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And Bloom The Art of Aging Unapologetically: Inspiration about life from more than 100 women
by Denise Boomkens***'Are you aging fabulously? Here's how.' Anna Murphy, The Times'A lovely book celebrating female beauty over 40.' Top Sante'You become what you see. What you see determines what you believe - and the most powerful way of inspiring people is with images. My goal with AndBloom is to motivate women to embrace life without fear. To provide examples of women between the age of 40 and, currently, 100, so that any woman can open this book and see themselves recognized.' Denise Boomkens launched the AndBloom project on Instagram in 2018, to create a 'happy place for women over 40' - a community where women can be themselves and where aging is celebrated instead of feared. In this, her first book, she shares her own experiences of aging and brings together portraits and interviews with more than 100 extraordinary 'ordinary' women to create both a gloriously illustrated celebration of female beauty over 40 and an empowering handbook to aging happily.
And The Cow Jumped Over the Moon: Over 650 Activities to Teach Toddlers Using Familiar Rhymes and Songs
by Pam Schiller Thomas MooreWith more than 250 songs, rhymes, and chants, this book is a fun way to enrich toddlers' language experiences. By incorporating songs, chants, and rhymes into the classroom, teachers provide opportunities for children to develop every aspect of reading readiness and literacy. While the selections themselves are a great way to enhance the development of literacy skills, the follow-up suggestions for story time, outdoor play, music and movement, and literacy extension activities will be a sure-fire hit with this age group.
And Don't F&%k It Up: An Oral History of RuPaul's Drag Race (The First Ten Years)
by Maria Elena FernandezA definitive history and celebration of the groundbreaking show RuPaul's Drag Race in its first decade, from a Burbank basement set all the way to the Emmy's, and every weave in-between, as told by its stars, producers and fans. Told over the first ten years of a television mainstay, And Don't F&%k It Up tells a cultural history through the stories of the people who lived it: the creators of the RuPaul's Drag Race, the contestants, the crew, the judges, and even some key (famous) fans. It begins with RuPaul's decades-long friendship and business relationship with World of Wonder Productions, the entertainment company that helped launch him into superstardom, and later talked him into giving a drag reality show a chance. From there, it follows the growth and evolution of the show—and its queens—through a decade of gag-worthy seasons, serving up all kinds of behind-the-scenes realness. With a history as shady and funny as it is dramatic and inspiring, And Don't F&%k It Up shows how RuPaul's Drag Race is a mirror reflecting the cultural and political mores of our time. Its meteoric rise to becoming a once-in-a-generation success story is explored here as never before, in intimate, exuberant, unfettered detail.
And Every Day Was Overcast
by Paul Kwiatkowski"This illustrated novel about growing up poor near the swamps of South Florida has a lurid vibrancy. Its prose is lit from below, like a vaguely scummy in-ground swimming pool, and the author's photographs-of ranch houses, randy adolescents, alligators, drug paraphernalia, fishing tackle, convenience stores-are what you might get if you combined William Eggleston's talents with Terry Richardson's. 'My hometown, Loxahatchee, was built over Seminole Indian burial grounds,' Mr. Kwiatkowski writes. 'In exchange for land we inherited bad conscience. It was in my blood.' His book is full of young people, seen as if from a passing Camaro, having a good time and trying to get out alive."-New York Times, Holiday Gift Guide, Dwight Garner"A completely original and clearheaded voice."-Ira Glass, host of This American Life"We finish And Every Day Was Overcast in a delirious state of disassociation, not unlike the kids whose lives it seeks to evoke. . . The shabby suburbs of [South Florida] may not be unknown to us, but Kwiatkowski's ruthless excavation give us a new language by which we hear stories that might otherwise go unheard."-The Los Angeles Times, David UlinPhoto-Eye Best Books of 2013 (Selected by Doug Rickard)"A tale of trailer parks, drugs and teenage construction and destruction, Paul K has brought forth an American diary hugely personal and partially universal. Through skillfully written prose and raw imagery that's authored, found and stolen, we witness the protagonist's young life on display. It's not pretty nor should it be. A scrapbook of intention and carefully put together pieces, we witness elation and pain and the special concoction of America's 'Florida' in all its glory.""Kwiatkowski's novel succeeds in doing much more than simply conveying the isolated experiences of one idle teenager with a penchant for drugs, pornography and reckless sexual encounters. Through a marriage of images and words, the novel illustrates the result of adolescent malaise against Florida's eerie, subtropical backdrop."-Fault Magazine"And Every Day Was Overcast available in paper form, digital form and as unique iPad edition (with accompanying soundtrack), is an autobiographical and exhilarating pursuit of the author's adolescence in the gritty suburban South Florida of the 1990s . . Our new favorite NSFW coffee table book."-I Love Fake Magazine"With aesthetic conviction comparable to that of Harmony Korine, this alternative novel is sure to have you nostalgic and reaching for the cheapest brand of beer you ever got your teenage hands on."-Nylon"I can count on my fingers the number of great books that seamlessly mix photographs and literary text in a compelling way. Paul Kwiatkowski's And Every Day is Overcast not only achieves this rare feat, he does so with an artistry that makes the achievement nearly invisible. . . A landmark in visual storytelling."-Alec SothOut of South Florida's lush and decaying suburban landscape bloom the delinquent magic and chaotic adolescence of And Every Day Was Overcast. Paul Kwiatkowski's arresting photographs amplify a novel of profound vision and vulnerability. Drugs, teenage cruelty, wonder, and the screen-flickering worlds of Predator and Married...With Children shape and warp the narrator's developing sense of self as he navigates adventures and misadventures, from an ill-fated LSD trip on an island of castaway rabbits to the devastating specter of HIV and AIDS. This alchemy of photography and fiction gracefully illuminates the travesties and triumphs of the narrator's quest to forge emotional connections and fulfill his brutal longings for love.Paul Kwiatkowski is a New York-based writer and photographer. This is his first novel. His work has appeared in numerous outlets, including Juxtapoz, Beautiful Decay, Dazed and Confused, Fault, Dust, and American Suburb X.
And Every Day Was Overcast
by Paul Kwiatkowski"This illustrated novel about growing up poor near the swamps of South Florida has a lurid vibrancy. Its prose is lit from below, like a vaguely scummy in-ground swimming pool, and the author's photographs-of ranch houses, randy adolescents, alligators, drug paraphernalia, fishing tackle, convenience stores-are what you might get if you combined William Eggleston's talents with Terry Richardson's. 'My hometown, Loxahatchee, was built over Seminole Indian burial grounds,' Mr. Kwiatkowski writes. 'In exchange for land we inherited bad conscience. It was in my blood.' His book is full of young people, seen as if from a passing Camaro, having a good time and trying to get out alive."-New York Times, Holiday Gift Guide, Dwight Garner"A completely original and clearheaded voice."-Ira Glass, host of This American Life"We finish And Every Day Was Overcast in a delirious state of disassociation, not unlike the kids whose lives it seeks to evoke. This, of course, is why we turn to books-or one reason, anyway-to see the world as we have not before. The shabby suburbs of And Every Day Was Overcast may not be unknown to us, but Kwiatkowski's ruthless excavation give us a new language by which we hear stories that might otherwise go unheard."-The Los Angeles Times, David UlinPhoto-Eye Best Books of 2013 (Selected by Doug Rickard)"A tale of trailer parks, drugs and teenage construction and destruction, Paul K has brought forth an American diary hugely personal and partially universal. Through skillfully written prose and raw imagery that's authored, found and stolen, we witness the protagonist's young life on display. It's not pretty nor should it be. A scrapbook of intention and carefully put together pieces, we witness elation and pain and the special concoction of America's 'Florida' in all its glory.""Kwiatkowski's novel succeeds in doing much more than simply conveying the isolated experiences of one idle teenager with a penchant for drugs, pornography and reckless sexual encounters. Through a marriage of images and words, the novel illustrates the result of adolescent malaise against Florida's eerie, subtropical backdrop."-Fault Magazine"The characters are vivid and cruelly drawn . . .The novel is driven forward by [their] relationships, each captured in pithy chapters accompanied by a series of photographs."-HOTSHOE magazine"With aesthetic conviction comparable to that of Harmony Korine, this alternative novel is sure to have you nostalgic and reaching for the cheapest brand of beer you ever got your teenage hands on."-Nylon"I can count on my fingers the number of great books that seamlessly mix photographs and literary text in a compelling way. Paul Kwiatkowski's And Every Day is Overcast not only achieves this rare feat, he does so with an artistry that makes the achievement nearly invisible. . . A landmark in visual storytelling."-Alec SothOut of South Florida's lush and decaying suburban landscape bloom the delinquent magic and chaotic adolescence of And Every Day Was Overcast. Paul Kwiatkowski's arresting photographs amplify a novel of profound vision and vulnerability. Drugs, teenage cruelty, wonder, and the screen-flickering worlds of Predator and Married...With Children shape and warp the narrator's developing sense of self as he navigates adventures and misadventures, from an ill-fated LSD trip on an island of castaway rabbits to the devastating specter of HIV and AIDS. This alchemy of photography and fiction gracefully illuminates the travesties and triumphs of the narrator's quest to forge emotional connections and fulfill his brutal longings for love.Paul Kwiatkowski is a New York-based writer and photographer. This is his first novel. His work has appeared in numerous outlets, including Juxtapoz, Beautiful Decay, Dazed and Confused, Fault, Dust, and American Suburb X.
And Furthermore
by Dame Judi DenchThe SUNDAY TIMES bestselling memoir of Britain's best-loved actress, Dame Judi Dench.'She's been one of our favourite actresses for five decades, and now ...AND FURTHERMORE gives an insight into her sensational career and how she coped after losing her husband to cancer in 2001' GOOD HOUSEKEEPING'Vivid and engaging' WOMAN & HOME'The most popular as well as the greatest actress of her age' THE LADYFrom the moment Judi Dench appeared as a teenager in the York Mystery Plays it was clear that acting would be her career. Trained at London's Central School of Speech and Drama it was her performance in her twenties as Juliet in Franco Zeffirelli's memorable Old Vic production that turned her into a star. In the theatre since she has played every classic role from Titania to Cleopatra. She first became a household name via television, thanks initially to a sitcom, A FINE ROMANCE, in which she played alongside the actor Michael Williams, whom she married in 1971. She has since made nine series of another sitcom, AS TIME GOES BY (with Geoffrey Palmer), as well as plays and classic serials such as CRANFORD. In the cinema her films have ranged from LADIES IN LAVENDER (opposite Maggie Smith) through NOTES ON A SCANDAL with Cate Blanchett to SHAKESPEARE IN LOVE, in which she played Queen Elizabeth, a role which gained her a Hollywood Oscar. But it is her role as 'M' in seven James Bond films that has gained her worldwide recognition. This book is, however, much more than a career record. Her marriage to Michael Williams, their daughter, and her impish sense of humour contribute vividly to her account of more than half a century as Britain's best-loved actress.
And Furthermore
by Dame Judi DenchThe SUNDAY TIMES bestselling memoir of Britain's best-loved actress, Dame Judi Dench.'She's been one of our favourite actresses for five decades, and now ...AND FURTHERMORE gives an insight into her sensational career and how she coped after losing her husband to cancer in 2001' GOOD HOUSEKEEPING'Vivid and engaging' WOMAN & HOME'The most popular as well as the greatest actress of her age' THE LADYFrom the moment Judi Dench appeared as a teenager in the York Mystery Plays it was clear that acting would be her career. Trained at London's Central School of Speech and Drama it was her performance in her twenties as Juliet in Franco Zeffirelli's memorable Old Vic production that turned her into a star. In the theatre since she has played every classic role from Titania to Cleopatra. She first became a household name via television, thanks initially to a sitcom, A FINE ROMANCE, in which she played alongside the actor Michael Williams, whom she married in 1971. She has since made nine series of another sitcom, AS TIME GOES BY (with Geoffrey Palmer), as well as plays and classic serials such as CRANFORD. In the cinema her films have ranged from LADIES IN LAVENDER (opposite Maggie Smith) through NOTES ON A SCANDAL with Cate Blanchett to SHAKESPEARE IN LOVE, in which she played Queen Elizabeth, a role which gained her a Hollywood Oscar. But it is her role as 'M' in seven James Bond films that has gained her worldwide recognition. This book is, however, much more than a career record. Her marriage to Michael Williams, their daughter, and her impish sense of humour contribute vividly to her account of more than half a century as Britain's best-loved actress.Read by Samantha Bond(p) 2010 Orion Publishing Group
And Here's the Kicker: 21 Top Comedy Writers on Boosting Your Craft to the Highest Level
by Mike SacksInterviews with David Sedaris, Dave Barry, Jack Handey, Bob Odenkirk, and other humor-writing pros: &“Sure to captivate anyone who loves a good comedy.&” —Publishers Weekly (starred review) If you aspire to write sitcoms, standup, screenplays, or satirical essays—or are just a connoisseur of comedy—you should learn from the professionals. With interviews from twenty-one top humor writers whose credits include everything from Marx Brothers movies to Borat and The Office, readers will score not only professional advice but personal details about their processes, influences, and experiences in the industry—and, of course, more than a few amusing stories. Discover what Paul Feig thinks would have happened to Freaks and Geeks if the show had had another season; what the writers&’ room at SNL is really like; how the Onion editorial staff dealt with the aftermath of 9/11; and much, much more. These humor writers are among the best in the business, ranging from veterans to newcomers, and have collectively been involved with many of the pop culture touchstones of the last half-century.Interviewees include: Stephen Merchant (The Office) · Harold Ramis (Animal House, Groundhog Day) · Dan Mazer (Da Ali G Show, Borat) · Paul Feig (Freaks and Geeks) · Bob Odenkirk (The Ben Stiller Show) · Todd Hanson (The Onion) · Mitch Hurwitz (Arrested Development) · David Sedaris (Me Talk Pretty One Day) · Al Jaffee (Mad) · Allison Silverman (The Colbert Report) · Robert Smigel (Late Night with Conan O&’Brien) · Dave Barry (Dave Barry Is Not Making This Up) · Larry Wilmore (In Living Color, The Bernie Mac Show) · Jack Handey (Saturday Night Live) · Larry Gelbart (M*A*S*H, Tootsie) · Buck Henry · Merrill Markoe · Irving Brecher · Marshall Brickman · George Meyer · Dick Cavett &“Remarkably frank interviews . . . reads like a secret history of popular culture.&” —Time &“Loaded with information for people interested in comedy, not just those who want to work in the business.&” —PopMatters
And On That Bombshell: Inside the Madness and Genius of TOP GEAR
by Richard PorterI was Top Gear's script editor for 13 years and all 22 series. I basically used to check spelling and think of stupid gags about The Stig. I also got to hang around with Jeremy Clarkson, Richard Hammond and James May. It didn't feel like something you should get paid for. From the disastrous pilot show of 2002 to the sudden and unexpected ending in 2015, working on Top Gear was quite a rollercoaster ride. We crossed continents, we made space ships, we bobbed across the world's busiest shipping lane in a pick-up truck. We also got chased by an angry mob, repeatedly sparked fury in newspapers, and almost killed one of our presenters. I realised that I had quite a few stories to tell from behind the scenes on the show. I remembered whose daft idea it was to get a dog. I recalled the willfully stupid way in which we decorated our horrible office. I had a sudden flashback to the time a Bolivian drug lord threatened to kill us. I decided I should write down some of these stories. So I have. I hope you like them. And now, a quote from James May: 'Richard Porter has asked me to "write a quote" for his new book about the ancient history of Top Gear. But this is a ridiculous request. How can one "write a quote"? Surely, by definition, a quote must be extracted from a greater body of writing, for the purpose of illustrating or supporting a point in an unrelated work. I cannot "write a quote" any more than I could "film an out-take".'Porter, like Athens, has lost his marbles.'
And On That Bombshell: Inside the Madness and Genius of TOP GEAR
by Richard PorterI was Top Gear's script editor for 13 years and all 22 series. I basically used to check spelling and think of stupid gags about The Stig. I also got to hang around with Jeremy Clarkson, Richard Hammond and James May. It didn't feel like something you should get paid for. From the disastrous pilot show of 2002 to the sudden and unexpected ending in 2015, working on Top Gear was quite a rollercoaster ride. We crossed continents, we made space ships, we bobbed across the world's busiest shipping lane in a pick-up truck. We also got chased by an angry mob, repeatedly sparked fury in newspapers, and almost killed one of our presenters. I realised that I had quite a few stories to tell from behind the scenes on the show. I remembered whose daft idea it was to get a dog. I recalled the willfully stupid way in which we decorated our horrible office. I had a sudden flashback to the time a Bolivian drug lord threatened to kill us. I decided I should write down some of these stories. So I have. I hope you like them. And now, a quote from James May: 'Richard Porter has asked me to "write a quote" for his new book about the ancient history of Top Gear. But this is a ridiculous request. How can one "write a quote"? Surely, by definition, a quote must be extracted from a greater body of writing, for the purpose of illustrating or supporting a point in an unrelated work. I cannot "write a quote" any more than I could "film an out-take".'Porter, like Athens, has lost his marbles.' - James MayRead by Ben Elliot(p) 2015 Orion Publishing Group
And Our Faces, My Heart, Brief as Photos (Vintage International)
by John BergerIn an extraordinary distillation of his gifts as a novelist, poet, art critic, and social historian, John Berger reveals the ties between love and absence, the ways poetry endows language with the assurance of prayer, and the tensions between the forward movement of sexuality.
And So It Goes
by Linda EllerbeeAn inside look into the world of broadcast journalism. Ellerbee's 80s program NBC News Overnight was a unique vehicle for intelligent reporting and videography.
And Still Peace Did Not Come: A Memoir of Reconciliation
by Agnes Kamara-UmunnaWhen bullets hit Agnes Kamara-Umunna's home in Monrovia, Liberia, she and her father hastily piled whatever they could carry into their car and drove toward the border, along with thousands of others. An army of children was approaching, under the leadership of Charles Taylor. It seemed like the end of the world. Slowly, they made their way to the safety of Sierra Leone. They were the lucky ones.After years of exile, with the fighting seemingly over, Agnes returned to Liberia--a country now devastated by years of civil war. Families have been torn apart, villages destroyed, and it seems as though no one has been spared. Reeling, and unsure of what to do in this place so different from the home of her memories, Agnes accepted a job at the local UN-run radio station. Their mission is peace and their method is reconciliation through understanding and communication. Soon, she came up with a daring plan: Find the former child soldiers, and record their stories. And so Agnes, then a 43-year-old single mother of four, headed out to the ghettos of Monrovia and befriended them, drinking Club Beer and smoking Dunhill cigarettes with them, earning their trust. One by one, they spoke on her program, Straight from the Heart, and slowly, it seemed like reconciliation and forgiveness might be possible.From Ellen Johnson-Sirleaf, Africa's first female president, to Butt Naked, a warlord whose horrific story is as unforgettable as his nickname--everyone has a story to tell. Victims and perpetrators. Boys and girls, mothers and fathers. Agnes comforts rape survivors, elicits testimonials from warlords, and is targeted with death threats--all live on the air.Set in a place where monkeys, not raccoons, are the scourge of homeowners; the trees have roots like elephant legs; and peacebuilding is happening from the ground-up. Harrowing, bleak, hopeful, humorous, and deeply moving--And Still Peace Did Not Come is not only Agnes's memoir: It is also her testimony to a nation's descent into the horrors of civil war, and its subsequent rise out of the ashes.
And the Bridge Is Love: Life Stories (Jewish Women Writers Ser.)
by Faye Moskowitz"A book that will make you stand up and cheer."--The Detroit News "Bridges the gap between humor and despair, past and present, Jew and gentile, to reveal its author's simple humanity, deeply rooted in her unwavering love of family. . . . Touching and compelling."--The Washington Post "A modern woman's ancient voice, full of the juicy taste of life--knowing, loving, feeling, and clever."--Lore Segal The Feminist Press brings back into print a literary gem. Faye Moskowitz is author of A Leak in the Heart: Personal Essays and Life Stories and Whoever Finds This: I Love You, a collection of stories. She teaches writing at George Washington University.
And the Category Is…: Inside New York’s Vogue, House, and Ballroom Community
by Ricky TuckerAn Electric Literature &“Most Anticipated LGBTQ+ Book of 2022&” Selection A love letter to the legendary Black and Latinx LGBTQ underground subculture, uncovering its abundant legacy and influence in popular culture.What is Ballroom? Not a song, a documentary, a catchphrase, a TV show, or an individual pop star. It is an underground subculture founded over a century ago by LGBTQ African American and Latino men and women of Harlem. Arts-based and intersectional, it transcends identity, acting as a fearless response to the systemic marginalization of minority populations. Ricky Tucker pulls from his years as a close friend of the community to reveal the complex cultural makeup and ongoing relevance of house and Ballroom, a space where trans lives are respected and applauded, and queer youth are able to find family and acceptance. With each chapter framed as a &“category&” (Vogue, Realness, Body, et al.), And the Category Is . . . offers an impressionistic point of entry into this subculture, its deeply integrated history, and how it&’s been appropriated for mainstream audiences. Each category features an exclusive interview with fierce LGBTQ/POC Ballroom members—Lee Soulja, Benjamin Ninja, Twiggy Pucci Garçon, and more—whose life, work, and activism drive home that very category. At the height of public intrigue and awareness about Ballroom, thanks to TV shows like FX&’s Pose, Tucker&’s compelling narratives help us understand its relevance in pop culture, dance, public policy with regard to queer communities, and so much more. Welcome to the norm-defying realness of Ballroom.
And the Good News Is... Lessons and Advice from the Bright Side
by Dana Perino#1 New York Times Bestseller<P> #1 Wall Street Journal Bestseller<P> From her years as the presidential press secretary to her debates with colleagues on Fox News' The Five, Dana Perino reveals the lessons she's learned that have guided her through life, kept her level-headed, and led to her success, even in the face of adversity. <P> Thoughtful, inspiring, and often surprising, AND THE GOOD NEWS IS . . . traces Dana Perino's unlikely journey through politics and television. It's a remarkable American story-made up of equal parts determination and clear-eyed optimism. <P> From facing professional challenges and confronting personal fears to stepping up to a podium for a President, Dana has come to expect the unexpected and has an uncanny ability to find the good news in any tough situation. AND THE GOOD NEWS IS . . . takes us from her Western childhood in Wyoming and Colorado to a chance meeting on an airplane that changes her life entirely. Then, with refreshing honesty and humor, she recounts her frustration with a string of unsatisfying jobs and living circumstances until a key career tip leads her back to Washington, D.C. to work for the Bush Administration.<P> Dana also shares here her best work and life lessons-tips that will help you to get your point across convincingly while allowing your own grace and personality to shine through. As someone who still believes in working together to solve the problems our nation faces, Dana offers clear, practical advice on how to restore civility to our personal and public conversations. The result is a fascinating read that can help anyone become more successful, productive, and joyously content.
And Their Children After Them: The Legacy of Let Us Now Praise Famous Men: James Agee, Walker Evans, and the Rise and Fall of Cotton in the South
by Dale MaharidgeWinner of the Pulitzer Prize for Nonfiction in 1990In And Their Children After Them, the writer/photographer team Dale Maharidge and Michael Williamson return to the land and families captured in James Agee and Walker Evans&’s inimitable Let Us Now Praise Famous Men, extending the project of conscience and chronicling the traumatic decline of King Cotton. With this continuation of Agee and Evans&’s project, Maharidge and Williamson not only uncover some surprising historical secrets relating to the families and to Agee himself, but also effectively lay to rest Agee&’s fear that his work, from lack of reverence or resilience, would be but another offense to the humanity of its subjects. Williamson&’s ninety-part photo essay includes updates alongside Evans&’s classic originals. Maharidge and Williamson&’s work in And Their Children After Them was honored with the Pulitzer Prize for nonfiction when it was first published in 1990.
And Then We Danced: A Voyage into the Groove
by Henry AlfordEqual parts memoir and cultural history, from acclaimed comic stylist and professional hobbyist Henry Alford comes a hilarious journey through the world of dance that will inform, entertain and leave readers tapping their toes. <P><P>When Henry Alford wrote about his experience with a Zumba class for The New York Times, little did he realize that it was the start of something much bigger. Dance would grow and take on many roles for Henry: exercise, confidence builder, an excuse to travel, a source of ongoing wonder and—when he dances with Alzheimer's patients—even a kind of community service. Tackling a wide range of forms (including ballet, hip-hop, jazz, ballroom, tap, contact improvisation, Zumba, swing), this grand tour takes us through the works and careers of luminaries ranging from Bob Fosse to George Balanchine, Twyla Tharp to Arthur Murray. Rich in insight and humor, Alford mines both personal experience and fascinating cultural history to offer a witty and ultimately moving portrait of how dance can express all things human.
And Then, You Act: Making Art in an Unpredictable World
by Anne BogartFrom well-known auteur of the American theatre scene, Anne Bogart, And Then, You Act is a fascinating and accessible book about directing theatre, acting and the collaborative creative process. Writing clearly and passionately, Bogart speaks to a wide audience, from undergraduates to practitioners, and makes an invaluable contribution to the field tackling themes such as: intentionality inspiration why theatre matters. Following on from her successful book A Director Prepares, which has become a key text for teaching directing classes, And Then, You Act is an essential practitioner and student resource.
And They All Sang: Adventures of an Eclectic Disc Jockey
by Studs TerkelThe Pulitzer Prize–winning historian talks with some of twentieth century&’s most iconic musicians—&“Riveting . . . Just about every interview has a revelation&” (San Francisco Chronicle). Through the second half of the twentieth century, Studs Terkel hosted the legendary radio show &“The Wax Museum,&” presenting Chicago&’s music fans with his inimitable take on music of all kinds, from classical, opera, and jazz to gospel, blues, folk, and rock. Featuring more than forty of Terkel&’s conversations with some of the greatest musicians of the past century, And They All Sang is &“a tribute to music&’s universality and power&” (Philadelphia Inquirer). Included here are fascinating conversations with Louis Armstrong, Leonard Bernstein, Big Bill Broonzy, Bob Dylan, Dizzy Gillespie, Mahalia Jackson, Janis Joplin, Rosa Raisa, Pete Seeger, and many others. As the esteemed music critic Anthony DeCurtis wrote in the Chicago Tribune, &“the terms &‘interview&’ or &‘oral history&’ don&’t begin to do justice to what Terkel achieves in these conversations, which are at once wildly ambitious and as casual as can be.&” Whether discussing Enrico Caruso&’s nervousness on stage with opera diva Edith Mason or the Beatles&’ 1966 encounter in London with revered Indian sitar player Ravi Shankar, &“Terkel&’s singular gift for bringing his subjects to life in their own words should strike a chord with any music fan old enough to have replaced a worn-out record needle&” (The New York Times). &“Whether diva or dustbowl balladeer, Studs treats them all alike, with deep knowledge and an intimate, conversational approach . . . as this often remarkable book shows, Studs Terkel has remained mesmerized by great music throughout his life.&” —The Guardian &“[Terkel&’s] expertise is evident on every page, whether debating the harmonic structure of the spirituals or discerning the subtleties of Keith Jarrett&’s piano technique . . . As ever, he is the most skillful of interviewers.&” —The Independent &“What makes And They All Sang a rousing success isn&’t just Terkel&’s phenomenal range and broad knowledge, it&’s his passionate love of the music and his deep humanity.&” —San Francisco Chronicle
Andalusia (Images of America)
by Kristy Shuford WhiteAndalusia's destiny was determined by the Conecuh River, when the 1841 "Harrison Freshet" brought floods and mosquito fever to the original county seat of Montezuma, forcing the move to higher ground. The new site was named Andalusia, and the post office officially relocated in 1844. Like many small towns, Andalusia's destiny could have once again been determined by an outside force--the economy. However, from timber to textiles, Andalusia has chosen to fight back against abandonment and vacancy and can now truly boast a unique and viable commercial downtown that continues to flourish while preserving its historic structures. Andalusia was awarded the 2013 Quality of Life Award by The Alabama Municipal Journal for purchasing the old Alabama Textile Mill (Alatex) in 2009 and for partnering with the chamber of commerce to create a new chamber office, welcome center, and national textile monument in tribute to the thousands who worked at the site and in textile mills all over the United States.
Andean Inspired Knits
by Helen HamannCreate dazzling knitwear designs with Andean Inspired Knits, a collection of patterns inspired by pre-Columbian textiles.
Andere Sichtweisen auf Intersektionalität: Revisualising Intersectionality
by Elahe Haschemi Yekani Magdalena Nowicka Tiara RoxanneDas Buch hinterfragt die vermeintliche visuelle Evidenz von Kategorien menschlicher Ähnlichkeit und Differenz. Es bezieht Erkenntnisse aus den Sozial- und Kognitionswissenschaften sowie der Psychologie und Philosophie ein, um zu erklären, wie wir physische Unterschiede visuell wahrnehmen und zeigt, dass Wahrnehmung sowohl fehlbar als auch prozesshaft ist. Dazu bringen die Autorinnen Studien zur visuellen Kultur und künstlerische Forschung mit Ansätzen wie Gender, Queer und Trans Studies sowie postkolonialer Theorie miteinander ins Gespräch, um vereinfachte Vorstellungen von Identitätspolitik und kultureller Repräsentation zu verkomplizieren. Das Buch schlägt andere Sichtweisen auf Intersektionalität vor, um die Vorherrschaft von Kategorien der vermeintlich sichtbaren Differenz wie race und Geschlecht als analytische Kategorien infrage zu stellen.
Anders als die Andern (Queer Film Classics #7)
by Ervin MalakajReleased in 1919, Anders als die Andern (Different from the Others) stunned audiences with its straightforward depiction of queer love. Supporters celebrated the film’s moving storyline, while conservative detractors succeeded in prohibiting public screenings. Banned and partially destroyed after the rise of Nazism, the film was lost until the 1970s and only about one-third of its original footage is preserved today.Directed by Richard Oswald and co-written by Oswald and the renowned sexologist Magnus Hirschfeld, Anders als die Andern is a remarkable artifact of cinema culture connected to the vibrant pre-Stonewall homosexual rights movement of early-twentieth-century Germany. The film makes a strong case for the normalization of homosexuality and for its decriminalization, but the central melodrama still finds its characters undone by their public outing. Ervin Malakaj sees the film’s portrayal of the pain of living life queerly as generating a complex emotional identification in modern spectators, even those living in apparently friendlier circumstances. There is a strange comfort in knowing that we are not alone in our struggles, and Malakaj recuperates Anders als die Andern’s mournful cinema as an essential element of its endurance, treating the film’s melancholia both as a valuable feeling in and of itself and as a springboard to engage in an intergenerational queer struggle.Over a century after the film’s release, Anders als die Andern serves as a stark reminder of how hostile the world can be to queer people, but also as an object lesson in how to find sustenance and social connection in tragic narratives.
Anderson (Images of America)
by David HumphreyThe city of Anderson is named after Chief William Anderson, whose Indian name was Kikthawenund, meaning "making a noise" or "causing to crack." Early settlers referred to the area as Anderson Town, while the Moravian missionaries called it "The Heathen Town Four Miles Away." It later became Anderstown before the Indiana State Legislature shortened the name to Anderson in 1844. In the spring of 1887, natural gas was discovered in the city. Several industries came to the area, leading to a population explosion. Anderson soon became a "factory town," with General Motors building plants throughout the city. The success of the automobile factories attracted entrepreneurs and made Anderson the economic center of Madison County. From the 1940s through the 1970s, downtown Anderson had its share of family-owned businesses as well as national chain stores like J.C. Penney, Sears & Roebuck, and Montgomery Ward. Today, it remains filled with a rich heritage and continues to grow in a new economic market.