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Futures of Performance: The Responsibilities of Performing Arts in Higher Education
by Schupp KarenFutures of Performance inspires both current and future artists/academics to reflect on their roles and responsibilities in igniting future-forward thinking and practices for the performing arts in higher education. The book presents a breadth of new perspectives from the disciplines of music, dance, theatre, and mediated performance and from a range of institutional contexts. Chapters from teachers across various contexts of higher education are organized according to the three main areas of responsibilities of performing arts education: to academia, to society, and to the field as a whole. With the intention of illuminating the intricacy of how performing arts are situated and function in higher education, the book addresses key questions including: How are the performing arts valued in higher education? How are programs addressing equity? What responsibilities do performing arts programs have to stakeholders inside and outside of the academy? What are programs’ ethical obligations to students and how are those met? Futures of Performance examines these questions and offers models that can give us some of the potential answers. This is a crucial and timely resource for anyone in a decision-making position within the university performing arts sector, from administrators, to educators, to those in leadership positions.
Futures of Reproduction
by Catherine MillsIssues in reproductive ethics, such as the capacity of parents to 'choose children', present challenges to philosophical ideas of freedom, responsibility and harm. This book responds to these challenges by proposing a new framework for thinking about the ethics of reproduction that emphasizes the ways that social norms affect decisions about who is born. The book provides clear and thorough discussions of some of the dominant problems in reproductive ethics - human enhancement and the notion of the normal, reproductive liberty and procreative beneficence, the principle of harm and discrimination against disability - while also proposing new ways of addressing these. The author draws upon the work of Michel Foucault, especially his discussions of biopolitics and norms, and later work on ethics, alongside feminist theorists of embodiment to argue for a new bioethics that is responsive to social norms, human vulnerability and the relational context of freedom and responsibility. This is done through compelling discussions of new technologies and practices, including the debate on liberal eugenics and human enhancement, the deliberate selection of disabilities, PGD and obstetric ultrasound.
The Futures of the City Region: Futures Of The City Region (Regions and Cities)
by Angela Hull Michael NeumanDoes the ‘city region’ constitute a new departure in urbanisation? If so, what are the key elements of that departure? The realities of the urban in the 21st century are increasingly complex and polychromatic. The rise of global networks enabled by supranational administrations, both governmental and corporate, strongly influences and structures the management of urban life. How we conceive the city region has intellectual and practical consequences. First, in helping us grasp rapidly changing realities; and second in facilitating the flow of resources, ideas and learning to enhance the quality of life of citizens. Two themes interweave through this collection, within this broad palette. First are the socio-spatial constructs and their relationship to the empirical evidence of change in the physical and functional aspects of urban form. Second is what they mean for the spatial scales of governance. This latter theme explores territorially based understandings of intervention and the changing set of political concerns in selected case studies. In efforts to address these issues and improve upon knowledge, this collection brings together international scholars building new data-driven, cross-disciplinary theories to create new images of the city region that may prove to supplement if not supplant old ones. The book illustrates the dialectical interplay of theory and fact, time and space, and spatial and institutional which expands on our intellectual grasp of the theoretical debates on ‘city-regions’ through ‘practical knowing’, citing examples from Europe, the United States, Australasia, and beyond. This book was originally published as a Special Issue of Regional Studies.
Futuring Design Education, Volume 1: Proceedings of the Futuring Design Education (FDE) 2024 (Design Science and Innovation)
by Aneesha Sharma Ravi PoovaiahThis book presents select proceedings of the two-day conference titled Futuring Design Education (FDE 2024), and it examines the transformation of design knowledge, the evolving spaces of learning, and the ecosystems of teaching and learning. The topics covered include the pedagogical model of design education, the experiments, and technological advances that impact design education. The book also discusses the roles and challenges of learning spaces, remote learning in digital spaces, and synchronous and asynchronous learning tools. The book will also look at the social contexts in design pedagogy, cultural affiliations and alignments and will allude to any new learning frameworks for design education. The book can be a valuable reference for design educators, design researchers, and professionals interested in design education.
Futuring Design Education, Volume 2: Proceedings of the Futuring Design Education (FDE) 2024 (Design Science and Innovation)
by Aneesha Sharma Ravi PoovaiahThis book presents select proceedings of the two-day conference titled Futuring Design Education (FDE 2024), and it examines the transformation of design knowledge, the evolving spaces of learning, and the ecosystems of teaching and learning. The topics covered include the pedagogical model of design education, the experiments, and technological advances that impact design education. The book also discusses the roles and challenges of learning spaces, remote learning in digital spaces, and synchronous and asynchronous learning tools. The book will also look at the social contexts in design pedagogy, cultural affiliations and alignments and will allude to any new learning frameworks for design education. The book can be a valuable reference for design educators, design researchers, and professionals interested in design education.
Futurism: An Anthology
by Lawrence Rainey Christine Poggi Laura WittmanIn 1909, F. T. Marinetti published his incendiary Futurist Manifesto, proclaiming, "We stand on the last promontory of the centuries!!" and "There, on the earth, the earliest dawn!" Intent on delivering Italy from "its fetid cancer of professors, archaeologists, tour guides, and antiquarians," the Futurists imagined that art, architecture, literature, and music would function like a machine, transforming the world rather than merely reflecting it. But within a decade, Futurism's utopian ambitions were being wedded to Fascist politics, an alliance that would tragically mar its reputation in the century to follow. Published to coincide with the 100th anniversary of the founding of Futurism, this is the most complete anthology of Futurist manifestos, poems, plays, and images ever to be published in English, spanning from 1909 to 1944. Now, amidst another era of unprecedented technological change and cultural crisis, is a pivotal moment to reevaluate Futurism and its haunting legacy for Western civilization.
The Futurist: The Life and Films of James Cameron
by Rebecca KeeganWith the release of Avatar in December 2009, James Cameron cements his reputation as king of sci-fi and blockbuster filmmaking. It's a distinction he's long been building, through a directing career that includes such cinematic landmarks as The Terminator, Aliens, The Abyss, and the highest grossing movie of all time, Titanic. The Futurist is the first in-depth look at every aspect of this audacious creative genius-culminating in an exclusive behind-the-scenes glimpse of the making of Avatar, the movie that promises to utterly transform the way motion pictures are created and perceived. As decisive a break with the past as the transition from silents to talkies, Avatar pushes 3-D, live action, and photo-realistic CGI to a new level. It rips through the emotional barrier of the screen to transport the audience to a fabulous new virtual world. With cooperation from the often reclusive Cameron, author Rebecca Keegan has crafted a singularly revealing portrait of the director's life and work. We meet the young truck driver who sees Star Wars and sets out to learn how to make even better movies himself-starting by taking apart the first 35mm camera he rented to see how it works. We observe the neophyte director deciding over lunch with Arnold Schwarzenegger that the ex-body builder turned actor is wrong in every way for the Terminator role as written, but perfect regardless. After the success of The Terminator, Cameron refines his special-effects wizardry with a big-time Hollywood budget in the creation of the relentlessly exciting Aliens. He builds an immense underwater set for The Abyss in the massive containment vessel of an abandoned nuclear power plant-where he pushes his scuba-breathing cast to and sometimes past their physical and emotional breaking points (including a white rat that Cameron saved from drowning by performing CPR). And on the set of Titanic, the director struggles to stay in charge when someone maliciously spikes craft services' mussel chowder with a massive dose of PCP, rendering most of the cast and crew temporarily psychotic. Now, after his movies have earned over $5 billion at the box office, James Cameron is astounding the world with the most expensive, innovative, and ambitious movie of his career. For decades the moviemaker has been ready to tell the Avatar story but was forced to hold off his ambitions until technology caught up with his vision. Going beyond the technical ingenuity and narrative power that Cameron has long demonstrated, Avatar shatters old cinematic paradigms and ushers in a new era of storytelling.
The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905–1930 (NIU Series in Slavic, East European, and Eurasian Studies)
by Iva GlisicFuturism was Russia's first avant-garde movement. Gatecrashing the Russian public sphere in the early twentieth century, the movement called for the destruction of everything old, so that the past could not hinder the creation of a new, modern society. Over the next two decades, the protagonists of Russian Futurism pursued their goal of modernizing human experience through radical art. The success of this mission has long been the subject of scholarly debate. Critics have often characterized Russian Futurism as an expression of utopian daydreaming by young artists who were unrealistic in their visions of Soviet society and naïve in their comprehension of the Bolshevik political agenda. By tracing the political and ideological evolution of Russian Futurism between 1905 and 1930, Iva Glisic challenges this view, demonstrating that Futurism took a calculated and systematic approach to its contemporary socio-political reality. This approach ultimately allowed Russia's Futurists to devise a unique artistic practice that would later become an integral element of the distinctly Soviet cultural paradigm. Drawing upon a unique combination of archival materials and employing a theoretical framework inspired by the works of philosophers such as Lewis Mumford, Karl Mannheim, Ernst Bloch, Fred Polak, and Slavoj Žižek, The Futurist Files presents Futurists not as blinded idealists, but rather as active and judicious participants in the larger project of building a modern Soviet consciousness. This fascinating study ultimately stands as a reminder that while radical ideas are often dismissed as utopian, and impossible, they did—and can—have a critical role in driving social change. It will be of interest to art historians, cultural historians, and scholars and students of Russian history.
Fuzzy Sets Methods in Image Processing and Understanding: Medical Imaging Applications
by Isabelle Bloch Anca RalescuThis book provides a thorough overview of recent methods using higher level information (object or scene level) for advanced tasks such as image understanding along with their applications to medical images. Advanced methods for fuzzy image processing and understanding are presented, including fuzzy spatial objects, geometry and topology, mathematical morphology, machine learning, verbal descriptions of image content, fusion, spatial relations, and structural representations. For each methodological aspect covered, illustrations from the medical imaging domain are provided. This is an ideal book for graduate students and researchers in the field of medical image processing.
FV430 Series (Images of War)
by Robert GriffinFully illustrated with archival photographs, this volume examines the development of this Cold War era armored vehicle. During the Second World War, the British infantry found itself lacking suitable transport to cope with the fast-moving German Blitzkrieg tactics. While various stopgap measures were implemented during the war, the postwar threats from nuclear, biological and chemical warfare made it imperative that a robust solution be found. By the 1960s, at the height of the Cold War, the AFV430 series was introduced. The FV300 and FV400 Cambridge carriers paved the way for the AFV430. Initially a basic armored personnel carrier, the series grew to cover a multitude of roles, including command, recovery, mortar, Swingfire, and remote mine clearing. This volume of the Images of War series describes in words and images the AFV430 and traces the development of infantry carriers for the British Army.
G-Strings and Sympathy: Strip Club Regulars and Male Desire
by Katherine FrankBased on her experiences as a stripper in a city she calls Laurelton--a southeastern city renowned for its strip clubs--anthropologist Katherine Frank provides a fascinating insider's account of the personal and cultural fantasies motivating male heterosexual strip club "regulars. " Given that all of the clubs where she worked prohibited physical contact between the exotic dancers and their customers, in G-Strings and Sympathy Frank asks what--if not sex or even touching--the repeat customers were purchasing from the clubs and from the dancers. She finds that the clubs provide an intermediate space--not work, not home--where men can enjoyably experience their bodies and selves through conversation, fantasy, and ritualized voyeurism. At the same time, she shows how the dynamics of male pleasure and privilege in strip clubs are intertwined with ideas about what it means to be a man in contemporary America. Frank's ethnography draws on her work as an exotic dancer in five clubs, as well as on her interviews with over thirty regular customers--middle-class men in their late-twenties to mid-fifties. Reflecting on the customers' dual desires for intimacy and visibility, she explores their paradoxical longings for "authentic" interactions with the dancers, the ways these aspirations are expressed within the highly controlled and regulated strip clubs, and how they relate to beliefs and fantasies about social class and gender. She considers how regular visits to strip clubs are not necessarily antithetical to marriage or long-term heterosexual relationships, but are based on particular beliefs about marriage and monogamy that make these clubs desirable venues. Looking at the relative "classiness" of the clubs where she worked--ranging from the city's most prestigious clubs to some of its dive bars--she reveals how the clubs are differentiated by reputations, dress codes, cover charges, locations, and clientele, and describes how these distinctions become meaningful and erotic for the customers. Interspersed throughout the book are three fictional interludes that provide an intimate look at Frank's experiences as a stripper--from the outfits to the gestures, conversations, management, coworkers, and, of course, the customers. Focusing on the experiences of the male clients, rather than those of the female sex workers, G-Strings and Sympathy provides a nuanced, lively, and tantalizing account of the stigmatized world of strip clubs.
Gabriel Orozco: Impossible Utopias
by Lily Luahana Cole"Impossible Utopias is an original and elegantly-written meditation on the political potential of Gabriel Orozco's subtle body of work. Starting out from a close reading of Observatory House, a lesser-known work by the artist that also doubles as his holiday home, Lily Cole develops a persuasive account of the momentary utopias that are opened up by Orozco's playful experiments with everyday reality. In so doing, Cole also contributes to an urgent project to reassert the impossible possibility of utopian thought in and for the twenty-first century." --Luke Skrebowski, University Lecturer in the History of Art, University of Cambridge
Gadamer for Architects (Thinkers for Architects)
by Paul KidderProviding a concise and accessible introduction to the work of the celebrated twentieth century German philosopher, Hans-Georg Gadamer, this book focuses on the aspects of Gadamer’s philosophy that have been the most influential among architects, educators in architecture, and architectural theorists. Gadamer’s philosophy of art gives a special place to the activity of "play" as it occurs in artistic creation. His reflections on meaning and symbolism in art draw upon his teacher, Martin Heidegger, while moving Heidegger’s thought in new directions. His theory of interpretation, or "philosophical hermeneutics," offers profound ways to understand the influence of the past upon the present and to appropriate cultural history in ever new forms. For architects, architectural theorists, architectural historians, and students in these fields, Gadamer’s thought opens a world of possibilities for understanding how building today can be rich with human meaning, relating to architecture’s history in ways that do not merely repeat nor repudiate that history. In addition, Gadamer’s sensitivity to the importance of practical thinking – to the way that theory arises out of practice – gives his thought a remarkable usefulness in the everyday work of professional life.
Gadgets Away: 100 Games To Play With The Family
by Fiona JennisonTechnology has become the too-easy way to entertain ourselves and our children. This easy-to-use, imaginative book has everything. There’s plenty of fun here to keep your family laughing: Sporty games and playground classics Activities for indoors, gardens, parks and beaches Memory and travel games, brain teasers and magic tricks
Gadsby's Tavern
by Gretchen M. BulovaGadsby's Tavern was at the center of daily life in late-18th and early-19th-century Alexandria. Operated by John Gadsby from 1796 to 1808, the tavern served both local citizens and travelers on their way to the nation's new capital. Gadsby's was a venue for dancing assemblies, performances, and celebratory dinners. Among its most famous patrons were George Washington and Thomas Jefferson. By the early 20th century, the tavern buildings were in danger of being demolished. Saved from the wrecking ball in 1929 by American Legion Post 24, Gadsby's became the cornerstone of Alexandria's historic preservation movement. In 1972, the American Legion donated the site to the City of Alexandria. Following a full restoration, Gadsby's reopened as part of America's bicentennial celebration. Today, Gadsby's Tavern Museum is a dynamic historic house museum, interpreting history to more than 25,000 visitors a year.
Gadsden
by Mike GoodsonGadsden began as a small stagecoach stop on the banks of the Coosa River, where weary travelers could rest while traveling between Jacksonville and Huntsville. Known as Double Springs, the small settlement consisted of several log dwellings, a store, a school, and a post office. In 1840, the coming of Gabriel Hughes and his wife, Asenath, followed by Gabriel's brother Joseph Hughes, led to the founding of a new town that would eventually grow into Gadsden. In the days before and during World War II, new industry brought jobs to the Gadsden Ordnance Plant and civilian jobs to Camp Sibert. Following the end of the war, the area experienced a return to normalcy and a great time of growth when Gadsden's fighting men returned home. Gadsden has also been blessed with exceptional leadership over the years, which has propelled it from a small village on the banks of the Coosa River to the "City of Champions" and an All-America City.
Gadsden: City of Champions (Making of America)
by Mike GoodsonOn July 4, 1845, the piercing sound of a steamboat's whistle along the banks of the Coosa River served as an exotic, technological proclamation for the beginning of a new era in Northeast Alabama. The landing of Captain James Lafferty's steamboat, the Coosa, marked the genesis of a new town and the realization of a shared vision of Gabriel Hughes, Joseph Hughes, and John S. Moragne. From that moment on, hundreds upon hundreds of pioneering men and women immigrated to Gadsden in the latter part of the nineteenth century pursuing the American dream of land and opportunity.Gadsden: City of Champions, with over 100 black-and-white illustrations, presents a comprehensive history of Gadsden's astonishing development and details the various stages of the city's evolution, from a neutral playing field between rival Cherokee and Creek tribes, to a wilderness stagecoach stop, to a humble village, to a major riverboat port, into a modern industrial city. Amid streetcars, opera houses, bustling mills, and unpaved streets, readers meet local figures, such as Colonel R.B. Kyle, Captain James M. Elliott Jr., Judge John H. Disque, Emma Sansom, and John W. Wisdom, and a host of colorful CHaracters-riverboat pilots, theater managers, mill workers, Pulltight saloonkeepers, and bootleggers-against an epic backdrop of war, Reconstruction, depression, fire, and prosperity.
Gadsden: Stories of the Great Depression (Voices of America)
by Robert WilbanksThe 1930s were an unparalleled period in American history. Never before or since - and probably never again - has the gamut of human emotions swung so far, and so fast. On October 29, 1929, the stock market crashed and soon after, the nation of plenty was in turmoil and fast becoming a wasteland. No sacred institution was left untouched; banks failed, factories shut down, stores closed, and almost every business seemed paralyzed with economic stagnation. A generation raised in these conditions could not help but be changed by such foreboding circumstances. It was a period in which new trends of thought emerged in economic matters, social activity, and moral conduct - all leaving the pockmark of progress upon the nation's young. This book presents a revealing portrait of one man's life during the Depression. His particular story is derived from a specific location in the state of Alabama; however, it is an intimately familiar tale to anyone who survived that horrible economic period, and to younger generations who have allowed the stories to endure in their family lore.
Gadsden Public Library: 100 Years of Service
by Library History CommitteeGadsden Public Library is a monument to the initiative, creativity, and vision of those who dreamed of an evolving, comprehensive library to serve all citizens. Eight foreseeing directors have diligently continued this original mission. Since 1906, Gadsden Public Library has housed a variety of displays and sponsored countless programs featuring authors, speakers, reading initiatives, book clubs, and story times. With dedicated library staff members, supportive community leaders, and enthusiastic citizens, Gadsden Public Library has an established tradition of encouraging lifelong learning. From the installation of a telephone in 1913, to wireless access in 2006, Gadsden Public Library has changed to meet the technological needs of its staff and community. What will never change is the library's importance to the city and the joy of reading that is central to its mission. Through a collection of photographs, this book provides a nostalgic look at 100 years of developing library service and the people who shaped it.
Gaelic Cape Breton Step-Dancing: An Historical and Ethnographic Perspective (McGill-Queen's Studies in Ethnic History)
by John G. GibsonThe step-dancing of the Scotch Gaels in Nova Scotia is the last living example of a form of dance that waned following the great emigrations to Canada that ended in 1845. The Scotch Gael has been reported as loving dance, but step-dancing in Scotland had all but disappeared by 1945. One must look to Gaelic Nova Scotia, Cape Breton, and Antigonish County, to find this tradition. Gaelic Cape Breton Step-Dancing, the first study of its kind, gives this art form and the people and culture associated with it the prominence they have long deserved. Gaelic Scotland’s cultural record is by and large pre-literate, and references to dance have had to be sought in Gaelic songs, many of which were transcribed on paper by those who knew their culture might be lost with the decline of their language. The improved Scottish culture depended proudly on the teaching of dancing and the literate learning and transmission of music in accompaniment. Relying on fieldwork in Nova Scotia, and on mentions of dance in Gaelic song and verse in Scotland and Nova Scotia, John Gibson traces the historical roots of step-dancing, particularly the older forms of dancing originating in the Gaelic–speaking Scottish Highlands. He also places the current tradition as a development and part of the much larger British and European percussive dance tradition. With insight collected through written sources, tales, songs, manuscripts, book references, interviews, and conversations, Gaelic Cape Breton Step-Dancing brings an important aspect of Gaelic history to the forefront of cultural debate.
Gaia-Ästhetiken im zeitgenössischen Spielfilm: Das Wahrnehmbar-Werden der Erde in der filmischen Post/Apokalypse (Environmental Humanities #4)
by Friederike AhrensGaia-Ästhetiken entwerfen Figurationen der Erde und ihrer Lebensformen, welche die Menschen dezentrieren und den Fokus auf die Verbindungen zwischen Lebewesen untereinander und dem Unbelebten richten. Diese Ästhetiken sind der Gaia-Theorie entlehnt. In den 1970er Jahren bei der NASA entwickelt, wird sie von Bruno Latour und Isabelle Stengers in den Kontext des Anthropozäns gesetzt. Die Erde als Gaia ist eine mehr-als-menschliche Assemblage, in der die Menschen Knotenpunkte der Verantwortlichkeit darstellen. Filmische Ästhetiken können diese Knotenpunkte wahrnehmbar werden lassen, wie die Spielfilme I Am Legend (2007) und Planet of the Apes (2011-2017) zeigen. Die Filme präsentieren ihren Zuschauer_innen eine Welt in der Post/Apokalypse, in der die Filmfiguren mit dem Eindringen Gaias konfrontiert sind. Sie werden in der Post/Apokalypse kompostiert: Viren dringen in ihre Körper ein, zersetzen ihre Menschlichkeit und lassen sie zum Teil des mehr-als-menschlichen Gaia-Komposts werden.
Gainesville (Images of America)
by Alachua County Genealogical Society Rob HicksGainesville, Florida, has grown from a small agricultural community in the north-central part of the state to a thriving city. Many people have had a hand in Gainesville's evolution. After befriending the Timucuan Indians, who had originally inhabited the region, the Spanish began recruiting other settlers to move to the area. Despite those valued contributions, however, the people who brought the railroad to Gainesville deserve the most credit for giving the town its start. Soon after tracks were laid through the city, small businesses sprouted and opportunities for new industries arose. The city's population expanded along with its economic growth, and more people began to witness the unique potential of Gainesville. In 1905, the city became home to the University of Florida, and a rich educational heritage began. The university brought great attention to the town and subsequently made Gainesville one of the most important cities in the state and one of the most prominent educational epicenters in the South.
Gainesville: 1900-2000
by Gordon SawyerFor more than 200 years, Gainesville, Georgia, has been the trading and business center for Northeast Georgia's mountain region. Its character dictated by rugged mountain terrain and independent, self-reliant people, Gainesville entertains a uniquehistory quite different from the traditional plantation culture of the American South. Celebrated within these pages are the people and places of this "Queen City of the Mountains." With images culled primarily from the Hall County Library and the Archives of the State of Georgia, Gainesville: 1900-2000 captures the memories of the twentieth century on the eve of the millennium. From its days as the "Great Health Resort of the South" to its transition into a metropolitan community, Gainesville has experienced enormous growth and change. Included in this collection are images of the disastrous 1936 tornado that swept through the city, the mills that were active in the early 1900s, and the poultry industry that became a dominanteconomic force in Gainesville. Residents will delight in the early photographs of the town square that reflect a simpler way of life.
Gainesville and Cooke County
by Shana PowellCooke County, Texas, located in the north central part of the state, has a richly varied history. Those who first entered the area-Native Americans, gold seekers headed for California, army officials, and settlers-discovered a raw, unspoiled land. Eyewitness accounts speak of "grass that was as high as a man's head," and indeed, the land was rich for farming and ranching. In 1841, W.S. Peters and associates signed their first contract with the Republic of Texas, which provided that within three years they would bring six hundred families into what came to be known as the Peters Colony. In 1848, the state legislature created Cooke County, named for a hero of the Texas War for Independence. Over the next 150 years, the area changed dramatically. The stagecoach arrived in 1858, and conveyed freight, passengers, and mail. The Civil War presented economic and social difficulties that had to be overcome. Two major cattle trails flanked Cooke County, and cowboys roared into Gainesville to visit the saloons, get supplies, gamble, and visit the "soiled doves." The discovery of oil, and the resultant wealth that it brought, forever altered the face of the county.
Gainesville Punk: A History of Bands & Music
by Matt WalkerKnown for The Fest, Less Than Jake and Hot Water Music, Gainesville became a creative hub in the 1980s and '90s for many of punk rock's greats. Whether playing at the Hardback or wild house parties, earnest acts like Against Me!, Spoke and Roach Motel all emerged and thrived in the small northern Florida city. Radon burst onto the scene with chaotic energy while Mutley Chix helped inspire local torchbearers No Idea Records. Through this succinct history, author Matt Walker traces each successive generation's contributions and amplifies the fidelity of the Gainesville scene.