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How Buildings Work
by Huw M EvansAn understanding of building physics is fundamental for the design and construction of safe, functional, energy efficient buildings. Without it, occupants’ health and comfort is compromised, energy bills become unmanageable, or the building fabric itself can fail. But it’s not just about providing a heating source or stopping the cold coming in; at the heart of building physics is a fine balancing act: how much ventilation will be required for the occupants and how can that be provided without compromising the thermal performance? How will the layout and fenestration affect light levels and cooling demand? How Buildings Work provides construction professionals with a clear understanding of the basic mechanisms of physics and how they affect the performance and operation of buildings. Heat, air, moisture, sound, light and radioactivity are explained in turn, yet all the while reminding the reader that none of these phenomena can be considered in isolation when designing a building. Whether you’re a student trying to get your head round the basics, or a seasoned practitioner looking for a quick refresher course.
How Can I Overcome the Fear of Public Speaking?
by Lizzie WadeSome people are afraid of public speaking more than others. Learn about some surprising ways to overcome stage fright.
How Can Some People Be Good at Singing?
by Lizzie WadeSome people are better at singing than others. Why is that? A researcher explains why some people love doing karaoke, and others simply can't do it.
How Creativity Rules the World: The Art and Business of Turning Your Ideas into Gold
by Maria BritoLearn to make creativity work for your career.Anyone, regardless of who you are or what you do, can cultivate the habits, actions, and attitudes that inspire creativity and foster innovation.Creativity is the key to innovation in any business. How Creativity Rules the World shows that, despite contrary beliefs, creativity is an inexhaustible resource that can be learned by anyone.This timeless guide promises to make the creative process of billion-dollar entrepreneurs and successful seven-figure artists accessible and actionable for you. With revealing studies and stories spanning business and art, this book is a deep dive into history, culture, psychology, science, and entrepreneurship; analyzing the elements used by some of the most creative minds throughout the last 600 years.In How Creativity Rules the World, you will learn how to:Overcome limiting thoughts and dispel myths about creativity.Understand creativity through concrete data, historical passages, and examples of modern entrepreneurship.Develop timeless habits, principles, and tools that worked six centuries ago and continue to work today.Employ creativity in an everyday context to produce extraordinary results.Contemporary art curator and writer of the popular newsletter, The Groove, Maria Brito discovered the power of creativity when she transitioned from being an unhappy Harvard-trained corporate lawyer to a thriving entrepreneur and innovator in the art world. After applying the principles in How Creativity Rules the World to her own business, Maria started teaching struggling professionals, ranging from entrepreneurs to artists to CEOs. Proven by her students&’ creative successes, Maria will guide you to strike gold with your ideas as well.There has never been a more crucial time than now to develop your creativity and your ability to innovate. Coming up with original ideas of value is today&’s most precious skill.
How Deep Is Your Love: A Children's Picture Book
by Bee GeesA majestic picture book based on the Bee Gees's classic love song "How deep is your love? I really mean to learn 'Cause we're living in a world of fools Breaking us down When they all should let us be We belong to you and me . . ." How Deep Is Your Love is a fantastical picture book based on one of the Bee Gees's biggest hits. The song topped the Billboard Hot 100 chart, remaining in the top ten for seventeen weeks, and won the band's first of eight GRAMMY awards. With lyrics by the Bee Gees and illustrations by J.L. Meyer, the picture book tells the tale of two bunny mermaids who meet on a rock and descend into the water together. As the bunnies escape traps, skirt around nets and hooks, and protect each other in this thrilling adventure, they realize how deep their love is. Meyer's imaginative story compliments the hit song perfectly and will delight children and adults alike.
How Design Makes Us Think: And Feel and Do Things
by Sean AdamsFrom posters to cars, design is everywhere. While we often discuss the aesthetics of design, we don't always dig deeper to unearth the ways design can overtly, and covertly, convince us of a certain way of thinking. How Design Makes Us Think collects hundreds of examples across graphic design, product design, industrial design, and architecture to illustrate how design can inspire, provoke, amuse, anger, or reassure us.Graphic designer Sean Adams walks us through the power of design to attract attention and convey meaning. The book delves into the sociological, psychological, and historical reasons for our responses to design, offering practitioners and clients alike a new appreciation of their responsibility to create design with the best intentions. How Design Makes Us Think is an essential read for designers, advertisers, marketing professionals, and anyone who wants to understand how the design around us makes us think, feel, and do things.
How Designers Are Transforming Healthcare
by Evonne Miller Abbe Winter Satyan ChariThis is an open access book.How Designers are Transforming Healthcare is a bold manifesto for change, demonstrating the value of a strategic design-led approach. Drawing on a rich array of real-world projects, this book illustrates how designers, in collaboration with clinicians and consumers, are co-creating transformative change across healthcare environments, products, services, and systems.In a fascinating multi-voice conversation, this book outlines how design methods and mindsets, including co-design, prototyping, design and futures thinking, facilitates creative problem-solving. The ideas, tools, and challenges in How Designers are Transforming Healthcare make it a vital text - a doer’s guide - for designers, clinicians, academics, consumers, and policymakers seeking innovative strategies for engagement, innovation and improvement in healthcare.
How Designers Think: The Design Process Demystified
by Bryan LawsonHow Designers Think is based on Bryan Lawson's many observations of designers at work, interviews with designers and their clients and collaborators. This extended work is the culmination of forty years' research and shows the belief that we all can, and do, design, and that we can learn to design better. The creative mind continues to have the power to surprise and this book aims to nurture and extend this creativity. Neither the earlier editions, nor this book, are intended as authoritative prescriptions of how designers should think but provide helpful advice on how to develop an understanding of design.In this fourth edition, Bryan Lawson continues to try and understand how designers think, to explore how they might be better educated and to develop techniques to assist them in their task. Some chapters have been revised and three completely new chapters added. The book is now intended to be read in conjunction with What Designers Know which is a companion volume. Some of the ideas previously discussed in the third edition of How Designers Think are now explored more thoroughly in What Designers Know. For the first time this fourth edition works towards a model of designing and the skills that collectively constitute the design process.
How Did I Get Here?: A Memoir
by Bruce McCallFrom his hardscrabble post-World War II Ontario childhood and coming of age to Mad Men-era New York City and the creative pinnacle of advertising, to the hallowed halls of Saturday Night Live and The New Yorker, Bruce McCall&’s personal and creative journey is stunningly honest, bittersweet, and, above all, inspiring. Beloved for his strikingly original and wickedly perceptive New Yorker covers, as well as his many Shouts and Murmurs, Bruce is a rare double threat as an artist and writer. Self-taught in both disciplines, his artistic world has captured the imagination of a loyal fan base that includes no less than David Letterman (whom he coauthored a book with) and other satire aficionados. Pulling no punches, How Did I Get Here? chronicles the evolution of his artistic genius as well as his journey from gifted childhood scribbler to passionate automobile enthusiast, a hobby that took him to the heights of the Detroit and Manhattan advertising worlds. His long-held passion for drawing and writing, which mostly lay dormant during his Mad Men days, reemerged later in life as he left the realm of advertising for the world of arts and letters, most notably at the National Lampoon, as a writer for Saturday Night Live in its first incarnation, and then of course at The New Yorker, as well as other Conde Nast magazines, such as Vanity Fair. His is an unorthodox life and career path, traversing through worlds that have now become iconic, giving us rich first-hand insight into Bruce's unique creative development and process, and providing a rare window into both the highs and the lows that define an artist's career and life. With wit, candor, and cover illustrations showcasing Bruce's storied career, Bruce McCall&’s memoir will charm his many fans and anyone who knows and loves the places and eras he describes so well.
How Did I Get Here?: A Memoir
by Bruce McCallFrom his hardscrabble post-World War II childhood and coming of age in Ontario to Mad Men-era New York City and the creative pinnacle of advertising, to the hallowed halls of Saturday Night Live and The New Yorker, Bruce McCall&’s personal and creative journey is stunningly honest, bittersweet, and, above all, inspiring. Beloved for his strikingly original and wickedly perceptive New Yorker covers (77 to date), as well as his many Shouts and Murmurs, Bruce is a rare double threat as an artist and writer. A Toronto high school dropout who is self-taught in both disciplines, his artistic world has captured the imagination of a loyal fan base for over forty years. Pulling no punches, How Did I Get Here? chronicles the evolution of his artistic genius as well as his journey from gifted childhood scribbler to passionate automobile enthusiast, a hobby that took him to the heights of the Detroit and Manhattan advertising worlds. His long-held passion for drawing and writing, which mostly lay dormant during his Mad Men days, reemerged later in life as he left the realm of advertising for the world of arts and letters, most notably at the National Lampoon, as a writer for Saturday Night Live in its first incarnation, and then of course at The New Yorker, as well as other Conde Nast magazines, such as Vanity Fair. His is an unorthodox life and career path, traversing through worlds that have now become iconic, giving us rich first-hand insight into Bruce's unique creative development and process, and providing a rare window into both the highs and the lows that define an artist's career and life. With wit, candor, and cover illustrations showcasing Bruce's storied career, Bruce McCall&’s memoir will charm his many fans and anyone who knows and loves the places and eras he describes so well.
How Did Lubitsch Do It?
by Joseph McBrideOrson Welles called Ernst Lubitsch (1892–1947) “a giant” whose “talent and originality are stupefying.” Jean Renoir said, “He invented the modern Hollywood.” Celebrated for his distinct style and credited with inventing the classic genre of the Hollywood romantic comedy and helping to create the musical, Lubitsch won the admiration of his fellow directors, including Alfred Hitchcock and Billy Wilder, whose office featured a sign on the wall asking, “How would Lubitsch do it?” Despite the high esteem in which Lubitsch is held, as well as his unique status as a leading filmmaker in both Germany and the United States, today he seldom receives the critical attention accorded other major directors of his era.How Did Lubitsch Do It? restores Lubitsch to his former stature in the world of cinema. Joseph McBride analyzes Lubitsch’s films in rich detail in the first in-depth critical study to consider the full scope of his work and its evolution in both his native and adopted lands. McBride explains the “Lubitsch Touch” and shows how the director challenged American attitudes toward romance and sex. Expressed obliquely, through sly innuendo, Lubitsch’s risqué, sophisticated, continental humor engaged the viewer’s intelligence while circumventing the strictures of censorship in such masterworks as The Marriage Circle, Trouble in Paradise, Design for Living, Ninotchka, The Shop Around the Corner, and To Be or Not to Be. McBride’s analysis of these films brings to life Lubitsch’s wit and inventiveness and offers revealing insights into his working methods.
How Do I Photograph A Sunset?: More than 150 essential photography questions answered
by Chris GatcumHow do we learn? We learn by asking questions. But what if we don't know what questions we should be asking? Thanks to the digital revolution, photography has never been so popular, and whether you shoot on a phone or a top-spec DSLR or CSC camera, the urge to improve is relentless. In this book, author Chris Gatcum asks the questions that every photographer will have in mind at some point in their image-making journey, and then answers them in a clear, concise, straightforward and inspirational manner. Laid out in intuitive sections, this book tackles the questions that are on every photographer's mind, as well as those that they haven't thought of yet. And with a clear progression through each chapter, from the simple to more complex, the book asks - and answers - questions to satisfy the complete novice as well as the advanced practitioner.
How Do I Photograph A Sunset?: More than 150 essential photography questions answered
by Chris GatcumHow do we learn? We learn by asking questions. But what if we don't know what questions we should be asking? Thanks to the digital revolution, photography has never been so popular, and whether you shoot on a phone or a top-spec DSLR or CSC camera, the urge to improve is relentless. In this book, author Chris Gatcum asks the questions that every photographer will have in mind at some point in their image-making journey, and then answers them in a clear, concise, straightforward and inspirational manner. Laid out in intuitive sections, this book tackles the questions that are on every photographer's mind, as well as those that they haven't thought of yet. And with a clear progression through each chapter, from the simple to more complex, the book asks - and answers - questions to satisfy the complete novice as well as the advanced practitioner.
How Do I Quilt It?: Learn Modern Machine Quilting Using Walking-Foot & Free-Motion Techniques
by Christa WatsonYour go-to guide to modern machine quilting Prepare your quilt, choose your designs, and find your path! This comprehensive guide to modern machine quilting uses both walking-foot and free-motion techniques, all done on a domestic sewing machine. Learn how to create a quilting plan, then apply that plan to complete the quilt of your dreams with as few starts and stops as possible. Includes a gallery of popular machine quilting designs and 3 quilt projects to practice skills. Each of the 3 project quilts is shown quilted 3 different ways: walking foot, free motion, and a combination of walking foot and free motion quilting. Create a quilting plan and master the ins and outs with innovative techniques Learn how to machine quilt using walking-foot and free-motion techniques, all done on a domestic sewing machine. Includes a gallery of popular machine quilting designs and 3 quilt projects in 3 different ways to practice skills
How Do We Look: The Body, The Divine, And The Question Of Civilization
by Mary BeardFrom prehistoric Mexico to modern Istanbul, Mary Beard looks beyond the familiar canon of Western imagery to explore the history of art, religion, and humanity. Conceived as a gorgeously illustrated accompaniment to “How Do We Look” and “The Eye of Faith,” the famed Civilisations shows on PBS, renowned classicist Mary Beard has created this elegant volume on how we have looked at art. Focusing in Part I on the Olmec heads of early Mesoamerica, the colossal statues of the pharaoh Amenhotep III, and the nudes of classical Greece, Beard explores the power, hierarchy, and gender politics of the art of the ancient world, and explains how it came to define the so-called civilized world. In Part II, Beard chronicles some of the most breathtaking religious imagery ever made—whether at Angkor Wat, Ravenna, Venice, or in the art of Jewish and Islamic calligraphers— to show how all religions, ancient and modern, have faced irreconcilable problems in trying to picture the divine. With this classic volume, Beard redefines the Western-and male-centric legacies of Ernst Gombrich and Kenneth Clark.
How Do We Look?: Resisting Visual Biopolitics (a Camera Obscura book)
by Fatimah Tobing RonyIn How Do We Look? Fatimah Tobing Rony draws on transnational images of Indonesian women as a way to theorize what she calls visual biopolitics—the ways visual representation determines which lives are made to matter more than others. Rony outlines the mechanisms of visual biopolitics by examining Paul Gauguin’s 1893 portrait of Annah la Javanaise—a trafficked thirteen-year-old girl found wandering the streets of Paris—as well as US ethnographic and documentary films. In each instance, the figure of the Indonesian woman is inextricably tied to discourses of primitivism, savagery, colonialism, exoticism, and genocide. Rony also focuses on acts of resistance to visual biopolitics in film, writing, and photography. These works, such as Rachmi Diyah Larasati’s The Dance that Makes You Vanish, Vincent Monnikendam’s Mother Dao (1995), and the collaborative films of Nia Dinata, challenge the naturalized methods of seeing that justify exploitation, dehumanization, and early death of people of color. By theorizing the mechanisms of visual biopolitics, Rony elucidates both its violence and its vulnerability.
How Do We Look/The Eye of Faith
by Mary BeardThe idea of 'civilisation' has always been debated, even fought over. At the heart of those debates lies the big question of how people - from prehistory to the present day - have depicted themselves and others, both human and divine. Distinguished historian Mary Beard explores how art has shaped, and been shaped by, the people who created it. How have we looked at these images? Why have they sometimes been so contentious?In Part One, she examines how the human figure was portrayed in some of the earliest art in the world - from the gigantic stone heads carved by the Olmec of Central America to the statues and pottery of the ancient Greeks to the terracotta army of the first emperor of China. And she explains how one particular version of representing the human body, which goes back to the ancient world, still influences (and sometimes distorts) how people in the West see their own culture and that of others. Throughout this story, she is concerned not only with the artists who made images, but with those who have used them, viewed them and interpreted them. In other words: How Do We Look?In Part Two, Mary Beard turns to the relationship between art and religion. For centuries, religion has inspired art: from the Hindu temple at Angkor Wat to the Christian mosaics of Ravenna to the exquisite calligraphy of Islamic mosques. But making the divine visible in the human world has never been simple. All religions havewrestled with idolatry and iconoclasm, destroying art as well as creating it - and asking how to look with The Eye of Faith.
How Does Disability Performance Travel?: Access, Art, and Internationalization (Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance)
by Christiane Czymoch Kate Maguire-Rosier Yvonne SchmidtThis edited collection investigates the myriad ways in which disability performance travels in a globalized world. Disability arts festivals are growing in different parts of the world; theatre and dance companies with disabled artists are increasingly touring and collaborating with international partners. At the same time, theatre spaces are often not accessible, and the necessity of mobility excludes some disabled artists from being part of an international disability arts community. How does disability performance travel, who does not travel – and why? What is the role of funding and producing structures, disability arts festivals and networks around the world? How do the logics of international (co-)producing govern the way in which disability art is represented internationally? Who is excluded from being part of a touring theatre or dance company, and how can festivals, conferences, and other agents of a growing disability culture create other forms of participation, which are not limited to physical co-presence? This study will contextualize disability aesthetics, arts, media, and culture in a global frame, yet firmly rooted in its smaller national, state, and local community settings and will be of great interest to students and scholars in the field.
How Does It Feel?: A Life of Musical Misadventures
by Mark Kermode'Wonderful - such a terrific read. Brilliantly captures the passion, commitment, searing self-knowledge and dizzy happiness that comes with loving music. An enchanting book' STEPHEN FRY***Following a formative encounter with the British pop movie Slade in Flame in 1975, Mark Kermode decided that musical superstardom was totally attainable. And so, armed with a homemade electric guitar and very little talent, he embarked on an alternative career - a chaotic journey which would take him from the halls and youth clubs of North London to the stages of Glastonbury, the London Palladium and The Royal Albert Hall. Hilarious and blissfully nostalgic, this is a riotous account of a bedroom dreamer's attempts to conquer the world armed with nothing more than a chancer's enthusiasm and a simple philosophy: how hard can it be? *** 'At the heart of this entertaining memoir is a little boy in his back garden in Finchley, banging out a rhythm on saucepans with a couple of wooden spoons' Daily Mail'A rocking whirlwind of a tale' DANNY BAKER'Wonderful . . . will increase your zest for life' RICHARD AYOADE'Entertaining . . . what comes through every anecdote is the author's genuine enthusiasm for music' Spectator
How Does It Feel?: A Life of Musical Misadventures
by Mark KermodeFollowing a formative encounter with the British pop movie Slade in Flame in 1975, Mark Kermode decided that musical superstardom was totally attainable. And so, armed with a homemade electric guitar and very little talent, he embarked on an alternative career - a chaotic journey which would take him from the halls and youth clubs of North London to the stages of Glastonbury, the London Palladium and The Royal Albert Hall.HOW DOES IT FEEL? follows a lifetime of musical misadventures which have seen Mark striking rockstar poses in the Sixth Form Common Room, striding around a string of TV shows dressed from head to foot in black leather, getting heckled off stage by a bunch of angry septuagenarians on a boat on the Mersey, showing Timmy Mallet how to build a tea-chest bass - and winning the International Street Entertainers of the Year award as part of a new wave of skiffle. Really. Hilarious, self-deprecating and blissfully nostalgic, this is a riotous account of a bedroom dreamer's attempts to conquer the world armed with nothing more than a chancer's enthusiasm and a simple philosophy: how hard can it be?
How Does It Feel?: A Life of Musical Misadventures
by Mark KermodeFollowing a formative encounter with the British pop movie Slade in Flame in 1975, Mark Kermode decided that musical superstardom was totally attainable. And so, armed with a homemade electric guitar and very little talent, he embarked on an alternative career - a chaotic journey which would take him from the halls and youth clubs of North London to the stages of Glastonbury, the London Palladium and The Royal Albert Hall.HOW DOES IT FEEL? follows a lifetime of musical misadventures which have seen Mark striking rockstar poses in the Sixth Form Common Room, striding around a string of TV shows dressed from head to foot in black leather, getting heckled off stage by a bunch of angry septuagenarians on a boat on the Mersey, showing Timmy Mallet how to build a tea-chest bass - and winning the International Street Entertainers of the Year award as part of a new wave of skiffle. Really. Hilarious, self-deprecating and blissfully nostalgic, this is a riotous account of a bedroom dreamer's attempts to conquer the world armed with nothing more than a chancer's enthusiasm and a simple philosophy: how hard can it be?Written and Read by Mark KermodeMusic samples from the album 'Drive Train' are reproduced with kind permission from The Dodge Brothers(P) Orion Publishing Group 2018
How Drawings Work: A User-Friendly Theory
by Susan C. Piedmont-PalladinoHow Drawings Work cheekily explains that what architects make is information that enables other people to make buildings. That information comes in a variety of forms: drawings by hand and computer, models both physical and virtual, and words as needed. The book reflects in witty prose on the nature of architectural drawings as tools of communication, pulling from a diverse and eclectic landscape of theories from grammar, functional linguistics, philosophy, art criticism, science fiction, popular culture, and, of course, architecture, to propose a new way to think about architectural communication.
How Far We Go and How Fast
by Nora DecterSixteen-year-old Jolene, named after the girl in the Dolly Parton song, is from a long line of lowlifes, but at least they're musical lowlifes. Her mother is a tanning-salon manager who believes she can channel her karaoke habit into a professional singing career. Jolene's dad, a failed bass player, has gone back to the family demolition business and lives by the company motto: "We do not build things; we only tear them down." But Jolene and her big brother, Matt, are true musicians, writing songs together that make everything Jo hates about their lives matter less. <P><P>When Matt up and leaves in the middle of the night, Jo loses her only friend, her support system and the one person who made her feel cool. As it becomes clear that Matt is never coming back, Jo must use music to navigate her loss.
How Folklore Shaped Modern Art: A Post-Critical History of Aesthetics (Routledge Advances in Art and Visual Studies #15)
by Wes HillSince the 1990s, artists and art writers around the world have increasingly undermined the essentialism associated with notions of "critical practice." We can see this manifesting in the renewed relevance of what were previously considered "outsider" art practices, the emphasis on first-person accounts of identity over critical theory, and the proliferation of exhibitions that refuse to distinguish between art and the productions of culture more generally. How Folklore Shaped Modern Art: A Post-Critical History of Aesthetics underscores how the cultural traditions, belief systems and performed exchanges that were once integral to the folklore discipline are now central to contemporary art’s "post-critical turn." This shift is considered here as less a direct confrontation of critical procedures than a symptom of art’s inclusive ideals, overturning the historical separation of fine art from those "uncritical" forms located in material and commercial culture. In a global context, aesthetics is now just one of numerous traditions informing our encounters with visual culture today, symptomatic of the pull towards an impossibly pluralistic image of art that reflects the irreducible conditions of identity.
How Good is David Mamet, Anyway?: Writings on Theater--and Why It Matters
by John HeilpernFirst Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.