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Lessons in Bobbin Lacemaking
by Doris SouthardBobbin lace is one of the oldest crafts, dating back to at least the sixteenth century and possibly earlier. During the eighteenth century, bobbin lace design and execution attained the ultimate in beauty and richness. The linen threads were incredibly fine and the consummate skill of the lacemaker wove them into unmatched works of art.Modern lacemakers -- even beginners -- can learn this age-old technique with this easy-to-follow book. An accomplished bobbin lacemaker demonstrates step-by-step the techniques for creating beautiful lace edgings, doilies, collars, belts, bookmarks, and more. With Ms. Southard's expert advice and helpful hints, you'll find it easy to add the elegance of lace to pillows, handkerchiefs, bolsters, fans -- almost any apparel or household item.After outlining a history of bobbin lace and introducing readers to the materials and recommended supplies, the author gets down to specifics. These include how to make a simple braid, an edging, how to turn a corner, how to begin without directions, how to make laces on a flat pillow, and much more. In addition, special sections explore projects to make, how to wash bobbin lace, and how to create bobbin lace designs.With this book at your side, you'll soon discover the immense rewards and satisfactions to be had in mastering the art of bobbin lacemaking and creating heirloom-quality lace for yourself, family, and friends.
Lessons in Classical Drawing: Essential Techniques from Inside the Atelier
by Juliette AristidesIn this elegant and inspiring primer, master contemporary artist and author Juliette Aristides breaks down the drawing process into small, manageable lessons; introduces time-tested principles and techniques that are easily accessible; and shares the language and context necessary to understand the artistic process and create superior, well-crafted drawings.
Lessons in Classical Painting
by Juliette AristidesA companion volume to Lessons in Classical Drawing and an atelier in book form, Lessons in Classical Painting breaks down the foundational skills and techniques of painting in a format that is accessible and manageable for all readers. With the same direct, easy-to-follow approach of Juliette Aristides's previous books, Lessons in Classical Painting presents aspiring artists with the fundamental skills and tools needed to master painting in the atelier style. With more than 25 years of experience in ateliers and as an art instructor, Aristides pairs personal examples and insights with theory, assignments and demonstrations for readers, discussions of technical issues, and inspirational quotes. After taking a bird's eye look at painting as a whole, Aristides breaks down painting into big picture topics like grisaille, temperature, and color, demonstrating how these key subjects can be applied by all painters.From the Hardcover edition.
Lessons in Creativity from Musical Theatre Characters
by James C. Kaufman Dana P. RoweLessons in Creativity from Musical Theatre Characters marries art and science with a new and exciting collaboration between one of the world’s leading creativity scholars and an internationally renowned musical theatre composer. This book will help readers tap into their creativity and unleash their own creative potential as they start their careers. Blending cutting-edge research, juicy anecdotes, lived experience, hands-on activities, and gentle advice, authors James C. Kaufman and Dana P. Rowe take readers on a journey to explore and enhance their own creativity. Each chapter addresses a key aspect of creativity, from how to overcome blocks to understanding one’s personal strengths all through the lens of Musical Theatre characters along with insights from those within the industry. Kaufman and Rowe shatter creativity myths (such as the tormented artist or having one big break) that may be harming the reader’s potential growth. Probing questions, fun quizzes, and engaging exercises will help the reader reflect on the material and develop strategies for their next step. All throughout, the readers can learn from the tales of Sweeney Todd, Maria Von Trapp, Alexander Hamilton, Christine Daaé, and countless others to inspire their own creativity. This book is ideal for aspiring theatre professionals, students of performing arts, and theatre and creativity scholars.
Lessons in Perception: The Avant-Garde Filmmaker as Practical Psychologist
by Paul TaberhamNarrative comprehension, memory, motion, depth perception, synesthesia, hallucination, and dreaming have long been objects of fascination for cognitive psychologists. They have also been among the most potent sources of creative inspiration for experimental filmmakers. Lessons in Perception melds film theory and cognitive science in a stimulating investigation of the work of iconic experimental artists such as Stan Brakhage, Robert Breer, Maya Deren, and Jordan Belson. In illustrating how avant-garde filmmakers draw from their own mental and perceptual capacities, author Paul Taberham offers a compelling account of how their works expand the spectator’s range of aesthetic sensitivities and open creative vistas uncharted by commercial cinema.
Lessons in Post-War Reconstruction: Case Studies from Lebanon in the Aftermath of the 2006 War (Planning, History and Environment Series)
by Howayda Al-HarithyAfter the ceasefire, a group of architects and planners from the American University of Beirut formed the Reconstruction Unit to help in the recovery process and in rebuilding the lives of those affected by the 2006 war in Lebanon . Here, a series of case studies documenting the work of the Unit discusses the lessons to be learned from the experiences of Lebanon after the July War, and suggests how those lessons might be applied elsewhere. The cases are diverse in terms of scale, type of intervention, methods, and approaches to the situation on the ground. Critical issues such as community participation, heritage protection, damage assessment and compensation policies, the role of the state, and capacity building are explored and the success and failures assessed.
Lessons of Romanticism: A Critical Companion
by Robert F. Gleckner Thomas PfauMoving beyond views of European Romanticism as an essentially poetic development, Lessons of Romanticism strives to strengthen a critical awareness of the genres, historical institutions, and material practices that comprised the culture of the period. This anthology--in recasting Romanticism in its broader cultural context--ranges across literary studies, art history, musicology, and political science and combines a variety of critical approaches, including gender studies, Lacanian analysis, and postcolonial studies.With over twenty essays on such diverse topics as the aesthetic and pedagogical purposes of art exhibits in London, the materiality of late Romantic salon culture, the extracanonical status of Jane Austen and Fanny Burney, and Romantic imagery in Beethoven's music and letters, Lessons of Romanticism reveals the practices that were at the heart of European Romantic life. Focusing on the six decades from 1780 to 1832, this collection is arranged thematically around gender and genre, literacy, marginalization, canonmaking, and nationalist ideology. As Americanists join with specialists in German culture, as Austen is explored beside Beethoven, and as discussions on newly recovered women's writings follow fresh discoveries in long-canonized texts, these interdisciplinary essays not only reflect the broad reach of contemporary scholarship but also point to the long-neglected intertextual and intercultural dynamics in the various and changing faces of Romanticism itself.Contributors. Steven Bruhm, Miranda J. Burgess, Joel Faflak, David S. Ferris, William Galperin, Regina Hewitt, Jill Heydt-Stevenson, H. J. Jackson, Theresa M. Kelley, Greg Kucich, C. S. Matheson, Adela Pinch, Marc Redfield, Nancy L. Rosenblum, Marlon B. Ross, Maynard Solomon, Richard G. Swartz, Nanora Sweet, Joseph Viscomi, Karen A. Weisman, Susan I. Wolfson
Lessons on Figure Drawing
by J Leonard WatsonDrawing the human form requires a complete vocabulary of skills and techniques. In this concise guide to figure drawing, Watson teaches readers, step by step, everything they need to know to master these valuable methods.Separated into two distinct sections, "Elements of Figure Drawing" and "Drawing From the Figure," readers are treated to nearly eighty drawings, paintings, and photographs that build foundational skills and help analyze anatomy, perspective, light, shade, and composition. From the basics of posing a model and choosing the proper materials, to the importance of measurement, action, median lines, foreshortening, and more, here is an essential treasury of artistic learning and expertise.
Lessons on Shading
by W. E. SparkesIt takes the proper infusion of light and shade to accurately represent an object's solidity and character. With this time-honored guide, artists will easily develop a keener, more educated eye for introducing shadow, light, gradation, and reflection to drawings. This insightful study begins with fascinating artistic experiments and exercises, moving on to illuminating advice on how to deepen volume, evoke sunlight, and create mood. Various shapes such as pyramids, cones, spheres, and vases each necessitate different shading techniques, and are all expertly described in a wonderfully instructive tone and eighty-seven skillful illustrations. Thorough guidance on materials and how they should be manipulated to achieve specific effects is also included in this concise and enlightening resource for artists of all levels.
Let It Crow! Let It Crow! Let It Crow! (Meg Langslow Mysteries #34)
by Donna Andrews'Tis the season for sleuthing in Donna Andrews' cheery new addition to the New York Times bestselling Meg Langslow series.Meg has been roped into participating in a weaponsmithing competition, a Forged in Fire wannabe organized by a blacksmith friend. Meg originally turned down an invitation to participate, but the night before the filming starts, someone attacks Faulk, her blacksmithing mentor, breaking his arm and eliminating him from the contest before it begins. Meg agrees to step in as his replacement to keep the project from failing. She's not thrilled that the filming will take place during December – Christmas is already a crazy time for her. Since the competition is taking place on Ragnarshjem, the picturesque estate that her friend Ragnar, the retired heavy metal drummer, is turning into a Goth castle, Meg won’t have to spend Christmas alone and gets to bring Michael and her twin sons with her.So Meg joins the cast, to the dismay of several old-school blacksmiths who think women have no place in the profession anyway. And if the show's producers were hoping for drama, they're in luck. The blacksmithing world is a small one, and some of the contestants arrived already laden with grudges and feuds.It's a high-stakes, cutthroat competition between people who wield large hammers and make swords and have forges full of fire at their disposal. What could possibly go wrong?
Let It Shine: The 6,000-Year Story of Solar Energy
by John PerlinThe definitive history of solar power and technology Even as concern over climate change and energy security fuel a boom in solar technology, many still think of solar as a twentieth-century wonder. Few realize that the first photovoltaic array appeared on a New York City rooftop in 1884, or that brilliant engineers in France were using solar power in the 1860s to run steam engines, or that in 1901 an ostrich farmer in Southern California used a single solar engine to irrigate three hundred acres of citrus trees. Fewer still know that Leonardo da Vinci planned to make his fortune by building half-mile-long mirrors to heat water, or that the Bronze Age Chinese used hand-size solar-concentrating mirrors to light fires the way we use matches and lighters today. With thirteen new chapters, Let It Shine is a fully revised and expanded edition of A Golden Thread, Perlin’s classic history of solar technology, detailing the past forty years of technological developments driving today’s solar renaissance. This unique and compelling compendium of humankind’s solar ideas tells the fascinating story of how our predecessors throughout time, again and again, have applied the sun to better their lives — and how we can too.
Let Me Hear a Rhyme
by Tiffany D JacksonIn this striking new novel by the critically acclaimed author of Allegedly and Monday’s Not Coming, Tiffany D. Jackson tells the story of three Brooklyn teens who plot to turn their murdered friend into a major rap star by pretending he's still alive. <P><P>Brooklyn, 1998. Biggie Smalls was right: Things done changed. But that doesn’t mean that Quadir and Jarrell are cool letting their best friend Steph’s music lie forgotten under his bed after he’s murdered—not when his rhymes could turn any Bed Stuy corner into a party. <P><P>With the help of Steph’s younger sister Jasmine, they come up with a plan to promote Steph’s music under a new rap name: the Architect. Soon, everyone wants a piece of him. When his demo catches the attention of a hotheaded music label rep, the trio must prove Steph’s talent from beyond the grave. <P><P>As the pressure of keeping their secret grows, Quadir, Jarrell, and Jasmine are forced to confront the truth about what happened to Steph. <P><P>Only, each has something to hide. And with everything riding on Steph’s fame, they need to decide what they stand for or lose all that they’ve worked so hard to hold on to—including each other.
Let the Part Play You: A Practical Approach to the Actor's Creative Process (4th edition, Revised)
by Anita JesseA useful book for those looking to get into the art of acting, this book, irrespective of being amateurs or veterans, will be extremely helpful and guiding to anyone with questions. It has personalized practices, which do not require multiple people and is tailored to your specific focus in the acting world. The book is great mentor to the art that you are already crafting.
Let the Right One In
by Anne BillsonAudiences can't get enough of fang fiction. Twilight, True Blood, Being Human, The Vampire Diaries, Buffy the Vampire Slayer, Blade, Underworld, and the novels of Anne Rice and Darren Shan—against this glut of bloodsuckers, it takes an incredible film to make a name for itself. Directed by Tomas Alfredson and adapted for the screen by John Ajvide Lindqvist, The Swedish film Làt den rätte komma in (2008), known to American audiences as Let the Right One In, is the most exciting, subversive, and original horror production since the genre's best-known works of the 1970s. Like Twilight, Let the Right One In is a love story between a human and a vampire—but that is where the resemblance ends. Set in a snowy, surburban housing estate in 1980s Stockholm, the film combines supernatural elements with social realism. It features Oskar, a lonely, bullied child, and Eli, the girl next door. "Oskar, I'm not a girl," she tells him, and she's not kidding—she's a vampire. The two forge an intense relationship that is at once innocent and disturbing. Two outsiders against the world, one of these outsiders is, essentially, a serial killer. What does Eli want from Oskar? Simple companionship, or something else? While startlingly original, Let the Right One In could not have existed without the near century of vampire cinema that preceded it. Anne Billson reviews this history and the film's inheritence of (and new twists on) such classics as Nosferatu (1979) and Dracula (1931). She discusses the genre's early fliration with social realism in films such as Martin (1977) and Near Dark (1987), along with its adaptation of mythology to the modern world, and she examines the changing relationship between vampires and humans, the role of the vampire's assistant, and the enduring figure of vampires in popular culture.
Let the Right One In
by Anne BillsonAudiences can't get enough of fang fiction. Twilight, True Blood, Being Human, The Vampire Diaries, Buffy the Vampire Slayer, Blade, Underworld, and the novels of Anne Rice and Darren Shan& mdash;against this glut of bloodsuckers, it takes an incredible film to make a name for itself. Directed by Tomas Alfredson and adapted for the screen by John Ajvide Lindqvist, The Swedish film Làt den rätte komma in (2008), known to American audiences as Let the Right One In, is the most exciting, subversive, and original horror production since the genre's best-known works of the 1970s. Like Twilight, Let the Right One In is a love story between a human and a vampire& mdash;but that is where the resemblance ends. Set in a snowy, surburban housing estate in 1980s Stockholm, the film combines supernatural elements with social realism. It features Oskar, a lonely, bullied child, and Eli, the girl next door. "Oskar, I'm not a girl," she tells him, and she's not kidding& mdash;she's a vampire. The two forge an intense relationship that is at once innocent and disturbing. Two outsiders against the world, one of these outsiders is, essentially, a serial killer. What does Eli want from Oskar? Simple companionship, or something else? While startlingly original, Let the Right One In could not have existed without the near century of vampire cinema that preceded it. Anne Billson reviews this history and the film's inheritence of (and new twists on) such classics as Nosferatu (1979) and Dracula (1931). She discusses the genre's early fliration with social realism in films such as Martin (1977) and Near Dark (1987), along with its adaptation of mythology to the modern world, and she examines the changing relationship between vampires and humans, the role of the vampire's assistant, and the enduring figure of vampires in popular culture.
Let the Right One In
by Anne BillsonAudiences can't get enough of fang fiction. Twilight, True Blood, Being Human, The Vampire Diaries, Buffy the Vampire Slayer, Blade, Underworld, and the novels of Anne Rice and Darren Shan& mdash;against this glut of bloodsuckers, it takes an incredible film to make a name for itself. Directed by Tomas Alfredson and adapted for the screen by John Ajvide Lindqvist, The Swedish film Làt den rätte komma in (2008), known to American audiences as Let the Right One In, is the most exciting, subversive, and original horror production since the genre's best-known works of the 1970s. Like Twilight, Let the Right One In is a love story between a human and a vampire& mdash;but that is where the resemblance ends. Set in a snowy, surburban housing estate in 1980s Stockholm, the film combines supernatural elements with social realism. It features Oskar, a lonely, bullied child, and Eli, the girl next door. "Oskar, I'm not a girl," she tells him, and she's not kidding& mdash;she's a vampire. The two forge an intense relationship that is at once innocent and disturbing. Two outsiders against the world, one of these outsiders is, essentially, a serial killer. What does Eli want from Oskar? Simple companionship, or something else? While startlingly original, Let the Right One In could not have existed without the near century of vampire cinema that preceded it. Anne Billson reviews this history and the film's inheritence of (and new twists on) such classics as Nosferatu (1979) and Dracula (1931). She discusses the genre's early fliration with social realism in films such as Martin (1977) and Near Dark (1987), along with its adaptation of mythology to the modern world, and she examines the changing relationship between vampires and humans, the role of the vampire's assistant, and the enduring figure of vampires in popular culture.
Let There Be Light: A Book about Windows
by James Cross GiblinWindows are our eyes on the world. Through them we can gaze at our surroundings and, looking out, feel connected to the larger world outside. Windows transform our interiors, filling a room with light and letting cool breezes in. Windows protect us. But windows are vulnerable, too. A well-aimed rock can shatter one in an instant. For as long as there have been buildings, there have been windows. A simple roof hole, a narrow slit-these served as windows in early structures. Later windows might be covered with anything from mica to paper to a fish bladder; the transparent pane of glass we take for granted today took many centuries to develop. In the Middle Ages, with the achievement of stained glass, windows became the focus of a great outpouring of artistic expression. Today the "walls of glass" of the modern skyscraper represent the ultimate window. In this wide-ranging history, we also learn of the role windows have played in many dramatic events, from castle sieges to the infamous Kristallnacht of Nazi Germany to riots that scarred American cities in the 1960s. With the aid of splendid pictures, James Cross Giblin traces the intriguing development of windows-in our homes, our houses of worship, our offices, and public buildings, and shows how they illuminate our lives.
Let Us Now Praise Famous Men (Penguin Modern Classics Ser.)
by James Agee Walker EvansThis portrait of poverty-stricken Southern tenant farmers during the Great Depression has become one of the most influential books of the past century. In the summer of 1936, Pulitzer Prize–winning writer James Agee and photographer Walker Evans set out on assignment for Fortune magazine to explore the daily lives of white sharecroppers in the South. Their journey would prove an extraordinary collaboration—and a watershed literary event. Let Us Now Praise Famous Men was published to enormous critical acclaim. An unsparing record in words and pictures of this place, the people who shaped the land, and the rhythm of their lives, it would eventually be recognized by the New York Public Library as one of the most influential books of the twentieth century—and serve as an inspiration to artists from composer Aaron Copland to David Simon, creator of The Wire. With an additional sixty-four archival photos in this edition, Let Us Now Praise Famous Men remains as relevant and important as when it was first published over seventy-seven years ago. &“One of the most brutally revealing records of an America that was ignored by society—a class of people whose level of poverty left them as spiritually, mentally, and physically worn as the land on which they toiled. Time has done nothing to decrease this book&’s power.&” —Library Journal
L'Età d'Oro di Hollywood
by Goylake PublishingBenvenuti Benvenuti nell'Età d'Oro di Hollywood, una celebrazione delle produzioni cinematografiche e dei suoi protagonisti coinvolti in questi film, dal 1920 fino al 1960. È nostra intenzione pubblicare questo eMagazine con cadenza trimestrale: inverno, primavera, estate, autunno, eccetera. La nostra Superstar dell'inverno 2022 è Gene Tierney. Nel nostro articolo su Gene potrete leggere dei suoi film, della sua vita privata e della sua lotta con la salute mentale. Il coraggio di Gene, la sua forza d'animo e il suo candore nel discutere dei suoi disturbi psichici sono da ammirare e noi speriamo che il nostro articolo renda giustizia alle sue capacità attoriali e alla sua persona. In questo articolo troverete inoltre delle pagine dedicate agli attori e attrici più importanti, i colossal più famosi, i film classici, le locandine cinematografiche e molto altro! Ci auguriamo che il contenuto sia di vostro gradimento
Letarouilly on Renaissance Rome (Dover Architecture)
by Henry Hope Reed John Barrington Bayley David MayernikDrawn from five large volumes published between 1825 and 1882, this student's edition showcases the architectural splendor of Renaissance Rome for a new generation. Paul Letarouilly's original work constitutes the standard reference, presenting the most complete collection of plans, elevations, and details of great buildings and monuments designed by Michelangelo, Peruzzi, Vignola, Bernini, and many others.
Lethal in Old Lace: A Consignment Shop Mystery (A Consignment Shop Mystery #5)
by Duffy BrownReagan Summerside returns in national bestselling author Duffy Brown’s fifth Consignment Shop mystery, now for the first time in hardcover.There are two social functions in Savannah guaranteed to get people talking: weddings and funerals. And just as consignment shop owner Reagan Summerside agrees to marry the hunky Walker Boone, her neighbors, sisters Annie Fritz and Elsie Abbot, step up their business as professional mourners. They are so successful that the Sleepy Pines Retirement Center has hired them as a part of their retirement package. But the celebration over good business is cut short when the residents at Pines suddenly begin dying at an alarming rate. And the sisters are the first suspects.Reagan has her doubts, however, and begins to look into the strange phenomenon. But then something even stranger happens: a body winds up in the sisters’ pink Caddy. The evidence begins to pile up and the suspicious case of Willie Fishbine, who swindled the sisters out of a fortune and coincidentally died prior to the Pines case, is reopened.Not wanting Willie to be buried until they can find the killer responsible for the murders, Reagan must catch the culprit in time to walk down the aisle. Witty, fabulous, and full of charm, Lethal in Old Lace is perfect for fans of Ellery Adams and Jenn McKinlay.
L'étoile du nord: Le mystère éternel de Tom Thomson et de la femme qui l’aimait (Biographies et mémoires #16)
by Roy MacGregorRoy MacGregor grew up in Huntsville, close to his beloved Algonquin Park, where he spent his childhood surrounded by stories of the famous painter. At the heart of it all was MacGregor’s relative, Winnie Trainor, the “old maid” too eccentric to be considered a romantic character, even if it was well known that Tom Thomson had once been in love with her. MacGregor’s fascination with the mysterious painter went deeper. Thomson had made friends in Northern Ontario, but also enemies. He liked to drink and canoe for days on end; he was also seen as a seducer. Be that as it may, the artist’s body was found in Canoe Lake in July 1917. The confusion surrounding his death and burial site was never resolved. In Northern Light (L’étoile du nord), MacGregor offers new leads and reveals previously hidden details of Thomson’s final days, as well as forensic data. Was Thomson a good-for-nothing womanizer or a visionary artist and gentleman? Did he drown accidentally or was he a victim of homicide? The myth of Tom Thomson has grown to obscure the reality of what happened, but the answers to many of these questions are finally revealed here.
Let's Build: Strong Foundations in Language, Math, Social Skills
by Pamela PhelpsEngage children with meaningful constructive play! Blocks are a key teaching tool in any early childhood program. Through well-planned, teacher-supported block play experiences, young children can develop build math, language, and social skills while using their imaginations and boosting their creativity.Let's Build provides educators of young children with guidance in how to create early childhood environments that support children's natural need to play. It includes strategies for creating and scaffolding the block play experience, recommends children's books that support the learning, and outlines ways to match behaviors, content, and concepts to learning standards.More than just a collection of activities, lesson plans are based on ten broad themes:* Thanksgiving - Sharing and Giving * Our Families and Ourselves * Winter and Winter Animals * Large Buildings Around the World * Birds * Insects and Spiders * The Ocean and Ocean Life * Amphibians and Reptiles * Ways to Travel * Wild Animals
Let’s Dance
by George AnconaAncona begins by introducing various musical instruments to set the rhythms for multicultural, multigenerational dances. All of the movements are described through a simple text in a large-print format
Let's Do It: The Authorised Biography of Victoria Wood
by Jasper ReesTrapeze audiobooks presents an extraordinary multi-voice tribute to one of Britain's most talented and most loved entertainers: Victoria Wood.This audiobook features narration from some of the extraordinary voices who worked with Victoria over her career:Susie BlakeRichenda CareyCelia ImrieDuncan PrestonAnne ReidDaniel RigbyKate RobbinsDavid ThrelfallJulie WaltersJane WymarkWith an introduction read by Jasper Rees and two recordings of Victoria Wood's classic Ballad of Barry and Freda.'I was born with a warped sense of humour and when I was carried home from being born it was Coronation Day and so I was called Victoria but you are not supposed to know who wrote this anyway it is about time I unleashed my pent-up emotions in a bitter comment on the state of our society but it's not quite me so I think I shall write a heart-warming story with laughter behind the tears and tears behind the laughter which means hysterics to you Philistines...'From 'Pardon?' by Vicky Wood, Aged 14. Bury Grammar School (Girls) Magazine, 1967In her passport Victoria Wood listed her occupation as 'entertainer' - and in stand-up and sketches, songs and sitcom, musicals and dramas, she became the greatest entertainer of the age. Those things that might have held her back - her lonely childhood, her crippling shyness and above all the disadvantage of being a woman in a male-run industry - she turned to her advantage to make extraordinary comedy about ordinary people living ordinary lives in ordinary bodies. She wasn't fond of the term, but Victoria Wood truly was a national treasure - and her loss is still keenly felt. Victoria had plenty of stories still to tell when she died in 2016, and one of those was her own autobiography. 'I will do it one day,' she told the author and journalist Jasper Rees. 'It would be about my childhood, about my first few years in showbusiness, which were really interesting and would make a really nice story.' That sadly never came to pass, so Victoria's estate has asked Jasper Rees, who interviewed her more than anyone else, to tell her extraordinary story in full. He has been granted complete and exclusive access to Victoria's rich archive of personal and professional material, and has conducted over 200 interviews with her family, friends and colleagues - among them Victoria's children, her sisters, her ex-husband Geoffrey Durham, Julie Walters, Celia Imrie, Dawn French, Anne Reid, Imelda Staunton and many more. What emerges is a portrait of a true pioneer who spoke to her audience like no one before or since.