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George Du Maurier: Beyond Svengali
by Simon Cooke Paul GoldmanThough well-known as the author of Trilby and the creator of Svengali, the writer-artist George Du Maurier had many other accomplishments that are less familiar to modern audiences. This collection traces Du Maurier’s role as a participant in the wider cultural life of his time, restoring him to his proper status as a major Victorian figure. Divided into sections, the volume considers Du Maurier as an artist, illustrator and novelist who helped to form some of the key ideas of his time. The contributors place his life and work in the context of his treatment of Judaism and Jewishness; his fascination with urbanization, Victorian science, technology and clairvoyance; his friendships and influences; and his impact on notions of consumerism and taste. As an illustrator, Du Maurier collaborated with Thomas Hardy, Elizabeth Gaskell and sensational writers such as M. E. Braddon and the author of The Notting Hill Mystery. These partnerships, along with his reflections on the art of illustration, are considered in detail. Impossible to categorize, Du Maurier was an Anglo-Frenchman with cultural linkages in France, England, and America; a social commentator with an interest in The New Woman; a Punch humourist; and a friend of Henry James, with whom he shared a particular interest in the writing of domesticity and domestic settings. Closing with a consideration of Du Maurier’s after-life, notably the treatment of his work in film, this collection highlights his diverse achievements and makes a case for his enduring significance.
¡George empieza el cole! (Peppa Pig. Primeras lecturas)
by Varios AutoresAprendemos a leer con las aventuras de Peppa Pig, la cerdita más famosa y preguntona. Lee esta historia y descubrirás qué le pasó a Peppa el primer día que George fue al colegio con ella. Hoy es el primer día que George va a la escuela, y Peppa no quiere que vaya con ella. Pero cuando vea cómo todos sus amigos se divierten con su hermanito, quizás cambie de opinión... Los libros de la colección «Primeras lecturas» de Peppa Pig están pensados para niños que empiezan a leer. Sus textos contienen vocabulario sencillo, los interiores son muy visuales y, además, relatan las divertidas aventuras del personaje favorito de los niños. Todo ello logrará motivar y entretener a los pequeños lectores, así como estimular su imaginación.
George Gallup in Hollywood (Film and Culture Series)
by Susan OhmerGeorge Gallup in Hollywood is a fascinating look at the film industry's use of opinion polling in the 1930s and '40s. George Gallup's polling techniques first achieved fame when he accurately predicted that Franklin D. Roosevelt would be reelected president in 1936. Gallup had devised an extremely effective sampling method that took households from all income brackets into account, and Hollywood studio executives quickly pounced on the value of Gallup's research. Soon he was gauging reactions to stars and scripts for RKO Pictures, David O. Selznick, and Walt Disney and taking the public's temperature on Orson Welles and Desi Arnaz, couples such as Fred Astaire and Ginger Rogers, and films like Gone with the Wind, Dumbo, and Fantasia. Through interviews and extensive research, Susan Ohmer traces Gallup's groundbreaking intellectual and methodological developments, examining his comprehensive approach to market research from his early education in the advertising industry to his later work in Hollywood. The results of his opinion polls offer a fascinating glimpse at the class and gender differences of the time as well as popular sentiment toward social and political issues.
George Gallup in Hollywood
by Susan OhmerA fascinating look at the film industry's use of opinion polling in the 1930s and '40s.
George Gershwin: An Intimate Portrait (Music in American Life)
by Walter RimlerGeorge Gershwin lived with purpose and gusto, but with melancholy as well, for he was unable to make a place for himself--no family of his own and no real home in music. He and his siblings received little love from their mother and no direction from their father. Older brother and lyricist Ira managed to create a home when he married Leonore Strunsky, a hard-edged woman who lived for wealth and status. The closest George came to domesticity was through his longtime relationship with Kay Swift. She was his lover, musical confidante, and fellow composer. But she remained married to another man while he went endlessly from woman to woman. Only in the final hours of his life, when they were separated by a continent, did he realize how much he needed her. Fatally ill, unprotected by (and perhaps estranged from) Ira, he was exiled by Leonore from the house she and the brothers shared, and he died horribly and alone at the age of thirty-eight. Nor was Gershwin able to find a satisfying musical harbor. For years his songwriting genius could be expressed only in the ephemeral world of show business, as his brilliance as a composer of large-scale works went unrecognized by highbrow music critics. When he resolved this quandary with his opera Porgy and Bess, the critics were unable to understand or validate it. Decades would pass before this, his most ambitious composition, was universally regarded as one of music's lasting treasures and before his stature as a great composer became secure. In George Gershwin: An Intimate Portrait, Walter Rimler makes use of fresh sources, including newly discovered letters by Kay Swift as well as correspondence between and interviews with intimates of Ira and Leonore Gershwin. It is written with spirited prose and contains more than two dozen photographs.
George Heriot: Postmaster-Painter of the Canadas
by Gerald FinleyGeorge Heriot (1759-1839), a Scot, is best known as a skilled landscape watercolourist and as the contentious deputy postmaster general of British North America from 1800 to 1816. He was also a travel writer (his Travels through the Canadas was published in 1807) and a poet. In this volume, a combination of biography and art history, Gerald Finley presents, for the first time, a rounded picture of Heriot, revealing his motives and ideals while also illuminating the texture of life in Canada during the early years of settlement. In describing Heriot's several roles as artist, administrator, patriot, spy, Finley presents a portrait of an eighteenth-century gentleman whose superficial desires were for an active public life but whose deeper yearnings were for a life of contemplation. As a member of the gentry it was natural that Heriot found his way into public service, for which he was suited both by education and by upbringing. Nevertheless, his public career did not always run smoothly and it ended in frustration and sadness. However, through his writing and especially his art Heriot found welcome relief from the tensions of his public duties. Indeed, Heriot's chief importance lies in his art. Trained as a topographical artist, he was an important exponent of the picturesque landscape. As a mode of vision the Picturesque furnished him with a special way of looking at recording the Canadian scene – to him Canada possessed the qualities of Arcadia. This viewpoint served both as aesthetic consolation and as stimulus to inspiration. This volume serves to recognize Heriot's artistic achievement and to accord him the place he deserves in the history of Canadian art and of the country itself.
George Hurrell's Hollywood: Glamour Portraits 1925-1992
by Mark A. Vieira Sharon StoneFabulous montage of new insights, new portraits, and behind-the-scenes stories spanning Hurrell's entire career.
George Lucas: Una vida
by Brian Jay JonesLa biografía más completa jamás escrita sobre uno de los cineastas más admirados e influyentes de los últimos cincuenta años: Georges Lucas. El 25 de mayo de 1977 se estrenó en apenas cuarenta salas estadounidenses un film con todos los números para fracasar. Sin embargo, pronto mereció grandiosos titulares hasta convertirse en un fenómeno de taquilla que cambió de un plumazo la manera de producir, anunciar y rentabilizar películas. La cinta se titulaba Star Wars y su creador era un tal George Lucas. El cineasta aún volvería a dar el golpe con la saga de Indiana Jones y, no contento con ello, llegó a forjar pequeños imperios: Lucasfilm, THX, Industrial Light & Magic, Pixar. En esta biografía, tanto colegas como competidores de Lucas ofrecen una mirada exhaustiva sobre la vida y los métodos de trabajo de un hombre que transformó la manera de hacer cine y de verlo. Reseñas:«Todo en la trayectoria de Lucas en el cine, desde sus inicios hasta su actual estatus de leyenda, todo está aquí. Los retratos que ofrecen colegas, rivales, mentores y amigos son brutalmente honestos. Una biografía indispensable.»Rolling Stone «Un libro adictivo. Jones retrata a la perfección la presión asfixiante del creador, los encontronazos con los estudios y el baile constante con el fracaso que precedieron a obras maestras como American Graffiti o Star Wars.»BBC «Una biografía clara y veraz, donde hasta el más mínimo detalle sorprende.»The New York Times «Como si de un aguerrido arqueólogo se tratara, Jones sale victorioso del reto, llevando bajo el brazo un relato formidablemente completo de la vida y obra de George Lucas.»Washington Post «Con su prosa hipnótica y sus investigaciones en profundidad, este libro gustará hasta a los seguidores más exigentes de Lucas.»Boston Globe «Incluso los años de formación del director están retratados con maestría. También las reflexiones e interioridades de cómo funciona la industria del cine (y cómo la cambió Lucas) se nos aparecen como una aventura trepidante.»Chicago Tribune
George Lucas: A Life
by Brian Jay JonesGeorge Lucas by Brian Jay Jones is the first comprehensive telling of the story of the iconic filmmaker and the building of his film empire, as well as of his enormous impact on cinema. At once a biography, a business manual, and a film history, George Lucas will, for the first time explore the life and work of a fiercely independent writer/director/producer who became one of the most influential filmmakers and cultural icons - a true game changer.On May 25, 1977, a problem-plagued, budget-straining, independent science fiction film opened in a mere thirty-two American movie theatres. Its distributor - 20th Century Fox - were baffled by the film. The film's production had been a disaster from nearly day one, hampered by bad weather, malfunctioning props and ill-fitting costumes. But its release on a quiet Wednesday in May of 1977, changed cinema forever. The film was Star Wars.The fiercely independent thirty-three year-old George Lucas was just getting going. Determined to control every element of the film-making process he had founded Lucasfilm ltd., in 1971. Among his hits, Lucas gave us six Star Wars films and four featuring the globetrotting archaeologist Indiana Jones. Together these ten films have earned more than $6 billion worldwide and won some of the largest and most devoted fan bases ever seen. In 2013 he sold Lucasfilm to Disney for $4.05 billion. Along the way the man who invented the Blockbuster also gave us computer generated imagery (CGI), created a small animation company called Pixar and reinvented the way movies were made, marketed and merchandised.
George Lucas's Blockbusting: A Decade-by-Decade Survey of Timeless Movies Including Untold Secrets of Their Financial and Cultural Success
by Alex Ben Block Lucy Autrey WilsonA comprehensive look at 300 of the most financially and/or critically successful motion pictures of all time—many made despite seemingly insurmountable economic, cultural, and political challenges—set against the prevailing production, distribution, exhibition, marketing, and technology trends of each decade in movie business history.
George MacDonald (Collected Letters Of C. S. Lewis Ser.)
by C. S. LewisIn this collection selected by C. S. Lewis are 365 selections from MacDonald's inspiring and challenging writings.
George MacDonald in the Age of Miracles: Incarnation, Doubt, and Reenchantment (Hansen Lectureship Series)
by Timothy LarsenThe Bible is full of miracles. Yet how do we make sense of them today? And where might we see miracles in our own lives? In this installment of the Hansen Lectureship series, historian and theologian Timothy Larsen considers the legacy of George MacDonald, the Victorian Scottish author and minister who is best known for his pioneering fantasy literature, which influenced authors such as C. S. Lewis, J. R. R. Tolkien, G. K. Chesterton, and Madeleine L'Engle. Larsen explores how, throughout his life and writings, MacDonald sought to counteract skepticism, unbelief, naturalism, and materialism and to herald instead the reality of the miraculous, the supernatural, the wondrous, and the realm of the spirit. The Hansen Lectureship series offers accessible and insightful reflections by Wheaton College faculty members on the transformative work of the Wade Center authors.
George Ohr: Sophisticate and Rube
by Ellen J. LippertThe late nineteenth-century Biloxi potter, George Ohr (1857–1918), was considered an eccentric in his time but has emerged as a major figure in American art since the discovery of thousands of examples of his work in the 1960s. Currently, Ohr is celebrated as a solitary genius who foreshadowed modern art movements. While an intriguing narrative, this view offers a narrow understanding of the man and his work that has hindered serious consideration. Ellen J. Lippert, in her expansive study of Ohr and his Gilded Age context, counters this fable. The tumultuous historical moment that Ohr inhabited was a formative force in his life and work. Using primary documentation, Lippert identifies specific cultural changes that had the most impact on Ohr. Developments in visual display and the altered role of artists, the southerner redefined in the wake of the Civil War, interest in handicraft as an alternative to rampant mass production, emerging tenets of social thought seeking to remedy worker exploitation, and new assessments of morals and beauty as a result of collapsed ideals all played into the positioning Ohr purposefully designed for himself. The second part of Lippert's study applies these observations to Ohr's body of work, interpreting his stylistic originality to be expressions of the contradictions and oppositions particular to late nineteenth-century America. Ohr threw his inspiration into being both the sophisticate and the “rube,” the commercial huckster and the selfless artist, the socialist and the individualist, the “old-fashioned” craftsman and the “artist-genius.” He created art pottery as both a salable commodity and a priceless creation. His work could be ugly and deformed (or even obscene) and beautiful. Lippert reveals that far from isolated, Ohr and his creations were very much products of his inspired engagement with the late nineteenth century.
George Pérez (Biographix #6)
by Patrick L. HamiltonBorn in the South Bronx to Puerto Rican parents, artist and writer George Pérez (1954–2022) cut his teeth in the 1970s as an artist at Marvel who worked on lesser titles like The Deadly Hands of Kung Fu and Creatures on the Loose, and then mainstays like Fantastic Four and The Avengers. In the 1980s, Pérez jumped ship to DC where he helped turn The New Teen Titans into a top-selling title and cocreated Crisis on Infinite Earths, which marked the publisher’s fiftieth anniversary and consolidated its sprawling universe. As writer and artist, Pérez relaunched DC’s Wonder Woman, a run that later inspired much of the 2017 film.Though Pérez’s style is highly recognizable, his contributions to comic art and history have not been fully acknowledged. In George Pérez, author Patrick L. Hamilton addresses this neglect, first, by discussing Pérez’s artistic style within the context of Bronze Age superhero art, and second, by analyzing Pérez’s work for its representations of race, disability, and gender. Though he struggled with deadlines and health issues in the 1990s, Pérez would reintroduce himself and his work to a new generation of comics fans with a return to Marvel’s The Avengers, as well as attempts at various creator-owned comics, the last of these being Sirens from Boom! Studios in 2014. Throughout his career, Pérez established a dynamic and minutely detailed style of comic art that was both unique and influential.
George tiene hipo (Peppa Pig. Pictogramas)
by Varios AutoresPeppa y George tienen muchas ganas de salir a jugar al jardín. Así que desayunan tan rápido que a George le entra hipo. Descubre cómo Peppa consigue que se le pase.
George Valentine Dureau: Life and Art in New Orleans
by Howard Philips SmithNew Orleans artist George Valentine Dureau (1930–2014) has always been an enigma. His status as an important artist gained momentum beginning with his first exhibition at the New Orleans Museum of Art, then the Isaac Delgado Museum of Art, in the mid-1960s. Not only did his career undergo a meteoric rise, but his work proved at once controversial and provocative, nuanced and groundbreaking. Critics and collectors embraced his bold images, describing them as sexual, sensual, exploitative, erotic, iconoclastic, and innovative. Beneath the surface, Dureau was even more complex as a person and persona, as he crafted a sensational character out of his artistic acumen. His reputation dimmed after his death, but in recent years his importance, and that of the New Orleans art scene he occupied, has once again been recognized. George Valentine Dureau: Life and Art in New Orleans reassembles the pieces of Dureau’s puzzle-work life. The complexity of his life came together in the studio, where he created some of the most important artworks of the latter twentieth century. This lush publication features 100 large-format photographic plates, most of which have never been seen or published and surprisingly some in color. There are more than 200 illustrations and two essays to accompany the plates, along with a special section devoted to the artists and artwork of 1980s New Orleans, featuring hundreds of additional photographs, and several appendices of supplementary materials, such as interview transcripts, a timeline of Dureau’s life and career, a map of important locations, and a section on relevant art publications, invitations, and posters.
The George Washington Bridge: Poetry in Steel
by Michael Aaron RocklandSince opening in 1931, the George Washington Bridge, linking New York and New Jersey, has become the busiest bridge in the world, with 103 million vehicles crossing it in 2016. Many people also consider it the most beautiful bridge in the world, yet remarkably little has been written about this majestic structure. Intimate and engaging, this revised and expanded edition of Michael Rockland's rich narrative presents perspectives on the GWB, as it is often called, that span history, architecture, engineering, transportation, design, the arts, politics, and even post-9/11 mentalities. This new edition brings new insight since its initial publication in 2008, including a new chapter on the infamous “Bridgegate” Chris Christie-era scandal of 2013, when members of the governor's administration shut down access to the bridge, causing a major traffic jam and scandal and subsequently helping undermine Christie’s candidacy for the US presidency. Stunning photos, from when the bridge was built in the late 1920s through the present, are a powerful complement to the bridge's history. Rockland covers the competition between the GWB and the Brooklyn Bridge that parallels the rivalry between New Jersey and New York City. Readers will learn about the Swiss immigrant Othmar Ammann, an unsung hero who designed and built the GWB, and how a lack of funding during the Depression dictated the iconic, uncovered steel beams of its towers, which we admire today. There are chapters discussing accidents on the bridge, such as an airplane crash landing in the westbound lanes and the sad story of suicides off its span; the appearance of the bridge in media and the arts; and Rockland's personal adventures on the bridge, including scaling its massive towers on a cable. Movies, television shows, songs, novels, countless images, and even PlayStation 2 games have aided the GWB in becoming a part of the global popular culture. This tribute will captivate residents living in the shadow of the GWB, the millions who walk, jog, bike, skate, or drive across it, as well as tourists and those who will visit it someday. .
George Washington's Eye: Landscape, Architecture, and Design at Mount Vernon
by Joseph MancaExplore the beauty and history of Mount Vernon—and the inquisitive, independent mind of its famous architect and landscape designer.Winner of the John Brinkerhoff Jackson Book Prize of the Foundation for Landscape ArchitectureOn the banks of the Potomac River, Mount Vernon stands, with its iconic portico boasting breathtaking views and with a landscape to rival the great gardens of Europe, as a monument to George Washington’s artistic and creative efforts. More than one million people visit Mount Vernon each year—drawn to the stature and beauty of Washington’s family estate.Art historian Joseph Manca systematically examines Mount Vernon—its stylistic, moral, and historical dimensions—offering a complete picture of this national treasure and the man behind its enduring design. Manca brings to light a Washington deeply influenced by his wide travels in colonial America, with a broader architectural knowledge than previously suspected, and with a philosophy that informed his aesthetic sensibility. Washington believed that design choices and personal character mesh to form an ethic of virtue and fulfillment and that art is inextricably linked with moral and social concerns. Manca examines how these ideas shaped the material culture of Mount Vernon.Based on careful study of Washington’s personal diaries and correspondence and on the lively accounts of visitors to his estate, this richly illustrated book introduces a George Washington unfamiliar to many readers—an avid art collector, amateur architect, and leading landscape designer of his time.
George Washington's War: In Caricature and Print
by Kenneth BakerA Revolutionary War history told through eighteenth-century illustrations: &“Utterly absorbing&” (The Times, London). Americans are steeped in the history of the American Revolution, but often the fog of myth shrouds the reality. In these pages, the path to war is starkly documented by British caricatures of politicians and generals—for the most part favorable to the Colonists. For George III, Lord North, and Britain, the war was a disaster that need not have happened. The problems of coping with a country five thousand miles away with a tradition of representative government, a free press, and a spirit of independence were just too much. But they, together with Generals Howe, Burgoyne, Cornwallis, and others, were mercilessly lampooned. Washington, the hero, is spared, although there are surprising and dark elements to the American victory illustrated here. Using prints and caricatures from the period—some never before published—and drawing on his own experience in politics, Kenneth Baker provides vivid and memorable images that illustrate these extraordinary historical events.
Georges de La Tour and the Enigma of the Visible
by Dalia JudovitzNot rediscovered until the twentieth century, the works of Georges de La Tour retain an aura of mystery. At first sight, his paintings suggest a veritable celebration of light and the visible world, but this is deceptive. The familiarity of visual experience blinds the beholder to a deeper understanding of the meanings associated with vision and the visible in the early modern period.By exploring the representations of light, vision, and the visible in La Tour’s works, this interdisciplinary study examines the nature of painting and its artistic, religious, and philosophical implications. In the wake of iconoclastic outbreaks and consequent Catholic call for the revitalization of religious imagery, La Tour paints familiar objects of visible reality that also serve as emblems of an invisible, spiritual reality. Like the books in his paintings, asking to be read, La Tour’s paintings ask not just to be seen as visual depictions but to be deciphered as instruments of insight. In figuring faith as spiritual passion and illumination, La Tour’s paintings test the bounds of the pictorial image, attempting to depict what painting cannot ultimately show: words, hearing, time, movement, changes of heart.La Tour’s emphasis on spiritual insight opens up broader artistic, philosophical, and conceptual reflections on the conditions of possibility of the pictorial medium. By scrutinizing what is seen and how, and by questioning the position of the beholder, his works revitalize critical discussion of the nature of painting and its engagements with the visible world.
George's Run: A Writer's Journey through the Twilight Zone
by Henry ChamberlainGeorge Clayton Johnson was an up-and-coming short story writer who broke into Hollywood in a big way when he co-wrote the screenplay for Ocean’s Eleven. More legendary works followed, including Logan’s Run and classic scripts for shows like The Twilight Zone and Star Trek. In the meantime, he forged friendships with some of the era’s most visionary science fiction writers, including Ray Bradbury, Theodore Sturgeon, Richard Matheson, and Rod Serling. Later in life, Johnson befriended comics journalist and artist Henry Chamberlain, and the two had long chats about his amazing life and career. Now Chamberlain pays tribute to his late friend in the graphic novel George’s Run, which brings Johnson’s creative milieu to life in vividly illustrated color panels. The result feels less like reading a conventional biography and more like sitting in on an intimate conversation between friends as they recollect key moments in pop culture history, as well as the colorful band of writers known as the “Rat Pack of Science Fiction.”
Georges Seurat
by Michelle FoaThis revelatory study of Georges Seurat (1859-1891) explores the artist's profound interest in theories of visual perception and analyzes how they influenced his celebrated seascape, urban, and suburban scenes. While Seurat is known for his innovative use of color theory to develop his pointillist technique, this book is the first to underscore the centrality of diverse ideas about vision to his seascapes, figural paintings, and drawings. Michelle Foa highlights the importance of the scientist Hermann von Helmholtz, whose work on the physiology of vision directly shaped the artist's approach. Foa contends that Seurat's body of work constitutes a far-reaching investigation into various modes of visual engagement with the world and into the different states of mind that visual experiences can produce. Foa's analysis also brings to light Seurat's sustained exploration of long-standing and new forms of illusionism in art. Beautifully illustrated with more than 140 paintings and drawings, this book serves as an essential reference on Seurat.
Georges Seurat (Getting To Know Artists Series)
by Mike Venezia Georges SeuratClever illustrations and story lines, together with full-color reproductions of actual paintings, give children a light yet realistic overview of each artist's life and style in these fun and educational books. <P><P> Were his brilliant paintings a trick of the eye or a stroke of genius? Get to know the life and work of Post-Impressionist Georges Seurat -- inventor of Pointillism.
Georgetown (Then and Now)
by Donna Scarbrough JoseyFounded in 1848, Georgetown's development was driven by cattle, cotton, railroads, and education. Author and Georgetown native Donna Scarbrough Josey brings the city's history to life through this remarkable collection of vintage photographs from the Georgetown Heritage Society, Williamson County Sun newspaper, Southwestern University, and private collections. Readers will explore the beautifully restored courthouse square, a railroad district revived for the 21st century, the oldest neighborhoods, Southwestern University, and storied places along the San Gabriel River.
Georgetown
by Sheryl RambeauAt the beginning of the 20th century, historian Herman Daniel Jerrett noted that there was "no other part of the world with a placer seam formation filled with small gold-bearing veins and veinlets, so great or so crumpled, crushed and its fold mashed together, as that on the Georgetown Divide." First a simple base and supply camp for early miners, Georgetown survived despite repeated challenges from fires and economic slumps. Now rebuilt, it offers physical proof of the hardy pioneer spirit that settled this small town in the Sierra Nevada foothills. Historic Main Street offers numerous examples of "fireproof" architectural styles, more hopeful than realistic, including the 100-foot-wide Main Street itself, unique in Mother Lode mining towns.