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Anthropology, Art and Cultural Production
by Maruska SvasekThis book provides an introduction to anthropological perspectives on art. Svasek defines art as a social process. We study not only the artefacts themselves and the values attributed to them, but also the process of production and its wider context. Providing a critical overview of various anthropological theories of art, Svasek offers a new perspective which centres on the analysis of commoditisation, aestheticisation and object agency. She explores the process of collecting and exhibiting art works and how this relates to art's production, distribution and consumption in an increasingly global market. The book outlines the significance of art and aesthetics in everyday life, and examines the shifting boundaries between art and other categories such as kitsch, souvenirs, propaganda and pornography. Finally, Svasek argues for an anthropological perspective that links the production and consumption of artefacts to political, religious and other cultural processes. Ideal as a teaching text, this book gives a detailed overview of themes that are central to the fields of art history, art sociology and cultural studies.
Anthropology, Film Industries, Modularity
by Ramyar D. Rossoukh and Steven C. CatonFrom Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and profitability, while smaller, less commercial, and often state-funded enterprises support various cultural and political projects. The contributors to Anthropology, Film Industries, Modularity take an ethnographic and comparative approach to capturing the diversity and growth of global film industries. They outline how modularity—the specialized filmmaking tasks that collectively produce a film—operates as a key feature in every film industry, independent of local context. Whether they are examining the process of dubbing Hollywood films into Hindi, virtual reality filmmaking in South Africa, or on-location shooting in Yemen, the contributors' anthropological methodology brings into relief the universal practices and the local contingencies and deeper cultural realities of film production.Contributors. Steven C. Caton, Jessica Dickson, Kevin Dwyer, Tejaswini Ganti, Lotte Hoek, Amrita Ibrahim, Sylvia J. Martin, Ramyar D. Rossoukh
An Anthropology of Architecture
by Victor BuchliEver since anthropology has existed as a discipline, anthropologists have thought about architectural forms. This book provides the first overview of how anthropologists have studied architecture and the extraordinarily rich thought and data this has produced.With a focus on domestic space - that intimate context in which anthropologists traditionally work - the book explains how anthropologists think about public and private boundaries, gender, sex and the body, the materiality of architectural forms and materials, building technologies and architectural representations. Each chapter uses a broad range of case studies from around the world to examine from within anthropology what architecture 'does' - how it makes people and shapes, sustains and unravels social relations.An Anthropology of Architecture is key reading for students of anthropology, material culture, geography, sociology, architectural theory, design and city planning.
An Anthropology of Contemporary Art: Practices, Markets, and Collectors (Criminal Practice Ser.)
by Thomas Fillitz Paul van der GrijpDrawing on the exciting developments that have occurred in the anthropology of art over the last twenty years, this study uses ethnographic methods to explore shifts in the art market and global contemporary art. Recognizing that the huge diversity of global phenomena requires research on the ground, An Anthropology of Contemporary Art examines the local art markets, biennials, networks of collectors, curators, artists, patrons, auction houses, and museums that constitute the global art world.Divided into four parts – Picture and Medium; World Art Studies and Global Art; Art Markets, Maecenas and Collectors; Participatory Art and Collaboration – chapters go beyond the standard emphasis on Europe and North America to present first-hand fieldwork from a wide range of areas, including Brazil, Turkey, and Asia and the Pacific.With contributions from distinguished anthropologists such as Philippe Descola and Roger Sansi Roca, this book provides a fresh approach to key topics in the discipline. A model for demonstrating how contemporary art can be studied ethnographically, this is a vital read for students in anthropology of art, visual anthropology, visual culture, and related fields.
An Anthropology of Gender Variance and Trans Experience in Naples: Beauty in Transit
by Marzia MaurielloThis book recounts the author’s fieldwork among the trans and gender-variant communities in Naples. This is where a gender-variant figure, the femminiello, has found a safe environment within the city’s historical poorest neighborhoods, the so-called “quartieri popolari”, which were and continue to be culturally and socially connoted. The femminielli, who can be read as “suspended” figures between the feminine and the masculine, provide the background for a discourse on the meanings that genders and sexualities have assumed in modern Naples. This is done with significant openings to theoretical reasoning that is both extraterritorial and multidisciplinary. Starting from the micro context, the aim of the book is to explore the breadth and complexity of the gender variant and trans experience, with particular reference to the changing meanings of the body, which are also tied to the collective images of beauty in contemporary times.
An Anthropology of Images: Picture, Medium, Body
by Hans BeltingA compelling theory that places the origin of human picture making in the bodyIn this groundbreaking book, renowned art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that produces, perceives, or remembers images that are different from the images we encounter through handmade or technical pictures. Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, An Anthropology of Images presents a challenging and provocative new account of what pictures are and how they function.The book demonstrates these ideas with a series of compelling case studies, ranging from Dante's picture theory to post-photography. One chapter explores the tension between image and medium in two "media of the body," the coat of arms and the portrait painting. Another, central chapter looks at the relationship between image and death, tracing picture production, including the first use of the mask, to early funerary rituals in which pictures served to represent the missing bodies of the dead. Pictures were tools to re-embody the deceased, to make them present again, a fact that offers a surprising clue to the riddle of presence and absence in most pictures and that reveals a genealogy of pictures obscured by Platonic picture theory.
Anthropology, Theatre, and Development
by Alex Flynn Jonas TiniusFrom Pussy Riot and the Arab Spring to Italian mafia dance, this collection provides an interdisciplinary analysis of relational reflexivity in political performance. By putting anthropological theory into dialogue with international development scholarship and artistic and activist practices, this book highlights how aesthetics and politics interrelate in precarious spheres of social life. The contributors of this innovative interdisciplinary volume raise questions about the transformativepotential of participating in and reflecting upon political performances both as individual and as collectives. They also argue that such processes provide a rich field and new pathways for anthropological explorations of peoples' own reflections on humanity, sociality, change, and aspiration. Reflecting on political transformations through performance puts centre stage the ethical dimensions of cultural politics and how we enact political subjectivity.
Anti-Bride Etiquette Guide
by Kathleen Hughes Carolyn GerinFollowing the best-selling Anti-Bride Guide and Bridesmaid's Guide down the aisle comes the essential, smart, and sassy etiquette guide for the not-so-traditional bride. This feisty and straightforward advice book fills a huge gap in the wedding etiquette market. A riot to read and packed with bold illustrations, it walks the bride through everything from invitations and seating arrangements to money matters and family feuds. Whether fielding classic conundrumswho pays for whator decidedly modern situationsthe maid of honor is a manAnti-Bride Etiquette Guide offers sensitive advice for skillfully navigating the rough spots. Inventive solutions for dodging outmoded traditions ensure that brides will keep everyone from grooms to grandmothers happy. For the bride who doesn't want to sacrifice the wedding of her dreams or her loved ones' feelings, Anti-Bride Etiquette Guide has the answers.
The Anti-HDR HDR Photography Book: A Guide to Photorealistic HDR and Image Blending
by Robert FisherThe Anti-HDR HDR Photography Book contains everything you’ll need to know in order to get the best results from your High Dynamic Range images. Designed for those who want to extend the dynamic range in their work, but are frustrated by over-processed and hyper-saturated images, this book proves that HDR techniques are capable of producing photographs that are both stunning and realistic. In addition to helping you choose the right equipment and settings to optimize your shoot for HDR, the book explains how to use post-processing software to create natural-looking photographs, blend source images with layer masks, and establish an efficient workflow. By teaching you to effectively use all the most important tools of HDR, it will expand the scope of your portfolio and allow you to create images that you never thought were possible. Key features include: What to look for when choosing a camera for HDR Description of gear that is important to the HDR photographer How to use the HDR software applications Photomatix and SNS-HDR Pro to achieve natural-looking results Discussion of blending multiple source images using simple masks and techniques An in-depth examination of the use of Luminance Masks for blending and editing bracketed images to a photorealistic composite Guide to workflow, from organizing images on the computer to pre-merge editing of RAW files using both Adobe Lightroom and Adobe Bridge The use of black-and-white in HDR and image-blending, including ways to convert color images to black-and-white
Anti-Heimat Cinema: The Jewish Invention of the German Landscape (Social History, Popular Culture, And Politics In Germany)
by Ofer AshkenaziAnti-Heimat Cinema: The Jewish Invention of the German Landscape studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers’ contemplations of “Heimat”—a provincial German landscape associated with belonging and authenticity—it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. In its emphasis on rootedness and homogeneity Heimat seemed to challenge the validity and significance of Jewish emancipation. Several acculturation-seeking Jewish artists and intellectuals, however, endeavored to conceive a notion of Heimat that would rather substantiate their belonging. This book considers Jewish filmmakers’ contribution to this endeavor. It shows how they devised the landscapes of the German “Homeland” as Jews, namely, as acculturated “outsiders within.” Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from World War I to the Cold War. Consequently, these Jewish filmmakers anticipated the anti-Heimat film of the ensuing decades, and functioned as an uncredited inspiration for the critical New German Cinema.
Anti-Museum (Museums in Focus)
by Adrian FranklinAnti-Museum charts the development of the anti-museum as a concept and as it has been realised in practice. Drawing on a range of case studies, including the New Museum and PS1 in New York, Mona in Australia, Art42 in Paris and Donald Judd’s Marfa, the book assesses their potential to engage museum publics in new ways. Anti-museums seek to breathe relational and theatricalised vitality into the objects they exhibit, by connecting them to the contexts of their making, to their social life outside the museum, to visitors' lives via their transformative capacities for change, and by being a place of dialogue, exchange and transformation, rather than instruction. Documenting the ways in which they have been created by artists, collectors, and curators, the book also examines the extent to which anti-museums connect with other museums through the exchange of values and resources. Critically, it asks whether, after some 40 years of ‘new museology’, such institutions are still able to offer something fresh and valuable. Anti-Museum provides a sharp and incisive account of the anti-museum as it has been imagined, realised and experienced, and as it has relevance for understanding and working in the contemporary museum world. As such, the book will be of great interest to scholars and students engaged in the study of museums, cultural economy, inclusive urban regeneration, the democratisation of art and contemporary art. It should also appeal to museum professionals around the world.
Anti-Proverbs in Five Languages: Structural Features and Verbal Humor Devices
by Wolfgang Mieder Anna T. Litovkina Hrisztalina Hrisztova-Gotthardt Péter Barta Katalin VarghaThis book is the first comparative study of English, German, French, Russian and Hungarian anti-proverbs based on well-known proverbs. Proverbs are by no means fossilized texts but are adaptable to different times and changed values. While anti-proverbs can be considered as variants of older proverbs, they can also become new proverbs reflecting a more modern worldview. Anti-proverbs are therefore a lingo-cultural phenomenon that deserves the attention of cultural and literary historians, folklorists, linguists, and general readers interested in language and wordplay.
Anti-Submarine Warfare: An Illustrated History
by David OwenA deep dive into the tactics and technology used to defend against submarines—from the opening of the First World War through World War II and beyond. The submarine was undoubtedly the most potent purely naval weapon of the twentieth century. In two world wars, enemy underwater campaigns were very nearly successful in thwarting Allied hopes of victory—indeed, annihilation of Japanese shipping by US Navy submarines is an indicator of what might have been. That the submarine was usually defeated is a hugely important story in naval history, yet this is the first book to treat the subject as a whole in a readable and accessible manner. It concerns individual heroism and devotion to duty, but also ingenuity, technical advances and originality of tactical thought. What developed was an endless battle between forces above and below the surface, where a successful innovation by one side eventually produces a countermeasure by the other in a lethal struggle for supremacy. Development was not a straight line: wrong ideas and assumptions led to defeat and disaster. &“Iconography (with dozens of photographs and often large-format diagrams), a vast bibliography and a complete and documented general approach make this volume a work of great quality and of great interest for all enthusiasts and scholars of this very interesting subject.&”—Storia Militare &“The modeller will not only find the text engaging but there is a superb collection of photographs and illustrations which of course include submarines, corvettes and destroyers. Subjects which the modeller increasingly appreciates. Highly recommended.&”—Model Boats
Anti-War Theatre After Brecht: Dialectical Aesthetics in the Twenty-First Century
by Lara StevensExaminingthe ways in which contemporary Western theatre protests against the 'War onTerror', this book analyses six twenty-first century plays that respond to thepost-9/11 military operations in Afghanistan, Iraq and Palestine. The plays arewritten by some of the most significant writers of this century and the lastincluding Elfriede Jelinek, Caryl Churchill, Hélène Cixous andTony Kushner. Anti-war Theatre After Brecht grapples with theproblem of how to make theatre that protests the policies of democraticallyelected Western governments in a post-Marxist era. It shows how the Internethas become a key tool for disseminating anti-war play texts and how onlinesocial media forums are changing traditional dramatic aesthetics and broadeningopportunities for spectator access, engagement and interaction with a work andthe political alternatives it puts forward.
Antichrist (Devil's Advocates)
by Amy SimmonsWritten and directed by Lars von Trier, one of the most influential and provocative filmmakers working today, Antichrist (2009), tells a story of parental loss, mourning and despair that result from the tragic death of a child. When the film screened at the 2009 Cannes Film Festival, it split audiences down the middle. <P><P>Some attacked von Trier for misogyny (amongst other things), while others defended him for creating a daring and poetic portrait of grief and separation. Dense, shocking, and thought-provoking, Antichrist is a film which calls for careful analysis and in her Devil's Advocate on the film Amy Simmons follows an account of the film's making with an in-depth consideration of the themes and issues arising from it – the ambiguous depiction of the natural world, the shifting gender power relations, its reflections on Christianity and the limitations of rationality. At the film's heart, says the author, is a heartbreaking depiction of grief-stricken parents, a confounding interplay between psychology and psychosis, misogyny, and empowerment.
The Anticolonial Museum: Reclaiming Our Colonial Heritage
by Bruno Brulon SoaresThe Anticolonial Museum acknowledges some of the consequences of colonialism in the current work of museums. Looking at museum theory in a critical way, it proposes a radical revision of museums’ rhetoric on decolonisation, as well as their public image and practices. Bringing together a collection of reflections on decolonisation through the observation of museum performance and discourse, the author considers current practices in response to the social claims of marginalised groups and activists. Drawing from a genealogy of decolonial thinking in museology, Brulon Soares identifies the inherent paradoxes reflected in museum work. The book’s focus is not exclusively on the reality of colonised countries, nor on the context of former imperialist nations—instead, it raises anticolonial questions, finding common ground between the different actors involved in the museum: scholars, students, curators, practitioners, community members and Indigenous creators. One of the central aims of this book is to view the museum as a locus for multiple enunciations, thus identifying in museum practice the active possibility of reconnecting subjectivities and restoring material fluxes to effectively repair the bonds that have been frayed by colonialism and an expanding modernity. The Anticolonial Museum will be of great interest to researchers and students engaged in the study of decolonisation. It will also be essential for practitioners who wish to reconsider the impact of coloniality on their own position and everyday practice.
An Antietam Veteran's Montana Journey: The Lost Memoir of James Howard Lowell (Civil War Series)
by Katharine Seaton Squires Ken Robison Castle McLaughlinIn this recently unearthed memoir, Civil War veteran James Howard Lowell offers a firsthand account of his brutal journey west on a wagon train attacked by Indian Dog Soldiers. The Boston Yank staggers snow blind through a Laramie Plains blizzard to reach Salt Lake City, where he meets Brigham Young. In Montana, he joins an old forty-niner to work a mining claim, practices "tomahawk jurisprudence" in Fort Benton and builds a mackinaw to head downriver through Deadman Rapids to trade with the Crow and Gros Ventre tribes. Lowell's great-great-granddaughter edits this tale populated with colorful characters, narrow escapes and important historical events, such as the Baker Massacre. It features Lowell's letters to his sweetheart and Civil War correspondence.
Antigone: A New Adaptation of the Classic Greek Tragedy
by Hollie McNishA modern retelling of Sophocles' classic play, Antigone, by bestselling writer and poet Hollie McNishAs the daughter of Oedipus, Antigone was dealt a cruel hand at birth - even within the bounds of Grecian tragedy. When her brothers are slain fighting for the throne of Thebes, Antigone finds herself pitted against her uncle, the newly crowned King Creon. In defiance of the king, Antigone buries her brother's body, a choice she may pay for dearly.In this new adaptation, we see Sophocles' play reignited by bestselling poet and writer Hollie McNish. Hollie's considered retelling brings Sophocles' original text to a modern-day audience, illuminating the remarkable resemblances between ancient Greek thought and the society we grapple with today.'[Hollie McNish] writes with honesty, conviction, humour and love . . . She's always been one of my favourites' Kae Tempest
Antigone: A New Adaptation of the Classic Greek Tragedy
by Hollie McNishA modern retelling of Sophocles' classic play, Antigone, by bestselling writer and poet Hollie McNishAs the daughter of Oedipus, Antigone was dealt a cruel hand at birth - even within the bounds of Grecian tragedy. When her brothers are slain fighting for the throne of Thebes, Antigone finds herself pitted against her uncle, the newly crowned King Creon. In defiance of the king, Antigone buries her brother's body, a choice she may pay for dearly.In this new adaptation, we see Sophocles' play reignited by bestselling poet and writer Hollie McNish. Hollie's considered retelling brings Sophocles' original text to a modern-day audience, illuminating the remarkable resemblances between ancient Greek thought and the society we grapple with today.'[Hollie McNish] writes with honesty, conviction, humour and love . . . She's always been one of my favourites' Kae Tempest
Antigone
by Paul Woodruff Sophocles<P>Woodruff's work with Peter Meineck makes this text one that is accessible to today's students and could be staged for modern audiences. Line notes printed at the bottom of the page bring a reader further quick assistance. . . . <P>The choral odes as rendered here deserve special notice. After giving a succinct analysis of each in his introduction, Woodruff translates the lyrics into English that is both poetic and comprehensible. . . . <P>Woodruff's rendering of the dialogue moves along easily; these are lines that any contemporary Antigone, Creon or Haemon might speak. Antigone's words on the gods' unwritten laws keep close to the Greek and yet would be authentic for a modern speaker. . . . <P> Woodruff's introduction is a strong, clear, and clever blend of basic traditional information (to those who know Greek tragedy) and fresh insights. . . .
The Antihero in American Television (Routledge Advances in Television Studies)
by Margrethe Bruun VaageThe antihero prevails in recent American drama television series. Characters such as mobster kingpin Tony Soprano (The Sopranos), meth cook and gangster-in-the-making Walter White (Breaking Bad) and serial killer Dexter Morgan (Dexter) are not morally good, so how do these television series make us engage in these morally bad main characters? And what does this tell us about our moral psychological make-up, and more specifically, about the moral psychology of fiction? Vaage argues that the fictional status of these series deactivates rational, deliberate moral evaluation, making the spectator rely on moral emotions and intuitions that are relatively easy to manipulate with narrative strategies. Nevertheless, she also argues that these series regularly encourage reactivation of deliberate, moral evaluation. In so doing, these fictional series can teach us something about ourselves as moral beings—what our moral intuitions and emotions are, and how these might differ from deliberate, moral evaluation.
Antimodernism and Artistic Experience
by Lynda Lee JessupAntimodernism is a term used to describe the international reaction to the onslaught of the modern world that swept across industrialized Western Europe, North America, and Japan in the decades around the turn of the twentieth century. Scholars in art history, anthropology, political science, history, and feminist media studies explore antimodernism as an artistic response to a perceived sense of loss - in particular, the loss of 'authentic' experience.Embracing the 'authentic' as a redemptive antidote to the threat of unheralded economic and social change, antimodernism sought out experience supposedly embodied in pre-industrialized societies - in medieval communities or 'oriental cultures,' in the Primitive, the Traditional, or Folk. In describing the ways in which modern artists used antimodern constructs in formulating their work, the contributors examine the involvement of artists and intellectuals in the reproduction and diffusion of these concepts. In doing so they reveal the interrelation of fine art, decorative art, souvenir or tourist art, and craft, questioning the ways in which these categories of artistic expression reformulate and naturalise social relations in the field of cultural production.
Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity
by Terry Smith Okwui Enwezor Nancy CondeeIn this landmark collection, world-renowned theorists, artists, critics, and curators explore new ways of conceiving the present and understanding art and culture in relation to it. They revisit from fresh perspectives key issues regarding modernity and postmodernity, including the relationship between art and broader social and political currents, as well as important questions about temporality and change. They also reflect on whether or not broad categories and terms such as modernity, postmodernity, globalization, and decolonization are still relevant or useful. Including twenty essays and seventy-seven images, Antinomies of Art and Culture is a wide-ranging yet incisive inquiry into how to understand, describe, and represent what it is to live in the contemporary moment. In the volume's introduction the theorist Terry Smith argues that predictions that postmodernity would emerge as a global successor to modernity have not materialized as anticipated. Smith suggests that the various situations of decolonized Africa, post-Soviet Europe, contemporary China, the conflicted Middle East, and an uncertain United States might be better characterized in terms of their "contemporaneity," a concept which captures the frictions of the present while denying the inevitability of all currently competing universalisms. Essays range from Antonio Negri's analysis of contemporaneity in light of the concept of multitude to Okwui Enwezor's argument that the entire world is now in a postcolonial constellation, and from Rosalind Krauss's defense of artistic modernism to Jonathan Hay's characterization of contemporary developments in terms of doubled and even para-modernities. The volume's centerpiece is a sequence of photographs from Zoe Leonard's Analogue project. Depicting used clothing, both as it is bundled for shipment in Brooklyn and as it is displayed for sale on the streets of Uganda, the sequence is part of a striking visual record of new cultural forms and economies emerging as others are left behind. Contributors: Monica Amor, Nancy Condee, Okwui Enwezor, Boris Groys, Jonathan Hay, Wu Hung, Geeta Kapur, Rosalind Krauss, Bruno Latour, Zoe Leonard, Lev Manovich, James Meyer, Gao Minglu, Helen Molesworth, Antonio Negri, Sylvester Okwunodu Ogbechie, Nikos Papastergiadis, Colin Richards, Suely Rolnik, Terry Smith, McKenzie Wark
Antioch
by Antioch Historical SocietyWhen the first settlers arrived here in 1850, they could never have guessed that their tiny settlement would one day be home to over 100,000 souls, scores of factories, and the gateway to the California Delta with some of the most productive agricultural lands in the world. In earlier days, the Sacramento and San Joaquin Rivers were the main routes into the state's interior, as the swampy delta land had yet to be tamed. Antioch and nearby Pittsburg served as major depots for supplies to the Sierra gold fields, stockpiling lumber, produce, hay, dry goods, medicine, and fuel from the Stewartville, Empire, and Judsonville coal mines. Named in 1851 after the biblical city in Syria, this town served for many years as the Bay Area's easternmost outpost and provided its inhabitants with a bounty both man-made and natural.
Antioch
by Wendy Maston Robin KessellAntioch is a unique small town at the border between Illinois and Wisconsin. Its rich history and strong family values have supported the village since the first families arrived in the early 1800s. In 1983, a group of dedicated people decided the history of Antioch was slipping away and started the Lakes Region Historical Society. Since that time the community has responded with thousands of artifacts and pictures of early Antioch. From the humble beginnings in log cabins along the shores of Loon Lake to the active community of today, the pictures lead one back in time. Antioch blossomed during the 1890s and early 1900s when the Chicago area discovered the beauty of the lakes in the region.Resorts opened everywhere, almost overnight it seemed, and crowds flooded the area. Most came on the train; others came in the new horseless carriages. The village of Antioch expands way beyond its legal limits. The surrounding area depends on the village for much of its needs. The lakes still thrive today because of the workings of the little town. Although the population is only in the thousands, the unincorporated area swells that number to double its size.