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African Fabrics: Sewing Contemporary Fashion with Ethnic Flair
by Ronke Luke-BooneCreate style with a touch of the exotic Exciting! Inspiring! African fabrics are vibrant, beautiful, and widely available - and they are perfect for contemporary clothing for men, women, and children and great for home decor. An excellent reference for sewers or anyone who is interested in fabrics, culture, and history, this guide will teach you where to buy fabrics, how to choose the right ones, and the best techniques for sewing them. 14 original projects, including Tote bag Apron Tunic Place mats Shawl Pillows Vest Child's loom Full size patterns for three projects Covers these popular African fabrics Mudcloth Fancy prints Kuba cloth Wax prints Korhogo cloth Kente cloth
African Fashion, Global Style
by Victoria L. RovineAfrican Fashion, Global Style provides a lively look at fashion, international networks of style, material culture, and the world of African aesthetic expression. Victoria L. Rovine introduces fashion designers whose work reflects African histories and cultures both conceptually and stylistically, and demonstrates that dress styles associated with indigenous cultures may have all the hallmarks of high fashion. Taking readers into the complexities of influence and inspiration manifested through fashion, this book highlights the visually appealing, widely accessible, and highly adaptable styles of African dress that flourish on the global fashion market.
African Film Studies: An Introduction
by Boukary Sawadogo<p>African Film Studies: An Introduction is an accessible and authoritative textbook on African cinema as a field of study. The book provides a succinct and comprehensive study of the history, aesthetics, and theory of sub-Saharan African cinematic productions that is grounded in the field of film studies instead of textual interpretations from other disciplines. <p>Bringing African cinema out of the margins into the discipline of mainstream film studies and showcasing the diverse cinematic expressions of the continent, the book covers: <p> <li>Overview of African cinema(s): Questions our assumptions about the continent’s cinematic productions and defines the characteristics of African cinema across linguistic, geographic, and filmic divides. <li>History of African and African-American cinema: Spans the history of film in Africa from colonial import and ‘appropriation of the gaze’ to the quest for individuality. It also establishes parallels in the historical development of black African cinema and African-American cinema. <li>Aesthetics: Introduces new research on previously unexplored aesthetic dimensions such as cinematography, animation, and film music. <li>Theoretical Approaches: Addresses a number of theoretical approaches and critical frameworks developed by scholars in the study of African cinema <p> <p>All chapters include case studies, suggestions for further reading, and screening lists to deepen the reader’s knowledge with no prior knowledge of African cinema required. Students, teachers, and general film enthusiasts would all benefit from this accessible and engaging book.</p>
African Film Studies: An Introduction
by Boukary SawadogoAfrican Film Studies is an accessible and engaging introduction to African cinemas, showcasing the diverse cinematic expressions across the continent. Bringing African cinemas out of the margins and into mainstream film studies, the book provides a succinct overview of the history, aesthetics, and theory of sub-Saharan African cinematic productions. Updated throughout, this new edition includes new chapters on Nollywood, Ethiopian cinema, Streaming, and the rise of televisual series, which serve to complement the book’s main themes: • Overview of African cinema(s): Questions assumptions and defines the characteristics of African cinemas across linguistic, geographic, and filmic divides. • History of African cinemas: Spans the history of film in Africa from colonial import and ‘appropriation of the gaze’, the rise of Nollywood and local TV series to streaming, as well as building connections with the development of African American cinema. • Aesthetics: Introduces new research on previously under-explored aesthetic dimensions such as cinematography, animation, and film music. • Theoretical Approaches: Addresses a number of theoretical approaches and critical frameworks developed by scholars in the study of African cinemas. • Traditions and practices in African screen media: Features Ethiopian cinema, Nollywood, Local Televisual Series in Burkina Faso and South Africa, and the Streaming rush for Africa. All chapters include case studies, suggestions for further reading, and screening lists to deepen the reader’s knowledge, with no prior knowledge of African cinemas required. Students, teachers, and general film enthusiasts would all benefit from this accessible and engaging book.
African Industrial Design Practice: Perspectives on Ubuntu Philosophy
by Richie Moalosi Yaone RapitsenyaneThe underlying principle of this book is the African philosophy of Ubuntu, which acts as a guide for developing empathic products and services. The book makes the case that empathy is the key to any successful product and service design project because it enables designers to make wise design choices that align with users' demands. Fifteen chapters provide the latest industrial design developments, techniques, and processes explicitly targeting emerging economies. At the outset, it covers the design context and the philosophy of the Ubuntu approach, which places people and communities at the centre of the development agenda. The book covers new product development, design research, design cognition, digital and traditional prototyping, bringing products to the market, establishing a company's brand name, intellectual property rights, traditional knowledge, and the business case for design in Afrika. It concludes with a discussion about the future of design and the skills aspiring designers will need. African Industrial Design Practice: Perspectives on Ubuntu Philosophy will be an essential textbook for undergraduates, postgraduates, instructors, and beginner designers in emerging economies to provide regionally contextualised design processes, illustrated examples, and outcomes.
African Industrial Design Practice: Perspectives on Ubuntu Philosophy
by Richie Moalosi Yaone RapitsenyaneThe underlying principle of this book is the African philosophy of Ubuntu, which acts as a guide for developing empathic products and services. The book makes the case that empathy is the key to any successful product and service design project because it enables designers to make wise design choices that align with users' demands.Fifteen chapters provide the latest industrial design developments, techniques, and processes explicitly targeting emerging economies. At the outset, it covers the design context and the philosophy of the Ubuntu approach, which places people and communities at the centre of the development agenda. The book covers new product development, design research, design cognition, digital and traditional prototyping, bringing products to the market, establishing a company's brand name, intellectual property rights, traditional knowledge, and the business case for design in Afrika. It concludes with a discussion about the future of design and the skills aspiring designers will need.African Industrial Design Practice: Perspectives on Ubuntu Philosophy will be an essential textbook for undergraduates, postgraduates, instructors, and beginner designers in emerging economies to provide regionally contextualised design processes, illustrated examples, and outcomes.Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
African Performance Arts and Political Acts (African Perspectives)
by Yolanda Covington-Ward Naomi Andre Jendele HungboAfrican Performance Arts and Political Actspresents innovative formulations for how African performance and the arts shape the narratives of cultural history and politics. This collection, edited by Naomi André, Yolanda Covington-Ward, and Jendele Hungbo, engages with a breadth of African countries and art forms, bringing together speech, hip hop, religious healing and gesture, theater and social justice, opera, radio announcements, protest songs, and migrant workers’ dances. The spaces include village communities, city landscapes, prisons, urban hostels, Township theaters, opera houses, and broadcasts through the airwaves on television and radio as well as in cyberspace. Essays focus on case studies from Cameroon, the Democratic Republic of the Congo, Nigeria, Senegal, South Africa, and Tanzania.
African Radio and Minority Languages: Participation and Representation (Routledge African Media, Culture and Communication Studies)
by Limukani MatheWithin Africa, radio provides an important platform for accommodating diverse linguistic groups and enabling speakers to express themselves in their own local languages. This book investigates how radio broadcasting across the continent provides a platform for cultural participation and the representation of minority language speakers in a contested public sphere. In African media, a fierce contest wages for representation and participation, in which majority languages often emerge at the exclusion of minority ethnolinguistic groups. This book considers the important role that radio can play in broadcasting in minority languages. Drawing on in-depth original analysis, ethnographic observation and interviews with minority language radio hosts and guests from across South Africa, Zimbabwe, Nigeria, Malawi, Namibia, Mozambique, Lesotho and Kenya, this book considers to what extent African radio is accommodative of minority languages and what the challenges and prospects are for this. Ultimately, the book argues that radio’s three-tier system of broadcasting through analogue and digital radio leaves the medium of radio particularly well placed to provide equal access for ethnolinguistic groups in Africa.This ambitious and broad-ranging study will be an essential read for scholars and students of media studies and sociolinguistics in Africa.
African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms
by John M. Chernoff"We have in this book a Rosetta stone for mediating, or translating, African musical behavior and aesthetics." --Andrew Tracey, African Music. "John Miller Chernoff, who spent 10 years studying African drumming, has a flair for descriptive writing, and his first-person narratives should be easily understood by any reader, while ringing unmistakably true for the reader who has also been to West Africa." --Roderick Knight, Washington Post Book World. "Ethnomusicologists must be proud that their discipline has produced a book that will, beyond doubt, rank as a classic of African studies." --Peter Fryer,Research in Literatures. "A marvelous book. ... Not many scholars will ever be able to achieve the kind of synthesis of 'doing' and 'writing about' their subject matter that Chernoff has achieved, but he has given us an excellent illustration of what is possible." --Chet Creider, Culture. "Chernoff develops a brilliant and penetrating musicological essay that is, at the same time, an intensely personal and even touching account of musical and cultural discovery that anyone with an interest in Africa can and should read. ... No other writing comes close to approaching Chernoff's ability to convey a feeling of how African music 'works'." --James Koetting, Africana Journal. "Four stars. One of the few books I know of that talks of the political, social, and spiritual meanings of music. I was moved. It was so nice I read it twice." --David Byrne of "Talking Heads". The companion cassette tape has 44 examples of the music discussed in the book. It consists of field recordings illustrating cross-rhythms, multiple meters, call and response forms, etc.
African Textiles
by J. PictonAn illustrated survey of African textiles - their design, manufacture, and use - as part of African life, art, and culture.
African Theatre in Performance: A Festschrift in Honour of Martin Banham (Contemporary Theatre Studies #Vol. 35)
by Dele LayiwolaIn this lively and varied tribute to Martin Banham, Layiwola has assembled critical commentaries and two plays which focus primarily on Nigerian theatre - both traditional and contemporary. Dele Layiwola, Dapo Adelugba and Sonny Oti trace the beginnings of the School of Drama in 1960, at the University of Ibadan, Nigeria, where Martin Banham played a key and influential role in the growth of thriving Nigerian theatre repetoire and simulaneously encouraging the creation of a new theatre based on traditional Nigerian theatre forms.This comparative approach is taken up in Dele Layiwola's study of ritual and drama in the context of various traditions worldwide, while Oyin Ogunba presents a lucid picture of the complex use of theatre space in Yoruba ritual dramadar drama.Harsh everyday realitites, both physical and political, are graphically demonstrated by Robert McClaren (Zimbabwe) and Oga Steve Abah (Nigeria) who both show surprising and alarming links between extreme actual experiences and theatre creation and performance. The texts of the two plays - When Criminals Turn Judges by Ola Rotimi, The Hand that Feeds the King by Wale Ogunyemi, are followed by Austin O. Asagba's study of oral tradition and text in plays by Osofisan and Agbeyegbe, and Frances Harding's study on power, language, and imagery in Wole Soyinka's plays.
African Theatres and Performances
by Osita OkagbueAfrican Theatres & Performances looks at four specific performance forms in Africa and uses this to question the tendency to employ western frames of reference to analyze and appreciate theatrical performance. The book examines: masquerade theatre in Eastern Nigeria the trance and possession ritual theatre of the Hausa of Northern Nigeria the musical and oral tradition of the Mandinka of Senegal comedy and satire of the Bamana in Mali. Osita Okagbue describes each performance in detail and discusses how each is made, who it is made by and for, and considers the relationship between maker and viewer and the social functions of performance and theatre in African societies. The discussions are based on first-hand observation and interviews with performers and spectators. African Theatres & Performances gives a fascinating account of these practices, carefully tracing the ways in which performances and theatres are unique and expressive of their cultural context.
African-American Art
by Sharon F. PattonFrom its origins in early 18th century slave communities to the end of the 20th century, African-American art has made a vital contribution to the art of the United States. This book provides a major reassessment of the subject, setting the art in the context of the African-American experience.
African-American Entertainment in Baltimore (Black America Series)
by Tonya Taliaferro Rosa Pryor-TrustyAfrican-American Entertainment in Baltimore captures the brilliance of the city's musical heritage from 1930 to 1980. This educational and entertaining volume invites readers to take a visual trip down memory lane to the days when Pennsylvania Avenue, the heart of the city's African-American community, vibrated with life. Celebrated within these pages are entertainers such as The Ink Spots, Sonny Til & the Orioles, Illinois Jacquet, Cab Calloway, Lionel Hampton, Sammy Davis Jr., Slappy White, Pearl Bailey, Billie Holiday, and Ella Fitzgerald; The Avenue's hottest nightspots and theaters including the legendary Royal Theater, The Regent Theater, the Sphinx, and Club Casino; and the DJs and promoters who helped cultivate the city's musical talents.
African-American Life in Preston County (Images of America)
by Nancy Jane CopneyPreston County, an area nestled in the northern corner of West Virginia, is bounded on the north byPennsylvania and the Mason-Dixon line and on the eastby the state of Maryland. This scenic Appalachian region is primarily a farming community, though mining, timber, recreation, and tourism have also been vital contributors to the county's economy. The small yet vibrant African-American community of Preston County, whose story is told here through family photographs, documents, and memories, is a vital part of the county's heritage. For generations, these families have worked on the land and in the mines; they have raised their children and built their homes in Preston County. Vintage images from as early as the 1860s preserve theAfrican-American story of the mothers and fathers andthe mine workers and farmers who have played andcontinue to play an important role in the history of this beautiful part of the world.
African-American Life in Sumner County
by Mary Huddleston Malone Velma Howell BrinkleyEarly African Americans in Sumner County, both slaves and free, left a legacy not only of beautiful brick buildings and sturdy stone fences, but also a social history as rich and varied as the many tribes they represented. This exciting book is an invaluable resource for anyone interested in the immeasurable contributions, undeniable services, and the devotion of black Americans to the evolution of Sumner County's communities. Many of the sienna-hued photographs and Civil War-era tintypes presented here were taken when folks wore their Sunday best and didn't smile for the camera. These images, many never before published, capture everything from a "creek baptism" and bonnet worn by a local slave, to views of families and schoolchildren. The volume covers most of the early settlements in Sumner County where African Americans largely resided, fromRockland and Avondale to Scattersville, Parker's Chapel, and Gallatin.
Africa’s Struggle for Its Art: History of a Postcolonial Defeat
by Bénédicte SavoyA major new history of how African nations, starting in the 1960s, sought to reclaim the art looted by Western colonial powers For decades, African nations have fought for the return of countless works of art stolen during the colonial era and placed in Western museums. In Africa’s Struggle for Its Art, Bénédicte Savoy brings to light this largely unknown but deeply important history. One of the world’s foremost experts on restitution and cultural heritage, Savoy investigates extensive, previously unpublished sources to reveal that the roots of the struggle extend much further back than prominent recent debates indicate, and that these efforts were covered up by myriad opponents.Shortly after 1960, when eighteen former colonies in Africa gained independence, a movement to pursue repatriation was spearheaded by African intellectual and political classes. Savoy looks at pivotal events, including the watershed speech delivered at the UN General Assembly by Zaire’s president, Mobutu Sese Seko, which started the debate regarding restitution of colonial-era assets and resulted in the first UN resolution on the subject. She examines how German museums tried to withhold information about their inventory and how the British Parliament failed to pass a proposed amendment to the British Museum Act, which protected the country's collections. Savoy concludes in the mid-1980s, when African nations enacted the first laws focusing on the protection of their cultural heritage.Making the case for why restitution is essential to any future relationship between African countries and the West, Africa’s Struggle for Its Art will shape conversations around these crucial issues for years to come.
Afrikinesis: A Paradigm for Research on African and African Diaspora Dance (Routledge Advances in Theatre & Performance Studies)
by Ofosuwa M AbiolaThis book provides scholars and non-specialists alike with a roadmap for effectively conducting culturally aware, historically relevant research on African dance and on any dance style that contains African elements. This book explains why Western research paradigms are inadequate for research on Africana dance. It exposes the value of utilizing an appropriate research paradigm that offers researchers a broader perspective and a transparent, unfettered process for analysis in under-researched topics such as African and African diaspora dance styles. Researchers are introduced to the African dance aesthetic, characteristically African body movements, definitions of steps, understandings within African culture, and a host of other jewels that facilitate a deeper grasp on the subject and refine the quality of the scholar’s research, its findings, and its proficiency. This book will be of great interest to scholars of African dance studies.
Afrocentricity in AfroFuturism: Toward Afrocentric Futurism
by Aaron X. SmithContributions by Taharka Adé, Molefi Kete Asante, Alonge O. Clarkson, John P. Craig, Ifetayo M. Flannery, Kofi Kubatanna, Lehasa Moloi, M. Ndiika Mutere, and Aaron X. SmithIn the twenty-first century, AfroFuturism—a historical and philosophical concept of the future imagined through a Black cultural lens—has been interpreted through a myriad of writers, artists, scientists, and other visionary creatives. In Afrocentricity in AfroFuturism: Toward Afrocentric Futurism, editor Aaron X. Smith curates a collection of interdisciplinary essays that critiques existing scholarship on Black futurity. In contrast to much previous work, these essays ground their explorations in African agency, centering the African within historical and cultural reality. Situating Afrocentricity as the field’s foundational root and springboard for an expansive future, contributors detail potential new modes of existence and expression for African people throughout the diaspora.Divided into two parts—Representations and Transformations—this book examines the tensions created by historical and cultural dislocation of African peoples and consciousness. Contributors cover varied topics such as the intersections of culture and design; techno culture; neuroscience; and the multiplicity of African cultural influences in aesthetics, oratory, visual art, hip hop, and more. Essays range from theoretical analyses to close readings of history and popular culture, from the Haitian Revolution to Sun Ra, Janelle Monáe’s Dirty Computer, and Black Panther. Afrocentricity in AfroFuturism offers an expansive vision of AfroFuturism and its ranging significance to contemporary culture and discourse.
Afrotopia (Univocal)
by Felwine SarrA vibrant meditation and poetic call for an African utopian philosophy of self-reinvention for the twenty-first century In the recent aftermath of colonialism, civil wars, and the AIDS crisis, a new day finally seems to be shining on the African continent. Africa has once again become a site of creative potential and a vibrant center of economic growth and production. No longer stigmatized by stereotypes or encumbered by the traumas of the past—yet unsure of the future—Africa has other options than simply to follow paths already carved out by the global economy. Instead, the philosopher Felwine Sarr urges the continent to set out on its own renewal and self-discovery—an active utopia that requires a deep historical reflection on the continent&’s vast mythological universe and ancient traditions, nourishes a cultural reinvention, and embraces green technologies for tackling climate change and demographic challenges.Through a reflection on contemporary African writers, artists, intellectuals, and musicians, Sarr elaborates Africa&’s unique philosophies and notions of communal value and economy deeply rooted in its ancient traditions and landscape—concepts such as ubuntu, the life force in Dogon culture; the Rwandan imihigo; and the Senegalese teranga. Sarr takes the reader on a philosophical journey that is as much inward as outward, demanding an elevation of the collective consciousness.Along the way, one sees the contours of an africanity, a contemporary Africa united as a continent through the creolization of its cultural traditions. This is Felwine Sarr&’s Afrotopia.
After "Happily Ever After": Romantic Comedy in the Post-Romantic Age (Contemporary Approaches to Film and Media Series)
by Maria San Filippo Deborah Jermyn Martha Shearer John Alberti James MacDowell Tom Cunliffe Beatriz Oria Betty Kaklamanidou Mary Harrod Maya Montañez Smukler Elizabeth Alsop Alice Guilluy Ash Kinney D'Harcourt Tamar Jeffers MacDonald Sueyoung Park-Primiano Manuela RuizIn defiance of the alleged "death of romantic comedy," After "Happily Ever After": Romantic Comedy in the Post-Romantic Age edited by Maria San Filippo attests to rom-com’s continuing vitality in new modes and forms that reimagine and rejuvenate the genre in ideologically, artistically, and commercially innovative ways. No longer the idyllic fairy tale, today’s romantic comedies ponder the realities and complexities of intimacy, fortifying the genre’s gift for imagining human connection through love and laughter. It has often been observed that the rom-com’s "happily ever after" trope enables the genre to avoid addressing the challenges of coupled life. This volume’s contributors confront how recent rom-coms contend with a "post-romantic age" of romantic disillusionment and seismically shifting emotional and relational bonds. Fifteen chapters contemplate the resurgence of the "radical romantic comedy" and uncoupling comedy, new approaches in genre hybridity and serial narrative, and how recent rom-coms deal with divisive topical issues and contemporary sexual mores from reproductive politics and marriage equality to hook-up culture and technology-enabled sex. Rom-coms remain underappreciated and underexamined—and still largely defined within Hollywood’s parameters of culturally normative coupling and its persistent marginalization of racial and sexual minorities. Making the case for taking romantic comedy seriously, this volume employs critical perspectives drawn from feminist, queer, postcolonial, and race studies to critique the genre’s homogeneity and social and sexual conservatism, recognizing innovative works inclusive of LGBTQ people, people of color, and the differently aged and abled. Encompassing a rich range of screen media from the last decade, After "Happily Ever After" celebrates works that disrupt and subvert rom-com fantasy and formula so as to open audience’s eyes along with our hearts. This volume is intended for all readers with an interest in film, media, and gender studies.
After Andy: Adventures in Warhol Land
by Natasha Fraser-CavassoniAfter Andy is Natasha Fraser-Cavassoni’s insider's account of working in Andy Warhol’s studio and Interview magazine, and explores Warhol’s impact on the art world, pop culture, society, and fashion—and how his iconic status gave rise to some of our most influential tastemakers today. Natasha Fraser-Cavassoni met Andy Warhol when she was sixteen, and then on and off over the years before landing in New York City at the Andy Warhol Studio, or as she calls it, “Adventures in Warhol Land.” In this witty, page-turning account, she takes readers deep into the Pop artist’s world—as well as miles into the stratosphere of the socialites, fashion icons, film stars, rock legends, and art world powerhouses who could be found in his orbit—where she worked with Fred Hughes, Brigid Berlin, Vincent Fremont, and others who were once part of the Factory clan. As the last person hired at the studio before Warhol died in 1987, Fraser-Cavassoni saw firsthand the end of an era and the establishment of a global phenomenon. From the behind-the-scenes disagreements and the assessment of his estate, which included Interview magazine and his art inventory, to the record-breaking auction of his belongings and the publication of his diaries, Fraser-Cavassoni examines the immediate aftermath of Warhol’s death and his ever-growing impact, which ranged from New York to Los Angeles and throughout Europe. Interviews with key figures of the art world and dozens of Andy intimates make After Andy and its subject more relevant than ever today.
After Art (POINT: Essays on Architecture #2)
by David JoselitHow digital networks are transforming art and architectureArt as we know it is dramatically changing, but popular and critical responses lag behind. In this trenchant illustrated essay, David Joselit describes how art and architecture are being transformed in the age of Google. Under the dual pressures of digital technology, which allows images to be reformatted and disseminated effortlessly, and the exponential acceleration of cultural exchange enabled by globalization, artists and architects are emphasizing networks as never before. Some of the most interesting contemporary work in both fields is now based on visualizing patterns of dissemination after objects and structures are produced, and after they enter into, and even establish, diverse networks. Behaving like human search engines, artists and architects sort, capture, and reformat existing content. Works of art crystallize out of populations of images, and buildings emerge out of the dynamics of the circulation patterns they will house.Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, After Art provides a compelling and original theory of art and architecture in the age of global networks.
After Austen: Reinventions, Rewritings, Revisitings
by Lisa HopkinsThis collection of twelve new essays examines some of what Jane Austen has become in the two hundred years since her death. Some of the chapters explore adaptations or repurposings of her work while others trace her influence on a surprising variety of different kinds of writing, sometimes even when there is no announced or obvious debt to her. In so doing they also inevitably shed light on Austen herself. Austen is often considered romantic and not often considered political, but both those perceptions are challenged her, as is the idea that she is primarily a writer for and about women. Her books are comic and ironic, but they have been reworked and drawn upon in very different genres and styles. Collectively these essays testify to the extraordinary versatility and resonance of Austen’s books.
After Authority: Global Art Cinema and Political Transition
by Kalling HeckAfter Authority explores the tendency in art cinema to respond to political transition by turning to ambiguity, a system that ideally stems the reemergence of authoritarian logics in art and elsewhere. By comparing films from Italy, Hungary, South Korea, and the United States, this book contends that the aesthetic tradition of ambiguity in art cinema can be traced to post-authoritarian conditions and that it is in the context of a transition away from authoritarianism where art cinema aesthetics become legible. Art cinema, then, can be seen as a mode of cinematic practice that is at its core political, as its constitutive ambiguity finds its roots in the rejection of centralized and hierarchical configurations of authority. Ultimately, After Authority proposes a history of art cinema predicated on the potentials, possibilities, and politics of ambiguity.