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Keeping an Eye Open: Essays on Art
by Julian BarnesAn extraordinary collection--hawk-eyed and understanding--from the Man Booker Prize-winning, best-selling author of The Sense of an Ending and Levels of Life. As Julian Barnes notes: "Flaubert believed that it was impossible to explain one art form in terms of another, and that great paintings required no words of explanation. Braque thought the ideal state would be reached when we said nothing at all in front of a painting . . . But it is a rare picture that stuns, or argues, us into silence. And if one does, it is only a short time before we want to explain and understand the very silence into which we have been plunged." This is the exact dynamic that informs his new book. In his 1989 novel A History of the World in 10½ Chapters, Barnes had a chapter on Géricault's The Raft of the Medusa, and since then he has written about many great masters of nineteenth- and twentieth-century art, including Delacroix, Manet, Fantin-Latour, Cézanne, Degas, Redon, Bonnard, Vuillard, Vallotton, Braque, Magritte, Oldenburg, Lucian Freud and Howard Hodgkin. The seventeen essays gathered here help trace the arc from Romanticism to Realism and into Modernism; they are adroit, insightful and, above all, a true pleasure to read.From the Hardcover edition.
Keeping Secrets in Your Art Journal: From Raw Art Journaling
by Quinn McdonaldTo keep a meaningful journal, you need to feel comfortable and believe your secrecy is respected, right? If so, you have two options. You might choose to journal in a way in which your secrets are hidden away forever--from everyone, including yourself--lock them up and throw away the key! Or perhaps you'd prefer to be able to check in on them in the future; there are many ways to hide your words that can be reversed later. An excerpt from the popular book, Raw Art Journaling by Quinn McDonald, Keeping Secrets in Your Art Journal shares many methods for keeping secrets secret, from overwriting to tangled language to code-talking and more.
Keeping Time: The History and Theory of Preservation in America
by William J. MurtaghThe historic preservation movement has had a huge influence on America's built landscape for the past thirty years. Discover the cornerstone primer on the topic -- Keeping Time. This edition features a wealth of new material, including new chapters on preservation values in oral-based cultures, international preservation, and future developments in the field. In addition, you'll find a clear, concise survey of preservation movements history, complete with: Helpful coverage of the theory and practice driving the movement; Expanded material on landscape preservation; and, New information on scientific conservation, cultural corridors, and historic tourism.
Keeping Together in Time: Dance and Drill in Human History
by William H. McNeillCould something as simple and seemingly natural as falling into step have marked us for evolutionary success? In Keeping Together in Time one of the most widely read and respected historians in America pursues the possibility that coordinated rhythmic movement--and the shared feelings it evokes--has been a powerful force in holding human groups together. As he has done for historical phenomena as diverse as warfare, plague, and the pursuit of power, William H. McNeill brings a dazzling breadth and depth of knowledge to his study of dance and drill in human history. From the records of distant and ancient peoples to the latest findings of the life sciences, he discovers evidence that rhythmic movement has played a profound role in creating and sustaining human communities. The behavior of chimpanzees, festival village dances, the close-order drill of early modern Europe, the ecstatic dance-trances of shamans and dervishes, the goose-stepping Nazi formations, the morning exercises of factory workers in Japan--all these and many more figure in the bold picture McNeill draws. A sense of community is the key, and shared movement, whether dance or military drill, is its mainspring. McNeill focuses on the visceral and emotional sensations such movement arouses, particularly the euphoric fellow-feeling he calls "muscular bonding." These sensations, he suggests, endow groups with a capacity for cooperation, which in turn improves their chance of survival. A tour de force of imagination and scholarship, Keeping Together in Time reveals the muscular, rhythmic dimension of human solidarity. Its lessons will serve us well as we contemplate the future of the human community and of our various local communities.
Keeping Up Appearances: Fashion and Class Between the Wars
by Catherine HorwoodThe British have always been concerned about accent, appearance and class, but at no time during the twentieth century was ‘keeping up appearances’ more important than during the 1920s and 1930s. From the impecunious youth anxious to create a favourable impression at the local tennis club dance to female office workers advised by the Daily Mail that women in business kept ‘their position partly, if not chiefly, by appearance’, we peer into the intimate lives and anxieties of the middle classes as they dressed to impress. Choices were influenced as much by the advent of mass production, economic stringency, snobbery and the influence of America, as by personal aesthetics. Seemingly insignificant items such as ties, braces, gloves and hats, could convey a lack of breeding if worn incorrectly. This engagingly written and illustrated book explores the social mores behind one of society’s most popular activities, and reveals not only how we dressed but why.
Keiko's Ikebana: A Contemporary Approach to the Traditional Japanese Art of Flower Arranging
by Keiko Kubo Erich SchremppKeiko's unique approach to ikebana, the Japanese art of flower arranging, combines traditional techniques with modern tastes.<P><P> Her influences--which range from sculpture to today's Western floral design--come together to create one-of-a-kind arrangements that are authentic and eye-catching, simple and graceful, and possible for anyone to achieve.This book presents step-by-step instructions for creating 20 stunning ikebana arrangements in a range of sizes and styles. Each of the flower arrangements can be completed in just three simple steps and uses easy-to-find floral materials and containers. The book also includes an introduction to the history of ikebana as it relates to Japan and Japanese culture, as well as a guide to the basic rules of ikebana design and floral techniques. Suggestions for finding and choosing materials and supplies make it easy to to learn how to arrange flowers and gain a hands-on appreciation of the art of Japanese flower arranging.
Keith Haring (Lives of the Artists)
by Simon DoonanKeith Haring was a revolutionary artist, who transformed the art world during his short but impactful life. Brought to life by Simon Doonan, Creative Director for Barneys New York, this new pocket-sized biography tells his inspirational story.Revolutionary and renegade, Keith Haring was an artist for the people, creating an instantly recognisable repertoire of symbols - barking dogs, space-ships, crawling babies, clambering faceless people - which became synonymous with the volatile culture of 1980s. Like a careening, preening pinball, Keith Haring playfully slammed into all aspects of this decade - hip-hop, new-wave, graffiti, funk, art, style, gay culture - and brought them together.Haring's fanatical drive propelled him into the orbit of the most interesting people of his time: Jean Michel Basquiat envied him; Warhol, William Boroughs and Grace Jones collaborated with him. Madonna and he shared the same tastes in men. Famous at 25, dead from AIDS at 31, Keith Haring is remembered as a Pied Piper, an unpretentious communicator who appeared happiest when mentoring a gang of kids, arming them with brushes and attacking the nearest wall.A series of brief biographies of the great artists, Lives of the Artists takes as its inspiration Giorgio Vasari's five-hundred-year-old masterwork, updating it with modern takes on the lives of key artists past and present. Focusing on the life of the artist rather than examining their work, each book also includes key images illustrating the artist's life. Hardbound, but pocket-sized, the books each sport a specially-commissioned portrait of their subject on the half-jacket.
Keith Haring (Lives of the Artists)
by Simon DoonanKeith Haring was a revolutionary artist, who transformed the art world during his short but impactful life. Brought to life by Simon Doonan, Creative Director for Barneys New York, this new pocket-sized biography tells his inspirational story.Revolutionary and renegade, Keith Haring was an artist for the people, creating an instantly recognisable repertoire of symbols - barking dogs, space-ships, crawling babies, clambering faceless people - which became synonymous with the volatile culture of 1980s. Like a careening, preening pinball, Keith Haring playfully slammed into all aspects of this decade - hip-hop, new-wave, graffiti, funk, art, style, gay culture - and brought them together.Haring's fanatical drive propelled him into the orbit of the most interesting people of his time: Jean Michel Basquiat envied him; Warhol, William Boroughs and Grace Jones collaborated with him. Madonna and he shared the same tastes in men. Famous at 25, dead from AIDS at 31, Keith Haring is remembered as a Pied Piper, an unpretentious communicator who appeared happiest when mentoring a gang of kids, arming them with brushes and attacking the nearest wall.A series of brief biographies of the great artists, Lives of the Artists takes as its inspiration Giorgio Vasari's five-hundred-year-old masterwork, updating it with modern takes on the lives of key artists past and present. Focusing on the life of the artist rather than examining their work, each book also includes key images illustrating the artist's life. Hardbound, but pocket-sized, the books each sport a specially-commissioned portrait of their subject on the half-jacket.
Keith Haring: The Boy Who Just Kept Drawing
by Kay A. HaringIconic pop artist Keith Haring comes to life for young readers in this picture book biography lovingly written by his sister <P><P>This one-of-a-kind book explores the life and art of Keith Haring from his childhood through his meteoric rise to fame. It sheds light on this important artist’s great humanity, his concern for children, and his disregard for the establishment art world. Reproductions of Keith's signature artwork appear in scenes boldly rendered by Robert Neubecker. This is a story to inspire, and a book for Keith Haring fans of all ages to treasure.
Keith Haring Journals
by Keith HaringA stunning Penguin Classics Deluxe Edition of the activist artist's extraordinary journals Keith Haring is synonymous with the downtown New York art scene of the 1980's. His artwork-with its simple, bold lines and dynamic figures in motion-filtered in to the world's consciousness and is still instantly recognizable, twenty years after his death. This Penguin Classics Deluxe Edition features ninety black-and-white images of classic artwork and never-before-published Polaroid images, and is a remarkable glimpse of a man who, in his quest to become an artist, instead became an icon. .
Keith Haring's Line: Race and the Performance of Desire
by Ricardo MontezIn the thirty years since his death, Keith Haring—a central presence on the New York downtown scene of the 1980s—has remained one of the most popular figures in contemporary American art. In one of the first book-length treatments of Haring’s artistry, Ricardo Montez traces the drawn and painted line that was at the center of Haring’s artistic practice and with which the artist marked canvases, subway walls, and even human flesh. Keith Haring’s Line unites performance studies, critical race studies, and queer theory in an exploration of cross-racial desire in Haring’s life and art. Examining Haring’s engagements with artists such as dancer and choreographer Bill T. Jones, graffiti artist LA II, and iconic superstar Grace Jones, Montez confronts Haring’s messy relationships to race-making and racial imaginaries, highlighting scenes of complicity in order to trouble both the positive connotations of inter-racial artistic collaboration and the limited framework of appropriation.
Keizer
by Keizer Heritage Museum Tammy WildThe community of Keizer was shaped by the banks of the Willamette River. It was first inhabited by the Kalapuya tribe, and then came fur trappers and early missionaries farther north along the river. Homesteaders arrived in the 1840s. The rich river-bottom farmland remained quiet until the boom of automobiles after World War II. Keizer boasts neither fancy buildings nor brick edifices but proudly carries its spirit of volunteerism and perseverance. Pioneer Thomas Dove Keizur and Oregon senator Charles McNary are noted citizens. The iconic 1916 Keizer schoolhouse, now Keizer Heritage Center, is a cherished landmark. The story of Keizer comprises an account of the settlement of the state of Oregon--from wagon train to a thriving city. Keizer officially became an incorporated city in 1982.
Keller
by Rebecca GallegosIn the late 1800s, pioneers settled in the northeast Texas region of Cross Timbers known as Double Springs. In 1875, Isaac Roberts, a farmer who owned more than 600 acres, left a parcel of his land to A. G. Roberts, who then sold the right-of-way to the Texas and Pacific Railway for $25. A new town was formed, and in 1882, it was named Keller in honor of the railroad foreman who was instrumental in making the area a regular stop along the railroad. With the railroad bringing new visitors and residents, a post office was created in 1888, and new businesses started forming. The Works Progress Administration provided jobs for many Keller residents during the Great Depression, and the results of those projects shaped the way the city looks today. As of 2010, Old Town Keller was undergoing a new phase of revitalization while maintaining its connection to the hardy pioneers that once called Keller home.
Kelly Clark
by Kelly ClarkA retrospective of the art of Winnipeg artist Kelly Clark (1935–1995), with many examples from various periods of his work. Foreword by Shirley Madill, Acting Chief Curator of the Winnipeg Art Gallery, Essays by George Swinton (Kelly's Artmaking), Arthur Adamson (The Human Dimension of his Art) and Donalda Johnson (Vigilant Observer/Vertical Invader). Catalogue of Clark's work and bibliography. A joint project of U of M Press and the W.A.G.
Kelly Reichardt
by Katherine Fusco Nicole SeymourKelly Reichardt's 1994 debut River of Grass established her gift for a slow-paced realism that emphasizes the ongoing, everyday nature of emergency. Her work since then has communed with--yet remained apart from--postwar European realisms, the American avant-garde, independent film, and the emerging slow cinema movement. Katherine Fusco and Nicole Seymour read such Reichardt films as Wendy and Lucy and Night Moves to consider the root that emergency shares with emergence --the slowly unfolding or the barely perceptible. They see Reichardt as a filmmaker preoccupied with how environmental and economic crises affect those living on society's fringes. Her spare plots and slow editing reveal an artist who recognizes that disasters are gradual, with effects experienced through duration rather than sudden shock. Insightful and boldly argued, Kelly Reichardt is a long overdue portrait of a filmmaker who sees emergency not as a break from the everyday, but as a version of it.
Kemmerer: Digging For Western History (Images of America)
by Judy Julian Fossil Country MuseumEstablished in 1897, incorporated in January of 1899, and located in southwest Wyoming, Kemmerer has been a coal-mining community for over 100 years. Kemmerer became the county seat for Lincoln County in 1911 when Uinta County, one of Wyoming's original five counties, was divided. James Cash Penney opened the first J. C. Penney store in Kemmerer on April 12, 1902. During the 1920s, the Kemmerer area became a large center for moonshining and a large supplier of liquor for Chicago and the Midwest. This ended when Prohibition was repealed in 1933. The rich deposits of fossils in the area have long been a point of interest for paleontologists and geologists, amateur and professional, giving Kemmerer the title "Fossil Fish Capital of the World."
Ken Russell: Interviews (Conversations with Filmmakers Series)
by Barry Keith GrantIn the 1970s, British filmmaker Ken Russell (1927–2011) quickly gained a reputation as the enfant terrible of British cinema. His work, like the man himself, was regarded as flamboyant, excessive, and unrestrained. Inheriting and yet subverting the venerable mantle of British documentary, Russell did not fit comfortably in the context of a national cinema dominated by sober realism. His distinct style combined realism with fictional devices, often in audacious ways, to create the biographical “docudrama.” In Ken Russell: Interviews, the filmmaker discusses his colorful life and career, from his youth fascinated by movies to his early work in television through his feature films and his retreat to home movies.Russell first drew notice in the early 1960s for a series of unorthodox biographical films about artists and composers. In these early television films, Russell was already exhibiting an unconventional approach to biography that combined historical fact, aesthetic interpretation, and outlandish personal vision. After the critical and commercial success of his adaptation of D. H. Lawrence’s Women in Love, Russell continued to explore the related themes of art, sexuality, and music in The Music Lovers, The Boy Friend, Mahler, Tommy, and Lisztomania. His career foundered after Valentino, however, and he found it increasingly difficult to get funding. Toward the end of his career, Russell was restricted to making movies with his own equipment, using family and friends as actors, with virtually no budget.Throughout the ups and downs of his career, Russell alternately embraced and resented his characterization as an enfant terrible. While Russell’s comments are often meant to provoke and shock, he is articulate when discussing his films, his approach to cinema, music and composers, and, of course, his critics.
Kengo Kuma: My Life as an Architect in Tokyo
by Kengo KumaA personal tour of Tokyo’s architecture, as seen through the eyes of one of the world’s most acclaimed architects who is also designing the primary venue for the Tokyo Olympic games. Tokyo is Japan’s cultural and commercial epicenter, bursting with vibrancy and life. Its buildings, both historical and contemporary, are a direct reflection of its history and its people. Kengo Kuma was only ten years old when he found himself so inspired by Tokyo’s cityscape that he decided to become an architect. Here he tells the story of his career through twenty-five inspirational buildings in the city. Kuma’s passion is evident on every page, as well as his curiosity about construction methods and his wealth of knowledge about buildings around the world, making this a unique commentary on Tokyo’s dynamic architecture. Kengo Kuma: My Life as an Architect is an intimate and truly inspiring book, revealing the beauty that exists in the world’s everyday spaces.
The Kennebunks in Vintage Postcards (Postcard History Series)
by Brick Store MuseumThe town of Kennebunk split from the neighboring town of Wells on June 24, 1820, just three months after Maine became a state. Kennebunk's proximity to three large bodies of water--the Kennebunk River, the Mousam River, and the Atlantic Ocean--fueled its development over thousands of years. Kennebunk's waterways were home to Wabanaki hunters, settlement farmers, early lumber mills, and a booming shipbuilding business. The Maine coast soon brought tourists to Kennebunk and its beaches. By the 1930s, Kennebunk Beach and its surrounding area contained several hotels and beach cottages. Sites like the Wedding Cake House, Kennebunk Beach, Main Street, and Blowing Cave quickly reached new heights as well-known landmarks. Postcards played a part in fueling the powerhouse tourist industry that remains active to this day.
The Kennedys: Portrait of a Family
by Richard Avedon Shannon Thomas PerichIn the early 1960s, Richard Avedon was commissioned by Harper's Bazaar to create Observations, a column that consisted of a series of nine photographic essays. The subject of the first essay was John F. Kennedy and his young family, who sat for formal black-and-white portraits just three weeks prior to Kennedy's presidential inauguration. Six images appeared in the magazine's February 1961 issue.That same day, Avedon created more informal color portraits of Kennedy and his family at the Kennedy compound in Palm Beach. One of these images ran as the cover of LOOK magazine's February 28 issue, with photographs by Avedon inside. Just before the magazine hit the newsstands and was delivered to over 6.5 million people, a set of photographs, comprised mostly of the LOOK images, was released by the White House and appeared in newspapers across the country.During his lifetime, Richard Avedon donated more than two hundred images to the Smithsonian Institution, including all of the photographs of the Kennedy family sitting for Harper's Bazaar. Smithsonian curator Shannon Thomas Perich has culled more than seventy-five images from that donation for The Kennedys: Portrait of a Family, making these stunning photographs available for view for the first time. Perich's introductory essay—accompanied by a wealth of archival photographs of both Avedon and the Kennedy family—provides historical background on the two sittings within a political and cultural context and critically examines the work of one of the finest photographers of the twentieth century. A foreword by Robert Dallek, distinguished historian and author of the bet-selling An Unfinished Life: John F. Kennedy, 1917-1963, provides authoritative and compelling insight to one of the most fascinating presidents in American history.
Kenneth Clark: Life, Art and Civilisation
by James StourtonThe definitive biography of this brilliant polymath--director of the National Gallery, author, patron of the arts, social lion, and singular pioneer of television--that also tells the story of the arts in the twentieth century through his astonishing life. Kenneth Clark's thirteen-part 1969 television series, Civilisation, established him as a globally admired figure. Clark was prescient in making this series: the upheavals of the century, the Cold War among others, convinced him of the power of barbarism and the fragility of culture. He would burnish his image with two memoirs that artfully omitted the more complicated details of his life. Now, drawing on a vast, previously unseen archive, James Stourton reveals the formidable intellect and the private man behind the figure who effortlessly dominated the art world for more than half a century: his privileged upbringing, his interest in art history beginning at Oxford, his remarkable early successes. At 27 he was keeper of Western Art at the Ashmolean in Oxford and at 29, the youngest director of The National Gallery. During the war he arranged for its entire collection to be hidden in slate mines in Wales and organized packed concerts of classical music at the Gallery to keep up the spirits of Londoners during the bombing. WWII helped shape his belief that art should be brought to the widest audience, a social and moral position that would inform the rest of his career. Television became a means for this message when he was appointed the first chairman of the Independent Television Authority. Stourton reveals the tortuous state of his marriage during and after the war, his wife's alcoholism, and the aspects of his own nature that he worked to keep hidden. A superb work of biography, Kenneth Clark is a revelation of its remarkable subject.
Kenneth Clark: Life, Art and Civilisation
by James StourtonThe definitive biography of this brilliant polymath--director of the National Gallery, author, patron of the arts, social lion, and singular pioneer of television--that also tells the story of the arts in the twentieth century through his astonishing life. Kenneth Clark's thirteen-part 1969 television series, Civilisation, established him as a globally admired figure. Clark was prescient in making this series: the upheavals of the century, the Cold War among others, convinced him of the power of barbarism and the fragility of culture. He would burnish his image with two memoirs that artfully omitted the more complicated details of his life. Now, drawing on a vast, previously unseen archive, James Stourton reveals the formidable intellect and the private man behind the figure who effortlessly dominated the art world for more than half a century: his privileged upbringing, his interest in art history beginning at Oxford, his remarkable early successes. At 27 he was keeper of Western Art at the Ashmolean in Oxford and at 29, the youngest director of The National Gallery. During the war he arranged for its entire collection to be hidden in slate mines in Wales and organized packed concerts of classical music at the Gallery to keep up the spirits of Londoners during the bombing. WWII helped shape his belief that art should be brought to the widest audience, a social and moral position that would inform the rest of his career. Television became a means for this message when he was appointed the first chairman of the Independent Television Authority. Stourton reveals the tortuous state of his marriage during and after the war, his wife's alcoholism, and the aspects of his own nature that he worked to keep hidden. A superb work of biography, Kenneth Clark is a revelation of its remarkable subject.From the Hardcover edition.
Kennett Square: A Sesquicentennial Tribute, 1855-2005 (Postcard History Series)
by Joseph A. LordiKennett Square, the mushroom capital of the world, began its long history as a mere crossroads on the Philadelphia to Baltimore road in the early 18th century. With the arrival of the railroad in 1859, the area grew to become a major agricultural and manufacturing center. It also produced some noteworthy individuals, including author Bayard Taylor, New York Yankee Herb Pennock, and several inventors. Kennett Square highlights many postcard and photographic images from the period 1890 to 1930. Many of the buildings shown are now gone, but thanks to the golden age of postcards, Kennett Square's historic scenes can still be enjoyed.
Kennewick, Washington
by Mary Trotter KionCaptured here in over 200 vintage images is a photographic documentation of a section of America that was all but uninhabitable until the late 1800s. Before that time, the area was the home of a few scattered Native American bands and traditional eastern Washington desert wildlife: sagebrush, rattlesnakes, and coyotes. Only through the efforts of the railroad and the entrepreneurs, explorers, trappers, settlers, and homesteaders was this area, located along the banks of the mighty Columbia River as well as the Snake and Yakima rivers, transformed into a bountiful oasis in the desert.Kennewick is on the direct route of the Oregon Trail, as well as the Lewis and Clark trail. The story of Kennewick begins in 1883-with the arrival of the railroad and an era when steamboats and the men who plied them were pivotal in the town's settlement. These vintage images tell the story of Kennewick's early businesses, frontier homes, schools, churches, and community experiences.
Kenosha
by Jennifer BillockKenosha is a suburb of both Chicago and Milwaukee, and it draws visitors from both metro areas and from all over the United States. A historic downtown, frequent community events, and a fierce dedication to the arts have catapulted the city into tourism stardom. Although big businesses have steadily come and gone, the residential population remains strong. From family-owned stores that have been downtown for nearly 100 years, to a vintage streetcar system still in use, to a new minor-league baseball team, residents put their entire hearts into maintaining the city's culture and pride.