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The American Construction Industry: Its Historical Evolution and Potential Future
by Brian BowenThe American Construction Industry meticulously chronicles the evolution of the construction industry from its roots in the medieval guild system to the high-tech jobsite of tomorrow. While celebrating more than two millennia of progress and innovation, this resource for students and professionals uncovers the ways of working that crossed the Atlantic with the earliest European settlers and will continue to define building trades in the United States today and in the years and decades to come. Full color illustrations bring the past to life and provide visual links to the present day.
American Country Houses of the Gilded Age: (Sheldon's "Artistic Country-Seats") (Dover Architecture)
by A. LewisThe "Gilded Age," the three decades following the Civil War, were years of astounding economic growth. Vast empires in oil, shipping, mining, banking, lumber, transportation, and related industries were formed. It was an era in which fortunes were made and lost quickly, almost easily; a period that encouraged - nearly demanded - the public display of this newly acquired wealth, power, and prestige. It was during these heady, turbulent years that a new type of domestic architecture first appeared on the American landscape. Called the "country seat" or "cottage," these houses were grandiose in scale - imposing facades complemented by manicured gardens, with exceptionally large and impressive reception rooms, halls, parlors, dining rooms, and other public areas. Intended exclusively for the very well-to-do, these buildings were designed by some of the finest and most influential architectural firms in America: McKim, Mead & White; Bruce Price; Peabody & Stearns; Theophilus P. Chandler, Jr.; Lamb & Rich; Wilcox & Johnston; and many others. The first, best, and most exquisite documentation of this surge of architectural creativity was the 1886-87 publication of George William Sheldon's Artistic Country-Seats: Types of Recent American Villa and Cottage Architecture with Instances of Country-Club Houses. It presented exceedingly fine photographs, clearly detailed plans and elevations, as well as Sheldon's own commentary for a total of 97 buildings (93 houses and 4 casinos). Most structures were located in new England and the Middle Atlantic states, and embraced the full spectrum of architectural and artistic expressions. This present volume reproduces all of Sheldon's fascinating and historically important photographs and plans, and adds a new, thoroughly accurate text by Arnold Lewis (Professor of Art, the College of Wooster, Wooster, Ohio) that includes the most useful information supplied by Sheldon and also reports on the present condition of each house or casino, providing analyses of elevations and plans, observations about family life in the 1880s, and brief biographical comments about the clients and architects. Sheldon's photographs connect us with a time and style of living that today increasingly seem more the realm of fiction than fact. Yet, in the pages of this important collection, they are brought fresh to life as they appeared when they were new and times were very different.
American Country Houses of the Thirties: With Photographs and Floor Plans
by Lewis A. CoffinAbout 1912, a renaissance of interest in early American architecture occurred that claimed the attention of a broad cross-section of the culture. It was demonstrated not only by being a popular topic in books and magazines, but also by the public's passion for collecting American antique furniture, and by students and architects traveling through different regions of the nation and photographing the most notable architectural examples. In the 1930s, the classic constructions from this earlier time mingled with the new materials and efficient designs, and the great American country house was born. This treasury showcases some of the finest American country houses produced during that unusually fruitful period. Culled from many of the best architectural firms of the time, the volume includes numerous detailed floor plans, lively sketches, and breathtaking photographs of exteriors and interiors. From simple cottages to functional family homes to sprawling estates, a wide variety of styles is represented. Celebrating the stately form, quiet technique, and balance and simplicity that is at the heart of every well-built American country house, anyone interested in history, art, and architecture will find in this collection an inspiring vision.
American Cultures as Transnational Performance: Commons, Skills, Traces (Routledge Advances in Theatre & Performance Studies)
by Katrin Horn Leopold Lippert Ilka Saal Pia WiegminkThis book investigates transnational processes through the analytic lens of cultural performance. Structured around key concepts of performance studies––commons, skills, and traces––this edited collection addresses the political, normative, and historical implications of cultural performances beyond the limits of the (US) nation-state. These three central aspects of performance function as entryways to inquiries into transnational processes and allow the authors to shift the discussion away from text-centered approaches to intercultural encounters and to bring into focus the dynamic field that opens up between producer, art work, context, setting, and audience in the moment of performance as well as in its afterlife. The chapters provide fresh, performance-based approaches to notions of transcultural mobility and circulation, transnational cultural experience and knowledge formation, transnational public spheres, and identities’ rootedness in both specific local places and diasporic worlds beyond the written word. This book will be of great interest to scholars and students of American studies, performance studies, and transnational studies
American Dialects: A Manual for Actors, Directors, and Writers
by Lewis Herman Marguerite Shalett HermanThis standard text, now in paperback for the first time-- the companion volume to Foreign Dialects-- American Dialects offers representative dialects of every major section of the United States. In each case, a general description and history of the dialect is given, followed by an analysis of vowel and consonant peculiarities, of its individual lilt and rhythm, and of its grammar variations. There are also lists of the idioms and idiomatic expressions that distinguish each dialect and exercises using them. American Dialects also includes musical inflection charts and diagrams showing the placement of lips, tongue, and breath.
American Diva: Extraordinary, Unruly, Fabulous
by Deborah ParedezAn impassioned homage to the divas who shake up our world and transform it with their bold, dazzling artistry. What does it mean to be a “diva”? A shifting, increasingly loaded term, it has been used to both deride and celebrate charismatic and unapologetically fierce performers like Aretha Franklin, Divine, and the women of Labelle. In this brilliant, powerful blend of incisive criticism and electric memoir, Deborah Paredez—scholar, cultural critic, and lifelong diva devotee—unravels our enduring fascination with these icons and explores how divas have challenged American ideas about feminism, performance, and freedom. American Diva journeys into Tina Turner’s scintillating performances, Celia Cruz’s command of the male-dominated salsa world, the transcendent revival of Jomama Jones after a period of exile, and the unparalleled excellence of Venus and Serena Williams. Recounting how she and her mother endlessly watched Rita Moreno’s powerhouse portrayal of Anita in West Side Story and how she learned much about being bigger than life from her fabulous Tía Lucia, Paredez chronicles the celebrated and skilled performers who not only shaped her life but boldly expressed the aspiration for freedom among brown, Black, and gay communities. Paredez also traces the evolution of the diva through the decades, dismayed at the mid-aughts’ commodification and juvenilizing of its meaning but finding its lasting beauty and power. Filled with sharp insights and great heart, American Diva is a spirited tribute to the power of performance and the joys of fandom.
American Documentary Filmmaking in the Digital Age: Depictions of War in Burns, Moore, and Morris (Routledge Advances in Film Studies)
by Lucia RicciardelliAmerican Documentary Filmmaking in the Digital Age examines the recent challenges to the conventions of realist documentary through the lens of war documentary films by Ken Burns, Michael Moore, and Errol Morris. During the twentieth century, the invention of new technologies of audiovisual representation such as cinema, television, video, and digital media have transformed the modes of historical narration and with it forced historians to assess the impact of new visual technologies on the construction of history. This book investigates the manner in which this contemporary Western "crisis" in historical narrative is produced by a larger epistemological shift in visual culture. Ricciardelli uses the theme of war as depicted in these directors’ films to focus her study and look at the model(s) of national identity that Burns, Morris, and Moore shape through their depictions of US military actions. She examines how postcolonial critiques of historicism and the advent of digitization have affected the narrative structure of documentary film and the shaping of historical consciousness through cinematic representation.
American Drawings and Prints: From Benjamin West to Edward Hopper
by Evan BatesThis handsome retrospective offers an affordable treasury of nearly 100 works by the nation's best and most popular artists. Ranging from the colonial era to the early twentieth century, it features drawings by anonymous folk artists as well as such famous figures as James Abbott McNeill Whistler, Winslow Homer, Mary Cassatt, Stuart Davis, Rockwell Kent, and Yasuo Kuniyoshi.Skyscrapers, smokestacks, traffic, and other city scenes begin the collection, in a sequence of images that capture the vitality of urban life, including John Marin's Woolworth Building and Brooklyn Bridge, Joseph Stella's Pittsburgh Winter, and Adolf Dehn's Art Lovers and Artistes' Café. Lithographs of landscapes and country vignettes feature the works of Grant Wood, Thomas Hart Benton, John Steuart Curry, and other noted Regionalists. A series of portraits includes a chalk drawing by John Singleton Copley of a nobleman as well as a study by Thomas Eakins for his masterpiece, The Gross Clinic. The anthology concludes with an appealing selection of folk and fantasy art, inspired by scenes from mythology, Shakespeare, and the Bible.
American Dreamer: My Life in Fashion & Business
by Tommy Hilfiger Peter Knobler Quincy JonesIn this tale of grit and glamour, setbacks and comebacks, business and pop culture icon Tommy Hilfiger shares his extraordinary life story for the first time. Few designers have stayed on top of changing trends the way Tommy Hilfiger has. Fewer still have left such an indelible mark on global culture. Since designing his first collection of "classics with a twist" three decades ago, Tommy Hilfiger has been synonymous with all-American style--but his destiny wasn't always so clear. Growing up one of nine children in a working-class family in Elmira, New York, Tommy suffered from dyslexia, flunked sophomore year of high school, and found himself constantly at odds with his father. Nevertheless, this self-described dreamer had a vision and the relentless will to make it a reality. At eighteen he opened his own clothing store, parlaying his uncanny instinct for style into a budding career as a fashion designer. Through decades of triumph and turmoil, Tommy remained doggedly optimistic. To this day, his approach to commerce is rooted in his positive view of the world.American Dreamer brims with anecdotes that cover Tommy's years as a club kid and scrappy entrepreneur in 1970s New York as well as unique insights into the exclusive A-list personalities with whom he's collaborated and interacted, from Mick Jagger and David Bowie to Ralph Lauren and Calvin Klein. But this is more than just a fashion icon's memoir--it's a road map for building a brand, both professionally and personally. Tommy takes us behind the scenes of every decision--and every mistake--he's ever made, offering advice on leadership, business, team-building, and creativity. This is the story of a true American original, told for the first time in his own words, with honesty, humor, and the insatiable appetite for life and style that proves that sometimes you have to dream big to make it big. Advance praise for American Dreamer "Tommy burst onto the fashion scene at the height of hip-hop and was instantly taken up by rappers and rockers alike. Since then, year after year he has been ahead of the curve with his elegant and stylish looks. His creative energy has always been an inspiration to me. He's really himself in American Dreamer."--Mick Jagger "Whenever I think of Tommy Hilfiger, I think of a designer who has been able to wrap fashion in the American flag. In American Dreamer Tommy shows how he has taken the (rock) stars and the (preppy) stripes and come up with a look--and a label--that are recognized globally as being quintessentially American, as well as a brand that constantly keeps time with pop music."--Anna Wintour "Tommy is an inspiration to many people. American Dreamer shows how he has managed to be successful in business and done so with integrity. I have come to know Tommy, and every time we talk I learn something new about creating a successful business."--David Beckham "Tommy is one of the most genuine people I know! In American Dreamer you can feel his passion pour through everything he does: fashion, fatherhood, family, and friendship!"--Alicia Keys "Tommy Hilfiger is an American icon who was able to transcend fashion and blend it with pop culture and take it to a worldwide audience. American Dreamer documents how, unlike any other designer, Tommy was able to tap into music, its subculture, and its influence on society, which propelled his fashion to be mainstream and global."--Tommy MottolaFrom the Hardcover edition.
American Dreams: Portraits & Stories of a Country
by Ian BrownA powerful, moving collection of 170 portraits of Americans and their handwritten statements about what the American dream means to them.Shot by one photographer over twelve years, fifty states, and eighty thousand miles, American Dreams is a poignant, defining look at people from every walk of life and a remarkable exploration of what it means to be an American.Long fascinated by the idea of the &“American Dream,&” Canadian photographer Ian Brown set out to document, in photographs and words, what that dream means to Americans of all ages, races, identities, classes, religions, and ideologies. Over the course of twelve years, Brown traveled more than eighty thousand miles in an old truck, visiting all fifty states and connecting with hundreds of Americans. He knocked on people's doors; met them at town halls, diners, and factories; and approached them on main streets in small towns. He shot their portraits and asked them to write down their own American dreams. Their dreams and stories—which range from hopeful, moving, and optimistic to defiant, bitter, and heartbreaking—offer a fascinating, unparalleled perspective of the striking diversity and deep nuance of the American experience.
American Eden: From Monticello to Central Park to Our Backyards
by Wade GrahamThe story of our nation and ourselves as told through our country's most significant gardens and their creators. From Frederick Law Olmsted to Richard Neutra, Michelle Obama to our neighbors, Americans throughout history have revealed something of themselves--their personalities, desires, and beliefs--in the gardens they create. Rooted in the time and place of their making, as much as in the minds and identities of their makers, gardens mirror the struggles and energies of a changing society. Melding biography, history, and cultural commentary in a one-of-a-kind narrative, American Eden presents a dynamic, sweeping look at this country's landscapes and the visionaries behind them. Monticello's gardens helped Jefferson reconcile his conflicted feelings about slavery-and take his mind off his increasing debt. Edith Wharton's gardens made her feel more European and superior to her wealthy but insufficiently sophisticated countrymen. Martha Stewart's how-to instructions helped bring Americans back into their gardens, while at the same time stoking and exploiting our anxieties about social class. Isamu Noguchi's and Robert Smithson's experiments reinvigorated the age-old exchange between art and the garden. American Eden offers an inclusive definition of the garden, considering intentional landscapes that range from domestic kitchen gardens to city parks and national parks, suburban backyards and golf courses, public plazas and Manhattan's High Line park, reclaimed from freight train tracks. And it exposes the overlap between garden-making and painting, literature, and especially architecture-the garden's inseparable sibling-to reveal the deep interconnections between the arts and their most inspired practitioners. Moving deftly through time and place across America's diverse landscapes--from Revolutionary-era Virginia to turn-of-the-century Chicago to 1960s suburban California--and featuring a diverse cast of landscape-makers--whether artists, architects, or housewives, amateurs or professionals, robber barons, politicians, reformers, or dreamers--Wade Graham vividly unfolds the larger cultural history through more personal dramas. Beautifully illustrated with color and black-and-white images, American Eden is at once a different kind of garden book and a different kind of American history, one that offers a compelling, untold story--a saga that mirrors and illuminates our nation's invention, and constant reinvention, of itself.
American Ethnographic Film and Personal Documentary
by Scott MacdonaldAmerican Ethnographic Film and Personal Documentary is a critical history of American filmmakers crucial to the development of ethnographic film and personal documentary. The Boston and Cambridge area is notable for nurturing these approaches to documentary film via institutions such as the MIT Film Section and the Film Study Center, the Carpenter Center and the Visual and Environmental Studies Department at Harvard. Scott MacDonald uses pragmatism's focus on empirical experience as a basis for measuring the groundbreaking achievements of such influential filmmakers as John Marshall, Robert Gardner, Timothy Asch, Ed Pincus, Miriam Weinstein, Alfred Guzzetti, Ross McElwee, Robb Moss, Nina Davenport, Steve Ascher and Jeanne Jordan, Michel Negroponte, John Gianvito, Alexander Olch, Amie Siegel, Ilisa Barbash, and Lucien Castaing-Taylor. By exploring the cinematic, personal, and professional relationships between these accomplished filmmakers, MacDonald shows how a pioneering, engaged, and uniquely cosmopolitan approach to documentary developed over the past half century.
American Farm Collectibles: Identification and Price Guide
by Russell E LewisSteeped in the tradition of hard work, American nostalgia, and a simpler way of life, this book contains fascinating and informative details for anyone who farms, grew up on a farm, or finds farm collectibles fascinating. This latest edition of American Farm Collectibles captures the essence of the family farm in 1,000 photos, expertly researched pricing, and details that represent farming's role in the evolution of our society. This enhanced edition contains information about farming in print, farm tools, small-scale farming, farm kitchen collectibles, gardens and vintage tractors.
American Film Cycles
by Amanda Ann KleinA series of movies that share images, characters, settings, plots, or themes, film cycles have been an industrial strategy since the beginning of cinema. While some have viewed them as “subgenres,” mini-genres, or nascent film genres, Amanda Ann Klein argues that film cycles are an entity in their own right and a subject worthy of their own study. She posits that film cycles retain the marks of their historical, economic, and generic contexts and therefore can reveal much about the state of contemporary politics, prevalent social ideologies, aesthetic trends, popular desires, and anxieties. American Film Cycles presents a series of case studies of successful film cycles, including the melodramatic gangster films of the 1920s, the 1930s Dead End Kids cycle, the 1950s juvenile delinquent teenpic cycle, and the 1990s ghetto action cycle. Klein situates these films in several historical trajectories—the Progressive movement of the 1910s and 1920s, the beginnings of America’s involvement in World War II, the “birth” of the teenager in the 1950s, and the drug and gangbanger crises of the early 1990s. She shows how filmmakers, audiences, film reviewers, advertisements, and cultural discourses interact with and have an impact on the film texts. Her findings illustrate the utility of the film cycle in broadening our understanding of established film genres, articulating and building upon beliefs about contemporary social problems, shaping and disseminating deviant subcultures, and exploiting and reflecting upon racial and political upheaval.
American Film Exhibition and an Analysis of the Motion Picture Industry's Market Structure 1963-1980 (Routledge Library Editions: Cinema)
by Gary EdgertonThis study looks at how the movie industry organisation functioned between the late ‘40s and 1983 when it was originally published. It describes the changing role of domestic exhibition through this time and analyses the wider film industry to provide a model of the exhibition structure in relation to production, distribution and outside factors. It addresses the growing issues of the cable and video markets as competition to the film exhibition business at that time and looks forward into a highly turbulent environment. With particular interest now as the film industry address a new range of threats and adaptations of its working structure, this book offers and integral understanding of a key stage in cinema history.
American Film History: Selected Readings, Origins to 1960
by Cynthia Lucia Roy Grundmann Art SimonThis authoritative collection of introductory and specialized readings explores the rich and innovative history of this period in American cinema. Spanning an essential range of subjects from the early 1900s Nickelodeon to the decline of the studio system in the 1960s, it combines a broad historical context with careful readings of individual films. Charts the rise of film in early twentieth-century America from its origins to 1960, exploring mainstream trends and developments, along with topics often relegated to the margins of standard film histories Covers diverse issues ranging from silent film and its iconic figures such as Charlie Chaplin, to the coming of sound and the rise of film genres, studio moguls, and, later, the Production Code and Cold War Blacklist Designed with both students and scholars in mind: each section opens with an historical overview and includes chapters that provide close, careful readings of individual films clustered around specific topics Accessibly structured by historical period, offering valuable cultural, social, and political contexts Contains careful, close analysis of key filmmakers and films from the era including D.W. Griffith, Charles Chaplin, Buster Keaton, Erich von Stroheim, Cecil B. DeMille, Don Juan, The Jazz Singer, I Am a Fugitive from a Chain Gang, Scarface, Red Dust, Glorifying the American Girl, Meet Me in St. Louis, Citizen Kane, Bambi, Frank Capra’s Why We Fight series, The Strange Love of Martha Ivers, Rebel Without a Cause, Force of Evil, and selected American avant-garde and underground films, among many others. Additional online resources such as sample syllabi, which include suggested readings and filmographies for both general specialized courses, will be available online. May be used alongside American Film History: Selected Readings, 1960 to the Present, to provide an authoritative study of American cinema through the new millennium
American Film History: Selected Readings, 1960 to the Present
by Cynthia Lucia Roy Grundmann Art SimonFrom the American underground film to the blockbuster superhero, this authoritative collection of introductory and specialized readings explores the core issues and developments in American cinematic history during the second half of the twentieth-century through the present day. Considers essential subjects that have shaped the American film industry—from the impact of television and CGI to the rise of independent and underground film; from the impact of the civil rights, feminist and LGBT movements to that of 9/11. Features a student-friendly structure dividing coverage into the periods 1960-1975, 1976-1990, and 1991 to the present day, each of which opens with an historical overview Brings together a rich and varied selection of contributions by established film scholars, combining broad historical, social, and political contexts with detailed analysis of individual films, including Midnight Cowboy, Nashville, Cat Ballou, Chicago, Back to the Future, Killer of Sheep, Daughters of the Dust, Nothing But a Man, Ali, Easy Rider, The Conversation, The Texas Chain Saw Massacre, Longtime Companion, The Matrix, The War Tapes, the Batman films, and selected avant-garde and documentary films, among many others. Additional online resources, such as sample syllabi, which include suggested readings and filmographies, for both general and specialized courses, will be available online. May be used alongside American Film History: Selected Readings, Origins to 1960 to provide an authoritative study of American cinema from its earliest days through the new millennium
American Film Institute Desk Reference
by George Ochoa Melinda CoreyThe American Film Institute Desk Reference is the most comprehensive book on filmmaking. It provides detailed information on the world of film, its history and its personalities.
American Film Satire in the 1990s
by Johan NilssonSatire is often defined as a moral and rhetorical art that engages in social critique through wit and ridicule. During its long history it has come in many forms and genres as well as in different types of media (verse, drama, rhetorical performance, prose, cartoons, journalism, film, TV, internet). Here, Nilsson examines American film satire produced during the 1990s and how its style and form cue viewers towards constructing satirical meaning. The study offers an explanation for how a particular selection of films turned material circulating in American culture of the 1990s into satirical experiences for viewers and finds that there are elements of resistance to mainstream culture in the original material: resistance to norms and conventions in politics, to mainstream news channels and Hollywood, and to official American history.
American Films of the 70s: Conflicting Visions
by Peter LevWhile the anti-establishment rebels of 1969's Easy Rider were morphing into the nostalgic yuppies of 1983's The Big Chill, Seventies movies brought us everything from killer sharks, blaxploitation, and teen comedies to haunting views of a divided America at war. Indeed, as Peter Lev persuasively argues in this book, the films of the 1970s constitute a kind of conversation about what American society is and should be-open, diverse, and egalitarian, or stubbornly resistant to change. Examining forty films thematically, Lev explores the conflicting visions presented within ten different film genres or subjects:o Hippies (Easy Rider, Alice's Restaurant)o Cops (The French Connection, Dirty Harry)o Disasters and Conspiracies (Jaws, Chinatown)o End of the Sixties (Nashville, The Big Chill)o Art, Sex, and Hollywood (Last Tango in Paris)o Teens (American Graffiti, Animal House)o War (Patton, Apocalypse Now)o African-Americans (Shaft, Superfly)o Feminisms (An Unmarried Woman, The China Syndrome)o Future Visions (Star Wars, Blade Runner)As accessible to ordinary moviegoers as to film scholars, Lev's book is an essential companion to these familiar, well-loved movies.
The American Flag: Art, Design, Fashion
by Mary EmmerlingFlags are so everywhere, so ever-present that we often barely notice them. But focused through a collector&’s vision and a photographer&’s eye, the gold old red, white, and blue brings a smile, a memory, a tear and a lump to our throats. The flag is more than a symbol; it is art, and here we 200 artist&’s and designer&’s renditions of the ultimate symbol of freedom.Mary Emmerling, décor expert, style maker, and queen of antiques fairs and festivals, is the author of more than 30 books on American country decorating and collecting. Her most recent books (done with Jim Arndt) include Art of the Buckle, Art of the Heart and Art of the Skull. She lives in Scottsdale, Arizona.Reed Davis lives in Los Angeles.
American Folk Art for Kids: With 21 Activities (For Kids series #12)
by Richard PanchykDrawing on the natural folk art tendencies of children, who love to collect buttons, bottle caps, shells, and Popsicle sticks to create beautiful, imperfect art, this activity guide teaches kids about the history of this organic art and offers inspiration for them to create their own masterpieces. The full breadth of American folk art is surveyed, including painting, sculpture, decorative arts, and textiles from the 17th century through today. Making bubblegum wrapper chains, rag dolls, bottle cap sculptures, decoupage boxes, and folk paintings are just a few of the activities designed to bring out the artist in every child. Along the way kids learn about the lives of Americans throughout history and their casual relationships to everyday art as they cut stencils, sew needlepoint samplers, draw calligraphy birds, and design quilts. Important folk artists such as the last surviving Shakers, the legendary Grandma Moses, and the Reverend Howard Finster are also explored in sidebars throughout the book.
American Folk Art Quilts: Over 30 Designs to Create Your Own Classic Quilt
by Maggi McCormick GordonA Step-by-Step Guide to Creating Beautiful Quilts! Beautiful antique quilts and a workbook of patterns come together in this lavish photography book for quilters. The more than 30 featured quilts from the Wisconsin State Historical Society collection are displayed in period rooms at Old World Wisconsin, the Society's outdoor museum of German and Scandinavian farmhouses. Patterns and block layouts are provided for replicating each of the original quilts, and after seeing each of them in a true historical context, home sewers will be inspired to create their own versions.
American Gamelan and the Ethnomusicological Imagination
by Elizabeth A. ClendinningGamelan and American academic institutions have maintained their close association for more than sixty years. Elizabeth A. Clendinning illuminates what it means to devote one’s life to world music ensemble education by examining the career and community surrounding the Balinese-American performer and teacher I Made Lasmawan. Weaving together stories of Indonesian and American practitioners, colleagues, and friends, Clendinning shows the impact of academic world music ensembles on the local and transnational communities devoted to education and the performing arts. While arguing for the importance of such ensembles, Clendinning also spotlights how performers and educators use them to create stable and rewarding artistic communities. Cross-cultural ensemble education emerges as a worthy goal for students and teachers alike, particularly at a time when people around the world express more enthusiasm about raising walls to keep others out rather than building bridges to invite them in.