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Icehouses
by Tim BuxbaumIn the days before refrigeration, the very wealthy would use specially designed icehouses to store food from one season to the next. This book examines the design and development of icehouses, using many illustrations to explain how they worked and how they improved as scientific knowledge increased. With a detailed description of the different uses of icehouses, as well as examples of some of the most elaborately decorative structures, this book provides a rare insight into an intriguing subject.
ICGG 2018 - Proceedings of the 18th International Conference on Geometry and Graphics: 40th Anniversary - Milan, Italy, August 3-7, 2018 (Advances in Intelligent Systems and Computing #809)
by Luigi CocchiarellaThis book gathers peer-reviewed papers presented at the 18th International Conference on Geometry and Graphics (ICGG), held in Milan, Italy, on August 3-7, 2018. The spectrum of papers ranges from theoretical research to applications, including education, in several fields of science, technology and the arts. The ICGG 2018 mainly focused on the following topics and subtopics: Theoretical Graphics and Geometry (Geometry of Curves and Surfaces, Kinematic and Descriptive Geometry, Computer Aided Geometric Design), Applied Geometry and Graphics (Modeling of Objects, Phenomena and Processes, Applications of Geometry in Engineering, Art and Architecture, Computer Animation and Games, Graphic Simulation in Urban and Territorial Studies), Engineering Computer Graphics (Computer Aided Design and Drafting, Computational Geometry, Geometric and Solid Modeling, Image Synthesis, Pattern Recognition, Digital Image Processing) and Graphics Education (Education Technology Research, Multimedia Educational Software Development, E-learning, Virtual Reality, Educational Systems, Educational Software Development Tools, MOOCs). Given its breadth of coverage, the book introduces engineers, architects and designers interested in computer applications, graphics and geometry to the latest advances in the field, with a particular focus on science, the arts and mathematics education.
Ichnographia Rustica: Stephen Switzer and the designed landscape
by William Alvis BrogdenOne of the most significant occurrences in the history of design was the creation of the English Landscape Garden. Accounts of its genesis…the surprising structural change from the formal to a seeming informal are numerous. But none has ever been quite convincing and none satisfactorily placed the contributions of Stephen Switzer. Unlike his contemporaries, Switzer - an 18th century author of books on gardening and agricultural improvement - grasped a quite new principle: that the fashionable pursuit of great gardens should be "rural and extensive", rather than merely the ornamentation of a particular part of an estate. Switzer saw that a whole estate could be enjoyed as an aesthetic experience, and by the process of improving its value, could increase wealth. By encouraging improvers to see the garden in his enlarged sense, he opened up the adjoining countryside, the landscape, and made the whole a subject of unified design. Some few followed his advice immediately, such as Bathurst at Cirencester. But it took some time for his ideas to become generally accepted. Could this vision, and its working out in practice between 1710 and 1740 be the very reason for such changes? 300 years after the first volume of his writings began to be published; this book offers a timely critical examination of lessons learned and Switzer’s roles. In major influential early works at Castle Howard and Blenheim, and later the more "minor" works such as Spy Park, Leeswood or Rhual, the relationships between these designs and his writings is demonstrated. In doing so, it makes possible major reassessment of the developments, and thus our attitudes to well-known works. It provides an explanation of how he, and his colleagues and contemporaries first made what he had called Ichnographia Rustica, or more familiarly Modern Gardening from the mid-1740s, land later landscape gardens. It reveals an exceptional innovator, who by transforming the philosophical way in which nature was viewed, integrated good design with good farming and horticultural practice for the first time. It raises the issue of the cleavage in thought of the later 18th century, essentially whether the ferme ornee as the mixture of utile and dulci was the perfect designed landscape, or whether this was the enlarged garden with features of "unadorned nature"? The book discusses these considerable and continuing contrary influences on later work, and suggests Switzer has many lessons for how contemporary landscape and garden design ought be perceived and practised.
iCity. Transformative Research for the Livable, Intelligent, and Sustainable City: Research Findings of University of Applied Sciences Stuttgart
by Volker Coors Dirk Pietruschka Berndt ZeitlerThis open access book presents the exciting research results of the BMBF funded project iCity carried out at University of Applied Science Stuttgart to help cities to become more liveable, intelligent and sustainable, to become a LIScity. The research has been pursued with industry partners and NGOs from 2017 to 2020. A LIScity is increasingly digitally networked, uses resources efficiently, and implements intelligent mobility concepts. It guarantees the supply of its grid-bound infrastructure with a high proportion of renewable energy. Intelligent cities are increasingly human-centered, integrative, and flexible, thus placing the well-being of the citizens at the center of developments to increase the quality of life. The articles in this book cover research aimed to meet these criteria. The book covers research in the fields of energy (i.e. algorithms for heating and energy storage systems, simulation programs for thermal local heating supply, runtime optimization of combined heat and power (CHP), natural ventilation), mobility (i.e. charging distribution and deep learning, innovative emission-friendly mobility, routing apps, zero-emission urban logistics, augmented reality, artificial intelligence for individual route planning, mobility behavior), information platforms (i.e. 3DCity models in city planning: sunny places visualization, augmented reality for windy cities, internet of things (IoT) monitoring to visualize device performance, storing and visualizing dynamic energy data of smart cities), and buildings and city planning (i.e. sound insulation of sustainable facades and balconies, multi-camera mobile systems for inspection of tunnels, building-integrated photovoltaics (BIPV) as active façade elements, common space, the building envelopes potential in smart sustainable cities).
iClone 4.31 3D Animation Beginner's Guide
by M D MccallumThis book is a part of the Beginner's guide series, wherein you will quickly start doing tasks with precise instructions. Then the tasks will be followed by explanation and then a challenging task or a multiple choice question about the topic just covered. Do you have a story to tell or an idea to illustrate? This book is aimed at film makers, video producers/compositors, vxf artists or 3D artists/designers like you who have no previous experience with iClone. If you have that drive inside you to entertain people via the internet on sites like YouTube or Vimeo, create a superb presentation video, showcase a product or create a movie, or get a fast start on the iClone program, this Beginner's guide was written with you in mind.
Icon: Studies in the History of An Idea
by null Moshe Barasch null Luci SerranoOver the centuries, European debate about the nature and status of images of God and sacred figures has often upset the established order and shaken societies to their core. Out of this debate, an identifiable doctrine has emerged of the image in general and of the divine image in particular. This fascinating work concentrates on these historical arguments, from the period of Late Antiquity up to the great and classic defenses of images by St. John of Damascus and Theodore of Studion. Icon extends beyond the immediate concerns of religion, philosophy, aesthetics, history, and art, to engage them all.
The Icon: Window on the Kingdom
by Michel QuenotTo understand the icon, one must comprehend its organic unity: artistic, spiritual, theological. Quenot's analysis of various icons and their theological elements enables the readers to appreciate the various aspects of the icon more fully. There are currently many books written about icons, discussing either their historical context, describing their spiritual attraction, or simply showing their aesthetic beauty. The Icon is, however, an exceptional book in many ways.
The Icon and the Square: Russian Modernism and the Russo-Byzantine Revival
by Maria TaroutinaIn The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists.The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.
The Icon and the Square: Russian Modernism and the Russo-Byzantine Revival
by Maria TaroutinaIn The Icon and the Square, Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the radical, leftist, and revolutionary avant-garde at the turn of the twentieth century through a shared interest in the Byzantine past, offering a counternarrative to prevailing notions of Russian modernism. Focusing on the works of four different artists—Mikhail Vrubel, Vasily Kandinsky, Kazimir Malevich, and Vladimir Tatlin—Taroutina shows how engagement with medieval pictorial traditions drove each artist to transform his own practice, pushing beyond the established boundaries of his respective artistic and intellectual milieu. She also contextualizes and complements her study of the work of these artists with an examination of the activities of a number of important cultural associations and institutions over the course of several decades. As a result, The Icon and the Square gives a more complete picture of Russian modernism: one that attends to the dialogue between generations of artists, curators, collectors, critics, and theorists.The Icon and the Square retrieves a neglected but vital history that was deliberately suppressed by the atheist Soviet regime and subsequently ignored in favor of the secular formalism of mainstream modernist criticism. Taroutina’s timely study, which coincides with the centennial reassessments of Russian and Soviet modernism, is sure to invigorate conversation among scholars of art history, modernism, and Russian culture.
The Icon Hunter: A Refugee's Quest to Reclaim Her Nation's Stolen Heritage
by Tasoula Georgiou HadjitofiOne woman’s pursuit of justice leads her on a riveting adventure into the world of art trafficking. In this powerful memoir, Tasoula Hadjitofi reveals her perilous journey orchestrating “The Munich Case”—one of the largest European art trafficking stings since WWII. With the Bavarian police in place, the Cypriots on their way, seventy under-cover agents bust into the Munich apartment of a notorious Turkish smuggler suspected of holding looted antiquities. Tasoula places everything on the line to repatriate her country’s sacred treasures, unaware that treachery lies in the shadow of her success. The Icon Hunter is a story torn from the pages of Tasoula's life as she and her Greek Cypriot family lose everything during the Turkish invasion of Cyprus. Hundreds of ancient Cypriot churches are destroyed, their contents looted and all signs of her Greek Cypriot culture erased as if it never existed. As a refugee, she wants justice. And then fate intervenes in the form of an archbishop and a dubious art dealer in search of redemption. Even as unspeakable personal tragedy strikes, she never gives up her search knowing the special place these antiquities hold in the hearts of Orthodox Christians. These icons are not just masterpieces—they are artistic manifestations of faith and a gate-way to the divine. Using family and faith as her touchstones, Tasoula takes on these “merchants of God” as she navigates the underworld of art trafficking. Tasoula believes this to be her calling, and the Archbishop of Cyprus entrusts her—an ordinary woman, wife, and mother—with the mission. In order to succeed, however, she must place her trust in an art dealer known for his double-dealing. Inspiring and empowering, The Icon Hunter is a gripping story by a remarkable woman that will captivate readers long after the nal page.
Iconic: The vibrant new autobiography from the legendary British fashion designer who dressed everyone from rockstars to royalty
by Zandra Rhodes Ella Alexander'A vivid and compelling picture of the broader fashion landscape between 1960 and the present day. Anecdotes? The book is full of them.' The Times'Dazzling from start to finish.' Joanna LumleyIn this insightful memoir, Zandra shares her life story for the first time. Told through a variety of mementos collected over the years, it is a vibrant account filled with rockstars and royalty, of life-changing friendships and poignant reflections on her personal triumphs and tragedies, as well as the fears, sacrifices and pressures that come with being an era-defining designer.Full of poignant reflections and life lessons on achieving success while defying convention, Zandra takes the reader right alongside her as she recounts being inspired by her avant-garde mother to her time at the Royal College, from a road trip to Rome with Ossie Clark and Celia Birtwell, to opening her first London store thanks to a kind loan from Vanessa Redgrave with Joe Cocker singing With a Little Help From My Friends, from hanging out with Andy Warhol and Halston in New York's Studio 54 to lifelong friendships with legends such as Karl Lagerfeld and Diana Vreeland; from designing for everyone from Freddie Mercury to Diana Ross, Princess Diana to Barbra Streisand to founding the Fashion and Textile Museum.Capturing the rich and unexpected life of a British icon, this memoir explores what it is to defy the norm.‘Zandra Rhodes has changed the course of fashion history.' Suzy Menkes, fashion journalist
Iconic Pittsburgh: The City's 30 Most Memorable People, Places and Things
by Paul KingThe Steel City has boasted some of the most famous figures, landmarks and innovations in the country's history. Pittsburgh's past is littered with dozens of fascinating stories behind the icons that define it. Mary Schenley was the city's biggest benefactress of the nineteenth century, gifting the site of the 425-acre park in her name, but her fortune was almost lost when she eloped at the age of fifteen. The first ever call-in radio talk show began at famed KDKA in 1951, inspiring the birth of an entire industry. Mount Washington offers tourists sweeping views of the city today, but it once supplied coal to Pittsburghers and was the site of a sixteen-year underground mine fire. Author Paul King lists the best people, places and things of Pittsburgh's grand history.
Iconic Planned Communities and the Challenge of Change (The City in the Twenty-First Century)
by Mary Corbin Sies Isabelle Gournay Robert FreestoneIn the history of planning, the design of an entire community prior to its construction is among the oldest traditions. Iconic Planned Communities and the Challenge of Change explores the twenty-first-century fortunes of planned communities around the world. Drawing on interdisciplinary perspectives, the editors and contributors examine what happened to planned communities after their glory days had passed and they became vulnerable to pressures of growth, change, and even decline.Beginning with Robert Owen's industrial village in Scotland and concluding with Robert Davis's neotraditional resort haven in Florida, this book documents the effort to translate optimal design into sustaining a common life that works for changing circumstances and new generations of residents. Basing their approach on historical research and practical, on-the-ground considerations, the essayists argue that preservation efforts succeed best when they build upon foundational planning principles, address landscape, architecture, and social engineering together, and respect the spirit of place.Presenting twenty-three case studies located in six continents, each contributor considers how to preserve the spirit of the community and its key design elements, and the ways in which those elements can be adapted to contemporary circumstances and changing demographics. Iconic Planned Communities and the Challenge of Change espouses strategies to achieve critical resilience and emphasizes the vital connection between heritage preservation, equitable sharing of the benefits of living in these carefully designed places, and sustainable development.Communities: Bat'ovany-Partizánske, Cité Frugès, Colonel Light Gardens, Den-en Chôfu, Garbatella, Greenbelt, Hampstead Garden Suburb, Jardim América, Letchworth Garden City, Menteng, New Lanark, Pacaembú, Radburn, Riverside, Römerstadt, Sabaudia, Seaside, Soweto, Sunnyside Gardens, Tapiola, The Uplands, Welwyn Garden City, Wythenshawe.Contributors: Arnold R. Alanen, Carlos Roberto Monteiro de Andrade, Sandra Annunziata, Robert Freestone, Christine Garnaut, Isabelle Gournay, Michael Hebbert, Susan R. Henderson, James Hopkins, Steven W. Hurtt, Alena Kubova-Gauché, Jean-François Lejeune, Maria Cristina a Silva Leme, Larry McCann, Mervyn Miller, John Minnery, Angel David Nieves, John J. Pittari, Jr., Gilles Ragot, David Schuyler, Mary Corbin Sies, Christopher Silver, André Sorensen, R. Bruce Stephenson, Shun-ichi J. Watanabe.
Iconic Product Design: An Illustrated History of the World's Most Innovative Devices
by Wolfgang JoenssonYou will undoubtedly recognize quite a few of the products featured in this book—the Coca-Cola bottle, the Wester & Co pocket knife, the Kitchen Aid mixer, the Le Creuset Dutch oven, the Weber grill, the Bic cristal pen, the Rolodex address file, Kikkoman soy sauce bottles, the Kodak Instamatic, the Polaroid SX-70, the SONY Walkman, the Apple MacIntosh, and the Dyson air-multiplier. Maybe they were part of your childhood or represent your ideal in design; certainly, they will evoke a sense of the familiar. Iconic Product Design is an engaging and accessible presentation of the history of product design, providing an extensive catalog of the most memorable product designs of the past 150 years. More than 130 remarkable product designs from all areas, including household appliances, everyday objects, furniture, entertainment technology and office equipment, are presented in this collection. Accompanying the images are well-researched and charming vignettes about each product, with amusing insights and fun tidbits of information about its time and place. Each one informs how design has been influenced by changes in technology, science, and society. While these products were considered innovative at their inception, all have withstood the test of time and many are still, remarkably, in use today. Iconic Product Design is a comprehensive collection of iconic product design objects, chronologically organized from the beginning of the Industrial Revolution to the present. Each spread of this richly illustrated book showcases the author&’s representation of the chosen design, expressing its essence and capturing its spirit. In the introductory text, he shares his concept of the term iconicity to help the reader understand what makes these products stand out and why they are considered icons today.
Iconic Restaurants of Ann Arbor (Images Of America Ser.)
by Jon Milan Gail Offen Ari WeinzweigWhat is an iconic Ann Arbor restaurant? Ask anyone who has ever spent time there as a student, traveler, or “townie,” and they are likely to name several favorites in an instant. From debating the best place to celebrate or console on football Saturdays to deciding where to eat after the bars close, the choices have always sparked passionate conversation. In Ann Arbor, people are known to have strong feelings about the best places for pizza, coffee, beer, burgers, noodles, and burritos. Although many of the go-to hangouts are long gone, a surprising number still thrive. And there are always a few newcomers coming along to win the hearts of the next generation of diners, nibblers, and noshers. Some are fine restaurants and taverns, and others are lunch counters, diners, carry-outs, and drive-ins—but in each and every case, they are unique and together make up a collection of iconic local eateries.
Iconic Restaurants of Columbia, Missouri (American Palate)
by Kerri LinderColumbia's culinary history is chock-full of restaurants that not only satisfied appetites but also provided gathering places to build community. Gentry's Tavern served wild game along the Boonslick Trail. Hungry and broke students could grab a meal on credit from Ralph Morris at the Ever Eat Café during the Depression. During and after World War II, Ambrose's Café required students to give up their seats to men in uniform. Segregation didn't stop Annie Fisher from making her fortune serving her famous beaten biscuits. These stories and more are as rich as the cinnamon rolls served at Breischs. Join Columbia native Kerri Linder as she shares the stories and memories wrapped around the food of Columbia's iconic restaurants.
Iconic Works of Art by Feminists and Gender Activists: Mistress-Pieces (Routledge Research in Gender and Art)
by Brenda SchmahmannIn this book, contributors identify and explore a range of iconic works – "Mistress-Pieces" – that have been made by feminists and gender activists since the 1970s. The first volume for which the defining of iconic feminist art is the raison d’être, its contributors interpret a "Mistress-Piece" as a work that has proved influential in a particular context because of its distinctiveness and relevance. Reinterpreting iconic art by Alice Neel, Hannah Wilke and Ana Mendieta, the authors also offer important insights about works that may be less well known – those by Natalia LL, Tanja Ostojić, Swoon, Clara Menéres, Diane Victor, Usha Seejarim, Ilse Fusková, Phaptawan Suwannakudt and Tracey Moffatt, among others. While in some instances revealing cross influences between artists working in different frameworks, the publication simultaneously makes evident how social and political factors specific to particular countries had significant impact on the making and reception of art focused on gender. The book will be of interest to scholars working in art history, visual studies and gender studies.
Iconic Works of Art by Feminists and Gender Activists: Mistress-Pieces (Routledge Research in Gender and Art)
by Brenda SchmahmannIn this book, contributors identify and explore a range of iconic works – "Mistress-Pieces" – that have been made by feminists and gender activists since the 1970s. The first volume for which the defining of iconic feminist art is the raison d’être, its contributors interpret a "Mistress-Piece" as a work that has proved influential in a particular context because of its distinctiveness and relevance.Reinterpreting iconic art by Alice Neel, Hannah Wilke and Ana Mendieta, the authors also offer important insights about works that may be less well known – those by Natalia LL, Tanja Ostojić, Swoon, Clara Menéres, Diane Victor, Usha Seejarim, Ilse Fusková, Phaptawan Suwannakudt □and Tracey Moffatt, among others. While in some instances revealing cross influences between artists working in different frameworks, the publication simultaneously makes evident how social and political factors specific to particular countries had significant impact on the making and reception of art focused on gender.The book will be of interest to scholars working in art history, visual studies and gender studies.
Iconicity of the Uto-Aztecans: Snake Anthropomorphy in the Great Basin, the American Southwest and Mesoamerica
by Tirtha Prasad Mukhopadhyay Alan Philip GarfinkelUto-Aztecan iconic practices are primarily conditioned by the consciousness of the snake as a death-dealing power, and as such, an animal that displays the deepest fears and anxieties of the individual. The attempt to study a snake simulacrum thus constitutes the basic objective of this volume. A long, all-embracing iconicity of snakes and related snake motifs are evident in different cultural expressions ranging from rock art templates to other cultural artifacts like basketry, pottery, temple architecture and sculptural motifs. Uto-Aztecan iconography demonstrates a symbolic memorial order of emotional valences, as well as the negotiations with death and a belief in rebirth, just as the skin shedding snake reptile manifests in its life cycle.
Iconix: Exceptional Product Design
by Wolfgang JoenssonIconix is a comprehensive collection of iconic product design objects, chronologically organized from the beginning of the Industrial Revolution to the present. Each spread of this richly illustrated book showcases the author’s representation of the chosen design, expressing its essence and capturing its spirit. In the introductory text, he shares his concept of the term iconicity to help the reader understand what makes these products stand out and why they are considered icons today. More than one hundred remarkable product designs from all areas, including household appliances, everyday objects, furniture, entertainment technology and office equipment, are presented in this collection. Accompanying the images are well-researched and charming vignettes about each product, with amusing insights and fun tidbits of information about its time and place. Each one informs how design has been influenced by changes in technology, science, and society. While these products were considered innovative at their inception, all have withstood the test of time and many are still, remarkably, in use today. Whether you are drawn to this book because of an interest in design or a penchant for nostalgia and the objects that trigger memories—or both—you will undoubtedly recognize quite a few of these products, such as the Coca-Cola bottle, the Wester & Co pocket knife, the Kitchen Aid mixer, the Le Creuset Dutch oven, the Weber grill, the Bic cristal pen, the Rolodex address file, Kikkoman soy sauce bottles, the Kodak Instamatic, the Polaroid SX-70, the SONY Walkman, the Apple MacIntosh, and the Dyson air-multiplier. Maybe they were part of your childhood or represent your ideal in design; certainly, they will evoke a sense of the familiar. Iconix is an engaging and accessible presentation of the history of product design, providing an extensive catalog of the most memorable product designs of the past 150 years.
Iconoclasm
by David FreedbergWith new surges of activity from religious, political, and military extremists, the destruction of images has become increasingly relevant on a global scale. A founder of the study of early modern and contemporary iconoclasm, David Freedberg has addressed this topic for five decades. His work has brought this subject to a central place in art history, critical to the understanding not only of art but of all images in society. This volume collects the most significant of Freedberg’s texts on iconoclasm and censorship, bringing five key works back into print alongside new assessments of contemporary iconoclasm in places ranging from the Near and Middle East to the United States, as well as a fresh survey of the entire subject. The writings in this compact volume explore the dynamics and history of iconoclasm, from the furious battles over images in the Reformation to government repression in modern South Africa, the American culture wars of the early 1990s, and today’s cancel culture. Freedberg combines fresh thinking with deep expertise to address the renewed significance of iconoclasm, its ideologies, and its impact. This volume also provides a supplement to Freedberg’s essay on idolatry and iconoclasm from his pathbreaking book, The Power of Images. Freedberg’s writings are of foundational importance to this discussion, and this volume will be a welcome resource for historians, museum professionals, international law specialists, preservationists, and students.
Iconoclasm and the Museum
by Stacy BoldrickIconoclasm and the Museum addresses the museum’s historic tendency to be silent about destruction through an exploration of institutional attitudes to iconoclasm, or image breaking, and the concept’s place in public display. Presenting a selection of focused case studies, Boldrick examines long-standing desires to deface, dismantle, obscure or destroy works of art and historic artefacts, as well as motivations to protect and display broken objects. Considering the effects of iconoclastic practices on artworks and cultural artefacts and how those practices are addressed in institutions, the book examines changing attitudes to the intentional destruction of powerful artworks in the past and present. It ends with an analysis of creative destruction in contemporary art making and proposes that we are entering a new phase for museums, in which they acknowledge the critical roles destruction and loss play in the lives of objects and in contemporary political life. Iconoclasm and the Museum will be important reading for academics and students in fields such as museum and gallery studies, archaeology, art history, arts management, curatorial studies, cultural studies, history, heritage and religious studies. The book should also be of great interest to museum professionals, curators and collections management specialists, and artists.
Iconoclasm from Antiquity to Modernity
by Kristine Kolrud Marina PrusacThe phenomenon of iconoclasm, expressed through hostile actions towards images, has occurred in many different cultures throughout history. The destruction and mutilation of images is often motivated by a blend of political and religious ideas and beliefs, and the distinction between various kinds of ’iconoclasms’ is not absolute. In order to explore further the long and varied history of iconoclasm the contributors to this volume consider iconoclastic reactions to various types of objects, both in the very recent and distant past. The majority focus on historical periods but also on history as a backdrop for image troubles of our own day. Development over time is a central question in the volume, and cross-cultural influences are also taken into consideration. This broad approach provides a useful comparative perspective both on earlier controversies over images and relevant issues today. In the multimedia era increased awareness of the possible consequences of the use of images is of utmost importance. ’Iconoclasm from Antiquity to Modernity’ approaches some of the problems related to the display of particular kinds of images in conflicted societies and the power to decide on the use of visual means of expression. It provides a deeper understanding of the mechanisms of the phenomenon of iconoclasm. Of interest to a wide group of scholars the contributors draw upon various sources and disciplines, including art history, cultural history, religion and archaeology, as well as making use of recent research from within social and political sciences and contemporary events. Whilst the texts are addressed primarily to those researching the Western world, the volume contains material which will also be of interest to students of the Middle East.
Iconographic Method in New World Prehistory
by Vernon James Knight Jr.This book offers an overview of iconographic methods and their application to archaeological analysis. It offers a truly interdisciplinary approach that draws equally from art history and anthropology. Vernon James Knight, Jr begins with an historiographical overview, addressing the methodologies and theories that underpin both archaeology and art history. He then demonstrates how iconographic methods can be integrated with the scientific methods that are at the core of much archaeological inquiry. Focusing on artifacts from the pre-Columbian civilizations of North and Meso-American sites, Knight shows how the use of iconographic analysis yields new insights into these objects and civilizations.
Iconographic Research Poetry (SpringerBriefs in Arts-Based Educational Research)
by Marcy MeyerThis open access book introduces readers to the craft of writing iconographic research poetry in a way that is scholarly, yet playful. By tracing the historical foundations of concrete and iconographic poetry, as well as the development of research poetry and poetic inquiry, the book examines the intellectual roots that inform this unique methodological approach. The book offers a detailed description of the methods that can be used to design iconographic research poetry. It includes step-by-step description of strategies that researchers can use to create iconographic research poetry from qualitative data. By explicating the processes by which data can be represented in the form of iconographic research poetry and offering exemplars, readers will find specific hands-on strategies for creating their own iconographic research poems. The book contains writing exercises designed to help aspiring iconographic research poets exercise their poetic imagination. It also provides qualitative research instructors with suggestions for integrating iconographic research poetry into the classroom.