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Las Villas of Plattekill and Ulster County (Images of America)
by Tito Puente Jr. Ismael Ish" Martinez Jr.This is the first comprehensive historical retrospective on Las Villas of Plattekill and Ulster County ever written. Ulster County was first settled in 1652 and officially became a county in 1683. Its rural nature, scenic beauty, and the Catskill Mountains have made it a popular vacation destination since the 19th century. Described in numerous news articles as the Spanish Alps, Las Villas, as they were collectively known, was a lively enclave of Spanish, Puerto Rican, and other Hispanic summer resorts in Plattekill, New York, and the Catskill Mountains. Starting in the 1920s and for the next 60 years, the area became the most popular vacation destination for Latinos in the Northeast, with an emphasis on music, food, language, and customs.
LaSalle University
by Jeffrey LamonicaThe history of LaSalle University, located in Philadelphia, dates back nearly 150 years. The institution has occupied various locations throughout the city, including the Bouvier Family Mansion from 1886 to 1930. Original photographs of Archbishop James Wood and the Christian Brothers, who founded LaSalle College in 1863, are among the featured images portraying the personalities who shaped LaSalle. Tom Gola and the 1954 NCAA men's basketball championship team and Tom Curley, cocreator of USA Today, are among LaSalle's star athletes and prominent graduates. LaSalle University places the school's story into the context of the history of the United States by presenting photographs that capture the essence of World War II, the cold war, the 1960s, and other key moments in American history.
Laser Additive Manufacturing of High-Performance Materials
by Dongdong GuThis book entitled "Laser Additive Manufacturing of High-Performance Materials" covers the specific aspects of laser additive manufacturing of high-performance new materials components based on an unconventional materials incremental manufacturing philosophy, in terms of materials design and preparation, process control and optimization and theories of physical and chemical metallurgy. This book describes the capabilities and characteristics of the development of new metallic materials components by laser additive manufacturing process, including nanostructured materials, in situ composite materials, particle reinforced metal matrix composites, etc. The topics presented in this book, similar as laser additive manufacturing technology itself, show a significant interdisciplinary feature, integrating laser technology, materials science, metallurgical engineering and mechanical engineering. This is a book for researchers, students, practicing engineers and manufacturing industry professionals interested in laser additive manufacturing and laser materials processing. Dongdong Gu is a Professor at College of Materials Science and Technology, Nanjing University of Aeronautics and Astronautics (NUAA), PR China.
Laser Refractography
by I. L. Raskovskaya B. S. Rinkevichyus O. A. EvtikhievaThis book describes the basic principles of laser refractography, a flexible new diagnostic tool for measuring optically inhomogeneous media and flows. Laser refractography is based on digital imaging and computer processing of structured laser beam refraction (SLR) in inhomogeneous transparent media. Laser refractograms provide both qualitative and quantitative measurements and can be used for the study of fast and transient processes. In this book, the theoretical basis of refractography is explored in some detail, and experimental setups are described for measurement of transparent media using either 2D (passed radiation) or 3D (scattered radiation) refractograms. Specific examples and applications are discussed, including visualization of the boundary layer near a hot or cold metallic ball in water, and observation of edge effects and micro layers in liquids and gases. As the first book to describe this new and exciting technique, this monograph has broad cross-disciplinary appeal and will be of interest to students and researchers who need to characterize complex fluid behavior.
Lasers in the Conservation of Artworks XIII: Proceedings of the International Conference on Lasers in the Conservation of Artworks XIII (LACONA XIII), 12-16 September 2022, Florence, Italy
by Salvatore SianoLight allows us not only to see the works of art, but also to take care of them and preserve them for future generations, through diagnosis of the degradation and deterioration phenomena, conservation treatments, and monitoring based on light-material interaction processes. Recent progress on this subject was discussed during the 13th International Conference on Lasers in the Conservation of Artworks (LACONA XIII, Florence, Italy, 12-16 September 2022). This volume includes selected contributions presented at the conference on preservation topics, photonic techniques, and optimization methods. In particular, the papers focus on the development and use of innovative spectroscopic and imaging characterization techniques, the diagnostic knowledge of important artworks, and the optimization of the laser solution for preserving a growing variety of cultural assets, such as stone and metal artefacts, painted surfaces, textile, feather, and plastic artefacts. Lasers in the Conservation of Artworks XIII aims at scholars and operators of the community of preservation of cultural heritage, at teachers and students of training courses on diagnostic and conservation methods, applied physics, and chemistry, as well as archaeology and art history.
The Last Action Heroes: The Triumphs, Flops, and Feuds of Hollywood's Kings of Carnage
by Nick de SemlyenThe behind-the-scenes story of the action heroes who ruled 1980s and &’90s Hollywood and the beloved films that made them stars, including Die Hard, First Blood, The Terminator, and more.&“This book takes you so close to the action that you can smell the sweat, cigar smoke, and bad cologne that brought these movies to life.&”—Paul ScheerThe Last Action Heroes opens in May 1990 in Cannes, with Arnold Schwarzenegger and Sylvester Stallone waltzing together, cheered on by a crowd of famous faces. After years of bitter combat—Stallone once threw a bowl of flowers at Schwarzenegger&’s head, and the body count in Schwarzenegger&’s Commando was increased so the film would &“have a bigger dick than Rambo&”—the world&’s biggest action stars have at last made peace.In this wildly entertaining account of the golden age of the action movie, Nick de Semlyen charts Stallone and Schwarzenegger&’s carnage-packed journey from enmity to friendship against the backdrop of Reagan&’s America and the Cold War. He also reveals fascinating untold stories of the colorful characters who ascended in their wake: high-kickers Chuck Norris and Jackie Chan, glowering tough guys Dolph Lundgren and Steven Seagal, and quipping troublemakers Jean-Claude Van Damme and Bruce Willis. But as time rolled on, the era of the invincible action hero who used muscle, martial arts, or the perfect weapon to save the day began to fade. When Jurassic Park trounced Schwarzenegger&’s Last Action Hero in 1993, the glory days of these macho men—and the vision of masculinity they celebrated—were officially over.Drawing on candid interviews with the action stars themselves, plus their collaborators, friends, and foes, The Last Action Heroes is a no-holds-barred account of a period in Hollywood history when there were no limits to the heights of fame these men achieved, or to the mayhem they wrought, on-screen and off.
Last Acts: The Art of Dying on the Early Modern Stage
by Maggie VinterLast Acts argues that the Elizabethan and Jacobean theater offered playwrights, actors, and audiences important opportunities to practice arts of dying. Psychoanalytic and new historicist scholars have exhaustively documented the methods that early modern dramatic texts and performances use to memorialize the dead, at times even asserting that theater itself constitutes a form of mourning. But early modern plays also engage with devotional traditions that understand death less as an occasion for suffering or grief than as an action to be performed, well or badly.Active deaths belie narratives of helplessness and loss through which mortality is too often read and instead suggest how marginalized and constrained subjects might participate in the political, social, and economic management of life. Some early modern strategies for dying resonate with descriptions of politicized biological life in the recent work of Giorgio Agamben and Roberto Esposito, or with ecclesiastical forms. Yet the art of dying is not solely a discipline imposed upon recalcitrant subjects. Since it offers suffering individuals a way to enact their deaths on their own terms, it discloses both political and dramatic action in their most minimal manifestations. Rather than mournfully marking what we cannot recover, the practice of dying reveals what we can do, even in death. By analyzing representations of dying in plays by Marlowe, Shakespeare, and Jonson, alongside devotional texts and contemporary biopolitical theory, Last Acts shows how theater reflects, enables, and contests the politicization of life and death.
The Last Bookseller: A Life in the Rare Book Trade
by Gary GoodmanA wry, unvarnished chronicle of a career in the rare book trade—now in paperback When Gary Goodman wandered into a run-down, used-book shop that was going out of business in East St. Paul in 1982, he had no idea the visit would change his life. He walked in as a psychiatric counselor and walked out as the store&’s new owner. In The Last Bookseller Goodman describes his sometimes desperate, sometimes hilarious career as a used and rare book dealer in Minnesota—the early struggles, the travels to estate sales and book fairs, the remarkable finds, and the bibliophiles, forgers, book thieves, and book hoarders he met along the way. Here we meet the infamous St. Paul Book Bandit, Stephen Blumberg, who stole 24,000 rare books worth more than fifty million dollars; John Jenkins, the Texas rare book dealer who (probably) was murdered while standing in the middle of the Colorado River; and the eccentric Melvin McCosh, who filled his dilapidated Lake Minnetonka mansion with half a million books. In 1990, with a couple of partners, Goodman opened St. Croix Antiquarian Books in Stillwater, one of the Twin Cities region&’s most venerable bookshops until it closed in 2017. This store became so successful and inspired so many other booksellers to move to town that Richard Booth, founder of the &“book town&” movement in Hay-on-Wye in Wales, declared Stillwater the First Book Town in North America. The internet changed the book business forever, and Goodman details how, after 2000, the internet made stores like his obsolete. In the 1990s, the Twin Cities had nearly fifty secondhand bookshops; today, there are fewer than ten. As both a memoir and a history of booksellers and book scouts, criminals and collectors, The Last Bookseller offers an ultimately poignant account of the used and rare book business during its final Golden Age.
The Last British Battleship: HMS Vanguard, 1946–1960
by R. A. Burt&“Lots of information on the ship&’s design, weapons, armor, refits, and service career, along with the Royal Cruise of 1947.&” —Model Ship World The ninth HMS Vanguard, bearing one of the most illustrious names in the Royal Navy with honors from the Armada to Jutland, was the last and largest of Britain&’s battleships and was commissioned in 1946. Her design evolved from the King George V class and incorporated much of the fully developed design for the two battleships, Lion and Temeraire, that were laid down in 1939 but never completed. At 813ft length overall and 42,300 tons, she was the last battleship to be built for the Royal Navy and the only ship of her class. She was built during the Second World War and incorporated existing twin 15in mountings, and was part of the Royal Navy&’s response to the combined and increasing number of German and Japanese battleships in the early 1940s. Immediately recognizable by her transom stern and high flared bow, she had fine sea keeping ability. Her appearance after the end of hostilities, however, and her huge crew requirements proved a conundrum for the Royal Navy, her most significant role being that of Royal Yacht during the royal family&’s tour of South Africa in 1947. She was broken up at Faslane in 1960. In this book her design, construction, and career are all covered. Armor, machinery, power plants and weaponry are examined in detail and the author has produced some 35 superb plans, profiles, and other line drawings. The text is further enhanced by the addition of some 80 photos, many in color, from his collection. R.A. Burt&’s earlier three volumes are regarded as definitive works on the subject of British battleships before 1945; with this new book he finally completes the story of the Dreadnought era, bringing to life the last of a magnificent type of vessel of which the world will not see again.
Last Call: Bartenders on Their Final Drink and the Wisdom and Rituals of Closing Time
by Brad Thomas ParsonsFrom the James Beard Award-winning author of Bitters and Amaro comes this poignant, funny, and often elegiac exploration of the question, What is the last thing you'd want to drink before you die?, with bartender profiles, portraits, and cocktail recipes.Everyone knows the parlor game question asked of every chef and food personality in countless interviews: What is the last meal you'd want to eat before you die? But what does it look like when you pose the question to bartenders? In Last Call, James Beard Award-winning author Brad Thomas Parsons gathers the intriguing responses from a diverse range of bartenders around the country, including Guido Martelli at the Palizzi Social Club in Philadelphia (he chooses an extra-dry Martini), Joseph Stinchcomb at Saint Leo in Oxford, Mississippi (he picks the Last Word, a pre-Prohibition-era cocktail that's now a cult favorite), and Natasha David at Nitecap in New York City (she would be sipping an extra-salty Margarita). The resulting interviews and essays reveal a personal portrait of some of the country's top bartenders and their favorite drinks, while over 40 cocktail recipes and stunning photography make this a keepsake for barflies and cocktail enthusiasts of all stripes.
The Last Confederate Coin
by S. G. Garwood Dr Jonathan M. JacksonHistorical fiction based more on fact than fiction. The authors captured the brutality bestowed upon the soldiers who fought America's bloodiest war, the War Between the States (1861-1865). The story shows the bravery of the final crew of the CS Hunley, the first hunter-killer submarine, and the tragic ending of the love between Miss Queenie and Lt. Dixon, commander of the Hunley who died with his vessel after sinking the USS Housatonic off the coast of Charleston, South Carolina. The graphic descriptions of wartime combat, field hospitals, and life for men and women during the American Civil War, will surely elicit a wide-range of emotions within its readers. This is a must-read novel for Civil War aficionados, residents of the Lowcountry, and Charlestonians. --Wayne T. Dowdy, author of the novel, Unknown Innocence, and volumes of other writings, including his most popular blog, "Southern Pride-Waving a Confederate Flag."
The Last "Darky": Bert Williams, Black-On-Black Minstrelsy, and the African Diaspora
by Louis Chude-SokeiThe Last "Darky" establishes Bert Williams, the comedian of the late nineteenth century and early twentieth, as central to the development of a global black modernism centered in Harlem's Renaissance. Before integrating Broadway in 1910 via a controversial stint with the Ziegfeld Follies, Williams was already an international icon. Yet his name has faded into near obscurity, his extraordinary accomplishments forgotten largely because he performed in blackface. Louis Chude-Sokei contends that Williams's blackface was not a display of internalized racism nor a submission to the expectations of the moment. It was an appropriation and exploration of the contradictory and potentially liberating power of racial stereotypes. Chude-Sokei makes the crucial argument that Williams's minstrelsy negotiated the place of black immigrants in the cultural hotbed of New York City and was replicated throughout the African diaspora, from the Caribbean to Africa itself. Williams was born in the Bahamas. When performing the "darky," he was actually masquerading as an African American. This black-on-black minstrelsy thus challenged emergent racial constructions equating "black" with African American and marginalizing the many diasporic blacks in New York. It also dramatized the practice of passing for African American common among non-American blacks in an African American-dominated Harlem. Exploring the thought of figures such as Booker T. Washington, W. E. B. Du Bois, Marcus Garvey, and Claude McKay, Chude-Sokei situates black-on-black minstrelsy at the center of burgeoning modernist discourses of assimilation, separatism, race militancy, carnival, and internationalism. While these discourses were engaged with the question of representing the "Negro" in the context of white racism, through black-on-black minstrelsy they were also deployed against the growing international influence of African American culture and politics in the twentieth century.
The Last Days of Letterman
by Scott RyanA brilliants look behind the scenes at not only the making of a television show, but also the curtain call of one of America's greatest entertainers and the impact his impending departure will have on the many talented people who work so hard to put the show together but never -- until now -- got the credit they deserved.On May 20, 2015, Dave said, "Thank you and goodnight." The Foo Fighters sang "Everlong," and Late Show with David Letterman ended its run. The final six weeks of the series had guests like Julia Roberts, George Clooney, Oprah Winfrey, and the Obamas. All names you have heard many times. But it was the people behind the scenes who pulled off these twenty-eight unforgettable episodes of late-night television.Author Scott Ryan conducted over twenty interviews with the staffers of David Letterman. Most of the participants had never given interviews before. The writers, directors, producers, and stage managers offer a behind-the-scenes look at what it was like to work on these shows. Find out what it takes to write a Top Ten list, book a president for a guest spot, and what it was like working at the Ed Sullivan Theater.Long time Letterman writer Bill Scheft penned the foreword for the book. Included are over 100 color photos from staffers' personal collections, as well as publicity photos from the show. Get the first truly inside look at creating an episode of Late Show.Interviews with: Barbara Gaines - Executive Producer; Sheila Rogers - Supervising Producer/ Talent Executive; Randi Grossack - Associate Director; Kathy Mavrikakis, Supervising Producer; Rick Sheckman, Associate Producer; Brian Teta - Supervising Producer/Segment Producer; Sheryl Zelikson - Music Producer; Jay Johnson - Creative Director, Digital Media; Jerry Foley - Director; Michael Barrie - Writer; Lee Ellenberg - Writer; Jim Mulholland - Writer; Joe Grossman - Writer; Jeremy Weiner - Writer; Steve Young - Writer; Vincent Favale - Executive of Late Night Programing; Eddie Valk - Stage Manager; Bill Scheft - Writer; Janice Penino - Vice President, Human Resources; Jill Goodwin - Writer; and Mike Buczkiewicz - Senior Producer/Segment Producer; Rupert Jee - Hello Deli Owner.
The Last Days of the Confederacy in Northeast Georgia (Civil War Series)
by Ray ChandlerIn 1861, northeast Georgians were the driving force into secession and war. In 1865, Confederate president Jefferson Davis, his government collapsing and himself a wanted man, brought the reality of the war to the region's doorstep. Governor Joseph Brown, U.S. senator Robert Toombs and the politically influential Howell Cobb of Athens and his brother Thomas R.R. Cobb all fought passionately for Southern independence. The region epitomized the reasons for which the South waged and supported the war, yet it was spared the destruction seen in other places. Even Sherman's Union army touched only the region's fringes. Author Ray Chandler brings to light the final act of the Confederacy in the Peach State's northeast and the lasting impact it had on Georgians.
The Last Decade of Cinema: Twenty-five Unique Films From The Nineties
by Scott RyanThis provocative tome, sure to foment heated discussions among cinephiles of all generations, argues that the 1990s was the last decade in which films were made for grownups, with complex, adult-based plots, nuanced characters, and meaningful themes.&“I feel like Scott Ryan could have written this directly to me and others in our generation who have basically &‘given up&’ on movies. It is at once tribute and eulogy, so bittersweet.&” – Screenwriter Helen Childress (Reality Bites)&“The nineties are lucky to have Scott Ryan.&” – Actress Natasha Gregson Wagner (Two Girls and a Guy, Lost Highway)Ah, the nineties. Movies were something in those days. We&’re talking about a decade that began with GoodFellas and ended with Magnolia, with such films as Malcolm X, Before Sunrise, and Clueless arriving somewhere in between. Stories, characters, and writing were king; IP, franchise movies, and supersaturated superhero flicks were still years away. Or so says Scott Ryan, the iconoclastic author of The Last Days of Letterman and Moonlighting: An Oral History, who here turns his attention to The Last Decade of Cinema—the prolific 1990s. Ryan, who watched just about every film released during the decade when he was a video store clerk in a small town in Ohio, identifies twenty-five unique and varied films from the decade, including Pretty Woman, Pulp Fiction, Menace II Society, The Prince of Tides, and The Shawshank Redemption, focusing with his trademark humor and insight on what made them classics and why they could never be produced in today&’s film culture. The book also includes interviews with writers, directors, and actors from the era. Go back to the time of VCR&’s, DVD rentals, and movies that mattered. Turn off your streaming services, put down your phones, delete your Twitter account, and take a look back at the nineties with your Eyes Wide Shut, a White Russian in your hand, and yell &“Hasta la vista, baby&” to today&’s meaningless entertainment. Revel in the risk-taking brilliance of Quentin Tarantino, Amy Heckerling, Spike Lee, Robert Altman, Paul Thomas Anderson, and others in Scott Ryan&’s magnum opus, The Last Decade of Cinema.
The Last Dress from Paris: The glamorous, romantic dual-timeline read of summer 2022
by Jade BeerA sweeping dual-narrative love story sweeping from 1950s Paris to the V&A Museum in London, told through eight couture dresses that reunite three generations of women.Each Dior dress tells a story...London, 2017. When her beloved grandmother, Sylvie, sends her to Paris to retrieve a dress she wore decades before, Lucille sees the perfect opportunity to briefly escape the pressures of her own life. But not everything is as it seems, and the long-buried secrets she discovers, hidden in a collection of priceless Dior gowns, could change everything.Paris, 1952. Postwar France is full of glamour and privilege, and Alice Ainsley is in the middle of it all. As the wife to the British ambassador to France, her life is a whirlwind of jewels, banquets and couture dresses, but beneath the glittering facade, Alice is suffocating in a loveless marriage. So when a new face appears in her drawing room, Alice finds herself yearning to follow her heart . . . no matter the consequences.Deliciously evocative and achingly romantic, sweeping from 50s Paris to the V&A museum in London, The Last Dress from Paris is the perfect read for fans of Natasha Lester, Fiona Valpy and Gill Paul'A delightful fashion treasure hunt involving some of my favorite Dior gowns made this book a winner for me! The present day and 1950s narratives weave seamlessly together, the dresses dance from the pages, and Paris is resplendently depicted'-Natasha Lester, New York Times bestselling author of The Paris Secret(P) 2022 Penguin Audio
The Last Dress from Paris: A heartbreaking and sweeping historical novel
by Jade Beer'Kept me spellbound...You can practically feel the heaviness and sumptuousness of the velvet and other lush materials of the vintage gowns in your hands. Secrets and heartbreak come alive in this book I was unable to put down!' Reader review ⭐⭐⭐⭐⭐Each Dior dress tells a story... London, 2017: When her beloved grandmother, Sylvie, sends her to Paris to retrieve a dress she wore decades before, Lucille sees the perfect opportunity to briefly escape the pressures of her own life. But not everything is as it seems, and the long-buried secrets she discovers, hidden in a collection of priceless Dior gowns, could change everything. Paris, 1952: Postwar France is full of glamour and privilege, and Alice Ainsley is in the middle of it all. As the wife to the British ambassador to France, her life is a whirlwind of jewels, banquets and couture dresses, but beneath the glittering facade, Alice is suffocating in a loveless marriage. So when a new face appears in her drawing room, Alice finds herself yearning to follow her heart . . . no matter the consequences. Deliciously evocative and achingly romantic, sweeping from Fifties Paris to the V&A museum in London, The Last Dress from Paris is the perfect read for fans of Taylor Jenkins Reid, Natasha Lester, Fiona Valpy and Gill Paul.Don't miss the new novel from Jade Beer, The Palace Dressmaker, another sweeping tale of love, friendship and the power of fashion to shape our lives... Everyone is falling in love with The Last Dress from Paris:'I'm sipping on a calming cup of tea and dabbing my eyes with a tissue after finishing this book... An excellent read! I love the description of the dresses. Paris in the 1950's... Loved this book!' Reader review ⭐⭐⭐⭐⭐'I couldn't put it down. What a great story. Loved, laughed and cried while reading it' Reader review ⭐⭐⭐⭐⭐'A delightful story of unrequited love, haute couture fashion, friendship, and secrets!... I read this one late into the night... I enjoyed the descriptions of the dresses, as well as the scenic locations in Paris. Secrets were gradually revealed, right up to the satisfying conclusion' Reader review ⭐⭐⭐⭐⭐'I loved this book!!... Bittersweet and with a mystery at its heart... A great read!' Reader review ⭐⭐⭐⭐⭐'Some books stick with you throughout reading and after finishing it. This is one of those books!... When I tell you that I loved this book, I mean it!!... Fashion, forbidden love, heartbreak... I HIGHLY recommend this book' Reader review ⭐⭐⭐⭐⭐'A brilliant book that will stay with me for a long time... A thoroughly engrossing novel of strong love' Reader review ⭐⭐⭐⭐⭐ 'A delightful fashion treasure hunt involving some of my favourite Dior gowns... The dresses dance from the pages, and Paris is resplendently depicted' Natasha Lester 'A whirlwind tour through Paris, both past and present, the novel is a rich exploration of the power of female friendships and the true meaning of family. Moving and utterly enjoyable' Fiona Davis 'An absolute delight!... As original, elegant, and romantic as the Dior dresses the novel's mystery is woven around' Hazel Gaynor 'As beautifully stitched together as a couture gown... I loved it' Jessica Fellowes 'Sumptuous, evocative and dripping in Parisian elegance. A beautifully written page-turner' Kate Thompson 'My kind of read, with vintage couture gowns, Parisian elegance, and romance across the ages' Gill Paul
Last Futures: Nature, Technology and the End of Architecture
by Douglas MurphyWhatever happened to the last utopian dreams of the city?In the late 1960s the world was faced with impending disaster: the height of the Cold War, the end of oil and the decline of great cities throughout the world. Out of this crisis came a new generation that hoped to build a better future, influenced by visions of geodesic domes, walking cities and a meaningful connection with nature. In this brilliant work of cultural history, architect Douglas Murphy traces the lost archeology of the present day through the works of thinkers and designers such as Buckminster Fuller, the ecological pioneer Stewart Brand, the Archigram architects who envisioned the Plug-In City in the '60s, as well as co-operatives in Vienna, communes in the Californian desert and protesters on the streets of Paris. In this mind-bending account of the last avant-garde, we see not just the source of our current problems but also some powerful alternative futures.From the Hardcover edition.
The Last Impresario
by Michael WhiteThe Last Impresario--the most famous person you've never heard of--is now the subject of a major motion picture, directed by Gracie Otto. Michael White is one of the most inspirational producers of our time, responsible for changing the face of Britain's cultural scene in the 1970s. White has been involved in an amazingly wide range of shows, many of them hits, some of them disastrous failures, all of them unusual. His career encompasses the plays of Athol Fugard, Joe Orton's Loot, Oh! Calcutta!, the catastrophic Jeeves, the money-spinning Sleuth, The Threepenny Opera, starring Vanessa Redgrave, The Rocky Horror Show, and movies ranging from My Dinner with Andre to Monty Python cannot, by the wildest stretch of the imagination, be dubbed conventional. In this autobiography, originally published as Empty Seats in 1984, Michael White tells many marvelous stories and asks some wonderful questions. Why did Orson Welles make a one-armed Peter Daubeny carry his suitcases? What really happened during a performance of The Dirtiest Show in Town? What did Peter Sellers do to Spike Milligan's roast chicken? What were Kenneth Tynan, Joe Orton, and Dame Edna Everage really like? The reader discovers how a play is put on, what kind of money is involved, what techniques are used. "You, too," White seems to say, "can be a producer. And this is how you set about it." Drawing on all too many experiences he might prefer to forget, White would no doubt add, "And that way madness lies."
Last Judgment Iconography in the Carpathians
by John-Paul HimkaFew subjects in Christianity have inspired artists as much as the last judgment. Last Judgment Iconography in the Carpathians examines images of the last judgment from the fifteenth century to the present in the Carpathian mountain region of Ukraine, Poland, Slovakia, and Romania, as a way to consider history free from the traditional frameworks and narratives of nations. Over ten years, John-Paul Himka studied last-judgment images throughout the Carpathians and found a distinctive and transnational blending of Gothic, Byzantine, and Novgorodian art in the region.Piecing together the story of how these images were produced and how they developed, Himka traces their origins on linden boards and their evolution on canvas and church walls. Tracing their origins with monks, he follows these images' increased popularity as they were commissioned by peasants and shepherds whose tastes so shocked bishops that they ordered the destruction of depictions of sexual themes and grotesque forms of torture. A richly illustrated and detailed account of history through a style of art, Last Judgment Iconography in the Carpathians will find a receptive audience with art historians, religious scholars, and slavists.
The Last Judgment of Kings / Le Jugement dernier des rois: A Bilingual Edition (Scènes francophones: Studies in French and Francophone Theater)
by Sylvain Maréchal (1750-1803)First performed the day after Marie-Antoinette’s beheading, Le Jugement dernier des rois stages the burlesque trial of the remaining kings and queens of Europe—paraded in chains like animals, made to brawl over a barrel of crackers, and finally obliterated by a spectacular volcanic eruption. Such is the shocking context—at once tragic and farcical—of the most infamous play of the French Revolution, familiar to all specialists of the period. Until now, however, no standalone critical edition or English translation of this historic play existed. This bilingual edition revives Maréchal’s play and reveals its centrality to scholarly debates about Revolutionary notions of justice, religion, commemoration, comedy, and propaganda. Provocative, written in accessible prose, and short—perfect for students in a French or history seminar—Le Jugement dernier des rois offers an ideal introduction to the most important and contentious questions of the Revolutionary period. Joué pour la première fois le lendemain de l’exécution de Marie-Antoinette, Le Jugement dernier des rois met en scène le procès burlesque des autres rois et reines d’Europe : exhibés et enchaînés tels des animaux, contraints de se battre pour un tonneau de biscuits, et finalement anéantis par l’éruption spectaculaire d’un volcan. Tel est le contexte scandaleux—tragédie et farce à la fois—de la pièce la plus célèbre de la Révolution française, bien connue de tous les spécialistes de cette période. Jusqu’à maintenant, pourtant, il n’existait ni édition critique ni traduction anglaise de cet ouvrage historique. Notre édition bilingue fait revivre la pièce de Maréchal et la replace au centre des plus grands débats chez les historiens de la Révolution, traitant de justice, religion, commémoration, comédie, et propagande. Provocateur, facile à lire, et concis—parfaitement adapté aux étudiants d’un cours de français ou d’histoire—Le Jugement dernier des rois propose ainsi une introduction idéale à la période révolutionnaire et à ses principales controverses. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
The Last Laugh: Strange Humors of Cinema (Contemporary Approaches To Film And Media Ser.)
by Murray PomeranceFor critics, fans, and scholars of drama and film, the laugh has traditionally been tied to comedy, indicating and expressing mirth, witty relief, joyous celebration, or arch and sarcastic parody. But strange, dark laughter that illuminates non-comedic, unfunny situations gets much less attention. In The Last Laugh: Strange Humors of Cinema, editor Murray Pomerance has assembled contributions from thirteen estimable scholars that address the strange laughter of cinema from varying intellectual perspectives and a wide range of sources. Contributors consider unusual humors in a variety of filmic settings, from the chilling unheard laughter of silent cinema to the ribald and mortal laughter in the work of Orson Welles; the vagaries and nuances of laughter in film noir to the eccentric laughter of science fiction. Essays also look at laughter in many different applications, from the subtle, underlying wit of the thriller Don't Look Now to the deeply provocative humor of experimental film and the unpredictable, shadowy, insightful, and stunning laughter in such films as Black Swan, Henry Fool, The Treasure of the Sierra Madre, Kiss of Death, The Dark Knight, and A.I. Artificial Intelligence. The accessibly written, unique essays in The Last Laugh bring a new understanding to the delicate balance, unsettled tensions, and fragility of human affairs depicted by strange humor in film. For scholars of film and readers who love cinema, these essays will be rich and playful inspiration.
The Last Leonardo: The Secret Lives of the World's Most Expensive Painting
by Ben LewisAn epic quest exposes hidden truths about Leonardo da Vinci’s Salvator Mundi, the recently discovered masterpiece that sold for $450 million—and might not be the real thing. In 2017, Leonardo da Vinci’s small oil painting the Salvator Mundi was sold at auction. In the words of its discoverer, the image of Christ as savior of the world is “the rarest thing on the planet.” Its $450 million sale price also makes it the world’s most expensive painting. <P><P>For two centuries, art dealers had searched in vain for the Holy Grail of art history: a portrait of Christ as the Salvator Mundi by Leonardo da Vinci. Many similar paintings of greatly varying quality had been executed by Leonardo’s assistants in the early sixteenth century. But where was the original by the master himself? <P><P>In November 2017, Christie’s auction house announced they had it. But did they? The Last Leonardo tells a thrilling tale of a spellbinding icon invested with the power to make or break the reputations of scholars, billionaires, kings, and sheikhs. Ben Lewis takes us to Leonardo’s studio in Renaissance Italy; to the court of Charles I and the English Civil War; to Amsterdam, Moscow, and New Orleans; to the galleries, salerooms, and restorer’s workshop as the painting slowly, painstakingly emerged from obscurity. <P><P>The vicissitudes of the highly secretive art market are charted across six centuries. It is a twisting tale of geniuses and oligarchs, double-crossings and disappearances, in which we’re never quite certain what to believe. Above all, it is an adventure story about the search for lost treasure, and a quest for the truth.
Last Light: How Six Great Artists Made Old Age a Time of Triumph
by Richard LacayoOne of the nation&’s top art critics shows how six great artists made old age a time of triumph by producing some of the greatest work of their long careers—and, in some cases, changing the course of art history.Ordinarily, we think of young artists as the bomb throwers. Monet and Renoir were still in their twenties when they embarked on what would soon be called Impressionism, as were Picasso and Braque when they ventured into Cubism. But your sixties and the decades that follow can be no less liberating if they too bring the confidence to attempt new things. Young artists may experiment because they have nothing to lose; older ones because they have nothing to fear. With their legacies secure, they&’re free to reinvent themselves…sometimes with revolutionary results. Titian&’s late style offered a way for pigment itself—not just the things it depicted—to express feelings on the canvas, foreshadowing Rubens, Frans Hals, 19th-century Impressionists, and 20th-century Expressionists. Goya&’s late work enlarged the psychological territory that artists could enter. Monet&’s late waterlily paintings were eventually recognized as prophetic for the centerless, diaphanous space developed after World War II by abstract expressionists like Jackson Pollock and Phillip Guston. In his seventies, Matisse began to produce some of the most joyful art of the 20th century, especially his famous cutouts that brought an ancient craft into the realm of High Modernism. Hopper, the ultimate realist, used old age on occasion to depart into the surreal. And Nevelson, the patron saint of late bloomers, pioneered a new kind of sculpture: wall-sized wooden assemblages made from odds and ends she scavenged from the streets of Manhattan. Though these six artists differed in many respects, they shared one thing: a determination to go on creating, driven not by the bounding energies of youth but by the ticking clock that would inspire them to produce some of their greatest masterpieces.
The Last Love of George Sand: A Literary Biography
by Evelyne Bloch-DanoGeorge Sand is one the most celebrated writers and controversial personalities of nineteenth-century France; she is as famous for her bohemian lifestyle as for her written work. The Last Love of George Sand portrays the writer, political activist, and cultural figure as she starts a new chapter in her ever-surprising life: the mature years with her last lover, the young and talented engraver Alexandre Manceau. A turning point came for George Sand in 1849. After her political involvement in the revolution of 1848, Sand retreated to her country property, Nohant, with her son Maurice and started writing new plays. One day, Maurice introduced her to Alexandre Manceau, a young and shy artist thirteen years her junior. At forty-five, she was at the pinnacle of her career. She had a long history of tumultuous love affairs with famous artists such as Musset, Chopin, and Mérimée, but she had never experienced a peaceful and balanced relationship. With Manceau, Sand discovered that she could be loved, and fall in love herself, without drama. Their relationship would last fifteen years, and prove to be the most prolific period of Sand's life, with fifty books published including the novels Elle et lui, inspired by her relationship with Musset, and Le dernier amour, written just ten days after Manceau died of tuberculosis. Although much has been written about George Sand, most of the previous biographies are focused on her more turbulent times. In The Last Love of George Sand, Evelyne Bloch-Dano looks back on Sand's life from the vantage point of her years with Manceau.