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Lee de Forest

by Mike Adams

The life-long inventor, Lee de Forest invented the three-element vacuum tube used between 1906 and 1916 as a detector, amplifier, and oscillator of radio waves. Beginning in 1918 he began to develop a light valve, a device for writing and reading sound using light patterns. While he received many patents for his process, he was initially ignored by the film industry. In order to promote and demonstrate his process he made several hundred sound short films, he rented space for their showing; he sold the tickets and did the publicity to gain audiences for his invention. Lee de Forest officially brought sound to film in 1919. Lee De Forest: King of Radio, Television, and Film is about both invention and early film making; de Forest as the scientist and producer, director, and writer of the content. This book tells the story of de Forest's contribution in changing the history of film through the incorporation of sound. The text includes primary source historical material, U.S. patents and richly-illustrated photos of Lee de Forest's experiments. Readers will greatly benefit from an understanding of the transition from silent to audio motion pictures, the impact this had on the scientific community and the popular culture, as well as the economics of the entertainment industry.

Lee Friedlander: The Little Screens (One Work)

by Saul Anton

An illustrated examination of an early photo-essay by Lee Friedlander that shows television screens broadcasting eerily glowing images into unoccupied rooms. Lee Friedlander's The Little Screens first appeared as a 1963 photo-essay in Harper's Bazaar, with commentary by Walker Evans. Six untitled photographs show television screens broadcasting eerily glowing images of faces and figures into unoccupied rooms in homes and motels across America. As distinctive a portrait of an era as Robert Frank's The Americans, The Little Screens grew in number and was not brought together in its entirety until a 2001 exhibition at the Fraenkel Gallery in San Francisco.Friedlander (b. 1934) is known for his use of surfaces and reflections––from storefront windows to landscapes viewed through car windshields—to present a pointed view of American life. The photographs that make up The Little Screens represent an early example of this photographic strategy, offering the narrative of a peripatetic photographer moving through the landscape of 1960s America that was in thrall to a new medium.In this astute study, Saul Anton argues that The Little Screens marked the historical intersection of modern art and photography at the moment when television came into its own as the dominant medium of mass culture. Friedlander's images, Anton shows, reflect the competing logics of the museum and print and electronic media, and anticipate the issues that have emerged with the transition to a world of ubiquitous “little screens.”

Lee Hammond's All New Big Book of Drawing: Beginner's Guide to Realistic Drawing Techniques

by Lee Hammond

Learning How to Draw Has Never Been Easier!Lee Hammond's All New Big Book of Drawing is the culmination of nearly forty years of teaching. No matter what your experience level YOU CAN DRAW by following along these easy step-by-step demonstrations. Whether you want to create drawings of flowers, learn how to draw animals or how to draw a person, these drawing techniques, all-new projects, and expert tips will show you how to get great results with both regular pencils and colored pencils.Two books in one. The first half is a comprehensive course on using pencils to capture shape, form and likeness. The second half explores adding color using colored pencils88 step-by-step projects. You will learn to draw everything with this book! Starting with a simple sphere and working up to sea shells, sunsets, flowers, birds, horses, clothing, people--and so much more!A lifetime of know-how! Lee covers it all--from big picture concepts (selecting tools, shading techniques, making sense of perspective) down to techniques for creating the look of feathers, capturing skin tones, and making surfaces look shiny or transparent.Using her straightforward, three-stage approach to lifelike drawings, Lee makes any subject approachable, from still life and landscapes to animals and even people. This project-driven tome will help you create realistic, frame-worthy artwork. Project by project and subject by subject, you will gain confidence and cultivate great joy in drawing.

Lee Hammond's Big Book of Acrylic Painting: Fast, easy techniques for painting your favorite subjects

by Lee Hammond

Basic Acrylic Instruction-Amazing Results! This resource is packed with the best of Lee Hammond's lessons and tips on working with acrylics, including more than 80 step-by-step exercises and demonstrations that will have you creating amazing paintings in no time flat. Success is easy-just follow along with Lee! With just seven to nine pigments, you can paint anything. You'll learn how to add layers and details, one stroke at a time. Along the way, Lee 's friendly encouragement and quick tips will help you work past what she calls "the awkward stage," so you can complete your paintings with confidence. In addition to detailed information on selecting materials and mixing colors, you'll also get complete visual instruction for painting subjects of all kinds, including: Still Life: Get proper proportions every time, using easy graphing techniques. You'll also find demonstrations for painting the tricky parts, such as glossy textures and reflective surfaces. Landscapes: Lee shares proven tips for creating depth and realism in subjects ranging from forests and mountains to prairies and seascapes. She also shows how to paint realistic clouds, trees, water and more. Animals: This chapter provides step-by-step guidance for painting all your favorite creatures. There's even extra instruction for getting the eyes, noses, fur and feathers just right. People: Painting people can be especially challenging, but success is easy with basic steps and practical guidance. One feature at a time, you'll learn simple techniques for painting faces of all kinds-male or female, young or old. You'll also find in-depth guidance for creating realistic fleshtones, eye color, hair and more. This is a complete acrylic painting course right on your bookshelf. Follow along from beginning to end or refer to this guide when you need a quick lesson. Either way, after learning from a master like Lee Hammond, you won't be a beginner for long. Get started today!

Lee Krasner: A Biography

by Gail Levin

A “compelling” biography of the brilliant abstract expressionist painter who was far more than just Mrs. Jackson Pollock (Los Angeles Times).Lee Krasner is best known as the artist-wife of Jackson Pollock, the renowned abstract expressionist painter. Yet in this riveting biography, the first full-length account of her colorful life, Krasner emerges as a significant artist who deserves her place in the twentieth century’s cultural lexicon.In this captivating book, art historian Gail Levin probes Krasner’s relationship with Pollock, examining how this strong woman struggled to meet the challenges of their poverty, as well as her husband’s alcoholism and extramarital affair, all the while encouraging his art. Drawing on new sources and numerous personal interviews—including with Krasner herself—Levin has written a dynamic and moving portrait of a brilliant woman, a most welcome work that recovers Krasner’s voice and allows us to understand how her life intersected with and informed her art.

Lee Lozano

by Sarah Lehrer-Graiwer

The artist Lee Lozano (1930--1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic Wave paintings, her last in the medium. Despite her achievements as a painter, Lozano is best known for two acts of refusal, both of which she undertook as artworks: Untitled (General Strike Piece), begun in 1969, in which she cut herself off from the commercial art world for a time; and the so-called Boycott Piece, which began in 1971 as a month-long experiment intended to improve communication but became a permanent hiatus from speaking to or directly interacting with women. In this book, Sarah Lehrer-Graiwer examines Lozano's Dropout Piece, the culmination of her practice, her greatest experiment in art and endurance, encompassing all her withdrawals, and ending only with her burial in an unmarked grave. And yet, although Dropout Piece is among Lozano's most important works, it might not exist at all. There is no conventional artwork to be exhibited, no performance event to be documented. Lehrer-Graiwer views Dropout Piece as leveraging the artist's entire practice and embodying her creative intelligence, her radicality, and her intensity. Combining art history, analytical inquiry, and journalistic investigation, Lehrer-Graiwer examines not only Lozano's act of dropping out but also the evolution over time of Dropout Piece in the context of the artist's practice in New York and her subsequent life in Dallas.

Lee Lozano: Dropout Piece (One Work)

by Sarah Lehrer-Graiwer

An examination of Lee Lozano's greatest experiment in art and endurance—a major work of art that might not exist at all. The artist Lee Lozano (1930–1999) began her career as a painter; her work rapidly evolved from figuration to abstraction. In the late 1960s, she created a major series of eleven monochromatic Wave paintings, her last in the medium. Despite her achievements as a painter, Lozano is best known for two acts of refusal, both of which she undertook as artworks: Untitled (General Strike Piece), begun in 1969, in which she cut herself off from the commercial art world for a time; and the so-called Boycott Piece, which began in 1971 as a month-long experiment intended to improve communication but became a permanent hiatus from speaking to or directly interacting with women. In this book, Sarah Lehrer-Graiwer examines Lozano's Dropout Piece, the culmination of her practice, her greatest experiment in art and endurance, encompassing all her withdrawals, and ending only with her burial in an unmarked grave. And yet, although Dropout Piece is among Lozano's most important works, it might not exist at all. There is no conventional artwork to be exhibited, no performance event to be documented. Lehrer-Graiwer views Dropout Piece as leveraging the artist's entire practice and embodying her creative intelligence, her radicality, and her intensity. Combining art history, analytical inquiry, and journalistic investigation, Lehrer-Graiwer examines not only Lozano's act of dropping out but also the evolution over time of Dropout Piece in the context of the artist's practice in New York and her subsequent life in Dallas.

The Lee Strasberg Notes

by Lola Cohen

The Lee Strasberg Notes reproduces the original teachings of a unique voice in actor training, for the very first time. It is a stunning document in the history and ongoing practice of Strasberg’s Method. Compiled and edited by Lola Cohen, the book is based on unpublished transcripts of Strasberg’s own classes on acting, directing and Shakespeare. It recreates his theoretical approach, as well as the practical exercises used by his students, and brilliantly conveys his approach and personality. The book features Strasberg’s teachings on: • Training and exercises • Characters and scenes • Directing and the Method • Shakespeare and Stanislavski • The theater, acting and actors. Including a Preface by Anna Strasberg and a Foreword by Martin Sheen, this illuminating book brings the reader closer to Strasberg’s own methods than any other, making it a phenomenal resource for students, actors, and directors.

LEED Green Associate Exam Preparation Guide (v4 Edition)

by Heather C. McCombs

<p>The LEED Green Associate Exam Preparation Guide, LEED v4 Edition is designed to help you pass the LEED Green Associate exam. The exam prep guide captures the critical points you need to know about green building. It also reflects the structure of the exam knowledge and task domains to organize foundational concepts in green building and LEED. <p>The exam prep guide will help you prepare for the exam by emphasizing key terms and providing application learning through practice questions. This resource is intended to be used in conjunction with the exam primary references, including the LEED Core Concepts Guide. Access to a variety of digital resources that enhance learning is also included with this guide.</p>

Leeds Pals: A History of the 15th (Service) Battalion (1st Leeds) The Prince of Wales's Own (West Yorkshire Regiment) 1914–1918 (Pals Ser.)

by Laurie Milner

The British Army&’s losses on the opening day of the Battle of the Somme - 1 July 1916 - amounted to some 57,000 men killed, wounded or missing. Few units, however, suffered as terribly as the famous &‘Pals&’ battalions, raised from volunteers who had flocked to answer Lord Kitchener&’s &‘Call to Arms&’. In the North of England particularly, whole cities and towns went into mourning as news of that awful first day&’s casualties came through. What is less well-known is that some of these battalions were brought up to strength with reinforcements - often from the cities in which they had been raised - and sent back into action again and again This is the story of one such battalion, the Leeds Pals, which by the war&’s end in 1918, was described as having been &‘four times wiped out but fighting to the end&’. It is a story which traces, in great and fascinating detail, the raising and training of the battalion in and around Leeds, their service in Egypt before being sent to France in December 1915, their heavy losses in their baptism of fire on the Somme, 1916, in the Battle of Arras a year later, and during the German offensives of March and April 1918. Based upon the accounts of survivors, private diaries, letters and papers, official archives, contemporary newspaper accounts, and a wealth of unpublished photographs, it is a story of patriotism, enthusiasm, humor, and great courage. Ultimately, however, it is a tale of great tragedy, for though the Leeds Pals took part in the final advance to victory, their three years in France had cost them 733 men killed, 1,861 wounded and 776 missing or captured.

Leer o morir: Ensayos sobre obras inmortales de la literatura universal

by Guadalupe Loaeza

Leer o morir es una gran invitación a entrar en los misterios y grandezas de la literatura, una ventana noble donde sabremos de autores y obras que marcaron el espíritu de millones de personas. De Guadalupe Loaeza, autora de Las reinas de Polanco, Primero las damas y Compro, luego existo. Ensayos breves de las obras inmortales de la literatura mundial; genios de la literatura universal que debes de leer antes de morir. Matilde, el personaje femenino de Rojo y negro corta un rizo de su hermoso cabello rubio para darlo a su amado, como prueba de su entrega... la mujer enamorada de La dama del perrito se da cuenta, cuando por fin se reúne con su amante en el hotel, que un abismo de incertidumbre se abre ante ella... ¿quién asesinó realmente al padre de los Karamazov en la genial novela de Dostoievski?... una niña redacta páginas conmovedoras sobre la guerra, laesperanza, el miedo, las ilusiones, en El diario de Ana Frank... ¿encontrará el lector a la Maga de Julio Cortázar? ¿Se conmoverá con el París de los años sesenta, con el jazz, la bohemia y los sueños llenos de ternura? Cuántas historias y enormes deseos, añoranzas, aventuras, amores, traiciones, intrigas, desvelos, horrores, pasiones... nos dejan los libros. En sus páginas la vida se desdobla y nos invita a recorrer otros caminos, nuevas ilusiones, vivir intensamente en otras épocas y latitudes. Con el estilo dinámico, entretenido y lleno de datos precisos y reveladores, que caracteriza la escritura de Guadalupe Loaeza, daremos un paseo por las grandes obras de la literatura universal como El Principito, El lobo estepario, El retrato de Dorian Gray, Ana Karenina, Madame Bovary, El extranjero...sabremos de las inquietudes y obsesiones de Edgar Allan Poe, Carlos Fuentes, Marguerite Yourcenar, Lewis Carroll, Marcel Proust, Albert Cohen, José Saramago, José Emilio Pacheco, J. M. G. Le Clézio ¡y muchos más! Leer o morir es más que un libro amable de recomendaciones y gustos literarios, es una invitación a que siempre, en cualquier momento y circunstancia, el libro sea nuestro amigo más cercano, y generoso.

Leesburg (Images of America)

by Mary Fishback

Once serving as the capital of the United States for three days, the town of Leesburg, Virginia stands at the crossroads of American history. As a rural hinterland of the Washington, D.C. area and situated on the northern fringe of the old Confederacy, Leesburg has seen troops and generals, travelers and settlers, and politicians and presidents walk its streets, and opposing political views tear its population apart. Unity and patriotism returned and characterized the town during the world wars. With the arrival of nearby Dulles International Airport in the 1960s, Leesburg and its surrounding towns experienced a different kind of movement-tremendous population growth.Today, Leesburg is a vital and fast-paced part of Northern Virginia's economy. Yet, despite its modern edge, the town has maintained its old rural character and has striven to preserve its colorful 245-year-old history.

Lefebvre for Architects (Thinkers for Architects)

by Nathaniel Coleman

While the work of Henri Lefebvre has become better known in the English-speaking world since the 1991 translation of his 1974 masterpiece, The Production of Space, his influence on the actual production of architecture and the city has been less pronounced. Although now widely read in schools of architecture, planning and urban design, Lefebvre’s message for practice remains elusive; inevitably so because the entry of his work into the Anglosphere has come with repression of the two most challenging aspects of his thinking: romanticism and Utopia, which simultaneously confront modernity while being progressive. Contemporary discomfort with romanticism and Utopia arguably obstructs the shift of Lefebvre’s thinking from being objects of theoretical interest into positions of actually influencing practices. Attempting to understand and act upon architecture and the city with Lefebvre but without Utopia and romanticism risks muting the impact of his ideas. Although Utopia may seem to have no place in the present, Lefebvre reveals this as little more than a self-serving affirmation that ‘there is no alternative’ to social and political detachment. Demanding the impossible may end in failure but as Lefebvre shows us, doing so is the first step towards other possibilities. To think with Lefebvre is to think about Utopia, doing so makes contact with what is most enduring about his project for the city and its inhabitants, and with what is most radical about it as well. Lefebvre for Architects offers a concise account of the relevance of Henri Lefebvre’s writing for the theory and practice of architecture, planning and urban design. This book is accessible for students and practitioners who wish to fully engage with the design possibilities offered by Lefebvre’s philosophy.

Left Bank of the Hudson: Jersey City and the Artists of 111 1st Street

by David J. Goodwin

In the late 1980s, a handful of artists priced out of Manhattan and desperately needing affordable studio space discovered 111 1st Street, a former P. Lorillard Tobacco Company warehouse. Over the next two decades, an eclectic collection of painters, sculptors, musicians, photographers, filmmakers, and writers dreamt and toiled within the building’s labyrinthine halls. The local arts scene flourished, igniting hope that Jersey City would emerge as the next grassroots center of the art world. However, a rising real estate market coupled with a provincial political establishment threatened the community at 111 1st Street. The artists found themselves entangled in a long, complicated, and vicious fight for their place in the building and for the physical survival of 111 1st Street itself, a site that held so much potential, so much promise for Jersey City.Left Bank of the Hudson offers a window into the demographic, political, and socio-economic changes experienced by Jersey City during the last thirty years. Documenting the narrative of 111 1st Street as an act of cultural preservation, author David J. Goodwin’s well-researched and significant contribution addresses the question of the role of artists in economically improving cities. As a Jersey City resident, Goodwin applies his knowledge of the city’s rich history of political malfeasance and corruption, including how auspicious plans for a waterfront arts enclave were repeatedly bungled by a provincial-minded city administration. In writing this story, Goodwin interviewed thirteen artists and residents, two businesses, three government officials, and five non-profits, civic organizations, and community activists. The book chronologically explores the history and business of the P. Lorillard Tobacco Company, its evolution into a bustling arts community, the battle to preserve the warehouse as a historic structure, and the lessons to be drawn from the loss and ultimate demolition of the building in 2007, as well as the present state of the neighborhood. Setting the facts straight for future generations, Left Bank of the Hudson provides an illustrative lesson to government officials, scholars, students, activists, and everyday citizens attempting to navigate the “rediscovery” of American cities.

A Left-Handed Woman: Essays

by Judith Thurman

WINNER OF THE 2023 PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAYA collection of essays from Judith Thurman, the National Book Award–winning biographer and New Yorker staff writer.Judith Thurman, a prolific staff writer at The New Yorker for more than two decades, has gathered a selection of her essays and profiles in A Left-Handed Woman. They consider our culture in all its guises: literature, history, politics, gender, fashion, and art, though their paramount subject is the human condition. Thurman is one of the preeminent essayists of our time—“a master of vivisection,” as Kathryn Harrison wrote in The New York Times. “When she’s done with a subject, it’s still living, mystery intact.”

Left Holding the Bag: A Quilting Cozy (A\quilting Cozy Ser. #10)

by Carol Dean Jones

A new neighbor and her suspicious foster son keep a senior sleuth on her toes in this mystery by the author of Tattered & Torn. Quilt pattern included!When sixty-eight-year-old Sarah Miller moves into the Cunningham Village retirement community, she is mourning the loss of her husband, her young grandson, and the place that has been home for forty-two years. But Sarah is a survivor. As she reaches out into the retirement community that is to become home, she finds friends, activities, new hobbies, and a possible love interest. The tenth installment of this fun, friendly series of cozy mysteries contains a new friend, trunks full of vintage fabric, credit card fraud, a budding romance, and murder—and Sarah and her friends are at the center of it all.

Left-Wing Melancholia: Marxism, History, and Memory (New Directions in Critical Theory #17)

by Enzo Traverso

The fall of the Berlin Wall marked the end of the Cold War but also the rise of a melancholic vision of history as a series of losses. For the political left, the cause lost was communism, and this trauma determined how leftists wrote the next chapter in their political struggle and how they have thought about their past since. Throughout the twentieth century, argues Left-Wing Melancholia, from classical Marxism to psychoanalysis to the advent of critical theory, a culture of defeat and its emotional overlay of melancholy have characterized the leftist understanding of the political in history and in theoretical critique.Drawing on a vast and diverse archive in theory, testimony, and image and on such thinkers as Karl Marx, Walter Benjamin, Theodor W. Adorno, and others, the intellectual historian Enzo Traverso explores the varying nature of left melancholy as it has manifested in a feeling of guilt for not sufficiently challenging authority, in a fear of surrendering in disarray and resignation, in mourning the human costs of the past, and in a sense of failure for not realizing utopian aspirations. Yet hidden within this melancholic tradition are the resources for a renewed challenge to prevailing regimes of historicity, a passion that has the power to reignite the dialectic of revolutionary thought.

Legacies

by Steven Lubar Kathleen M. Kendrick

The Smithsonian Institution has been America's museum since 1846. What do its vast collections -- from the ruby slippers to a piece of Plymouth Rock, first ladies' gowns to patchwork quilts, a Model T Ford to a customized Ford LTD low rider -- tell Americans about themselves? In this lavishly illustrated guide to the Smithsonian's National Museum of American History, Steven Lubar and Kathleen M. Kendrick tell the stories behind more than 250 of the museum's treasures, many of them never before photographed for publication. These stories not only reveal what America as a nation has decided to save and why but also speak to changing visions of national identity.As the authors demonstrate, views of history change over time, methods of historical investigation evolve and improve, and Americas' understand of the past matures. Shifts in focus and attitude lie at the hearth of Legacies, which is organized around four concepts of what a national museum of history can be: a treasure house, a shrine to the famous, a palace of progress, and a mirror of the nation. Thus, the museum collects cherished or precious objects, houses celebrity memorabilia, documents technological advances, and reflects visitors' own lives. Taking examples from science and technology, politics, decorative arts, military history, ethnic heritage, popular culture and everyday life, the authors provide historical context for the work of the Smithsonian and shed new light on what is important, and who is included, in American history. Throughout its history, Lubar and Kendrick conclude, the museum has played a vital role in both shaping and reflecting America's sense of itself as a nation.

Legacies in Steel: Personalized and Historical German Military Edged Weapons, 1800–1990 (Latin America at War)

by Hermann Hampe Rick Dauzat

Nearly 100 German military edged weapons are presented in this sumptuously photographed volume featuring information about their owners. Spanning nearly two hundred years, Legacies in Steel is an in-depth photographic study of historical edged weapons from the German military. The elegant details of each selection are displayed in close-up detail. Many of these weapons belonged to nobility, aristocrats, high-ranking military personnel as well as soldiers and seamen. Where possible, the careers and exploits of these former owners are highlighted, bringing both personal and historical context to these beautifully crafted artifacts. By the 19th century, swords and daggers were no longer effective fighting weapons, but they maintained their popularity in Western Europe as uniform regalia. They were carried as a symbol of authority, achievement, and most importantly, honor. These weapons were produced with great skill and at high cost, requiring the skill of specialized artisans, often using precious metals and ivory, elaborate hand engraving and chiseling. Blades were fabricated of the highest quality Solingen steel. Folded steel Damascus blades were also painstakingly produced. Many examples are unique and border on singular works of art.

Legacy: Women Poets of the Harlem Renaissance

by Nikki Grimes

From Children's Literature Legacy Award-winning author Nikki Grimes comes a feminist-forward new collection of poetry celebrating the little-known women poets of the Harlem Renaissance--paired with full-color, original art from today's most talented female African-American illustrators.

The Legacy of Edith Kramer: A Multifaceted View

by Lani Gerity Susan Ainlay Anand

The Legacy of Edith Kramer presents a unique exploration into the life and work of the groundbreaking artist and art therapist. This edited volume examines the artist’s personal and cultural history prior to relocating to the United States as well as the later years when she worked as an artist, art therapist, and teacher as she developed her theoretical understanding of art therapy. Kramer’s solutions to creating a meaningful artist’s life run throughout the chapters within this book, and provide the reader with a sense of what is possible. Written by an international group of contributors, this informative new text offers a multifaceted view of Edith Kramer that will be appreciated by current and future art therapists looking to better understand Kramer’s exceptional mind and contributions to the field.

The Legacy of Mad Men: Cultural History, Intermediality and American Television

by Karen McNally Jane Marcellus Teresa Forde Kirsty Fairclough

“The Legacy of Mad Men adds significant new perspectives to the legacy of Mad Men scholarship. The authors apply theoretical perspectives that have been understudied in previous Mad Men work, chart new connections with previous media, and examine overlooked aspects of Men Men’s sound design. A concluding chapter insightfully considers how the election of Donald Trump has signaled a resurgence in the sexism, antisemitism, and racism critiqued in Mad Men.”- - Dr Jeremy Butler, Professor of Communication and Culture, University of Alabama For seven seasons, viewers worldwide watched as ad man Don Draper moved from adultery to self-discovery, secretary Peggy Olson became a take-no-prisoners businesswoman, object-of-the-gaze Joan Holloway developed a feminist consciousness, executive Roger Sterling tripped on LSD, and smarmy Pete Campbell became a surprisingly nice guy. Mad Men defined a pivotal moment for television, earning an enduring place in the medium’s history. This edited collection examines the enduringly popular television series as Mad Men still captivates audiences and scholars in its nuanced depiction of a complex decade. This is the first book to offer an analysis of Mad Men in its entirety, exploring the cyclical and episodic structure of the long form series and investigating issues of representation, power and social change. The collection establishes the show’s legacy in televisual terms, and brings it up to date through an examination of its cultural importance in the Trump era. Aimed at scholars and interested general readers, the book illustrates the ways in which Mad Men has become a cultural marker for reflecting upon contemporary television and politics.

The Legacy of Stylistic Theatre in the Creation of a Modern Sinhala Drama in Sri Lanka (ISSN)

by Lakshmi D. Bulathsinghala

This book explores the development of Sinhala stylistic drama from its earliest manifestations to the post-independence era.Bulathsinghala examines the impact of indigenous and imported folk theatrical forms on the work of the most significant postcolonial stylistic dramatists and on key plays that they produced. In the process, the book explores a number of myths and misunderstandings regarding Sri Lanka’s folk heritage and seeks to establish more reliable information on the principal indigenous Sri Lankan folk dramatic forms and their characteristics. At the same time, by drawing connections between folk drama and the post-independence stylistic theatrical movement, the author demonstrates the essential role of the former in Sinhala culture prior to the advent of Western and other influences and shows how both continue to inflect Sri Lankan drama today.This book will help to open the field of South Asian drama studies to an audience consisting not only of scholars and students but also of general readers who are interested in the fields of drama and theatre and Asian studies.

The Legal and Political Geography of Pluralism: Supporting Diverse Public and Private Spaces in Contemporary Cities

by Francesco Chiodelli Stefano Moroni

Is it legitimate to prohibit political activities in a shopping centre, or the wearing of the full Islamic veil in a public space? This book addresses such questions of pluralism in a time of increasing ethnic, religious and cultural diversity in the public and private spaces of our cities. Analysing different types of regulation — property rights, municipal ordinances and urban planning — the authors reflect on the kinds of rules public institutions should accept in relation to private spaces, and should promote in relation to public spaces, in order to protect and support pluralism.

Legal Architecture: Justice, Due Process and the Place of Law

by Linda Mulcahy

Legal Architecture addresses how the environment of the trial can be seen as a physical expression of our relationship with ideals of justice. It provides an alternative account of the trial, which charts the troubled history of notions of due process and participation. In contrast to visions of judicial space as neutral, Linda Mulcahy argues that understanding the factors that determine the internal design of the courthouse and courtroom are crucial to a broader and more nuanced understanding of the trial. Partitioning of the courtroom into zones and the restriction of movement within it are the result of turf wars about who can legitimately participate in the legal arena and call the judiciary to account. The gradual containment of the public, the increasing amount of space allocated to advocates, and the creation of dedicated space for journalists and the jury, all have complex histories that deserve attention. But these issues are not only of historical significance. Across jurisdictions, questions are now being asked about the internal configurations of the courthouse and courtroom, and whether standard designs meet the needs of modern participatory democracies: including questions about the presence and design of the modern dock; the ways in which new technologies threaten to change the dynamics of the trial and lead to the dematerialization of our primary site of adversarial practice; and the extent to which courthouses are designed in ways which realise their professed status as public spaces. This fascinating and original reflection on legal architecture will be of interest to socio-legal or critical scholars working in the field of legal geography, legal history, criminology, legal systems, legal method, evidence, human rights and architecture.

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