blade Runner, Gangs of New York, The Untouchables, LA Confidential, Sunrise, Crash, American History X, Breakfast at Tiffany's, The Deer Hunter, and many more. This work will be enjoyed by urban specialists, moviegoers, and those interested in American, cultural, and film studies.
The American Colonies and the British Empire, 1607-1783, Part II vol 8
by Steven SarsonThis second part of an eight-volume reset edition, traces the evolution of imperial and colonial ideologies during the British colonization of America. It covers the period from 1764 to the end of the American Revolutionary War in 1783.
American Colonisation and the City Beautiful: Filipinos and Planning in the Philippines, 1916-35
by Ian MorleyAmerican Colonisation and the City Beautiful explores the history of city planning and the evolution of the built environment in the Philippines between 1916 and 1935. In so doing, it highlights the activities of the Bureau of Public Works’ Division of Architecture as part of Philippine national development and decolonisation. Morley provides new archival materials which deliver significant insight into the dynamics associated with both governance and city planning during the American colonial era in the Philippines, with links between prominent American university educators and Filipino architecture students. The book discusses the two cities of Tayabas and Iloilo which highlight the significant role in the urban design of places beyond the typical historiographical focus of Manila and Baguio. These examples will aid in further understanding the appearance and meaning of Philippine cities during an important era in the nation’s history. Including numerous black and white images, this book is essential for academics, researchers and students of city and urban planning, the history and development of Southeast Asia and those interested in colonial relations.
An American Comedy
by Harold Lloyd Wesley W. StoutThis autobiography by an influential silent film star gives an insider&’s view of the motion picture industry in the early twentieth century. It&’s one of the most enduring images in film history: a young man in circular glasses, dangling from the hands of a clock high above Los Angeles. The actor performing this daring stunt was Harold Lloyd, a highly successful comedian from the silent film era. Lloyd made nearly two hundred comedies, both silent and &“talkies,&” between 1914 and 1947. He is best known for his &“Glass&” character, a bespectacled everyman who captured the mood of the 1920s. In this fascinating autobiography, which was written just around the time sound was revolutionizing cinema, Lloyd chronicles his experiences as a performer and producer of silent films, preserving firsthand details of Hollywood&’s bygone period. This extraordinary memoir, originally published in 1928, discusses actors both comedic and dramatic, stage to film adaptations, producers, directors, and primarily, how early silent movies were made. It is a must-read for film historians and movie buffs alike.
American Comics: A History
by Jeremy DauberThe sweeping story of cartoons, comic strips, and graphic novels and their hold on the American imagination. Comics have conquered America. From our multiplexes, where Marvel and DC movies reign supreme, to our television screens, where comics-based shows like The Walking Dead have become among the most popular in cable history, to convention halls, best-seller lists, Pulitzer Prize–winning titles, and MacArthur Fellowship recipients, comics shape American culture, in ways high and low, superficial, and deeply profound. In American Comics, Columbia professor Jeremy Dauber takes readers through their incredible but little-known history, starting with the Civil War and cartoonist Thomas Nast, creator of the lasting and iconic images of Uncle Sam and Santa Claus; the golden age of newspaper comic strips and the first great superhero boom; the moral panic of the Eisenhower era, the Marvel Comics revolution, and the underground comix movement of the 1960s and ’70s; and finally into the twenty-first century, taking in the grim and gritty Dark Knights and Watchmen alongside the brilliant rise of the graphic novel by acclaimed practitioners like Art Spiegelman and Alison Bechdel. Dauber’s story shows not only how comics have changed over the decades but how American politics and culture have changed them. Throughout, he describes the origins of beloved comics, champions neglected masterpieces, and argues that we can understand how America sees itself through whose stories comics tell. Striking and revelatory, American Comics is a rich chronicle of the last 150 years of American history through the lens of its comic strips, political cartoons, superheroes, graphic novels, and more. FEATURING… • American Splendor • Archie • The Avengers • Kyle Baker • Batman • C. C. Beck • Black Panther • Captain America • Roz Chast • Walt Disney • Will Eisner • Neil Gaiman • Bill Gaines • Bill Griffith • Harley Quinn • Jack Kirby • Denis Kitchen • Krazy Kat • Harvey Kurtzman • Stan Lee • Little Orphan Annie • Maus • Frank Miller • Alan Moore • Mutt and Jeff • Gary Panter • Peanuts • Dav Pilkey • Gail Simone • Spider-Man • Superman • Dick Tracy • Wonder Wart-Hog • Wonder Woman • The Yellow Kid • Zap Comix … AND MANY MORE OF YOUR FAVORITES!