- Table View
- List View
Housing, Space and Quality of Life (Ethnoscapes Ser.)
by David L. Uzzell J. Eulogio Real José Romay Ricardo García MiraHouses, and other spaces and environments in which people spend their time, have a crucial impact on quality of life. We are increasingly living in multi-cultural cities and communities, and this too significantly affects how we feel about spaces in which we live. This volume brings together psychologists, architects, designers and planners to discuss issues of housing, space, sustainability and multi-culturalism. In doing so, the book provides an insightful critical analysis of space, place and the quality of life. It also addresses the implications of intercultural tension on quality of life and on the way in which people use and interact in a multi-cultural space. With case studies from Spain, Turkey, Brazil, the UK, the USA and Israel, it discusses issues such as low-cost housing, security, environmental conservation and sustainability, alternative building techniques, cultural diversity and its impact on housing and urban design.
Housing Transformations: Shaping the Space of Twenty-First Century Living (Housing and Society Series)
by Bridget FranklinDrawing together a wide range of literature, this original book combines social theory with elements from the built environment disciplines to provide insight into how and why we build places and dwell in spaces that are at once contradictory, confining, liberating and illuminating. This groundbreaking book deals with topical issues, which are helpfully divided into two parts. The first presents a conceptual framework examining how the built environment derives from a variety of influences: structural, institutional, textual, and action-orientated. Using illustrated case study examples, the second part covers new build schemes, including urban villages, gated communities, foyers, retirement homes and televillages, as well as refurbishment projects, such as mental hospitals and tower blocks. Multidisciplinary in its focus, Housing Transformations will appeal to academics, students and professionals in the fields of housing, planning, architecture and urban design, as well as to social scientists with an interest in housing.
Houston: 1860 to 1900
by Ann Dunphy BeckerIn an area that was little more than a thick forest lining Buffalo Bayou, Houston was founded in 1836 by the Allen brothers and named after the Republic of Texas's beloved general Sam Houston. By 1860, there were 5,000 residents in Houston, wooden sidewalks, a few shell-paved roads, and five railroads. Out of the mud and mayhem of Houston's humble frontier beginnings arose men like Thomas W. House, Alexander P. Root, Edward Hopkins Cushing, Thomas Bagby, and William S. Swilley. The sleepy little bayou that wound from Main Street and emptied into Galveston Bay would soon become one of the largest ports in the south. By 1900, the founders' grandchildren were ready to strike out on their own and would play their part in building a great Texas city, a railroad nexus for the Gulf Coast, and an international port of call.
Houston
by Daniel MonsantoAlong the banks of Buffalo Bayou, Houston was founded by John and Augustus Allen on August 30, 1836. The city was named after Gen. Sam Houston, a prominent military hero of the Texas Revolution. After the Civil War ended, Houston flourished as agricultural, industrial, and commercial interests generated economic growth. In 1901, the discovery of oil at nearby Spindletop ushered in a new era, fueled by the addition of an inland port when the Houston Ship Channel was dredged in 1914. During the latter half of the 20th century, energy, space exploration, and the medical sciences placed this city on the world stage. Big dreams, big discoveries, hard work, and a little luck made Houston the thriving city it is today.
Houston Aviation (Images of Aviation)
by The 1940 Air Terminal MuseumAs Houston steadily grew in the early 20th century, the commercial and civic elite focused on the community's industrial expansion and economic prosperity. Aviation played a significant role in that aspiration. With the earliest birdmen of the skies offering a suggestion of the economic potential of flight, Houston-area policymakers solicited and welcomed military aviation, first at Ellington Field and later on Galveston Island. As early as the 1920s, the burgeoning Houston energy industry realized the value and utility of aircraft as business tools. Aircraft were uniquely capable of quickly traversing the great distances that separated the oil fields from the centers of commerce and industry, and their use made Houston an epicenter for modern business aviation. Between World War I and World War II, the federal post office subsidized the development of commercial passenger service while the city fathers provided the necessary infrastructure through the funding and establishment of the Houston Municipal Airport. The triptych of business, commercial, and military aviation would come to define Houston's aviation lineage.
Houston Fire Department (Images of America)
by Tristan Smith Fire Museum of HoustonHouston's firefighting service began in 1838 with the founding of Protection Fire Company No. 1. As the city of Houston grew throughout the early and mid-19th century, volunteer companies formed and grew along with it. By 1895, city leaders decided to form the Houston Fire Department as a city department, culling the volunteer forces for men, stations, apparatus, and horses. The city grew in leaps and bounds, swallowing up neighborhoods, communities, and smaller cities along the way, with the fire department nipping at their heels. This brave force battled devastating fires throughout the years, most notably the Great Fifth Ward Fire in 1912, the 1943 Gulf Hotel Fire, the Woodway Square Apartment Conflagration in 1979 and the Southwest Inn Fire in 2013. What was once a smattering of volunteer fire brigades has grown into an imposing force of over 3,000 firefighters protecting over two million people in the fourth largest city in the United States.
Houston Heights (Images of Modern America)
by Anne SloanFounded in 1891, Houston Heights, one of the earliest and largest planned communities in the state of Texas, weathered the national decline of urban neighborhoods and has entered an era of growth, new construction, and a denser use of its space. Located approximately three miles from downtown Houston (the fourth-largest city in the nation), Houston Heights is now prime real estate. As townhomes, condos, and large apartment complexes continue to be built, the area's "small-town feel" has become diluted. Houston Heights is struggling to maintain its walkability, residents are trying to remain connected to their neighbors, and preservationists are striving to save its history. Almost everyone who lives here appreciates the quirkiness of the neighborhood, the visual impact of art that is part of their daily lives, the ethnic diversity, and the respect that residents show toward young and the old. Three City of Houston historic districts preserve portions of the neighborhood's traditional fabric.
Houston Lost and Unbuilt
by Steven R. StromDriven by an almost fanatical desire for whatever is new, "modern," and likely to make money, Houston is constantly in the process of remaking itself. Few structures remain from the nineteenth century, and even much of the twentieth-century built environment has fallen before the wrecking ball of "progress. " Indeed, the demolition of older buildings in Houston can be compared to the destruction of cityscapes such as Berlin, Warsaw, and Tokyo in World War II. But because this wholesale restructuring of Houston's built environment has happened in peacetime, historically minded people have only recently sounded an alarm over what is being lost and the toll this destruction is taking on Houstonians' sense of place. Houston Lost and Unbuilt presents an extensive catalogue of twentieth-century public and commercial buildings that have been lost forever, as well as an intriguing selection of buildings that never made it off the drawing board. The lost buildings (or lost interiors of buildings) span a wide range, from civic gathering places such as the Houston Municipal Auditorium and the Astrodome to commercial enterprises such as the Foley Brothers, Sears Roebuck, and Sakowitz department stores to "Theatre Row" downtown to neighborhoods such as Fourth Ward/Freedmen's Town. Steven Strom's introductions and photo captions describe each significant building's contribution to the civic life of Houston. The "unbuilt" section of the book includes numerous previously unpublished architectural renderings of proposed projects such as a multi-building city center, monorail, and people mover system, all which reflect Houston's fascination with the future and optimism that technology will solve all of the city's problems.
Houston, We Have a Narrative: Why Science Needs Story
by Randy OlsonAsk a scientist about Hollywood, and you'll probably get eye rolls. But ask someone in Hollywood about science, and they'll see dollar signs: moviemakers know that science can be the source of great stories, with all the drama and action that blockbusters require. That's a huge mistake, says Randy Olson: Hollywood has a lot to teach scientists about how to tell a story--and, ultimately, how to do science better. With Houston, We Have a Narrative, he lays out a stunningly simple method for turning the dull into the dramatic. Drawing on his unique background, which saw him leave his job as a working scientist to launch a career as a filmmaker, Olson first diagnoses the problem: When scientists tell us about their work, they pile one moment and one detail atop another moment and another detail--a stultifying procession of "and, and, and. " What we need instead is an understanding of the basic elements of story, the narrative structures that our brains are all but hardwired to look for--which Olson boils down, brilliantly, to "And, But, Therefore," or ABT. At a stroke, the ABT approach introduces momentum ("And"), conflict ("But"), and resolution ("Therefore")--the fundamental building blocks of story. As Olson has shown by leading countless workshops worldwide, when scientists' eyes are opened to ABT, the effect is staggering: suddenly, they're not just talking about their work--they're telling stories about it. And audiences are captivated. Written with an uncommon verve and enthusiasm, and built on principles that are applicable to fields far beyond science, Houston, We Have a Narrative has the power to transform the way science is understood and appreciated, and ultimately how it's done.
Houston's Courtlandt Place
by Sallie Gordon Penny JonesIn 1906, Houston was poised to become a great city. The construction of its first skyscraper began (only eight stories); dredging commenced for the Houston Ship Channel; and Carrie Nation paid a visit and inflicted $750 damage on a saloon named after her, leaving no doubt that she wanted the name changed. Rambunctious growth, the proliferation of streetcar lines, and the emergence of the automobile pushed Houston's boundaries outward. When unrestricted commercialism encroached on the mansions of the city's elite, they abandoned downtown and formed private residential enclaves beyond the chaos. One of the earliest, fashioned after the "private places" of St. Louis, was Courtlandt Place. Developed for Houston's first big businessmen and power brokers, its story has been linked with the city's history for more than 100 years. The exceptional Courtlandt Place is on the National Register of Historic Places and remains a triumph of historic preservation.
Houston's River Oaks (Images of Modern America)
by Ann Dunphy Becker Charles Dain Becker Joan Blaffer JohnsonRiver Oaks is a name that has rung out in Houston, Texas, since its founding in 1923. The neighborhood's uncertain geographical boundaries may be a point of controversy, but the impact River Oaks has had on the city is indisputable. River Oaks has been home to astronauts who have contributed to American space exploration; lawyers who are involved in the interworking of the United States' legal system; oil tycoons who have helped Houston grow; and doctors who are responsible for inventing lifesaving medical procedures. The neighborhood is also home to one of the country's most exclusive country clubs, and River Oaks has been served by some of the same schools, churches, stores, and restaurants since its founding. This book explores how River Oaks not only celebrates, grieves, and lives life day-to-day, but also how it changes the world.
Houston's River Oaks
by Ann Dunphy Becker George MurrayIn the early 1920s, when T.W. House Jr., A.C. Guthrie, and Thomas Ball came to the conclusion that Houston needed a new country club, complete with an 18-hole golf course, they formed Country Club Estates. They chose to build on land called the House tract just west of downtown. Very quickly, 300 memberships were sold, with each including one share of stock in the company. Within a year, Will and Mike Hogg, along with Hugh Potter, recognized this as a perfect idea for the bustling city of Houston. They purchased 1,100 acres, eventually creating the River Oaks Corporation. Images of America: Houston's River Oaks takes the reader from 1923 to 1970 and tells the story of one of the most carefully planned subdivisions in America. Today, River Oaks is known as an enviable place to call home. The careful planning undertaken by these Houstonians 90 years ago produced results of unmatched beauty and a quality of life still enjoyed today.
The Houstorian Calendar: Today in Houston History (On This Day In)
by James GlassmanSeptember 4, 2000, was Houston's hottest day on record, as well as Beyoncé's nineteenth birthday. Sam Houston was elected president on September 5, 1836. The city was awarded a National League baseball franchise on October 17, 1960, and on November 1, 2017, the Astros won their first World Series. On December 13, 1882, the Capitol Hotel became Houston's first public building to get electricity. Tragedy struck on April 16, 1947, when a ship carrying ammonium nitrate fertilizer exploded alongside a Texas City dock. James Glassman captures every single day of the year in the prism of Houston history, from the Texas Revolution to the moon landing.
How 30 Great Ads Were Made: From Idea To Campaign
by Eliza WilliamsThis book takes readers behind the scenes in the world of advertising, showcasing 30 phenomenally successful campaigns from the last decade. Fascinating not only for industry professionals but for anyone with an interest in how ads are made.Technical information on how the ads were developed is accompanied by anecdotes from the creatives, directors and clients, with accounts of how the ads were made and the problems encountered along the way. Each campaign is illustrated with imagery showing the stages it went through in development – including sketches and early ideas that may have been abandoned, storyboards, animatics and photos from shoots, as well as shots of the final ads. In addition to offering an insight into the working practices within advertising, the book also demonstrates how the industry is currently experiencing a period of rapid change, and shows the different skills that are now required to work in advertising.
How 30 Great Ads Were Made: From Idea to Campaign
by Eliza WilliamsThis book takes readers behind the scenes in the world of advertising, showcasing 30 phenomenally successful campaigns from the last decade. Fascinating not only for industry professionals but for anyone with an interest in how ads are made.Technical information on how the ads were developed is accompanied by anecdotes from the creatives, directors and clients, with accounts of how the ads were made and the problems encountered along the way. Each campaign is illustrated with imagery showing the stages it went through in development – including sketches and early ideas that may have been abandoned, storyboards, animatics and photos from shoots, as well as shots of the final ads. In addition to offering an insight into the working practices within advertising, the book also demonstrates how the industry is currently experiencing a period of rapid change, and shows the different skills that are now required to work in advertising.
How a Comic Book is Made (Fountas & Pinnell LLI Red #Level P)
by Michael SandlerPeople around the world love colorful, action-packed comic books. Find out who makes comic books, and how they do it.
How a House is Built
by Gail GibbonsGail Gibbons uses clear, simple wording to present all the steps involved in building a house. From the architect who draws the plans, through the various types of workers who construct it, to the family who will make the house their home, each aspect is explained. Children can easily follow along as construction begins at the ground level with surveyors, describing the jobs of carpenters and plumbers. The many tools used to complete each task are explained, ultimately showing how all the workers' efforts come together to build a whole house from basement to roof, both inside and outside.
How a House Is Built
by Gail GibbonsHouses are built with many different materials, and in many shapes and sizes. Step by step, this picture book explains how homes are built—from the architect's plans through the arrival of a happy family. The many processes of construction are explained with simple language and bright, clear illustrations, perfect for kids starting to wonder about how the world around them works. Many different careers—including carpenters, plumbers, electricians, and landscapers—are introduced, each doing their part to bring the picture wood-frame house to life. A great read for kids who love construction sites, or who can't get enough of Building a House by Byron Barton. According to The Washington Post, Gail Gibbons "has taught more preschoolers and early readers about the world than any other children's writer-illustrator." Ms. Gibbons is the author of more than 100 books for young readers, including the bestselling titles From Seed to Plant and Monarch Butterfly. Her many honors include the Washington Post/Childrens Book Fuild Nonfiction Award and the NSTA Outstanding Science Trade Book Award.
How a Revolutionary Art Became Official Culture: Murals, Museums, and the Mexican State
by Mary K. CoffeyA public art movement initiated by the postrevolutionary state, Mexican muralism has long been admired for its depictions of popular struggle and social justice. Mary K. Coffey revises traditional accounts of Mexican muralism by describing how a radical art movement was transformed into official culture, ultimately becoming a tool of state propaganda. Analyzing the incorporation of mural art into Mexico's most important public museums--the Palace of Fine Arts, the National History Museum, and the National Anthropology Museum--Coffey illuminates the institutionalization of muralism and the political and aesthetic issues it raised. She focuses on the period between 1934, when José Clemente Orozco and Diego Rivera were commissioned to create murals in the Palace of Fine Arts, through the crisis of state authority in the 1960s. Coffey highlights a reciprocal relationship between Mexico's mural art and its museums. Muralism shaped exhibition practices, which affected the politics, aesthetics, and reception of mural art. Interpreting the iconography of Mexico's murals, she focuses on representations of mestizo identity, the preeminent symbol of postrevolutionary Mexico. Coffey argues that those gendered representations reveal a national culture project more invested in race and gender inequality than in race and class equality.
How About Never—Is Never Good for You?: My Life in Cartoons
by Bob MankoffMemoir in cartoons by the longtime cartoon editor of The New YorkerPeople tell Bob Mankoff that as the cartoon editor of The New Yorker he has the best job in the world. Never one to beat around the bush, he explains to us, in the opening of this singular, delightfully eccentric book, that because he is also a cartoonist at the magazine he actually has two of the best jobs in the world. With the help of myriad images and his funniest, most beloved cartoons, he traces his love of the craft all the way back to his childhood, when he started doing funny drawings at the age of eight. After meeting his mother, we follow his unlikely stints as a high-school basketball star, draft dodger, and sociology grad student. Though Mankoff abandoned the study of psychology in the seventies to become a cartoonist, he recently realized that the field he abandoned could help him better understand the field he was in, and here he takes up the psychology of cartooning, analyzing why some cartoons make us laugh and others don't. He allows us into the hallowed halls of The New Yorker to show us the soup-to-nuts process of cartoon creation, giving us a detailed look not only at his own work, but that of the other talented cartoonists who keep us laughing week after week. For desert, he reveals the secrets to winning the magazine's caption contest. Throughout How About Never--Is Never Good for You?, we see his commitment to the motto "Anything worth saying is worth saying funny."
How AI Thinks: How we built it, how it can help us, and how we can control it
by null Nigel ToonTHE #2 TIMES BESTSELLER'Artificial intelligence is going to have a massive impact on everyone’s lives... an accessible and sensible read that helps demystify AI' Deborah Meaden, entrepreneur and star of Dragon's Den'Nigel Toon is a visionary leader in the field of artificial intelligence... a must-read' Marc Tremblay, Distinguished Engineer, MicrosoftThose who understand how AI thinks are about to win big.We are used to thinking of computers as being a step up from calculators - very good at storing information, and maybe even at playing a logical game like chess. But up to now they haven't been able to think in ways that are intuitive, or respond to questions as a human might. All that has changed, dramatically, in the past few years.Our search engines are becoming answer engines. Artificial intelligence is already revolutionising sectors from education to healthcare to the creative arts. But how does an AI understand sentiment or context? How does it play and win games that have an almost infinite number of moves? And how can we work with AI to produce insights and innovations that are beyond human capacity, from writing code in an instant to unfolding the elaborate 3D puzzles of proteins?We stand at the brink of a historic change that will disrupt society and at the same time create enormous opportunities for those who understand how AI thinks. Nigel Toon shows how we train AI to train itself, so that it can paint images that have never existed before or converse in any language. In doing so he reveals the strange and fascinating ways that humans think, too, as we learn how to live in a world shared by machine intelligences of our own creation.
How and Why We Teach Shakespeare: College Teachers and Directors Share How They Explore the Playwright’s Works with Their Students
by Sidney HomanIn How and Why We Teach Shakespeare, 19 distinguished college teachers and directors draw from their personal experiences and share their methods and the reasons why they teach Shakespeare. The collection is divided into four sections: studying the text as a script for performance; exploring Shakespeare by performing; implementing specific techniques for getting into the plays; and working in different classrooms and settings. The contributors offer a rich variety of topics, including: working with cues in Shakespeare, such as line and mid-line endings that lead to questions of interpretation seeing Shakespeare’s stage directions and the Elizabethan playhouse itself as contributing to a play’s meaning using the "gamified" learning model or cue-cards to get into the text thinking of the classroom as a rehearsal playing the Friar to a student’s Juliet in a production of Romeo and Juliet teaching Shakespeare to inner-city students or in a country torn by political and social upheavals. For fellow instructors of Shakespeare, the contributors address their own philosophies of teaching, the relation between scholarship and performance, and—perhaps most of all—why in this age the study of Shakespeare is so important.
How Architects Write
by Rebecca Damron Tom SpectorHow Architects Write shows you the interdependence of writing and design in both student and professional examples. This fully updated edition features more than 50 color images, a new chapter on online communication, and sections on critical reading, responding to requests for proposals, the design essay, storyboarding, and much more. It also includes resources for how to write history term papers, project descriptions, theses, proposals, research reports, specifications, field reports, client communications, post-occupancy evaluations, and emailed meeting agendas, so that you can navigate your career from school to professional practice.
How Architecture Works: A Humanist's Toolkit
by Witold RybczynskiAn essential toolkit for understanding architecture as both art form and the setting for our everyday livesWe spend most of our days and nights in buildings, living and working and sometimes playing. Buildings often overawe us with their beauty. Architecture is both setting for our everyday lives and public art form—but it remains mysterious to most of us. In How Architecture Works, Witold Rybczynski, one of our best, most stylish critics and winner of the Vincent Scully Prize for his architectural writing, answers our most fundamental questions about how good—and not-so-good—buildings are designed and constructed. Introducing the reader to the rich and varied world of modern architecture, he takes us behind the scenes, revealing how architects as different as Frank Gehry, Renzo Piano, and Robert A. M. Stern envision and create their designs. He teaches us how to "read" plans, how buildings respond to their settings, and how the smallest detail—of a stair balustrade, for instance—can convey an architect's vision. Ranging widely from a war memorial in London to an opera house in St. Petersburg, from the National Museum of African American History and Culture in Washington, D.C., to a famous architect's private retreat in downtown Princeton, How Architecture Works, explains the central elements that make up good building design. It is an enlightening humanist's toolkit for thinking about the built environment and seeing it afresh. "Architecture, if it is any good, speaks to all of us," Rybczynski writes. This revelatory book is his grand tour of architecture today.
How Art Can Be Thought: A Handbook for Change
by Allan DeSouzaWhat terms do we use to describe and evaluate art, and how do we judge if art is good, and if it is for the social good? In How Art Can Be Thought Allan deSouza investigates such questions and the popular terminology through which art is discussed, valued, and taught. Adapting art viewing to contemporary demands within a rapidly changing world, deSouza outlines how art functions as politicized culture within a global industry. In addition to offering new pedagogical strategies for MFA programs and the training of artists, he provides an extensive analytical glossary of some of the most common terms used to discuss art while focusing on their current and changing usage. He also shows how these terms may be crafted to new artistic and social practices, particularly in what it means to decolonize the places of display and learning. DeSouza's work will be invaluable to the casual gallery visitor and the arts professional alike, to all those who regularly look at, think about, and make art—especially art students and faculty, artists, art critics, and curators.