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Fringe and Fortune: The Role of Critics in High and Popular Art
by Wesley Monroe ShrumWhy does the distinction between high and popular art persist in spite of postmodernist predictions that it should vanish? Departing from the conventional view that such distinctions are class-related, Wesley Shrum concentrates instead on the way individuals form opinions about culture through the mediation of critics. He shows that it is the extent to which critics shape the reception of an art form that determines its place in the cultural hierarchy. Those who patronize "lowbrow" art--stand-up comedy, cabaret, movies, and popular music--do not heed critical opinions nearly as much as do those who patronize "highbrow" art--theater, opera, and classical music. Thus the role of critics is crucial to understanding the nature of cultural hierarchy and its persistence. Shrum supports his argument through an inquiry into the performing arts, focusing on the Edinburgh Fringe, the world's largest and most diverse art festival. Beginning with eighteenth-century London playhouses and print media, where performance art criticism flourished, Shrum examines the triangle of mediation involving critics, spectators, and performers. The Fringe is shown to parallel modern art worlds, where choices proliferate along with the demand for guidance. Using interviews with critics and performers, analysis of audiences, and published reviews as well as dramatic vignettes, Shrum reveals the impact of critics on high art forms and explores the "status bargain" in which consumers are influenced by experts in return for prestige.
Fringe Science: Parallel Universes, White Tulips, and Mad Scientists
by Brendan Allison Amy BernerMore than 7 million viewers are captivated weekly by Fringe, a science fiction procedural in the best tradition of The X-Files with a taut central mythology, rich characters, and it's own laboratory cow. In its weekly cases and its overarching plot, Fringe strikes a compelling balance between the strange and the familiar, and the quirky and the tragic. Fringe Science delves into the science, science fiction, and pseudoscience of Fringe with a collection of essays by science and science fiction writers on everything from alternate universes to time travel to genetically targeted toxins, as well as discussions on the show's moral philosophy and the consequences of playing God.
Fritz Lang: The Nature of the Beast
by Patrick McGilliganThe name of Fritz Lang—the visionary director of Metropolis, M, Fury, The Big Heat, and thirty other unforgettable films—is hallowed the world over. But what lurks behind his greatest legends and his genius as a filmmaker? Patrick McGilligan, placed among &“the front rank of film biographers&” by the Washington Post, spent four years in Europe and America interviewing Lang&’s dying contemporaries, researching government and film archives, and investigating the intriguing life story of Fritz Lang. This critically acclaimed biography—lauded as one of the year&’s best nonfiction books by Publishers Weekly—reconstructs the compelling, flawed human being behind the monster with the monocle.
Frocking Life: Searching for Elsa Schiaparelli
by Billyboy* Jean DruesedowAt an early age, BillyBoy* chose two mentors: Bugs Bunny and Elsa Schiaparelli. From Bugs Bunny, he learned the basics of how to behave in society and how to manage life’s wicked turns; to be coy, smart, witty, and to always dress appropriately with the assurance of Beau Brummell. But most of all, his cartoon mentor taught him a lighthearted approach to life, and an entertaining charm that is to personality what humor is to good conversation. From Schiaparelli, who he discovered at age fourteen through a very strange hat in a Paris flea market, he learned the meanings of love and art. His human mentor opened doors that he “never even dreamed existed,” as the title character says to her nephew in Auntie Mame. As Schiap turned into a genuine passion, she became a golden thread that led to all sorts of discoveries, encounters, and inspirations over the next forty years. A wealthy orphan with a glamorous but complicated background, BillyBoy* adopted the legendary designer as a guardian angel of sorts, and has spent a lifetime searching for her, through her clothes. Inspired by Shocking Life, Schiaparelli's own memoir, FROCKING LIFE will resonate with anyone who loves fashion and flamboyant storytelling. Built around some of the most iconic pieces ever created by the designer, this book is about endless discoveries, and the meaning that can be transmitted, across decades, by a simple piece of clothing. Peopled by dazzling characters from Schiaparelli's own inner circle and the worlds of art and fashion— Saint Laurent, Vreeland, Warhol to name a few—this is a scintillating yet profound homage to a woman who saw life as art, and inspired a young boy to do the same. BillyBoy* has always been a strange fruit and it must be said, not everyone could have a bite of it. The press adored him since he was, as author Edmund White wrote, “good copy.” In fact, his thrilling journey through fashion, culture, and art are deeply tied to what he wore for each occasion. One day, it is a skintight silver lamé studded outfit by Nudie Cohen (the designer of Elvis Presley’s elaborate ensembles), which was originally made for David Cassidy. For a tea with the Begum Aga Khan at the Ritz, he played the part of the dandy in a conservative suit with impeccable tie, topped by a Vivienne Westwood/Malcolm McClaren Buffalo hat adorned with a silk lettuce leaf. For an interview at home with German Vogue, he transformed into a sex kitten in hot pants and an Yves Saint Laurent sheer blouse. This book is both BillyBoy*'s personal story of his intense spiritual and metaphysical journey through life, and also his authoritative insight into the life and work of Elsa Schiaparelli who became such an influence on him. As an historian and collector, his close examination of the milieu of European and American, Scandinavian and Asian high fashion and his detailed research into Schiaparelli's haute couture seasonal collections (and her vast number of licensed fashion and accessories) will appeal not only to fashionistas and haute couture devotees and collectors. It explores their relationship to her era, through the many friendships and relationships with the iconic people in fashion he forged over four decades. Anecdotes of varied stars in all aspects of culture will interest those who study 20th-century art and history.
The Frodo Franchise: The Lord of the Rings and Modern Hollywood
by Kristin ThompsonKristin Thompson interviewed seventy-six people to examine the movie's scripting and design and the new technologies deployed to produce the films, videogames, and DVDs. She demonstrates the impact Rings had on the companies that made it, on the fantasy genre, on New Zealand, and on independent cinema.
Frog in the Well: Portraits of Japan by Watanabe Kazan, 1793–1841 (Asia Perspectives: History, Society, and Culture)
by Donald KeeneFrog in the Well is a vivid and revealing account of Watanabe Kazan, one of the most important intellectuals of the late Tokugawa period. From his impoverished upbringing to his tragic suicide in exile, Kazan's life and work reflected a turbulent period in Japan's history. He was a famous artist, a Confucian scholar, a student of Western culture, a samurai, and a critic of the shogunate who, nevertheless, felt compelled to kill himself for fear that he had caused his lord anxiety. During this period, a typical Japanese scholar or artist refused to acknowledge the outside world, much like a "frog in the well that knows nothing of the ocean," but Kazan actively sought out Western learning. He appreciated European civilization and bought every scrap of European art that was available in Japan. He became a painter to help his family out of poverty and, by employing the artistic techniques of the West, achieved great success with his realistic and stylistically advanced portraits.Although he remained a nationalist committed to the old ways, Kazan called on the shogunate to learn from the West or risk disaster. He strove to improve the agricultural and economic conditions of his province and reinforce its defenses, but his criticisms and warnings about possible coastal invasions ultimately led to his arrest and exile. Frog in the Well is the first full-length biography of Kazan in English, and, in telling his life's story, renowned scholar Donald Keene paints a fascinating portrait of the social and intellectual milieus of the late Tokugawa period. Richly illustrated with Kazan's paintings, Frog in the Well illuminates a life that is emblematic of the cultural crises affecting Japan in the years before revolution.
Frog in the Well: Portraits of Japan by Watanabe Kazan, 1793-1841
by Donald KeeneA renowned authority on Japanese literature and culture presents a revealing portrait of samurai painter and intellectual Watanabe Kazan.
The Frog's Prints
by Margaret MincksJackson wants to learn to make pajama pants for his tree frog friend, Fred. With the help of his mother, he creates tiny pajama pants for Fred that match his own.
From a Cause to a Style: Modernist Architecture's Encounter with the American City
by Nathan GlazerModernism in architecture and urban design has failed the American city. This is the decisive conclusion that renowned public intellectual Nathan Glazer has drawn from two decades of writing and thinking about what this architectural movement will bequeath to future generations. In From a Cause to a Style, he proclaims his disappointment with modernism and its impact on the American city. Writing in the tradition of legendary American architectural critics Lewis Mumford and Jane Jacobs, Glazer contends that modernism, this new urban form that signaled not just a radical revolution in style but a social ambition to enhance the conditions under which ordinary people lived, has fallen short on all counts. The articles and essays collected here--some never published before, all updated--reflect his ideas on subjects ranging from the livable city and public housing to building design, public memorials, and the uses of public space. Glazer, an undisputed giant among public intellectuals, is perhaps best known for his writings on ethnicity and social policy, where the unflinching honesty and independence of thought that he brought to bear on tough social questions has earned him respect from both the Left and the Right. Here, he challenges us to face some difficult truths about the public places that, for better or worse, define who we are as a society. From a Cause to a Style is an exhilarating and thought-provoking book that raises important questions about modernist architecture and the larger social aims it was supposed to have addressed-and those it has abandoned.
From a Nation Torn: Decolonizing Art and Representation in France, 1945-1962
by Hannah FeldmanFrom a Nation Torn provides a powerful critique of art history's understanding of French modernism and the historical circumstances that shaped its production and reception. Within art history, the aesthetic practices and theories that emerged in France from the late 1940s into the 1960s are demarcated as postwar. Yet it was during these very decades that France fought a protracted series of wars to maintain its far-flung colonial empire. Given that French modernism was created during, rather than after, war, Hannah Feldman argues that its interpretation must incorporate the tumultuous "decades of decolonization"and their profound influence on visual and public culture. Focusing on the Algerian War of Independence (1954-1962) and the historical continuities it presented with the experience of the Second World War, Feldman highlights decolonization's formative effects on art and related theories of representation, both political and aesthetic. Ultimately, From a Nation Torn constitutes a profound exploration of how certain populations and events are rendered invisible and their omission naturalized within histories of modernity.
From a Photograph: Authenticity, Science and the Periodical Press, 1870-1890
by Geoffrey BelknapThroughout its early history, photography's authenticity was contested and challenged: how true a representation of reality can a photograph provide? Does the reproduction of a photograph affect its value as authentic or not? From a Photograph examines these questions in the light of the early scientific periodical press, exploring how the perceived veracity of a photograph, its use as scientific evidence and the technologies developed for printing it were intimately connected.Before photomechanical printing processes became widely used in the 1890s, scientific periodicals were unable to reproduce photographs and instead included these photographic images as engravings, with the label ‘from a photograph’. Consequently, every image was mediated by a human interlocutor, introducing the potential for error and misinterpretation. Rather than ‘reading’ photographs in the context of where or how they were taken, this book emphasises the importance of understanding how photographs are reproduced. It explores and compares the value of photography as authentic proof in both popular and scientific publications during this period of significant technological developments and a growing readership. Three case studies investigate different uses of photography in print: using pigeons to transport microphotographs during the Franco-Prussian War; the debate surrounding the development of instantaneous photography; and finally the photographs taken of the Transit of Venus in 1874, unseen by the human eye but captured on camera and made accessible to the public through the periodical.Addressing a largely overlooked area of photographic history, From a Photograph makes an important contribution to this interdisciplinary research and will be of interest to historians of photography, print culture and science.
From Abacus to Zeus: A Handbook of Art History
by James Smith PierceChapters are 'Art terms, processes, and principles; gods, heroes, and monsters; Christian subjects; saints and their attributes; Christian signs and symbols.'
From Abyssinian to Zion: A Guide to Manhattan's Houses of Worship
by David DunlapFrom modest chapels to majestic cathedrals, and historic synagogues to modern mosques and Buddhist temples: this photo-filled, pocket-size guidebook presents 1,079 houses of worship in Manhattan and lays to rest the common perception that skyscrapers, bridges, and parks are the only defining moments in the architectural history of New York City. With his exhaustive research of the city's religious buildings, David W. Dunlap has revealed (and at times unearthed) an urban history that reinforces New York as a truly vibrant center of community and cultural diversity.Published in conjunction with a New-York Historical Society exhibition, From Abyssinian to Zion is a sometimes quirky, always intriguing journey of discovery for tourists as well as native New Yorkers. Which popular pizzeria occupies the site of the cradle of the Christian and Missionary Alliance movement, the Gospel Tabernacle? And where can you find the only house of worship in Manhattan built during the reign of Caesar Augustus? Arranged alphabetically, this handy guide chronicles both extant and historical structures and includes 650 original photographs and 250 photographs from rarely seen archives 24 detailed neighborhood maps, pinpointing the location of each building concise listings, with histories of the congregations, descriptions of architecture, and accounts of prominent priests, ministers, rabbis, imams, and leading personalities in many of the congregations
From Acting to Performance: Essays in Modernism and Postmodernism
by Philip AuslanderFrom Acting to Performance collects for the first time major essays by performance theorist and critic Philip Auslander. Together these essays provide a survey of the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s. Auslander examines performance genres ranging from theatre and dance to performance art and stand-up comedy. In doing so he discusses an impressive line-up of practitioners including Antonin Artaud, Jerzy Grotowski, Peter Brook, Willem Dafoe, the Wooster Group, Augusto Boal, Kate Bornstein, and Orlan. From Acting to Performance is a must for all students and scholars interested in contemporary theatre and performance.
From an Antique Land: Visual Representations of the Highlands and Islands 1700–1880
by Anne MacLeodWith 100 historic illustrations, this scholarly study explores how visual depictions of the Scottish Highlands influenced perceptions of the region. Early in the 18th century, the Scottish Highlands became a source of fascination across the British Isles. Artists, illustrators, and mapmakers capitalized on the trend by producing popular images of rural life and dramatic landscapes. In From an Antique Land, Anne MacLeod brings a fresh analysis to these images, exploring what they reveal about cultural perceptions of the remote region and its people. Illustrated with 100 plates—including a broad range of maps, plans, paintings, drawings, sketches and printed images—this volume demonstrates that the concept of antiquity was the single most powerful influence driving the visual representation of the Highlands and Islands from 1700 to 1880, and indeed beyond. MacLeod also looks at archaeological, ethnological and geological influences that contributed to this bias in favor of antiquity. The book concludes that the shadow of time which hallmarked visual representations of the region resulted in a preservationist mentality which has had powerful repercussions for approaches to Highland issues down to the present day. The book will appeal to historians, art historians, cultural geographers, and the general reader interested in Highland history and culture.
From an Idea to Disney: How Imagination Built a World of Magic (From an Idea to)
by Lowey Bundy SicholFrom an Idea to Disney is a behind-the-movie-screen look into the history, business, and brand of the world's largest entertainment empire. With humorous black & white illustrations throughout, learn about the company behind the world's favorite mouse, Mickey! “I only hope that we never lose sight of one thing—that it was all started by a mouse.” —Walt Disney Today, the Walt Disney Company is the biggest entertainment company in the world with theme parks, TV shows, movie studios, merchandise, the most recognizable cartoon character in the world, Mickey Mouse. But a long time ago, brothers Walt and Roy Disney started out with just an idea. Find out more about Disney’s history, the business, and the brand in this illustrated nonfiction book!Find out what Walt first intended to name his famous mouse. (Hint: It wasn’t Mickey!)Discover behind-the-scenes magic of how Walt Disney World is run.Explore the ways the Disney expanded its brand from a little mouse into media, merchandise, and more!
From Antiquities to Heritage: Transformations of Cultural Memory
by Anne EriksenEighteenth-century gentleman scholars collected antiquities. Nineteenth-century nation states built museums to preserve their historical monuments. In the present world, heritage is a global concern as well as an issue of identity politics. What does it mean when runic stones or medieval churches are transformed from antiquities to monuments to heritage sites? This book argues that the transformations concern more than words alone: They reflect fundamental changes in the way we experience the past, and the way historical objects are assigned meaning and value in the present. This book presents a series of cases from Norwegian culture to explore how historical objects and sites have changed in meaning over time. It contributes to the contemporary debates over collective memory and cultural heritage as well to our knowledge about early modern antiquarianism.
From ASCII Art to Comic Sans: Typography and Popular Culture in the Digital Age
by Karin WagnerA fresh and provocative take on typography, computing, and popular culture, viewed through four idiosyncratic typographical phenomena from the digital age.From ASCII Art to Comic Sans offers an original vision of the history of typography and computing in the digital age, viewed through the lens of offbeat typography. We often regard text as pure information and typography as a transparent art form without meaning of its own. In this richly illustrated book, however, Karin Wagner offers a fresh perspective that shows how text is always an image that conveys meaning, and how typography, far from being meaningless, has in fact shaped modern visual and material culture in significant ways.By juxtaposing four odd typographical phenomena—the pedantic practice of ASCII art, the curious-looking machine-readable typefaces, the blurry letters of dot matrix printers, and the much-maligned font Comic Sans—Wagner paints a vivid picture of how functional technologies influence popular culture when used in ways their original creators never intended.Design practitioners, as well as fans of media, graphic design, type history, and computer technology, will enjoy this breezily sophisticated perspective on visual and digital culture. Spanning the material and visual aspects of typography from the 1960s to the present, From ASCII Art to Comic Sans is a unique contribution to the study of popular and material culture that fills a gap in the history of typography and computing.
From Autos to Architecture: Fordism and Architectural Aesthetics in the Twentieth Century
by David GartmanOne of the most interesting questions in architectural history is why modern architecture emerged from the war-ravaged regions of central Europe and not the United States, whose techniques of mass production and mechanical products so inspired the first generation of modern architects like Le Corbusier, Mies van der Rohe, and Walter Gropius. In From Autos to Architecture, sociologist David Gartman offers a critical social history that shows how Fordist mass production and industrial architecture in America influenced European designers to an extent previously not understood. Drawing on Marxist economics, the Frankfurt School, and French sociologist Pierre Bourdieu, From Autos to Architecture deftly illustrates the different class structures and struggles of America and Europe. Examining architecture in the context of social conflicts, From Autos to Architecture offers a critical alternative to standard architectural histories focused on aesthetics alone.
From Bauhaus to Ecohouse: A History of Ecological Design
by Peder AnkerGlobal warming and concerns about sustainability recently have pushed ecological design to the forefront of architectural study and debate. As Peder Anker explains in From Bauhaus to Ecohouse, despite claims of novelty, debates about environmentally sensitive architecture have been ongoing for nearly a century. By exploring key moments of inspiration between designers and ecologists from the Bauhaus projects of the interwar period to the eco-arks of the 1980s, Anker traces the historical intersection of architecture and ecological science and assesses how both remain intertwined philosophically and pragmatically within the still-evolving field of ecological design.The idea that science could improve human life attracted architects and designers who looked to the science of ecology to better their methodologies. Walter Gropius, the founder of the Bauhaus school, taught that designed form should follow the laws of nature in order to function effectively. With the Bauhaus movement, ecology and design merged and laid the foundation of modernist architecture. Anker discusses in detail how the former faculty members of the Bauhaus school -- including László Maholy-Nagy and Herbert Bayer -- left Nazi Germany in the mid-1930s and engaged with ecologists during their "London period" and in the U.S. A subsequent generation of students and admirers of Bauhaus, such as Richard Buckminster Fuller and Ian McHarg, picked up their program, and -- under the general banner of merging art and science in the design process -- Bauhaus-minded architects began to think ecologically while some ecologists lent their ideas to design. Anker charts complicated currents of ecological design thought spanning pre-- and post--World War II and through the cold war, including pivotal changes such as the emergence of space exploration and new theories on closed-system living in space capsules, space stations, and planetary colonies. Space ecology, Anker explains, inspired leading landscape designers of the 1970s, who used the imagined life of astronauts as a model for how humans should live in harmony with nature. Theories of how to design for extraterrestrial living impacted design and ecological thinking for earth-based living as well, as evidenced in Disney's Spaceship Earth attraction as well as in the Biosphere 2 experiments in Arizona in the early 1990s. Illuminating important connections between theories about the relationship between humans and the built environment, Anker's provocative study provides new insight into a critical period in the evolution of environmental awareness.
From Bauhaus to Our House
by Tom WolfeArchitecture as a lens to magnify a problem you see again and again in human society and human history.
From Betamax to Blockbuster: Video Stores and the Invention of Movies on Video
by Joshua GreenbergGreenberg's account offers a fresh perspective on consumer technology, illustrating how the initial transformation of movies from experience into commodity began not from the top down or the bottom up, but from the middle of the burgeoning industry out.
From Biblical Book to Musical Megahit: William B. Bradbury's Esther, the Beautiful Queen
by Juanita KarpfMany churchgoers will recognize the name William Bradbury, a nineteenth-century American composer of popular hymns still sung at Sunday services. Bradbury’s name may also bring to mind Esther, the Beautiful Queen, his choral setting of a text based on the biblical Book of Esther. The uncomplicated score became enormously popular almost immediately after its initial publication in 1856. In From Biblical Book to Musical Megahit: William B. Bradbury’s “Esther, the Beautiful Queen,” Juanita Karpf traces the work’s rich performance and reception history. Bradbury emphatically stated that he intended Esther to be sung as an unadorned religious and educational piece. Yet many music directors exploited the potential for his score, producing elaborately staged events with costumes, scenery, and acting. Although directors retained Bradbury’s original music, they nonetheless facilitated Esther’s rapid entrée into the realm of music theater. This stylistic transformation ignited a firestorm of controversy. Some clergy and religiously pious citizens condemned theatrical representations of biblical texts as the epitome of debauchery, sacrilege, and sin. In contrast, more tolerant and open-minded theater enthusiasts welcomed the dramatic staging of Esther as wholesome entertainment and as evidence of a refreshingly enlightened approach to biblical interpretation. However heated this debate seemed at times, it did little to quell the continued rise in popularity of Esther. In fact, by the late 1860s, Bradbury’s score had worked its way across the continent, north to Canada and, eventually, to Great Britain, Australia, Asia, and Africa. With performances recorded over a century after Bradbury published his score, Esther became, by any measure, an international megahit.
From Boal to Jana Sanskriti: Practice and Principles
by Sanjoy GangulyJana Sanskriti is internationally recognised as the most iconic post-Boalian Theatre of the Oppressed operation in the world today. This fully illustrated book by the Bengali company's founder and artistic director Sanjoy Ganguly, edited by Ralph Yarrow, collects and explains their programme of workshop exercises, placing them in the context of their social and activist work. A set of interviews with Ganguly complements these practical sequences, drawing in topics such as the role of the joker, the nature of development, participation and agency, aesthetics as transformation, and Theatre of the Oppressed in the context of a market economy.