- Table View
- List View
Another Way of Telling
by John Berger Jean MohrAnother Way of Telling explores the tension between the photographer and the photographed, between the picture and its viewers, between the filmed moment and the memories that it so resembles.
Another World: Nineteenth-Century Illustrated Print Culture
by Patricia MainardiThe remarkable story of the stylistic, cultural, and technical innovations that drove the surge of comics, caricature, and other print media in 19th-century Europe Taking its title from the 1844 visionary graphic novel by J. J. Grandville, this groundbreaking book explores the invention of print media—including comics, caricature, the illustrated press, illustrated books, and popular prints—tracing their development as well as the aesthetic, political, technological, and cultural issues that shaped them. The explosion of imagery from the late 18th century to the beginning of the 20th exceeded the print production from all previous centuries combined, spurred the growth of the international art market, and encouraged the cross-fertilization of media, subjects, and styles. Patricia Mainardi examines scores of imaginative and innovative prints, focusing on highly experimental moments of discovery, when artists and publishers tested the limits of each new medium, creating visual languages that extend to the comics and graphic novels of today. Another World unearths a wealth of visual material, revealing a history of how our image-saturated world came into being, and situating the study of print culture firmly within the context of art history.
Anri Sala: "1395 Days without Red" and Other Videos
by Michael FriedAnri Sala is one of the most gifted and accomplished visual artists of his generation. Michael Fried first encountered Sala's video, film and installation art in 2005 and has been following his work since. This collection of essays focuses on what Fried identifies as a few major and recurring themes in Sala's work, such as the treatment of absorption and the overarching issues of anti-theatricality and presentness. Throughout the book, which is illustrated with numerous colour stills from Anri Sala's videos, Fried pursues a highly personal approach of combining extremely fine-grained structural and thematic readings of individual works with philosophical and theoretical reflections often drawing on major thinkers in the Western philosophical tradition, including Ludwig Wittgenstein and the eighteenth-century philosopher Friedrich Schiller.Fried also provides unique insight into his own renowned critical and theoretical work, which has exercised such great influence in art history and criticism for nearly sixty years. Employing in these moments a conversational tone, speaking directly to the reader in his own voice about his own work, he reviews the genesis and development of his theories and critical constructs in light of Anri Sala's videos, creating a highly productive back and forth between Sala and the contemporary art world on the one hand and Fried's often more historical studies and concepts on the other. For readers of Michael Fried, the result is not only a stimulating discussion of Sala and the artistic and theoretical tradition in whose light his work can be viewed, but also a vital reflection on Fried's own foundational ideas, how they came to be and how they are relevant today.
Ansel Adams: An Autobiography
by Ansel Adams Mary Street AlinderIn this bestselling autobiography, completed shortly before his death in 1984, Ansel Adams looks back at his legendary six-decade career as a conservationist, teacher, musician, and, above all, photographer. Written with characteristic warmth, vigor, and wit, this fascinating account brings to life the infectious enthusiasms, fervent battles, and bountiful friendships of a truly American original.
Ansel Adams: Letters, 1916 - 1984
by Wallace Stegner Mary Street Alinder Andrea G. StillmanIn his early years in Yosemite, Ansel Adams formed the habit of writing letters at every opportunity. Among the family, friends, and colleagues with whom he corresponded rank such eminent names as Alfred Stieglitz, Paul Strand and Jimmy Carter.
Ansel Adams' Yosemite: The Special Edition Prints
by Ansel AdamsAmerica's greatest photographer on his greatest subject--featuring the Yosemite Special Edition Prints, a collectible collection of photographs selected by Ansel Adams during his lifetime, yet never before published in book form.The photographs of Ansel Adams are among America's finest artistic treasures, and form the basis of his tremendous legacy of environmental activism.In the late 1950s, Adams selected eight photographs of Yosemite National Park to offer exclusively to park visitors as affordable souvenirs. He hoped that these images might inspire tourists to become activists by transmitting to them the same awe and respect for nature that Yosemite had instilled in him. Over the following decades, Adams added to this collection to create a stunning view of Yosemite in all its majesty.These photographs, the Yosemite Special Edition Prints, form the core of this essential volume. Adams' luminous images of Yosemite's unique rock formations, waterfalls, meadows, trees, and nature details are among the most distinctive of his career. Today, with America's public lands increasingly under threat, his creative vision remains as relevant and convincing as ever.Introduced by bestselling photographer Pete Souza, with an essay by Adams' darkroom assistant Alan Ross, Ansel Adams' Yosemite is a powerful continuation of Adams' artistic and environmental legacies, and a compelling statement during a precarious time for the American earth.
Anselm Kiefer: Der Künstler als Suchender zwischen Mythos und Mystik
by Harriet HäußlerDie Untersuchung der Himmelspaläste, mit denen Anselm Kiefer sein skulpturales Werk begründet, eröffnet einen vollkommen neuartigen Zugang zum Oeuvre des Künstlers. Aus der Betrachtung des Skulpturenzyklus´ konnte die Erkenntnis gewonnen werden, dass Kiefer keineswegs vorrangig als ein deutscher Künstler der Nachkriegszeit verstanden werden kann, der in seinen Werken vornehmlich Trauerarbeit und Vergangenheitsbewältigung leistet. Vielmehr ist er als ein bewusst selbstreflexiv arbeitender, künstlerischer Künstler zu bezeichnen, der sich bereits Jahre vor seinem Umzug nach Frankreich mit zahlreichen komplexen Themen, die nicht den nationalen bzw. den germanischen Themengebieten zuzurechnen sind, intensiv auseinandergesetzt hat.Anselm Kiefers Kunst verkörpert für Kiefer ein Reflexionsmedium, mit dessen Hilfe er sich selbst in der Welt situiert. Das Verhältnis zwischen Mikro- und Makrokosmos findet eine Entsprechung in Kiefers Verhältnis zu seinem eigenen Werk. Dieser als paradoxzu bezeichnende Bezug ist von Distanz und Nähe zugleich geprägt.
Ansonia (Images of America)
by The Derby Historical SocietyThe town of Ansonia is situated at the foot of Connecticut's Berkshire Hills, above the confluence of the Housatonic and Naugatuck Rivers. This manufacturing village was named for its founder, Anson Phelps, a businessman who played a prominent role in the community. Ansonia shares its earliesthistory with the neighboring town of Derby, of which it was a part until 1889. Ansonia has been called the Industrial Heart of the Naugatuck Valley. Yet, as you will see inside, its history is rich beyond its industry. Ansonia highlights the town's wonderfulold homes and churches. This one town had 25 churches at one time. The book follows the town through good times as well as hard times, such as the Blizzard of 1888 and the Flood of 1955 and the redevelopment days that followed.
The Answers: To Questions That Teachers Most Frequently Ask
by Julie Wofford AndersonJulie Wofford Anderson, teacher and educational consultant, uses her years on the front lines to answer the most commonly asked real-life questions of pre-service as well as first and second-year teachers. Her experience supervising teachers and training student teachers provides her with the unique ability to have field-tested answers ready before the questions are asked!Sample questions include: What can I do to command respect from my students? When am I supposed to do all this stuff and teach as well? What are rubrics exactly? How can I establish good discipline in my classroom? What do I do with unreasonable demands by vocal and difficult parents?This practical "been there, done that" approach to overcoming the most common problems facing new teachers today will save time and effort and put you on the path to success. A must for every new and pre-service teacher in K¬-12.
Answers from The Working Actor: Two Backstage Columnists Share Ten Years of Advice
by Jackie Apodaca Michael KostroffFor nearly a decade, Jackie Apodaca and Michael Kostroff shared duties as advice columnists for the actors’ trade paper, Backstage. Their highly popular weekly feature, "The Working Actor," fielded questions from actors all over the country. A cross between "Dear Abby" and The Hollywood Reporter, their column was a fact-based, humorous, compassionate take on the questions actors most wanted answered. Using some of their most interesting, entertaining, and informative columns as launch points, Answers from "The Working Actor" guides readers through the ins and outs (and ups and downs) of the acting industry. Apodaca and Kostroff share an approach that is decidedly "on the ground." They’ve both labored in the trenches just like their readers—dealing with auditions, classes, photos, résumés, rehearsals, contract negotiations, representatives, jobs, challenging colleagues, and the search for that elusive life/career balance. There are few absolutes in the acting profession and virtually no proven and reliable steps. Unlike books that claim to offer "Quick Steps to a Successful Acting Career," Answers from "The Working Actor" deals honestly with the realities, providing facts, options, strategies, stories, points of view, and the wisdom of experience, while ultimately challenging readers to make their own decisions. This book will give new actors a head start on their journeys and remind experienced professionals that, in the acting business, there is never only one answer to any question.
Answers in the Form of Questions: A Definitive History and Insider's Guide to Jeopardy!
by Claire McNearWhat is the smartest, most celebrated game show of all time? In this insider's guide, discover the rich history of Jeopardy! -- the beloved game show that has shaped our culture and entertained audiences for years.Jeopardy! is a lot of things: record-setting game show, beloved family tradition, and proving ground for many of North America's best and brightest. Nearly four decades into its current edition, Jeopardy! now finds itself facing unprecedented change.This is the chronicle of how the show became a cross-generational touchstone and where it's going next. ANSWERS IN THE FORM OF QUESTIONS dives deep behind the scenes, with longtime host Alex Trebek talking about his life and legacy and the show's producers and writers explaining how they put together the nightly game. Readers will travel to bar trivia showdowns with the show's biggest winners and training sessions with trivia whizzes prepping for their shot onstage. And they'll discover new tales of the show's most notable moments-like the time the Clue Crew almost slid off a glacier-and learn how celebrity cameos and Saturday Night Live spoofs built a television mainstay. ANSWERS IN THE FORM OF QUESTIONS looks to the past -- and the future -- to explain what Jeopardy! really is: a tradition unlike any other.
Answers To Questions About Old Jewelry
by C Jeanenne BellMake smart sense of today's dynamic world of collectible jewelry when you rely on the answers to key questions about vintage jewelry covered in this new full-color edition of the jewelry collector's classic must-have. Authoritative details, such as maker's marks, outlined in this guide help collectors and dealers identify, date and assess everything from brooches and pins and pendants, rings and lockets of the mid-1800s through the 1950s. This new color edition also includes coverage of Modernist jewelry; as well as an expanded section devoted to Mexican jewelry, a market where many pieces are selling for thousands of dollars each.
Answers to Questions About Old Jewelry, 1840-1950: Identification and Value Guide
by C. Jeanenne BellA Jewelry ClassicFor three decades, Answers to Questions About Old Jewelry has served as the most respected and authoritative reference to the subject of vintage jewelry on the market. The new edition of this timeless classic finds acclaimed jewelry expert C. Jeanenne Bell at her best - sharing her impressive understanding of the subject with unbridled passion for her life-long pursuit.Offering significant historical information and lavish images ofremarkable pieces, this best-selling guide to antique jewelry takes you on a beautiful and edifying adventure. Bell's historical sense, coupled with her keen eye for detail and value, makes her work a cherished addition to the library for both the beginning or veteran jewelry collector.This new edition features nearly 1,000 all-new color photographs of the most collectible jewelry today from 1840 to 1950, fully vetted values, and offers indispensable insight for various jewelry styles, including:VictorianEdwardian and Egyptian RevivalArt Nouveau and Art DecoRetro ModernBakelite, Costume, Mexican and ModernistA former appraiser for "Antiques Roadshow," Bell also provides additional information on maker's marks, trademarks, designer marks, and circa dating clues.
Antagonistic Cooperation: Jazz, Collage, Fiction, and the Shaping of African American Culture (Leonard Hastings Schoff Lectures)
by Robert O'MeallyRalph Ellison famously characterized ensemble jazz improvisation as “antagonistic cooperation.” Both collaborative and competitive, musicians play with and against one another to create art and community. In Antagonistic Cooperation, Robert G. O’Meally shows how this idea runs throughout twentieth-century African American culture to provide a new history of Black creativity and aesthetics.From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, O’Meally explores how the worlds of African American jazz, art, and literature have informed one another. He argues that these artists drew on the improvisatory nature of jazz and the techniques of collage not as a way to depict a fractured or broken sense of Blackness but rather to see the Black self as beautifully layered and complex. They developed a shared set of methods and motives driven by the belief that art must involve a sense of community. O’Meally’s readings of these artists and their work emphasize how they have not only contributed to understanding of Black history and culture but also provided hope for fulfilling the broken promises of American democracy.
Anteaesthetics: Black Aesthesis and the Critique of Form (Inventions: Black Philosophy, Politics, Aesthetics)
by Rizvana BradleyIn Anteaesthetics, Rizvana Bradley begins from the proposition that blackness cannot be represented in modernity's aesthetic regime, but is nevertheless foundational to every representation. Troubling the idea that the aesthetic is sheltered from the antiblack terror that lies just beyond its sanctuary, Bradley insists that blackness cannot make a home within the aesthetic, yet is held as its threshold and aporia. The book problematizes the phenomenological and ontological conceits that underwrite the visual, sensual, and abstract logics of modernity. Moving across multiple histories and geographies, artistic mediums and forms, from nineteenth-century painting and early cinema, to the contemporary text-based works, video installations, and digital art of Glenn Ligon, Mickalene Thomas, and Sondra Perry, Bradley inaugurates a new method for interpretation—an ante-formalism which demonstrates how black art engages in the recursive deconstruction of the aesthetic forms that remain foundational to modernity. Foregrounding the negativity of black art, Bradley shows how each of these artists disclose the racialized contours of the body, form, and medium, even interrogating the form that is the world itself. Drawing from black critical theory, Continental philosophy, film and media studies, art history, and black feminist thought, Bradley explores artistic practices that inhabit the negative underside of form. Ultimately, Anteaesthetics asks us to think philosophically with black art, and with the philosophical invention black art necessarily undertakes.
Antebellum American Pendant Paintings: New Ways of Looking (Routledge Research in Art History)
by Wendy N. IkemotoAntebellum American Pendant Paintings: New Ways of Looking marks the first sustained study of pendant paintings: discrete images designed as a pair. It opens with a broad overview that anchors the form in the medieval diptych, religious history, and aesthetic theory and explores its cultural and historical resonance in the 19th-century United States. Three case studies examine how antebellum American artists used the pendant format in ways revelatory of their historical moment and the aesthetic and cultural developments in which they partook. The case studies on John Quidor’s Rip Van Winkle and His Companions at the Inn Door of Nicholas Vedder (1839) and The Return of Rip Van Winkle (1849) and Thomas Cole’s Departure and Return (1837) shed new light on canonical antebellum American artists and their practices. The chapter on Titian Ramsay Peale’s Kilauea by Day and Kilauea by Night (1842) presents new material that pushes the geographical boundaries of American art studies toward the Pacific Rim. The book contributes to American art history the study of a characteristic but as yet overlooked format and models for the discipline a new and productive framework of analysis focused on the fundamental yet complex way images work back and forth with one another.
The Antechamber: Toward a History of Waiting (Cultural Memory in the Present)
by Helmut PuffHelmut Puff invites readers to visit societies and spaces of the past through the lens of a particular temporal modality: waiting. From literature, memoirs, manuals, chronicles, visuals, and other documents, Puff presents a history of waiting anchored in antechambers—interior rooms designated and designed for people to linger. In early modern continental Western Europe, antechambers became standard in the residences of the elites. As a time-space infrastructure these rooms shaped encounters between unequals. By imposing spatial distance and temporal delays, antechambers constituted authority, rank, and power. Puff explores both the logic and the experience of waiting in such formative spaces, showing that time divides as much as it unites, and that far from what people have said about early moderns, they approached living in time with apprehensiveness. Unlike how contemporary society primarily views the temporal dimension, to early modern Europeans time was not an objective force external to the self but something that was tied to acting in time. Divided only by walls and doors, waiters sought out occasions to improve their lot. At other times, they disrupted the scripts accorded them. Situated at the intersection of history, literature, and the history of art and architecture, this wide-ranging study demonstrates that waiting has a history that has much to tell us about social and power relations in the past and present.
Anteros: A Forgotten Myth
by Craig E. StephensonAnteros: A Forgotten Myth explores how the myth of Anteros disappears and reappears throughout the centuries, from classical Athens to the present day, and looks at how the myth challenges the work of Freud, Lacan, and Jung, among others. It examines the successive cultural experiences that formed and inform the myth and also how the myth sheds light on individual human experience and the psychoanalytic process. Topics of discussion include: Anteros in the Italian Renaissance, the French Enlightenment and English Modernism psychologizing Anteros: Freud, Lacan, Girard, and Jung three anterotic moments in a consulting room. This book presents an important argument at the boundaries of the disciplines of analytical psychology, psychoanalysis, art history, and mythology. It will therefore be essential reading for all analytical psychologists and psychoanalysts as well as art historians and those with an interest in the meeting of psychoanalytic thought and mythology.
Antes del olvido: Memorias
by Gerardo Chávez"Ha tenido una vida aventurera, difícil y, como muchos pintores, es un hombre sólidamente asentado sobre la tierra firme, con raícesen las cosas y unos sentidos ávidos de realidad. El mundo que ha creado con sus pinceles, sin embargo, es todo imaginación, sensibilidad, poesía…". Mario Vargas Llosa Gerardo Chávez es una leyenda en la historia de la plástica peruana y latinoamericana. Sin embargo, pocos son los que conocen la historia del niño que a los nueve años comenzó a ganarse la vida y, a los once, ya se había trazado una meta: ser un artista. Escritascon transparencia y humanidad, estas memorias en primera persona son un recorrido por la vida de un artista de indoblegable vocacióncreadora: sus juegos de infancia en Paiján, su atribulada adolescencia en Trujillo, sus años de aprendizaje en Bellas Artes, su breve paso por el surrealismo, su estadía en París, su amistad con los artistas más icónicos de la época, como Roberto Matta y WilfredoLam, sus museos en el Perú, sus amores y su familia, y, como norte de su existencia, su infatigable compromiso con la cultura de supaís. Antes del olvido traza las andanzas de un artista vital a quien el historiador y crítico francés Patrick Waldberg señaló como "uno de los grandes fabuladores de nuestro tiempo".
An Anthology of Blackness: The State of Black Design
by Terresa Moses Omari SouzaAn adventurous collection that examines how the design field has consistently failed to attract and support Black professionals—and how to create an anti-racist, pro-Black design industry instead.An Anthology of Blackness examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of inclusivity, including Black representation in designed media, anti-racist pedagogy, and radical self-care. Through autoethnography, lived experience, scholarship, and applied research, these contributors share proven methods for creating an anti-racist and inclusive design practice.The contributions in An Anthology of Blackness include essays, opinion pieces, case studies, and visual narratives. Many contributors write from an intersectional perspective on race, gender, sexuality, ethnicity, and ability. Each section of the book expands on community-driven concerns about the state of the design industry, design pedagogy, and design activism. Ultimately, this articulated intersection of Black identity and Black design practice reveals the power of resistance, community, and solidarity—and the hope for a more equitable future. With a foreword written by design luminary Elizabeth (Dori) Tunstall, An Anthology of Blackness is a pioneering contribution to the literature of social justice.Contributors Kprecia Ambers, Jazmine Beatty, Anne H. Berry, John Brown VI, Nichole Burroughs, Antionette D. Carroll, Jillian M. Harris, Asher Kolieboi, Terrence Moline, Tracey L. Moore, Lesley-Ann Noel, Pierce Otlhogile-Gordon, Jules Porter, Stacey Robinson, Melanie Walby, Jacinda N. Walker, Kelly Walters, Jennifer White-Johnson, Maya Aduba Williams, S. Alfonso Williams
Anthony Burgess, Stanley Kubrick and A Clockwork Orange (Palgrave Studies in Adaptation and Visual Culture)
by Matthew Melia Georgina OrgillThis book brings together a diverse range of contemporary scholarship around both Anthony Burgess’s novel (1962) and Stanley Kubrick’s film, A Clockwork Orange (US 1971; UK 1972). This is the first book to deal with both together offering a range of groundbreaking perspectives that draw on the most up to date, contemporary archival and critical research carried out at both the Stanley Kubrick Archive, held at University of the Arts London, and the archive of the International Anthony Burgess Foundation. This landmark book marks both the 50th anniversary of Kubrick’s film and the 60th anniversary of Burgess’s novel by considering the historical, textual and philosophical connections between the two. The chapters are written by a diverse range of contributors covering such subjects as the Burgess/Kubrick relationship; Burgess’s recently discovered ‘sequel’ The Clockwork Condition; the cold war context of both texts; the history of the script; the politics of authorship; and the legacy of both—including their influence on the songwriting and personas of David Bowie!
Anthony Minghella: Interviews (Conversations with Filmmakers Series)
by Mario FalsettoAnthony Minghella: Interviews is an illuminating anthology of in-depth conversations with this important contemporary film director and producer. The collection explores Minghella's ideas on every aspect of the cinematic creative process including screenwriting, acting, editing, the use of music in film, and other topics concerning the role of the film director. Minghella (1954–2008) was a highly regarded British playwright (Made in Bangkok), and television writer (Inspector Morse) before turning to film directing with his quirky, highly regarded first film, Truly, Madly, Deeply, in 1990. He went on to direct an extraordinary trilogy of large-scale films, all adapted from significant works of contemporary literature. Minghella's 1996 adaptation of Michael Ondaatje's poetic novel The English Patient was the director's most critically and commercially successful film and went on to win dozens of awards around the world, including nine academy awards. Minghella followed this film with his entertaining, elegant adaptation of Patricia Highsmith's The Talented Mr. Ripley, a film that enjoyed great critical and commercial success and featured some of the best acting of the 1990s by its talented cast of young, rising stars, Jude Law, Matt Damon, Gwyneth Paltrow, and Philip Seymour Hoffman. Minghella's ambitious adaptation of Charles Frazier's American Civil War romance, Cold Mountain, was released in 2003, and firmly marked Minghella as a director of intimate, yet large-scale epic cinema worthy of David Lean. Although Minghella was a successful film director and producer, he was also an important part of the cultural life of the U.K. He was awarded a CBE (Commander of the British Empire) in 2001 for his contributions to culture, and he was Chairman of the Board of Governors of the British Film Institute from 2004 to 2007.
Anthropocosmic Theatre: Rite in the Dynamics of Theatre (Contemporary Theatre Studies #Vol. 13.)
by Nichos NunezFirst published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Anthropological Resources: A Guide to Archival, Library, and Museum Collections (Sociology/Psychology/Reference #Vol. 884)
by Lee S. Dutton Michele Calhoun Francis X. Grollig S. J. Thomas L. Mann Hans E. Panofsky Margo L. Smith Sol Tax Christopher WintersFirst published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Anthropology and Art Practice: Contemporary Ethnographic Practice (Contemporary Ethnographic Practice Ser.)
by Christopher Wright Arnd SchneiderAnthropology and Art Practice takes an innovative look at new experimental work informed by the newly-reconfigured relationship between the arts and anthropology. This practice-based and visual work can be characterised as 'art-ethnography'. In engaging with the concerns of both fields, this cutting-edge study tackles current issues such as the role of the artist in collaborative work, and the political uses of documentary. The book focuses on key works from artists and anthropologists that engage with 'art-ethnography' and investigates the processes and strategies behind their creation and exhibition.The book highlights the work of a new generation of practitioners in this hybrid field, such as Anthony Luvera, Kathryn Ramey, Brad Butler and Karen Mizra, Kate Hennessy and Jennifer Deger, who work in a diverse range of media - including film, photography, sound and performance. Anthropology and Art Practice suggests a series of radical challenges to assumptions made on both sides of the art/anthropology divide and is intended to inspire further dialogue and provide essential reading for a wide range of students and practitioners.