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Iconography Beyond the Crossroads: Image, Meaning, and Method in Medieval Art (Signa: Papers of the Index of Medieval Art at Princeton University)
by Pamela A. Patton and Catherine A. FernandezThis volume assesses how current approaches to iconology and iconography break new ground in understanding the signification and reception of medieval images, both in their own time and in the modern world.Framed by critical essays that apply explicitly historiographical and sociopolitical perspectives to key moments in the evolution of the field, the volume’s case studies focus on how iconographic meaning is shaped by factors such as medieval modes of dialectical thought, the problem of representing time, the movement of the viewer in space, the fragmentation and injury of both image and subject, and the complex strategy of comparing distant cultural paradigms. The contributions are linked by a commitment to understanding how medieval images made meaning; to highlighting the heuristic value of new perspectives and methods in exploring the work of the image in both the Middle Ages and our own time; and to recognizing how subtle entanglements between scholarship and society can provoke mutual and unexpected transformations in both. Collectively, the essays demonstrate the expansiveness, flexibility, and dynamism of iconographic studies as a scholarly field that is still heartily engaged in the challenge of its own remaking.Along with the volume editors, the contributors include Madeline H. Caviness, Beatrice Kitzinger, Aden Kumler, Christopher R. Lakey, Glenn Peers, Jennifer Purtle, and Elizabeth Sears.
The Iconography of Humiliation in New Kingdom Egypt: The Depiction and Treatment of Bound Foreigners (Routledge Studies in Egyptology)
by Mark D. JanzenThis volume analyzes the iconography of bound foreigners on New Kingdom monuments and artifacts to better understand Egyptian perspectives on foreigners and their treatment of prisoners of war.Depictions of foreign captives in humiliating or torturous poses are ubiquitous in Egyptian iconography and reflect the celebratory nature of royal ideology, in this case by degrading enemies. Egyptologists have scrutinized these scenes for details regarding various military matters, but existing scholarly literature offers few studies focused on enemy captives and the sheer physical brutality of the depictions of their bindings. Janzen examines the bound foreigner motif in New Kingdom sources, demonstrating that these prisoners of war played vital roles in Egyptian ideology and religion. Their depictions in bizarre or torturous poses served to reinforce ideological underpinnings of pharaoh’s right to rule, perpetually ritualizing their defeat and/or punishment through the presence of this iconography on ceremonial objects used primarily by the king and on temple walls and monuments. The subjugation of foreigners also constituted an important economic function, as incorporating prisoners of war into the Egyptian workforce was crucial for economic prosperity and growth in New Kingdom Egypt. The volume also explores cross-cultural and anthropological parallels, placing Egyptian treatment of foreign prisoners in its ancient context.The book provides a fascinating study of the subject suitable for scholars and students of Egyptology and ancient history, particularly that of New Kingdom Egypt, as well as those working on power, warfare, and violence in the ancient world more broadly.
Iconology, Neoplatonism, and the Arts in the Renaissance (Routledge Research in Art History)
by Berthold HubThe mid-twentieth century saw a change in paradigms of art history: iconology. The main claim of this novel trend in art history was that renowned Renaissance artists (such as Botticelli, Leonardo, or Michelangelo) created imaginative syntheses between their art and contemporary cosmology, philosophy, theology, and magic. The Neoplatonism in the books by Marsilio Ficino and Giovanni Pico della Mirandola became widely acknowledged for its lasting influence on art. It thus became common knowledge that Renaissance artists were not exclusively concerned with problems intrinsic to their work but that their artifacts encompassed a much larger intellectual and cultural horizon. This volume brings together historians concerned with the history of their own discipline – and also those whose research is on the art and culture of the Italian Renaissance itself – with historians from a wide variety of specialist fields, in order to engage with the contested field of iconology. The book will be of interest to scholars working in art history, Renaissance history, Renaissance studies, historiography, philosophy, theology, gender studies, and literature.
The Iconology of Abstraction: Non-figurative Images and the Modern World (Routledge Advances in Art and Visual Studies)
by Krešimir PurgarThis book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language. The contributors demonstrate that abstraction is not primarily an artistic phenomenon, but rather arises from human beings’ desire to imagine, understand and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualization, from cartography and medicine to astronomy. The book will be of interest to scholars working in image studies, visual studies, art history, philosophy and aesthetics.
Iconophages: A History of Ingesting Images
by Jérémie KoeringAn unprecedented art-historical account of practices of image ingestion from ancient Egypt to the twentieth centuryEating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as to be ingested, these figured artifacts have been not only gazed upon but also incorporated—taken into the body—as solids or liquids.How can we explain such behavior? Why take an image into one&’s own body, devouring it at the risk of destroying it, consuming rather than contemplating it wisely from a distance? What structures of the imagination underlie and justify these desires for incorporation? What are the visual configurations offered up to the mouth, and what are their effects? What therapeutic, religious, symbolic, and social functions can we attribute to these forms of relations with icons? These are a few of the questions raised in this investigation into iconophagy.Iconophages aims to retrace, for the first time, the history of iconophagy. Jérémie Koering examines this unexplored facet of the history of images through an interdisciplinary approach that ranges across art history, cultural and material history, anthropology, philosophy, and the history of the body and the senses. He analyzes the human investment, in terms of culture and imagination, at stake in this seemingly paradoxical way of experiencing images. Beyond the hidden knowledge unearthed here, these pages bring to light a new way of understanding images, just as they illuminate the occasionally outlandish relations we maintain with them.
Iconostasis
by Pavel FlorenskyIconostasis is Fr. Pavel's final theological work. Composed in 1922, it explores in highly original terms the significance of the icon: its philosophic depth, its spiritual history, its empirical technique. In doing so, Fr. Pavel also sketches a new history of both Western religious art and the Orthodox icon: a history under the direct operation of the Holy Spirit. The work is original, challenging and profoundly articulate. This translation is the first complete English version.
Iconotropy and Cult Images from the Ancient to Modern World (Routledge Research in Art and Religion)
by Jorge Tomás GarcíaThe book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic, geographical or historical circumstances. This book provides a defined theoretical framework for these symbolic and material alterations based on the concept of iconotropy; that is, the way in which images change and/or alter their meaning. Iconotropy is a key concept in religious history, particularly for periods in which religious changes, often turbulent, took place. In addition, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images. Numerous accounts from antiquity, the middle ages and the modern period detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. The book will be of interest to scholars working in art history, visual culture and religious history.
Iconotropy and Cult Images from the Ancient to Modern World (Routledge Research in Art and Religion)
by Jorge Tomás GarcíaThe book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic, geographical or historical circumstances. This book provides a defined theoretical framework for these symbolic and material alterations based on the concept of iconotropy; that is, the way in which images change and/or alter their meaning. Iconotropy is a key concept in religious history, particularly for periods in which religious changes, often turbulent, took place. In addition, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images. Numerous accounts from antiquity, the middle ages and the modern period detail how cult images were involved in such processes of misinterpretation, both symbolically and materially.The book will be of interest to scholars working in art history, visual culture and religious history.
Icons: 50 Heroines Who Shaped Contemporary Culture
by Micaela HeekinIcons features colorful portraits of 50 of the most admired women in the fields of music, politics, human rights, and film. This diverse and inclusive collection features the world's most inspiring women, including Michelle Obama, Beyonce, Aretha Franklin, Dolly Parton, Ruth Bader Ginsburg, Yayoi Kusama and so many more. From singers to writers, activists to artists, politicians to filmmakers, Icons is a celebration of the strength of women. Illustrated by Monica Ahanonu, each portrait is accompanied by a short biography about what makes each woman a force to be reckoned with. • Share it with other women in your life: mom-to-daughter, daughter-to-mom, friend-to-friend• Read about the lives and accomplishments of each woman, or simply enjoy the enigmatic portraits. Ahanonu's illustrated portraits are both easily recognizable and also an artistic take on each featured woman's likeness and identity.• A smart and empowering collection of female role models• Perfect for those who loved In the Company of Women: Inspiration and Advice from over 100 Makers, Artists, and Entrepreneurs by Grace Bonney and Bygone Badass Broads: 52 Forgotten Women Who Changed the World by Mackenzi Lee
Icons: The Celebrity Exposures of Markus and Indrani
by Markus Klinko Indrani Pal-ChaudhuriMarkus Klinko and Indrani--the hottest team in celebrity and fashion photography--have produced album covers for Beyonce, Mariah Carey, and David Bowie, and shot everyone from Lady Gaga to Kate Winslet, Jay-Z, Lindsay Lohan, and Naomi Campbell. As former stars of the Bravo series Double Exposure and in past lives as a recording artist and top model, respectively, Markus and Indrani have spent most of their lives in front of the cameras, giving them a unique perspective on the realities and fantasies of their celebrated subjects. The result is a collection of powerful, definitive, iconic images of some of the most engaging stars of our time. As cutting edge as ever seventeen years into their career, with Icons Markus and Indrani showcase their work for the first time in book form. The text, based on interviews with the photographers and many of the stars they've shot, describes the uniquely fascinating professional partnership of the former lovers, how they work, and tells stories about the famed subjects of their photography--at turns funny, fascinating, and endearing. Filled with more than 250 full-color photographs in crisp detail, Icons is an engrossing showcase of the hottest stars of our day in all their glamorous, glossy, and dynamic perfection. It's a dream package for legions of celebrity followers and photography enthusiasts.
Icons Axed, Freedoms Lost: Russian Desecularization and a Ukrainian Alternative
by Vyacheslav Karpov Rachel L. SchroederIn Icons Axed, Freedoms Lost, Vyacheslav Karpov and Rachel L. Schroeder demonstrate how Russia went from persecuting believers to jailing critics of religion and why, in contrast, religious pluralism and tolerance have solidified in Ukraine. Offering a richly documented history of cultural and political struggles that surrounded desecularization—the resurgence of religion’s societal role—from the end of the USSR to the Russo-Ukrainian war, they show Russian critics of desecularization adhered to artistic provocations, from axing icons to “punk-prayers” in cathedrals, and how Orthodox activists, in turn, responded by vandalizing controversial exhibits and calling on the state to crush “the enemies of the Church.” Putin’s solidifying tyranny heard their calls and criminalized insults to religious feelings. Meanwhile, Ukraine adhered to its pluralistic legacies. Its churches refused to engage in Russian-style culture wars, sticking instead to forgiveness and forbearance. Icons Axed, Freedoms Lost offers original theoretical and methodological perspectives on desecularization applicable far beyond the cases of Russia and Ukraine.
Icons in Time, Persons in Eternity: Orthodox Theology and the Aesthetics of the Christian Image
by C.A. TsakiridouIcons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to non-representational art. Drawing on classical Greek art criticism, Byzantine ekphraseis and hymnography, and the theologies of St. Maximus the Confessor, St. Symeon the New Theologian and St. Gregory Palamas, the author argues that the ancient Greek concept of enargeia best conveys the expression of theophany and theosis in art. The qualities that define enargeia - inherent liveliness, expressive autonomy and self-subsisting form - are identified in exemplary Greek and Russian icons and considered in the context of the hesychastic theology that lies at the heart of Orthodox Christianity. An Orthodox aesthetics is thus outlined that recognizes the transcendent being of art and is open to dialogue with diverse pictorial and iconographic traditions. An examination of Ch’an (Zen) art theory and a comparison of icons with paintings by Wassily Kandinsky, Pablo Picasso, Mark Rothko and Marc Chagall, and by Japanese artists influenced by Zen Buddhism, reveal intriguing points of convergence and difference. The reader will find in these pages reasons to reconcile Modernism with the Christian image and Orthodox tradition with creative form in art.
Icons Of American Architecture: From the Alamo to the World Trade Center
by Donald LangmeadThis two-volume encyclopedia of "iconic" examples of American architecture, part of the Greenwood Icons series, discusses 24 of the most memorable structures such as Alcatraz Prison, the Empire State Building and the Washington Monument. Langmead (architecture and design, U. of South Australia) explains the historical significance of each icon by exploring the reasons why it was built and how it became an icon. He provides an architect's view of the unique features of each structure and even provides details on the costs and challenges of construction. He provides plenty of illustrations and photographs of these icons-the images of the Golden Gate Bridge while under construction are particularly striking-and he includes a glossary that makes this reference equally accessible to architectural students and general readers. Annotation ©2009 Book News, Inc., Portland, OR (booknews.com)
Icons of Europe (World Art Ser.)
by Peter StepanThe fifty-four masterpieces selected give full expression to the spirit of the different cultures in which they were created. World Art: Europe presents a panorama of artworks, ranging from the cave paintings at Chauvet and Early Cycladic figures, works from Ancient Greece and Ancient Rome, through the Middle Ages and the Renaissance, to more recent works by such influential artists as Monet, van Gogh, Picasso, or Beuys. Several traditions are unique to the history of art in Europe, such as the depiction of the individual since the Renaissance period; nowhere else can such exquisite paintings on panel be seen, and seldom is such a brilliant synthesis of the arts to be found as in Gothic cathedrals or in the masterpieces of the Baroque period. Creative genius was accorded respect even in Antiquity, and since the Middle Ages the names of important masters have been known to successive generations. Objects from cultural environments as far apart as Scotland and Crete, the Scythian Steppes, or Samothrace are included alongside works from central European countries such as Italy, Germany, or France. In addition to painting, masterpieces in marble, bronze, and terra-cotta are featured, as well as mosaics, tapestries, stained glass, and objects made of wood, porcelain, and gold. Each of these stunning works of art is accompanied by a cogent commentary by a renowned scholar.
Icons of Style: in 100 Garments
by Josh SimsBehind nearly every item in the modern wardrobe is a first of its kind - the definitive item, often designed by a single company or brand for specialist use, on which all subsequent versions have been based (and originals of which are now collector items in the booming vintage market). The T-shirt, for example, may now be an innocuous, everyday item, but was created by American company Hanes for US Navy personnel at the turn of the 20th century and was subsequently adopted by sportsmen and bikers. Other items have been designed for sport, farm work or protection, and made their way into everyday usage. Icons of Style examines, garment by garment, the most important and famous of these products - their provenance and history, the stories of their design, the brand/company that started it all and how the item shaped the way we all dress today. As traditional definitions of men's and women's clothes are fast changing, this book combines all key garments for everyone. Inspiring images of the best examples of the garment - from the 1930s to contemporary times, from Marlene Dietrich to Mick Jagger - show the timeless beauty of these garments that are the basics of the stylish.
Icons of Style: in 100 Garments
by Josh SimsBehind nearly every item in the modern wardrobe is a first of its kind - the definitive item, often designed by a single company or brand for specialist use, on which all subsequent versions have been based (and originals of which are now collector items in the booming vintage market). The T-shirt, for example, may now be an innocuous, everyday item, but was created by American company Hanes for US Navy personnel at the turn of the 20th century and was subsequently adopted by sportsmen and bikers. Other items have been designed for sport, farm work or protection, and made their way into everyday usage. Icons of Style examines, garment by garment, the most important and famous of these products - their provenance and history, the stories of their design, the brand/company that started it all and how the item shaped the way we all dress today. As traditional definitions of men's and women's clothes are fast changing, this book combines all key garments for everyone. Inspiring images of the best examples of the garment - from the 1930s to contemporary times, from Marlene Dietrich to Mick Jagger - show the timeless beauty of these garments that are the basics of the stylish.
Icons of Style – Taylor Swift: The story of a fashion icon
by Glenys JohnsonGlobal icon. Songwriting sensation. Fashion phenomenon. Welcome to the Taylor-verse.Through stunning photographs that explore key outfits from her style evolution alongside expert analysis, Icons of Style pays homage to the artist whose every outfit tells a tale. From country boots to bejewelled body suits, explore the wardrobe of the girl-next-door-turned-superstar, who connects with fans the world over with her ever-evolving attire, eye-catching looks and signature pieces.Taylor's relatability, integrity and sartorial storytelling mean this fearless fashion queen will never go out of style.
Icons of Style – Taylor Swift: The story of a fashion icon
by Glenys JohnsonGlobal icon. Songwriting sensation. Fashion phenomenon. Welcome to the Taylor-verse.Through stunning photographs that explore key outfits from her style evolution alongside expert analysis, Icons of Style pays homage to the artist whose every outfit tells a tale. From country boots to bejewelled body suits, explore the wardrobe of the girl-next-door-turned-superstar, who connects with fans the world over with her ever-evolving attire, eye-catching looks and signature pieces.Taylor's relatability, integrity and sartorial storytelling mean this fearless fashion queen will never go out of style.
Icons of Style – Zendaya: The story of a fashion icon
by Kristen BatemanFrom child star to style star, Zendaya's fashion remains genre-defying, just like her onscreen characters.Icons of Style charts Zendaya's rise from her early Disney days to showstopping Met Gala moments with over 100 stunning photographs accompanied by insightful text. The star's fearless fashion choices, including tailoring, tutus, sequins and spiderwebs, show she isn't afraid to take risks.Across casual fits and red-carpet couture, Zendaya has remained true to her style DNA through all of her iconic moments.
Icons of Style – Zendaya: The story of a fashion icon
by Kristen BatemanFrom child star to style star, Zendaya's fashion remains genre-defying, just like her onscreen characters.Icons of Style charts Zendaya's rise from her early Disney days to showstopping Met Gala moments with over 100 stunning photographs accompanied by insightful text. The star's fearless fashion choices, including tailoring, tutus, sequins and spiderwebs, show she isn't afraid to take risks.Across casual fits and red-carpet couture, Zendaya has remained true to her style DNA through all of her iconic moments.
ICSBE 2018: Proceedings of the 9th International Conference on Sustainable Built Environment (Lecture Notes in Civil Engineering #44)
by Ranjith Dissanayake Priyan MendisThis book highlights current research and development in the area of sustainable built environments, currently one of the most important disciplines in civil engineering. It covers a range of topics, including sustainable construction and infrastructures, waste and wastewater management, enhanced sustainability, renewable and clean energy, sustainable materials and industrial ecology, building automation and virtual reality, and impact of climate change. As such it provides vital insights into responsible urbanization practices, and new tools and technologies in civil engineering that can mitigate the negative effects of the built environment.
ICSBE 2020: Proceedings of the 11th International Conference on Sustainable Built Environment (Lecture Notes in Civil Engineering #174)
by Ranjith Dissanayake Priyan Mendis Kolita Weerasekera Sudhira De Silva Shiromal FernandoThis book highlights the latest knowledge and innovations in the field of civil engineering and construction industry striving for a sustainable built environment. It includes recent innovative findings from the proceedings of the 11th ICSBE 2020 under the themes of sustainable tall buildings, sustainable bridge construction and maintenance, waste in construction industry, sustainable manufacturing and recycling, disaster risk reduction for sustainable built environment, green innovations and entrepreneurship, sustainable water management in developing countries, water pollution and CKDu, sustainable urban environment and social well-being, and many greener and sustainable resource and energy-efficient innovative research findings.
ICSBE 2022: Proceedings of the 13th International Conference on Sustainable Built Environment (Lecture Notes in Civil Engineering #362)
by Ranjith Dissanayake Priyan Mendis Kolita Weerasekera Sudhira De Silva Shiromal Fernando Chaminda Konthesingha Pradeep GajanayakeThis book highlights the latest knowledge and innovations in the fields of civil engineering and construction industry striving for a sustainable built environment. It consists of high quality and innovative research findings selected from the proceedings of the 13th ICSBE 2022 under the themes of sustainable construction, urban green infrastructure and planning, rainwater harvesting and water conservation, high-performance concrete, indoor environmental quality and indoor plants, wind and hydro-power energy, waste and wastewater management for enhanced sustainability, impacts of climate change, carbon footprint, global climate model and landscaping, material flows and industrial ecology, sustainable materials, etc.
ICSCEA 2021: Proceedings of the Second International Conference on Sustainable Civil Engineering and Architecture (Lecture Notes in Civil Engineering #268)
by J. N. Reddy Chien Ming Wang Van Hai Luong Anh Tuan LeThis book presents articles from the Second International Conference on Sustainable Civil Engineering and Architecture, held on 30 October 2021 in Ho Chi Minh City, Vietnam. The conference brings together international experts from both academia and industry to share their knowledge, expertise, to facilitate collaboration and improve cooperation in the field. The book highlights the latest advances in sustainable architecture and civil engineering, covering topics such as offshore structures, structural engineering, construction materials, and architecture.
ICSDEMS 2019: Proceedings of the International Conference on Sustainable Design, Engineering, Management and Sciences
by Seyed Sattar Emamian Timothy O. Adekunle Utaberta Nangkula Mokhtar AwangThis book gathers selected papers from the International Conference on Sustainable Design, Engineering, Management and Sciences (ICSDEMS 2019), held in Kuala Lumpur, Malaysia. It highlights recent advances in civil engineering and sustainability, bringing together researchers and professionals to address the latest, most relevant issues in these areas.