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Hightstown and East Windsor: An Anecdotal History Of Hightstown And East Windsor (Images of America)

by Peggy S. Brennan Frank J. Brennan Jr.

Hightstown Borough and East Windsor Township are two neighboring New Jersey communities steeped in history. Over the years, the two towns have seen numerous important developments in agriculture and the area has served as a hub for small-town commerce and railroad travel. Several notable historic figures made their way through the region over the years as well, including Clara Barton, the Marquis de Lafayette, Horace Greeley, Phineas T. Barnum, and Woodrow Wilson.

Hightstown and East Windsor (Postcard History)

by Richard Harlan Pratt

Located in the easternmost pocket of Mercer County, New Jersey, Hightstown traces its beginnings to 1747, when John Hight bought an 80-acre parcel alongside Rocky Brook. He built a gristmill there, abutting the road that became Main Street. The mill attracted other small enterprises, including a dry goods store, two taverns, a blacksmith shop, and sawmill. With the rise of the steam engine, the town grew to become a thriving transportation hub. As this community evolved into a contemporary downtown corridor, the farms and homes spread across what is today both the borough and East Windsor Township. The advent of the automobile, retirement of the rail line, and construction of the New Jersey Turnpike challenged Hightstown's role as a destination. With a recently established historic district and strong downtown association, the town is enjoying a rebirth as a treasure of America's past and present.

The Highway Horror Film

by Bernice M. Murphy

The Highway Horror Film argues that 'Highway Horror' is a hither-to overlooked sub-genre of the American horror movie. In these films, the American landscape is by its very accessibility rendered terrifyingly hostile, and encounters with other travellers almost always have sinister outcomes.

Highway Meteorology

by A. H. Perry L. J. Symons

Roads that are safe in all weathers are a prerequisite of modern society, and large amounts of money are spent, especially in winter, to make travel safe. This book brings together international expertise on planning 'weather proof' roads, operating safe road networks in bad weather and coping effectively with accidents. The performance and cost ef

La hija de Stalin: La extraordinaria y tumultuosa vida de Svetlana Alliluyeva

by Rosemary Sullivan

Con acceso a los archivos del KGB, la CIA, y de los distintos gobiernos soviéticos, Rosemary Sullivan recompone las piezas de la increíble vida de Svetlana Alliluyeva, la hija mayor de Stalin, en una magistral biografía. Nacida durante los primeros años de la Unión Soviética, Svetlana creció dentro de los muros del Kremlin. Los altos cargos del Partido Comunista la protegieron del exterior ocultándole la hambruna y las purgas que arrasaban su país. Tras la muerte de su padre, y a medida que iba descubriendo la magnitud de la crueldad del régimen, Svetlana rompió su silencio y en 1967 conmocionó al mundo huyendo a Estados Unidos. Profunda y ambiciosa, esta biografía pinta el insólito retrato de una mujer atormentada, utilizada como un peón en la Guerra Fría y, que a pesar de sus repetidos intentos por desvincularse del pasado, se vio siempre atrapada por la alargada sombra de su padre. Sullivan logra explorar un personaje complejo en un aún más complejo contexto sin nunca perder de vista la poderosa historia humana, y reabriendo a lo largo del proceso, las puertas cerradas de la brutal Historia del corto siglo XX que tanto nos fascina.

Hijacking Sustainability

by Adrian Parr

How the sustainability movement has been co-opted: from ecobranding by Wal-Mart to the “greening” of the American military.The idea of “sustainability” has gone mainstream. Thanks to Prius-driving movie stars, it's even hip. What began as a grassroots movement to promote responsible development has become a bullet point in corporate ecobranding strategies. In Hijacking Sustainability, Adrian Parr describes how this has happened: how the goals of an environmental movement came to be mediated by corporate interests, government, and the military. Parr argues that the more popular sustainable development becomes, the more commodified it becomes; the more mainstream culture embraces the sustainability movement's concern over global warming and poverty, the more “sustainability culture” advances the profit-maximizing values of corporate capitalism. And the more issues of sustainability are aligned with those of national security, the more military values are conflated with the goals of sustainable development.Parr looks closely at five examples of the hijacking of sustainability: corporate image-greening; Hollywood activism; gated communities; the greening of the White House; and the incongruous efforts to achieve a “sustainable” army. Parr then examines key challenges to sustainability—waste disposal, disaster relief and environmental refugees, slum development, and poverty.Sustainability, Parr says, offers an alternative narrative of the collective good—an idea now compromised and endangered by corporate, military, and government interests.

Hijikata Tatsumi and Ohno Kazuo (Routledge Performance Practitioners)

by Sondra Fraleigh Tamah Nakamura

Now re-issued, this compact book unravels the contribution of one of modern theatre’s most charismatic innovators. Hijikata Tatsumi and Ohno Kazuo combines: • an account of the founding of Japanese butoh through the partnership of Hijikata and Ohno, extending to the larger story of butoh’s international assimilation • an exploration of the impact of the social and political issues of post-World War II Japan on the aesthetic development of butoh • metamorphic dance experiences that students of butoh can explore • a glossary of English and Japanese terms. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.

Hikaru's Toy Troubles

by Museum Of Science

Hikaru wonders if he and his friends might be able to use a similar technology as the maglev transportation system to draw customers to his parent's toy store.

Hiking the Horizontal: Field Notes from a Choreographer

by Liz Lerman

The unique career of choreographer Liz Lerman has taken her from theater stages to shipyards, and from synagogues to science labs. In this wide-ranging collection of essays and articles, she reflects on her life-long exploration of dance as a vehicle for human insight and understanding of the world around us. Lerman has been described by the Washington Post as "the source of an epochal revolution in the scope and purposes of dance art." Here, she combines broad outlooks on culture and society with practical applications and accessible stories. Her expansive scope encompasses the craft, structure, and inspiration that bring theatrical works to life as well as the applications of art in fields as diverse as faith, aging, particle physics, and human rights law. Offering readers a gentle manifesto describing methods that bring a horizontal focus to bear on a hierarchical world, this is the perfect book for anyone curious about the possible role for art in politics, science, community, motherhood, and the media.

Hildegard of Bingen: A Visionary Life

by Sabina Flanagan

Drawing on contemporary sources, the text unfolds Hildegard's life from the time of her entrance into an anchoress's cell--where a woman would remain in pious isolation--to her death as a famed visionary and writer, abbess and confidante of popes and kings, more than seventy years later. Against this background the author explores Hildegard's vast creative work, encompassing theology, medicine, natural history, poetry, and music.

Hilma af Klint: A Biography

by Julia Voss

A highly anticipated biography of the enigmatic and popular Swedish painter. The Swedish painter Hilma af Klint (1862–1944) was forty-four years old when she broke with the academic tradition in which she had been trained to produce a body of radical, abstract works the likes of which had never been seen before. Today, it is widely accepted that af Klint was one of the earliest abstract academic painters in Europe. But this is only part of her story. Not only was she a working female artist, she was also an avowed clairvoyant and mystic. Like many of the artists at the turn of the twentieth century who developed some version of abstract painting, af Klint studied Theosophy, which holds that science, art, and religion are all reflections of an underlying life-form that can be harnessed through meditation, study, and experimentation. Well before Kandinsky, Mondrian, and Malevich declared themselves the inventors of abstraction, af Klint was working in a nonrepresentational mode, producing a powerful visual language that continues to speak to audiences today. The exhibition of her work in 2018 at the Guggenheim Museum in New York City attracted more than 600,000 visitors, making it the most-attended show in the history of the institution. Despite her enormous popularity, there has not yet been a biography of af Klint—until now. Inspired by her first encounter with the artist’s work in 2008, Julia Voss set out to learn Swedish and research af Klint’s life—not only who the artist was but what drove and inspired her. The result is a fascinating biography of an artist who is as great as she is enigmatic.

Hilma af Klint: A Biography

by Julia Voss

A highly anticipated biography of the enigmatic and popular Swedish painter. The Swedish painter Hilma af Klint (1862–1944) was forty-four years old when she broke with the academic tradition in which she had been trained to produce a body of radical, abstract works the likes of which had never been seen before. Today, it is widely accepted that af Klint was one of the earliest abstract academic painters in Europe. But this is only part of her story. Not only was she a working female artist, she was also an avowed clairvoyant and mystic. Like many of the artists at the turn of the twentieth century who developed some version of abstract painting, af Klint studied Theosophy, which holds that science, art, and religion are all reflections of an underlying life-form that can be harnessed through meditation, study, and experimentation. Well before Kandinsky, Mondrian, and Malevich declared themselves the inventors of abstraction, af Klint was working in a nonrepresentational mode, producing a powerful visual language that continues to speak to audiences today. The exhibition of her work in 2018 at the Guggenheim Museum in New York City attracted more than 600,000 visitors, making it the most-attended show in the history of the institution. Despite her enormous popularity, there has not yet been a biography of af Klint—until now. Inspired by her first encounter with the artist’s work in 2008, Julia Voss set out to learn Swedish and research af Klint’s life—not only who the artist was but what drove and inspired her. The result is a fascinating biography of an artist who is as great as she is enigmatic.

Hilton Head Island (Images of America)

by Coastal Discovery Museum Natalie Hefter

Hilton Head Island, a celebrated resort community with a colorful and intriguing past, is one of South Carolina's premier tourist destinations. Its scenery and leisure industry attract more than 1.5 million visitors each year to play golf, relax on the beaches, or just to soak up the atmosphere. Before the fairways and hotels ever arrived on the scene, the island already had a long and interesting history dating back as far as 10,000 years ago, when Native Americans first began to visit the area. In Hilton Head Island, Natalie Hefter and the Coastal Discovery Museum revisit this history, charting the area's development from its first plantation in 1717, through the boom years of shipbuilding and Sea Island cotton to the Civil War. In over 200 vintagephotographs, the authors document the impact of the Union occupation, the establishment of Mitchelville (the island's "contraband" and Freedmen community), the dramatic effects of the first bridge to the island, and the development of the tourist industry that now typifies Hilton Head.

Hiltons

by Ronnie Matthews Daphne Matthews

Hiltons is located in the southwest corner of Virginia and was named for the Reverend Samuel Hilton, who moved to the region from North Carolina in 1795. In the 1880s, Hiltons became a vital link for goods being transported both to and from the region when the railroad was constructed from Bristol to Appalachia. U.S. Highway 58 winds through Hiltons to Virginia Beach, providing many miles of scenic travel on what was, for many years, an important transportation route. The Hiltons area is blessed with natural beauty, including the scenic Clinch Mountains, a part of the Appalachian chain, and the lazy flowing north fork of the Holston River. Hiltons is home to the world-renowned Carter family of country music fame and is the location of the Carter Family Museum and Fold, which continues to provide old-time country music entertainment.

Hinckley and the Fire of 1894 (Images of America)

by Walt Tomascak Alaina Wolter Lyseth

Imagine a force in nature more powerful than multiple atomic bombs--that was the Great Hinckley Fire of September 1, 1894. In only four hours, the fire incinerated over 400 square miles of forest, killed at least 418 settlers and an unknown number of forest-dwelling Native Americans, and destroyed six towns in a firestorm of flame. The elements that led to this unprecedented catastrophe included careless logging practices, a drought, freakish weather, and suspected sparks from passing locomotives. The story of the 1894 fire is a saga of devastation, heartbreak, heroism, survival, hope, and rebuilding that captured worldwide attention. Recently discovered photographs provide a backdrop for a fresh look at the events surrounding the disaster and the courage of the pioneers who survived to tell the tale.

Hindi Christian Literature in Contemporary India (Routledge Studies in Religion)

by Rakesh Peter-Dass

This is the first academic study of Christian literature in Hindi and its role in the politics of language and religion in contemporary India. In public portrayals, Hindi has been the language of Hindus and Urdu the language of Muslims, but Christians have been usually been associated with the English of the foreign ‘West’. However, this book shows how Christian writers in India have adopted Hindi in order to promote a form of Christianity that can be seen as Indian, desī, and rooted in the religio-linguistic world of the Hindi belt. Using three case studies, the book demonstrates how Hindi Christian writing strategically presents Christianity as linguistically Hindi, culturally Indian, and theologically informed by other faiths. These works are written to sway public perceptions by promoting particular forms of citizenship in the context of fostering the use of Hindi. Examining the content and context of Christian attention to Hindi, it is shown to have been deployed as a political and cultural tool by Christians in India. This book gives an important insight into the link between language and religion in India. As such, it will be of great interest to scholars of Religion in India, World Christianity, Religion and Politics and Interreligious Dialogue, as well as Religious Studies and South Asian Studies.

Hindu Gods and Goddesses: 300 Illustrations from "The Hindu Pantheon"

by Edward Moor

Reflecting the spirit of East Indian myths, legends, and fables, these illustrations were compiled by one of the nineteenth century's foremost Orientalists. Edward Moor published The Hindu Pantheon in 1810, and this new volume draws upon his exposition of India's religious iconography to offer a spectacular array of images of Hindu deities.Dramatic engravings and line drawings include scenes from the Ramayana and Mahabharata as well as temple images of Krishna, Vishnu, Siva, and other major gods and goddesses. Many are derived from bronze figurines; others are reproduced from manuscript illustrations. All appear with captions for ease of identification.

The Hindu Temple and Its Sacred Landscape (The Oxford Centre for Hindu Studies)

by Himanshu Prabha Ray

The Hindu Temple and Its Sacred Landscape explores Hinduism as it was practised in temples across the Indian subcontinent throughout history, highlighting the temple&’s significance as a marker of cultural identity.The Hindu Temple and Its Sacred Landscape illustrates how careful attention to the Hindu temple, its social history, and cultural landscape allows us to better appreciate how Hinduism has been practised and lived throughout history. The Hindu temple was not merely a place of worship or a static indicator of royal generosity but an institution that involved the active participation of the community for its establishment, maintenance, and survival. Rather than studying temples as isolated structures, The Hindu Temple and Its Sacred Landscape thus suggests that we need to examine them in the context of their social base and the sacred microcosms of which they form a part. Through a combination of textual study, archaeological evidence, and insights from contemporary anthropology, the book explores the diverse ways in which devotees, patrons, and visitors have engaged with temples, shrines, and their wider surroundings. Drawing attention to the vibrancy of the Hindu temple in different locales, The Hindu Temple and Its Sacred Landscape traces the ways in which Hindu notions of sanctity and sacredness were defined and redefined throughout history through the diversity of temple audiences, deities, and rituals. The book thus allows us to form a more accurate picture of Hindu religious life in the past and the central role the temple has played in consolidating Hindu identity. EXPERT ANALYSIS: Author Himanshu Prabha Ray provides authoritative analysis of the Hindu temple, drawing on her expertise as an award-winning Sanskrit scholar, historian, and archeologist. SUPPLEMENTAL STUDY: The Hindu Temple and Its Sacred Landscape provides a breadth of educational knowledge as a supplement to both academic coursework and the independent study of Hinduism. With the integration of discussion questions, suggested further reading, a glossary of key terms, and images throughout, The Hindu Temple and Its Sacred Landscape offers an accessible introduction to studying the history and significance of Hindu temples. EXPLORE THE SERIES: The Hindu Temple and Its Sacred Landscape expands the collection of academic texts developed by the Oxford Centre for Hindu Studies. Women in the Hindu World and The Bhagavad Gita: A New Translation and Study Guide are also available in the series.

The Hindu View of Art (Routledge Library Editions: Hinduism #3)

by Mulk Raj Anand

This book, first published in 1933, was the first text on the general Hindu attitude to art. It sums up under the wider title of the Hindu view of art all such considerations – religious, philosophic, sociological, aesthetic and technical – as might be helpful for the understanding of Indian art.

Hingham (Postcard History)

by Scott Wahle James Pierotti

The established neighborhoods of Hingham make up a seashore community that has retained much of its historic charm. The Old Derby Academy, Old Ordinary Tavern, and the Old Ship Meetinghouse church are all local treasures. Atrip down Main Street affords extraordinary views of fine Victorian homes and Colonial farmhouses. Hingham was also home to the U.S. armed forces buildup during World Wars I and II. This Colonial settlement truly remains a celebrated all-American town.

Hints on Household Taste: The Classic Handbook of Victorian Interior Decoration

by Charles L. Eastlake

Primary authority on what was proper, beautiful, efficient in all aspects of mid-19th-century interior design. Originally published in 1868. Over 100 illustrations.

Hip Heritage and Museum Practices in Contemporary Hybrid Markets

by Lizette Gradén Tom O'Dell

Focusing on how museums prioritize and produce content, Hip Heritage demonstrates how economic issues play an ever-larger role in determining how cultural heritage is being framed and presented in contemporary heritage museums. Drawing on ethnographic fieldwork conducted by the authors at seven museums over the course of five years, this book offers an in-depth analysis of heritage museums in Nordic, Scandinavian and North American contexts. It investigates how economic realities, coupled with the cultural contexts in which museums operate, affect how these institutions organize, manage and develop their collections to make themselves relevant in society. Once charged with the primary task of educating citizens about their cultural identity and history, national museums and heritage organizations are also under pressure to rethink their market demands and meet stakeholders’ increasing interest in growing visitor numbers and expanding economic returns. Simultaneously, many museums are part of a cultural sector with diminished public funding and increased competition for the existing financing. Against this background, this book questions: ‘When the budget is tight, whose heritage counts most?’ It considers museums as arenas for heritage politics in action on the local, national and international levels, as well as at the institutional level. Hip Heritage will appeal to scholars and students engaged in the study of ethnology heritage, museum studies, marketing, leisure and tourism, public folklore, and sociology.

Hip Heritage and Museum Practices in Contemporary Hybrid Markets (Routledge Studies in Heritage)

by null Lizette Gradén null Tom O'Dell

Focusing on how museums prioritize and produce content, Hip Heritage demonstrates how economic issues play an ever-larger role in determining how cultural heritage is being framed and presented in contemporary heritage museums.Drawing on ethnographic fieldwork conducted by the authors at seven museums over the course of five years, this book offers an in-depth analysis of heritage museums in Nordic, Scandinavian and North American contexts. It investigates how economic realities, coupled with the cultural contexts in which museums operate, affect how these institutions organize, manage and develop their collections to make themselves relevant in society. Once charged with the primary task of educating citizens about their cultural identity and history, national museums and heritage organizations are also under pressure to rethink their market demands and meet stakeholders’ increasing interest in growing visitor numbers and expanding economic returns. Simultaneously, many museums are part of a cultural sector with diminished public funding and increased competition for the existing financing. Against this background, this book questions: ‘When the budget is tight, whose heritage counts most?’ It considers museums as arenas for heritage politics in action on the local, national and international levels, as well as at the institutional level.Hip Heritage will appeal to scholars and students engaged in the study of ethnology heritage, museum studies, marketing, leisure and tourism, public folklore, and sociology.

Hip-Hop Civics: Connected Learning in the Rap Classroom (Music and Social Justice)

by Jabari M. Evans

In Hip-Hop Civics, Jabari Evans demonstrates how Hip-Hop can be deployed in revamping formal civic education for Black and Brown youth. Based on an original ethnographic study of a Hip-Hop-based education program, the Songwriting and Production Program (SWP) administered by the Foundation of Music in two of Chicago’s lowest performing public schools, Evans argues that Hip-Hop culture is central to students’ lives and can be used as a vehicle for students to engage in civic practices and extract critical lessons about mainstream media, relational currency, identity development, and race/racism within the classroom. Through a compelling exploration of the SWP program, Evans contends that Hip-Hop should be part of formal education spaces and instruction, a conclusion he reaches through his understanding of how Hip-Hop impacted his own life, and by witnessing students discuss, write, and produce Hip-Hop music as part of the SWP program.

Hip Hop on Film: Performance Culture, Urban Space, and Genre Transformation in the 1980s

by Kimberley Monteyne

Early hip hop film musicals have either been expunged from cinema history or excoriated in brief passages by critics and other writers. Hip Hop on Film reclaims and reexamines productions such as Breakin' (1984), Beat Street (1984), and Krush Groove (1985) in order to illuminate Hollywood's fascinating efforts to incorporate this nascent urban culture into conventional narrative forms. Such films presented musical conventions against the backdrop of graffiti-splattered trains and abandoned tenements in urban communities of color, setting the stage for radical social and political transformations. Hip hop musicals are also part of the broader history of teen cinema, and films such as Charlie Ahearn's Wild Style (1983) are here examined alongside other contemporary youth-oriented productions. As suburban teen films banished parents and children to the margins of narrative action, hip hop musicals, by contrast, presented inclusive and unconventional filial groupings that included all members of the neighborhood. These alternative social configurations directly referenced specific urban social problems, which affected the stability of inner-city families following diminished governmental assistance in communities of color during the 1980s. Breakdancing, a central element of hip hop musicals, is also reconsidered. It gained widespread acclaim at the same time that these films entered the theaters, but the nation's newly discovered dance form was embattled—caught between a multitude of institutional entities such as the ballet academy, advertising culture, and dance publications that vied to control its meaning, particularly in relation to delineations of gender. As street-trained breakers were enticed to join the world of professional ballet, this newly forged relationship was recast by dance promoters as a way to invigorate and “remasculinize” European dance, while young women simultaneously critiqued conventional masculinities through an appropriation of breakdance. These multiple and volatile histories influenced the first wave of hip hop films, and even structured the sleeper hit Flashdance (1983). This forgotten, ignored, and maligned cinema is not only an important aspect of hip hop history, but is also central to the histories of teen film, the postclassical musical, and even institutional dance. Kimberley Monteyne places these films within the wider context of their cultural antecedents and reconsiders the genre's influence.

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