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Laszlo Moholy-Nagy: Biographical Writings

by Louis Kaplan

Marking the centenary of the birth of Laszlo Moholy-Nagy (1895-1946), this book offers a new approach to the Bauhaus artist and theorist's multifaceted life and work--an approach that redefines the very idea of biographical writing. In Laszlo Moholy-Nagy, Louis Kaplan applies the Derridean deconstructivist model of the "signature effect" to an intellectual biography of a Constructivist artist. Inhabiting the borderline between life and work, the book demonstrates how the signature inscribed by "Moholy" operates in a double space, interweaving signified object and signifying matter, autobiography and auto-graphy. Through interpretative readings of over twenty key artistic and photographic works, Kaplan graphically illustrates Moholy's signature effect in action. He shows how this effect plays itself out in the complex of relations between artistic originality and plagiarism, between authorial identity and anonymity, as well as in the problematic status of the work of art in the age of technical reproduction. In this way, the book reveals how Moholy's artistic practice anticipates many of the issues of postmodernist debate and thus has particular relevance today. Consequently, Kaplan clarifies the relationship between avant-garde Constructivism and contemporary deconstruction. This new and innovative configuration of biography catalyzed by the life writing of Moholy-Nagy will be of critical interest to artists and writers, literary theorists, and art historians.

Latah County (Images of America)

by Julie R. Monroe

Its name derived from the Nez Perce language, Latah County is the only county in the United States to have been created by an Act of Congress. The abundance of its natural resources--from blue fields of camas to deep veins of gold, from great stands of white pine trees to vast green grasslands--attracted a diversity of dreamers seeking only the opportunity to build their own futures. Nestled in the heart of the Palouse, an agricultural area of extraordinary production, Latah County is a land of timber and, at Potlatch, was once the site of one of the largest sawmills in the world. At Moscow, it is also the home of the state's land-grant institution, the University of Idaho. From the forests of Troy and the ridges of Juliaetta and Kendrick, from the homesteads of Genesee to Bovill's hunting lodge and Deary's town site, Latah County has had a rich and varied history.

Late Antique Portraits and Early Christian Icons: The Power of the Painted Gaze (Routledge Research in Art and Religion)

by Andrew Paterson

This book focuses on the earliest surviving Christian icons, dated to the sixth and seventh centuries, which bear many resemblances to three other well-established genres of ‘sacred portrait’ also produced during late antiquity, namely Roman imperial portraiture, Graeco-Egyptian funerary portraiture and panel paintings depicting non-Christian deities. Andrew Paterson addresses two fundamental questions about devotional portraiture – both Christian and non-Christian – in the late antique period. Firstly, how did artists visualise and construct these images of divine or sanctified figures? And secondly, how did their intended viewers look at, respond to, and even interact with these images? Paterson argues that a key factor of many of these portrait images is the emphasis given to the depicted gaze, which invites an intensified form of personal encounter with the portrait’s subject. The book will be of interest to scholars working in art history, theology, religion and classical studies.

Late Antique Portraits and Early Christian Icons: The Power of the Painted Gaze (Routledge Research in Art and Religion)

by Andrew Paterson

This book focuses on the earliest surviving Christian icons, dated to the sixth and seventh centuries, which bear many resemblances to three other well-established genres of ‘sacred portrait’ also produced during late antiquity, namely Roman imperial portraiture, Graeco-Egyptian funerary portraiture and panel paintings depicting non-Christian deities.Andrew Paterson addresses two fundamental questions about devotional portraiture – both Christian and non-Christian – in the late antique period. Firstly, how did artists visualise and construct these images of divine or sanctified figures? And secondly, how did their intended viewers look at, respond to, and even interact with these images? Paterson argues that a key factor of many of these portrait images is the emphasis given to the depicted gaze, which invites an intensified form of personal encounter with the portrait’s subject.The book will be of interest to scholars working in art history, theology, religion and classical studies.

Late Cainozoic Floras of Iceland

by Friðgeir Grimsson Leifur A. Símonarson Reinhard Zetter Thomas Denk

Being the only place in the northern North Atlantic yielding late Cainozoic terrestrial sediments rich in plant fossils, Iceland provides a unique archive for vegetation and climate development in this region. This book includes the complete plant fossil record from Iceland spanning the past 15 million years. Eleven sedimentary rock formations containing over 320 plant taxa are described. For each flora, palaeoecology and floristic affinities within the Northern Hemisphere are established. The exceptional fossil record allows a deeper understanding of the role of the "North Atlantic Land Bridge" for intercontinental plant migration and of the Gulf Stream-North Atlantic Current system for regional climatic evolution. 'Iceland sits as a "fossil trap" on one of the most interesting biogeographic exchange routes on the planet - the North Atlantic. The fossil floras of Iceland document both local vegetational response to global climate change, and more importantly, help to document the nature of biotic migration across the North Atlantic in the last 15 million years. In this state-of-the-art volume, the authors place sequential floras in their paleogeographic, paleoclimatic and geologic context, and extract a detailed history of biotic response to the dynamics of physical change.' Bruce H. Tiffney, University of California, Santa Barbara 'This beautifully-illustrated monograph of the macro- and microfloras from the late Cenozoic of Iceland is a worthy successor to Oswald Heer's "Flora fossilis arctica". Its broad scope makes it a must for all scientists interested in climatic change and palaeobiogeography in the North Atlantic region. It will remain a classic for years to come.' David K. Ferguson, University of Vienna

Late Godard and the Possibilities of Cinema

by Daniel Morgan

With Late Godard and the Possibilities of Cinema, Daniel Morgan makes a significant contribution to scholarship on Jean-Luc Godard, especially his films and videos since the late 1980s, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films--Soigne ta droite (Keep Your Right Up, 1987), Nouvelle vague (New Wave, 1990), and Allemagne 90 neuf zéro (Germany 90 Nine Zero, 1991)--and the monumental late video work, Histoire(s) du cinéma (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard's late work. At the same time, Late Godard and the Possibilities of Cinema provides a new direction for the fields of film and philosophy by drawing on the idealist and romantic tradition of philosophical aesthetics, which rarely finds an articulation within film studies. In using the tradition of aesthetics to illuminate Godard's late films and videos, Morgan shows that these works transform the basic terms and categories of aesthetics in and for the cinema.

The Late Shift: Letterman, Leno, & the Network Battle for the Night

by Bill Carter

New York Times Bestseller: A “gripping” true story of late-night comedy and behind-the-scenes drama (Los Angeles Times). When beloved host Johnny Carson announced his retirement after thirty years on The Tonight Show, millions of Americans mourned. But inside the television industry, the news ignited a battle between two amazing talents—Jay Leno and David Letterman—who both yearned to occupy the departing legend’s chair. For NBC, it would be a decision with millions of dollars at stake. Soon these two comedians with strikingly different styles, who had once shared a friendship as they worked the clubs together, would be engaged in a fierce competition for the prize. Based on in-depth reporting and interviews with those involved, and updated with a new introduction by the author, The Late Shift is a “vivid, behind-the-scenes, blow-by-blow account” of the fight that ensued, as stars, agents, and executives maneuvered for control of the most profitable program in TV history (Chicago Tribune). “Remarkably gripping . . . Takes us deep into the bizarre high-stakes world of broadcasting . . . A powerful story, and ultimately a sad one, filled with casualties as well as winners.” —The New York Times Book Review “Solid reporting, based on extensive interviews with the principals, lifts The Late Shift into a class of its own. . . . The insights into the people involved are what make [the book] a page-turner.” —Orange Country Register

Late Star Trek: The Final Frontier in the Franchise Era (Mass Markets: Storyworlds Across Media)

by Adam Kotsko

How Star Trek&’s twenty-first-century reinventions illuminate the unique challenges and opportunities of franchise-style corporate storytellingLate Star Trek explores the beloved science fiction franchise&’s repeated attempts to reinvent itself after the end of its 1990s golden age. Beginning with the prequel series Enterprise, Adam Kotsko analyzes the wealth of content set within Star Trek&’s sprawling continuity—including authorized books, the three &“Kelvin Timeline&” films, and the streaming series Discovery, Picard, Lower Decks, Prodigy, and Strange New Worlds—along with fan discourse, to reflect on the perils and promise of the franchise as a unique form of storytelling. Significantly including the licensed novels and comic books that fill out the Star Trek universe for its fans, Kotsko brings the multiple productions of the early twenty-first century together as a unified whole rather than analyzing them in their current stratified view. He argues that the variety of styles and approaches in this tumultuous era of Star Trek history provides the perfect opportunity to reflect on the nature of the franchise storyworlds that now dominate popular culture. By taking the spin-offs and tie-ins seriously as creative attempts to tell a new story within an established universe, Late Star Trek highlights creative triumphs as well as the tendency for franchise faithfulness to get in the way of creating engaging characters and ideas. Arguing forcefully against the prevailing consensus that franchises are a sign of cultural decay, Kotsko contends that the Star Trek universe exemplifies an approach to storytelling that has been perennial across cultures. Instead, he finds that what limits creativity within franchises is not their reliance on the familiar but their status as modern myths, held not as common cultural heritage but rather owned as corporate intellectual property. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Late Victorian Architectural Plans and Details (Dover Architecture)

by William T. Comstock Daniel D. Reiff

This authentic reproduction of plans drawn up by a noted nineteenth-century architectural firm features both residential and public buildings. Hundreds of illustrations include floor plans, perspective views, and elevations as well as designs for staircases, fireplaces, and other interior details. Other drawings depict windows, doors, balconies, and gables. Photographs offer crisp views of exteriors. Victorian architecture buffs will prize this excellent source of authentic period designs. Its 126 plates comprise 87 images of residences; the remaining 39 structures include a field club building, stables, a library, a school, a railroad station, a dry goods store, and a music hall. Captions describe locations, dimensions, costs, and other particulars.

Late Westerns: The Persistence of a Genre (Postwestern Horizons)

by Lee Clark Mitchell

For more than a century the cinematic Western has been America’s most familiar genre, always teetering on the verge of exhaustion and yet regularly revived in new forms. Why does this outmoded vehicle—with the most narrowly based historical setting of any popular genre—maintain its appeal? In Late Westerns Lee Clark Mitchell takes a position against those critics looking to attach “post” to the all-too-familiar genre. For though the frontier disappeared long ago, though men on horseback have become commonplace, and though films of all sorts have always, necessarily, defied generic patterns, the Western continues to enthrall audiences. It does so by engaging narrative expectations stamped on our collective consciousness so firmly as to integrate materials that might not seem obviously “Western” at all. Through plot cues, narrative reminders, and even cinematic frameworks, recent films shape interpretive understanding by triggering a long-standing familiarity audiences have with the genre. Mitchell’s critical analysis reveals how these films engage a thematic and cinematic border-crossing in which their formal innovations and odd plots succeed deconstructively, encouraging by allusion, implication, and citation the evocation of generic meaning from ingredients that otherwise might be interpreted quite differently. Applying genre theory with close cinematic readings, Mitchell posits that the Western has essentially been “post” all along.

Lateinamerikaberichterstattung der deutschen Presse: Struktur und Entstehungsbedingungen

by Regina Cazzamatta

Das vorliegende Buch zu Struktur und Entstehungsbedingung Lateinamerikas in der deutschen Presse basiert auf einer in dieser Dimension bis heute nicht vorhandenen empirischen Grundlage. Die Studie basiert auf 21.929 Beiträgen, von denen mithilfe einer geschichteten Stichprobe 4.164 in die Analyse einbezogen, ausgewertet und mit Korrespondenten-Interviews kombiniert wurden. Sie beleuchtet die Auswahlkriterien und Mechanismen der Berichterstattung zu Lateinamerika und füllte eine Forschungslücke zu einem Thema, das außenpolitisch extrem relevant ist. Das Buch betrachtet Themen und Merkmale des Mediendiskurses in kombinierter Form, stellt Länderprofile dar und sucht nach theoretischen Erklärungen für die Bildkonstruktionen. Die Studie kommt zum Ergebnis, dass es das Lateinamerikabild in der deutschen Presse nicht gibt, sondern sich eine Perzeption nach Ländern und Landesgruppen ausdifferenziert lässt. Die Forschungsarbeit ist über das Fachgebiet Medien- und Kommunikationswissenschaft hinaus interessant und bedeutet einen Gewinn für die Lateinamerikaforschung in Deutschland.

Lateness (POINT: Essays on Architecture #2)

by Peter Eisenman Elisa Iturbe

A provocative case for historical ambiguity in architecture by one of the field's leading theoristsConceptions of modernity in architecture are often expressed in the idea of the zeitgeist, or "spirit of the age," an attitude toward architectural form that is embedded in a belief in progressive time. Lateness explores how architecture can work against these linear currents in startling and compelling ways. In this incisive book, internationally renowned architect Peter Eisenman, with Elisa Iturbe, proposes a different perspective on form and time in architecture, one that circumvents the temporal constraints on style that require it to be "of the times"—lateness. He focuses on three twentieth-century architects who exhibited the qualities of lateness in their designs: Adolf Loos, Aldo Rossi, and John Hejduk. Drawing on the critical theory of Theodor Adorno and his study of Beethoven's final works, Eisenman shows how the architecture of these canonical figures was temporally out of sync with conventions and expectations, and how lateness can serve as a form of release from the restraints of the moment.Bringing together architecture, music, and philosophy, and drawing on illuminating examples from the Renaissance and Baroque periods, Lateness demonstrates how today's architecture can use the concept of lateness to break free of stylistic limitations, expand architecture's critical capacity, and provide a new mode of analysis.

Lateness and Longing: On the Afterlife of Photography (Abakanowicz Arts and Culture Collection)

by George Baker

How a generation of women artists is transforming photography with analogue techniques. Beginning in the 1990s, a series of major artists imagined the expansion of photography, intensifying its ideas and effects while abandoning many of its former medium constraints. Simultaneous with this development in contemporary art, however, photography was moving toward total digitalization. Lateness and Longing presents the first account of a generation of artists—focused on the work of Zoe Leonard, Tacita Dean, Sharon Lockhart, and Moyra Davey—who have collectively transformed the practice of photography, using analogue technologies in a dissident way and radicalizing signifiers of older models of feminist art. All these artists have resisted the transition to the digital in their work. Instead—in what amounts to a series of feminist polemics—they return to earlier, incomplete, or unrealized moments in photography’s history, gravitating toward the analogue basis of photographic mediums. Their work announces that photography has become—not obsolete—but “late,” opened up by the potentially critical forces of anachronism. Through a strategy of return—of refusing to let go—the work of these artists proposes an afterlife and survival of the photographic in contemporary art, a formal lateness wherein photography finds its way forward through resistance to the contemporary itself.

Latent Destinies: Cultural Paranoia and Contemporary U.S. Narrative

by Patrick O'Donnell

Latent Destinies examines the formation of postmodern sensibilities and their relationship to varieties of paranoia that have been seen as widespread in this century. Despite the fact that the Cold War has ended and the threat of nuclear annihilation has been dramatically lessened by most estimates, the paranoia that has characterized the period has not gone away. Indeed, it is as if--as O'Donnell suggests--this paranoia has been internalized, scattered, and reiterated at a multitude of sites: Oklahoma City, Waco, Ruby Ridge, Bosnia, the White House, the United Nations, and numerous other places. O'Donnell argues that paranoia on the broadly cultural level is essentially a narrative process in which history and postmodern identity are negotiated simultaneously. The result is an erasure of historical temporality--the past and future become the all-consuming, self-aware present. To explain and exemplify this, O'Donnell looks at such books and films as Libra, JFK, The Crying of Lot 49, The Truman Show, Reservoir Dogs, Empire of the Senseless, Oswald's Tale, The Executioner's Song, Underworld, The Killer Inside Me, and Groundhog Day. Organized around the topics of nationalism, gender, criminality, and construction of history, Latent Destinies establishes cultural paranoia as consonant with our contradictory need for multiplicity and certainty, for openness and secrecy, and for mobility and historical stability. Demonstrating how imaginative works of novels and films can be used to understand the postmodern historical condition, this book will interest students and scholars of American literature and cultural studies, postmodern theory, and film studies.

Latent Variable Analysis and Signal Separation: 14th International Conference, LVA/ICA 2018, Guildford, UK, July 2–5, 2018, Proceedings (Lecture Notes in Computer Science #10891)

by Yannick Deville Sharon Gannot Russell Mason Mark D. Plumbley Dominic Ward

This book constitutes the proceedings of the 14th International Conference on Latent Variable Analysis and Signal Separation, LVA/ICA 2018, held in Guildford, UK, in July 2018.The 52 full papers were carefully reviewed and selected from 62 initial submissions. As research topics the papers encompass a wide range of general mixtures of latent variables models but also theories and tools drawn from a great variety of disciplines such as structured tensor decompositions and applications; matrix and tensor factorizations; ICA methods; nonlinear mixtures; audio data and methods; signal separation evaluation campaign; deep learning and data-driven methods; advances in phase retrieval and applications; sparsity-related methods; and biomedical data and methods.

The Latent World of Architecture: Selected Essays

by Dalibor Vesely

This book features thirteen essays by the late architect, philosopher and teacher Dalibor Vesely (1934–2015). Vesely was a leading authority on philosophical hermeneutics and phenomenology in relation to architecture worldwide, and influenced a generation of thinkers, teachers and practitioners. This collection presents the full range of his writing, drawing primarily from the history of art and architecture, as well as philosophy, theology, anthropology and ecology, and spanning from early antiquity to modernism. It composes a multifaceted and globally relevant argument about the enduring cultural role of architecture and the significance of its history. The book, edited and introduced by Vesely’s teaching partner at Cambridge Peter Carl and former student Alexandra Stara, and with a foreword by David Leatherbarrow, brings to light new and hard-to-access material for those familiar with Vesely’s thought and, at the same time, offers a compelling introduction to his writing and its profound relevance for architecture and culture today.

Later Byzantine Painting: Art, Agency, and Appreciation (Variorum Collected Studies)

by Robert S. Nelson

Written over nearly three decades, the fifteen essays involve the three a's of the title, art, agency, and appreciation. The first refers to the general subject matter of the book, Byzantine art, chiefly painting, of the twelfth through the fourteenth centuries, the second to its often human-like agency, and the last to its historical reception. Responding to different issues and perspectives that have animated art history and Byzantine studies in recent decades, the essays have wide theoretical range from art historical formalism, iconography, archaeology and its manuscript equivalent codicology, to statistics, patronage, narratology, and the histories of science and collecting. The series begins with art works themselves and with the imagery and iconography of church decoration and manuscript illumination, shifts to the ways that objects act in the world and affect their beholders, and concludes with more general appreciations of Byzantine art in case studies from the thirteenth century to the present.

Later Operetta 2: the Highwayman, Music by Reginald DeKoven, Libretto by Harry B. Smith, 1897 (Nineteenth-Century American Musical Theater Series)

by Reginald De Koven

The most successful American-born composer of operetta at the end of the nineteenth century was Reginald de Koven. The work reprinted in this volume, The Highwayman, is arguably his best work, although he is better known for the earlier Robin Hoodwixh its evergreen wedding ballad "Oh Promise Me." (Robin Hood is available as a reprint in the 1990 volume American Opera and Music for the Stage, in the G.K. Hall series Three Centuries of American Music.) The editor of this volume, Orly Leah Krasner, is a leading scholar of de Koven’s music. She teaches at the City University of New York, and her Ph.D. dissertation, "Reginald de Koven (1859-1920) and American Comic Opera at the Turn of the Century," is also from that university. Her introduction places the work in the tenor of contemporary critical reaction, and lists the sources available for further study. The Highwayman is one of the few complete operettas of its era for which we are fortunate enough to have original performing materials in the composer’s own hand. As the penultimate volume (number 15) in this series, de Koven’s work of 1897 contrasts with two works of the previous year, Walter Damrosch’s opera The Scarlet Letter (volume 16) and John Philip Sousa’s operetta El Capitan (volume 14).

LaTeX Beginner's Guide: Create visually appealing texts, articles, and books for business and science using LaTeX, 2nd Edition

by Stefan Kottwitz

Harness the power of LaTeX and its wide range of features to create professional-looking text, articles, and books with both online and offline capabilities of LaTeXKey FeaturesGet a hands-on introduction to LaTeX using fully explained examples to advance from beginner to LaTeX professional quicklyWrite impressive mathematical, scientific, and business papers or theses using LaTeXExplore LaTeX onlineBook DescriptionLaTeX is high-quality open source typesetting software that produces professional prints and PDF files. It's a powerful and complex tool with a multitude of features, so getting started can be intimidating. However, once you become comfortable with LaTeX, its capabilities far outweigh any initial challenges, and this book will help you with just that! The LaTeX Beginner's Guide will make getting started with LaTeX easy. If you are writing mathematical, scientific, or business papers, or have a thesis to write, this is the perfect book for you. With the help of fully explained examples, this book offers a practical introduction to LaTeX with plenty of step-by-step examples that will help you achieve professional-level results in no time. You'll learn to typeset documents containing tables, figures, formulas, and common book elements such as bibliographies, glossaries, and indexes, and go on to manage complex documents and use modern PDF features. You'll also get to grips with using macros and styles to maintain a consistent document structure while saving typing work. By the end of this LaTeX book, you'll have learned how to fine-tune text and page layout, create professional-looking tables, include figures, present complex mathematical formulas, manage complex documents, and benefit from modern PDF features.What you will learnMake the most of LaTeX's powerful features to produce professionally designed textsDownload, install, and set up LaTeX and use additional styles, templates, and toolsTypeset math formulas and scientific expressions to the highest standardsUnderstand how to include graphics and work with figures and tablesDiscover professional fonts and modern PDF featuresWork with book elements such as bibliographies, glossaries, and indexesTypeset documents containing tables, figures, and formulasWho this book is forIf you are about to write mathematical or scientific papers, seminar handouts, or even plan to write a thesis, this book offers you a fast-paced and practical introduction to LaTeX. School and university students will find this easy-to-follow LaTeX guide helpful, as will mathematicians, physicists, engineers, and humanists. Anybody with high expectations from their software will discover how easy it is to leverage LaTeX's high performance for creating documents.

Lathrop

by Mac Freeman Jennifer Pyron

First home to Yokut Indians, then trappers, hunters, and fishermen, Lathrop was founded by Leland Stanford in 1869 as a railroad town and an answer to Stanford's frustration with his railroad attempts in Stockton. Lathrop's rich history includes the railroad, its Delta waterways, manufacturing and distributing industries, and the fascinating tale of California Supreme Court justice David S. Terry's murder (Terry had previously fought and won the last legal duel in California with U.S. senator David C. Broderick just outside of San Francisco). Reportedly named in honor of a relative of Leland Stanford Jr., today's Lathrop evolved from rugged railroad beginnings to a growing and vibrant community of close to 20,000 residents.

LATIN 2018: 13th Latin American Symposium, Buenos Aires, Argentina, April 16-19, 2018, Proceedings (Lecture Notes in Computer Science #10807)

by Michael A. Bender Martín Farach-Colton Miguel A. Mosteiro

This book constitutes the proceedings of the 13th Latin American Symposium on Theoretical Informatics, LATIN 2018, held in Buenos Aires, Argentina, in April 2018. The 63 papers presented in this volume were carefully reviewed and selected from 161 submissions. The Symposium is devoted to different areas in theoretical computer science, including, but not limited to: algorithms (approximation, online, randomized, algorithmic game theory, etc.), analytic combinatorics and analysis of algorithms, automata theory and formal languages, coding theory and data compression, combinatorial algorithms, combinatorial optimization, combinatorics and graph theory, complexity theory, computational algebra, computational biology, computational geometry, computational number theory, cryptology, databases and information retrieval, data structures, formal methods and security, Internet and the web, parallel and distributed computing, pattern matching, programming language theory, and random structures.

LATIN 2020: 14th Latin American Symposium, São Paulo, Brazil, January 5-8, 2021, Proceedings (Lecture Notes in Computer Science #12118)

by Yoshiharu Kohayakawa Flávio Keidi Miyazawa

This book constitutes the refereed proceedings of the 14th Latin American Symposium on Theoretical Informatics, LATIN 2020, held in Sao Paulo, Brazil, in January 2021. The 50 full papers presented in this book were carefully reviewed and selected from 136 submissions. The papers are grouped into these topics: approximation algorithms; parameterized algorithms; algorithms and data structures; computational geometry; complexity theory; quantum computing; neural networks and biologically inspired computing; randomization; combinatorics; analytic and enumerative combinatorics; graph theory.Due to the Corona pandemic the event was postponed from May 2020 to January 2021.

Latin America: Writings on Architecture, Landscape, and the Environment, 1876-1925

by Jacques Lambert

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.

Latin American Art Since 1900 (World of Art #0)

by Edward Lucie-Smith

An extraordinary synthesis of more than a century’s worth of art across Central and South America, Latin American Art Since 1900 covers everyone from popular figures such as Diego Rivera and Frida Kahlo, to a wide range of other artists who are less well-known outside Latin America. In this classic survey, now updated with full-color images throughout, Edward Lucie-Smith introduces the art of Latin America from 1900 to the present day. Lucie-Smith examines major artists such as Diego Rivera and Frida Kahlo, as well as dozens of less familiar Latin American artists and exiled artists from Europe and the United States who spent their lives in South America, such as Leonora Carrington. The author explains the political context for artistic development and sets the works in national, cultural, and international frameworks. Featured in this book are the artists who have searched for indigenous roots and local tradition; explored abstraction, expressionism, and new media; entered into dialogue with European and North American movements, while insisting on reaching a wide, popular audience for their work; and created an energetic, innovative, and varied art scene across the South American continent. With a new chapter that extends the discussion into the twenty-first century, a constant theme of Latin American Art Since 1960 is the embrace of the experimental and the new by artists across Latin America.

Latin American Cinema

by Paul A. Schroeder Rodríguez

This book charts a comparative history of Latin America's national cinemas through ten chapters that cover every major cinematic period in the region: silent cinema, studio cinema, neorealism and art cinema, the New Latin American Cinema, and contemporary cinema. Schroeder Rodríguez weaves close readings of approximately fifty paradigmatic films into a lucid narrative history that is rigorous in its scholarship and framed by a compelling theorization of the multiple discourses of modernity. The result is an essential guide that promises to transform our understanding of the region's cultural history in the last hundred years by highlighting how key players such as the church and the state have affected cinema's unique ability to help shape public discourse and construct modern identities in a region marked by ongoing struggles for social justice and liberation.

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