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Line: An Art Study
by Edmund J. SullivanWritten by a noted illustrator and teacher, this guide introduces the basics of line drawing. British artist Edmund J. Sullivan, who merges the traditional nineteenth-century style of illustration with elements of Art Nouveau, begins by introducing readers to the freehand drawing of abstract lines and advances to the freehand drawing of natural forms, consisting mainly of plane surfaces or single lines.Subsequent chapters illustrate and discuss representations of the third and fourth dimensions, the picture plane, formal perspective, and the drawing of solid objects, including their depiction in shade and shadow, and their modelling. Additional topics include shadows, reflections, and aerial perspective as well as figure drawing.
A Line Can Go Anywhere: The Brilliant, Resilient Life of Artist Ruth Asawa
by Caroline McAlisterA sweeping picture book biography about influential Japanese-American sculptor Aiko Ruth Asawa and her childhood spent in an incarceration camp, by award-winning author Caroline McAlister and rising star artist Jamie Green.Growing up on a dusty farm in Southern California, Ruth Aiko Asawa lived between two worlds. She was Aiko to some and Ruth to others, an invisible line she balanced on every day.But when Japan bombed Pearl Harbor, suddenly she was only Aiko, no matter how much her family tried to cut the lines that connected them to Japan. Like many other Japanese Americans, Ruth and her family were sent to incarceration camps.At the Santa Anita racetrack, Ruth ran her fingers over the lines of horsehair in the stable stalls the family had moved into. At the Rohwer Relocation Center in Arkansas, she drew what she saw—bayous, guard towers, and the barbed wire that separated her from her old life.That same barbed wire would inspire Ruth’s art for decades, as she grew into one of the most influential artists of the twentieth century. Throughout her career, she created enchanting twisting sculptures and curving shapes that connected, divided, and intersected.This gorgeous biography delves into the magnificent life of Ruth Asawa and her timeless contributions to the art world.
Line Color Form: The Language of Art and Design
by Jesse DayDesign students today are more visually literate than ever before, and their learning style naturally favors the visual over the textual. So why should they learn art and design theory from a traditional textbook? The only guide of its kind, Line Color Form offers a thorough introduction to design theory and terminology in a visually appealing and accessible format. With hundreds of illustrations and minimal text, this primer was created with visual learners in mind, making it ideal for art students as well as those for whom English is a second language. Each chapter focuses on a single aspect of visual composition, such as line, color, or material. After an illustrated discussion of fundamental vocabulary, the chapters move on to applications of the concepts covered. These applications are again demonstrated through images, including photographs, color wheels, significant works of art, and other visual aids. Each image is accompanied by a descriptive paragraph offering an example of how the vocabulary can be applied in visual analysis. The book culminates with a section on formal analysis, aimed at teaching readers how to express their observations in formal writing and critical discourse. With its emphasis on the visual, this unique guide is a highly effective learning tool, allowing readers to gain an ownership and mastery of terms that will benefit them academically and professionally. Whether you are a design educator, student, or professional, native or non-native English speaker, this bright and concise reference is a must.
A Line in the Dark
by Malinda Lo<P>The line between best friend and something more is a line always crossed in the dark. <P>Jess Wong is Angie Redmond’s best friend. And that’s the most important thing, even if Angie can’t see how Jess truly feels. Being the girl no one quite notices is OK with Jess anyway. If nobody notices her, she’s free to watch everyone else. <P>But when Angie begins to fall for Margot Adams, a girl from the nearby boarding school, Jess can see it coming a mile away. Suddenly her powers of observation are more a curse than a gift. <P>As Angie drags Jess further into Margot’s circle, Jess discovers more than her friend’s growing crush. Secrets and cruelty lie just beneath the carefree surface of this world of wealth and privilege, and when they come out, Jess knows Angie won’t be able to handle the consequences. <P>When the inevitable darkness finally descends, Angie will need her best friend.
Lineament: Material, Representation and the Physical Figure in Architectural Production
by Gail Peter Borden and Michael MeredithThis comprehensive catalogue of contemporary work examines the renewed investment in the relationship between representation, materiality, and architecture. It assembles a range of diverse voices across various institutions, practices, generations, and geographies, through specific case studies that collectively present a broader theoretical intention.
Linear and Non-linear Numerical Analysis of Foundations
by John W. BullCorrectly understanding, designing and analyzing the foundations that support structures is fundamental to their safety. This book by a range of academic, design and contracting world experts provides a review of the state-of-the-art techniques for modelling foundations using both linear and non linear numerical analysis. It applies to a range of i
Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound
by Daphne A. BrooksAn award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures—a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America’s first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae’s liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music—and who should rightly tell it—Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals.
The Lines Between the Lines: How Stage Directions Affect Embodiment
by Bess RowenWhat is the purpose of a stage direction? These italicized lines written in between the lines of spoken dialogue tell us a great deal of information about a play's genre, mood, tone, visual setting, cast of characters, and more. Yet generations of actors have been taught to cross these words out as records of previous performances or signs of overly controlling playwrights, while scholars have either treated them as problems to be solved or as silent lines of dialogue. Stage directions can be all of these things, and yet there are examples from over one-hundred years of American playwriting that show that stage directions can also be so much more. The Lines Between the Lines focuses on how playwrights have written stage directions that engage readers, production team members, and scholars in a process of embodied creation in order to determine meaning. Author Bess Rowen calls the products of this method “affective stage directions” because they reach out from the page and affect the bodies of those who encounter them. Affective stage directions do not tell a reader or production team what a given moment looks like, but rather how a moment feels. In this way, these stage directions provide playgrounds for individual readers or production teams to make sense of a given moment in a play based on their own individual cultural experience, geographic location, and identity-markers. Affective stage directions enable us to check our assumptions about what kinds of bodies are represented on stage, allowing for a greater multitude of voices and kinds of embodied identity to make their own interpretations of a play while still following the text exactly. The tools provided in this book are as useful for the theater scholar as they are for the theater audience member, casting director, and actor. Each chapter covers a different function of stage directions (spoken, affective, choreographic, multivalent, impossible) and looks at it through a different practical lens (focusing on actors, directors, designers, dramaturgs, and readers). Every embodied person will have a slightly different understanding of affective stage directions, and it is precisely this diversity that makes these stage directions crucial to understanding theater in our time.
Lines by Design Quilts: 17 Projects Featuring the Innovative Designs of Esch House Quilts
by Debbie GrifkaDiscover the beauty of a simple line!A line is any shape distilled to its most basic form--but it has unlimited potential! From bold, straight lines to lush curves and lines that draw pictures, Lines By Design will show you how to get the maximum effect out of minimum composition.Using bias applique, machine applique and traditional piecing techniques, author Debbie Grifka offers designs for bold, modern pieces for your home. Featuring twelve bed-sized quilts plus pillows, placemats, table runners and more, you'll be able to choose from something pictorial, such as Community Isolation, featuring outlines of houses and trees, or try your hand at an updated classic, such as Forever, a riff on the classic Double Wedding Ring design.No matter which design you choose, you're sure to fall in love with the simple elegance of lines.
Lines of Vision: Irish Writers on Art
by Janet McleanMarking the 150th anniversary of the National Gallery of Ireland, celebrated Irish writers find inspiration in its magnificent collection In 1864 the National Gallery of Ireland opened to the public in Dublin. It then housed just 112 paintings. Today the gallery holds over 15,000 works of European art and is notable both for its extensive collection of Irish art and its Italian baroque and Dutch masters paintings. For this anthology, published to mark the 150th anniversary of the National Gallery of Ireland, fifty-six Irish writers have contributed short stories, essays, and poems inspired by pictures in the collection. These literary responses to art are by turns profound, playful, and insightful. Authors include acclaimed figures in contemporary Irish literature, such as Colm Tóibín, John Banville, John Boyne, Roddy Doyle, Colum McCann, Paula Meehan, Paul Muldoon, John Montague, and Seamus Heaney. The pictures that the writers have selected are intriguingly diverse. They range from old master paintings by Caravaggio, Rembrandt, El Greco, and Velázquez to works by Impressionist and Post-Impressionist artists such as Claude Monet and Pierre Bonnard, as well as works by Irish artists such as Jack B. Yeats, John Lavery, Gerard Dillon, and Paul Henry. The book is organized alphabetically by writer and each text is illustrated with the chosen work in color. Edited with preface by Janet McLean, Curator of European Art 1850-1950 at the NGI.
Lingerie
by Lillian BassmanStunning images of women in intimate apparel from the artist heralded as &“among the most important fashion photographers of the twentieth century&” (The New York Times). Through the 1950s and the early 1960s, working with that era&’s supermodels, fashion photographer Lillian Bassman created the quintessential modern feminine image of women in their lingerie. As Ginia Bellafante put it in the New York Times recently, &“In place of heavyset women constraining themselves in what was essentially equipment, Ms. Bassman deployed immeasurably lithe models, conveying a world in which women seemed to linger in the pleasures of their own sensuality.&” Fifty years later, these images have lost none of their allure, and the enormous cultural impact of the TV show Mad Men has given them new currency. &“For more than half a century, Lillian Bassman&’s lingerie-themed photographs have seduced the viewer, with their stark contrast, stunningly graceful figure lines, and vivid texture.&” —Vanity Fair
The Linguistic Turn of the English Renaissance: A Lacanian Perspective (Routledge Focus on Mental Health)
by Shirley ZisserThe Linguistic Turn of the English Renaissance: A Lacanian Perspective examines a selection of cultural phenomena of the English Renaissance, all of which include a focus on language, from a Lacanian perspective. The book examines four inter-related cultural symptoms of the English Renaissance: the paucity of painting, the interest in rhetoric, the emergence of a literary style focusing on form and a fascination with the myth of Orpheus. The book argues that the English Renaissance, an apex of rhetorical theory, can offer psychoanalysis further knowledge concerning the intrication of language and flesh, especially where feminine jouissance is at stake. These language-centred phenomena emerge against the backdrop of a peculiar configuration of the visual field, which in contrast to other cultures of the European Renaissance is largely barren of painting other than portraiture. The book will be of interest to psychoanalysts, scholars of Renaissance culture and those interested in the psychoanalytic study of culture.
Linked Noun Groups: Opposition and Expansion as Genre and Style Markers
by Michael Pace-SiggeThis book provides a corpus-led analysis of multi-word units (MWUs) in English, specifically fixed pairs of nouns which are linked by a conjunction, such as 'mum and dad', 'bride and groom' and 'law and order'. Crucially, the occurrence pattern of such pairs is dependent on genre, and this book aims to document the structural distribution of some key Linked Noun Groups (LNGs). The author looks at the usage patterns found in a range of poetry and fiction dating from the 17th to 20th century, and also highlights the important role such binomials play in academic English, while acknowledging that they are far less common in casual spoken English. His findings will be highly relevant to students and scholars working in language teaching, stylistics, and language technology (including AI).
Linkography: Unfolding the Design Process (Design Thinking, Design Theory)
by Gabriela GoldschmidtThe description of a method for the notation and analysis of the creative process in design, drawing on insights from design practice and cognitive psychology.This book presents linkography, a method for the notation and analysis of the design process. Developed by Gabriela Goldschmidt in an attempt to clarify designing, linkography documents how designers think, generate ideas, put them to the test, and combine them into something meaningful. With linkography, Goldschmidt shows that there is a logic to the creative process—that it is not, as is often supposed, pure magic. Linkography draws on design practice, protocol analysis, and insights from cognitive psychology.Goldschmidt argues that the generation of ideas (and their inspection and adjustment) evolves over a large number of small steps, which she terms design moves. These combine in a network of moves, and the patterns of links in the networks manifest a “good fit,” or congruence, among the ideas. Goldschmidt explains what parts of the design process can be observed and measured in a linkograph, describing its features and notation conventions. The most significant elements in a linkograph are critical moves, which are particularly rich in links. Goldschmidt presents studies that show the importance of critical moves in design thinking; describes cases that demonstrate linkography's effectiveness in studying the creative process in design (focusing on the good fit); and offers thirteen linkographic studies conducted by other researchers that show the potential of linkography in design thinking research and beyond. Linkography is the first book-length treatment of an approach to design thinking that has already proved influential in the field.
Linkography
by Gabriela GoldschmidtThis book presents linkography, a method for the notation and analysis of the design process. Developed by Gabriela Goldschmidt in an attempt to clarify designing, linkography documents how designers think, generate ideas, put them to the test, and combine them into something meaningful. With linkography, Goldschmidt shows that there is a logic to the creative process -- that it is not, as is often supposed, pure magic. Linkography draws on design practice, protocol analysis, and insights from cognitive psychology. Goldschmidt argues that the generation of ideas (and their inspection and adjustment) evolves over a large number of small steps, which she terms design moves. These combine in a network of moves, and the patterns of links in the networks manifest a "good fit," or congruence, among the ideas. Goldschmidt explains what parts of the design process can be observed and measured in a linkograph, describing its features and notation conventions. The most significant elements in a linkograph are critical moves, which are particularly rich in links. Goldschmidt presents studies that show the importance of critical moves in design thinking; describes cases that demonstrate linkography's effectiveness in studying the creative process in design (focusing on the good fit); and offers thirteen linkographic studies conducted by other researchers that show the potential of linkography in design thinking research and beyond. Linkography is the first book-length treatment of an approach to design thinking that has already proved influential in the field.
Linnea in Monet's Garden
by Cristina Bjork Joan SandinLinnea has visited Claude Monet's garden! In Paris, she got to see many of his actual paintings. Now she understands what it means for a painter to be called an Impressionist.
Linsly School, The
by Robert W. SchrammOlder than the state of West Virginia itself, The Linsly School was the first college preparatory school established west of the Alleghanies. The school was originally founded in 1814 as Wheeling Lancastrian Academy, and became an all-boys institution at the beginning of the Civil War. In 1876, Linsly began serving as a military institution. It is the Linsly doctrine that nothing of substantial or lasting value comes without hard work and sacrifice, and its existence today is testament to that philosophy. Adhering to its motto, "Forward and no retreat!," the school carried itself through almost two centuries of war, pestilence, and economic depressions to become an honored and beloved institution in which generations of students take tremendous pride.Today's non-military, coeducational Linsly School continues to enrich students in grades five through twelve with values of honesty, sportsmanship, hard work, and discipline. Through rare and never-before-seen vintage photographs, The Linsly School chronicles the fascinating and inspiring story of the tribulations and successes of the school itself, and the people who worked, sacrificed, and dreamed to make it happen.
Linus The Little Yellow Pencil
by Scott MagoonLinus and his eraser, Ernie, don't always see eye to eye. But with the family art show drawing near, these two will have to sharpen their collaboration to make something neither one could do on their own!This ode to art by the illustrator of Spoon and Chopsticks points out the power of sharing the creative process and sticking with it.
Linux Multimedia Hacks: Tips & Tools for Taming Images, Audio, and Video
by Kyle RankinThe fact that Linux has more multimedia application choices than Mac OS X and Windows combined may come as a surprise to many, but not to those who know Linux well. In Linux Multimedia Hacks, author Kyle Rankin showcases the best available multimedia tools so you can maximize the entertainment capabilities of your favorite OS. Included are tips and tricks for connecting to iPods, creating MP3s and Oggs, watching and making DVDs, turning your Linux box into a Tivo ala MythTV, and much more.You don't have to be a Linux server guru to make use of this book. Linux Multimedia Hacks takes the best of Linux's multimedia tools and with step-by-step instructions shows even novice users how to do cool and useful things with images, audio, and video. It includes entry level hacks that nearly all Linux users will want, such as installing codecs for audio and video playback and managing thousands of photographs. Later, you'll find hacks that cover a variety of advanced projects, from ripping and organizing media files with metatags, to editing video and audio tracks, to creating your own DVDs. Basic or advanced, each hack stands on its own, so you can feel free to jump around to only the sections that interest you.The book is divided into five easy-to-understand chapters:Images: tips range from basic image edits to automated image manipulationAudio: hacks include audio format conversion and tweaking metadata within audio filesVideo: learn how to covert between video formats, plus how to create your own VCDs and DVDsBroadcast Media: tips include how to access and create you own web broadcasts as well as watch and record TVWeb: learn how to make your multimedia creations available to the worldAs one of the most powerful multimedia platforms around, Linux has far more capabilities and features than meets the eye. This latest Hacks book gives you the technical chops to enjoy them all.
Linville Gorge Wilderness Area
by Christopher BlakeFamed as "the Grand Canyon of the East," the Linville Gorge Wilderness Area is a rugged tract of more than 12,000 acres located in the Blue Ridge Mountains of Western North Carolina. Native Americans once referred to the Linville River as Eeseeoh, or "River of Cliffs," a name that accurately describes the river as it twists its way through the gorge under sheer rock faces and distinctive craggy peaks. Since the Native American ambush of the William Linville hunting party in 1766, the gorge has continued to make headlines with everything from movie filming to fatal accidents and forest fires. Today visitors flock to the natural attraction and enjoy a seemingly pristine, unexplored forest canyon. But the Linville Gorge has much more to offer than just breathtaking scenery. Its rich history has been documented by photographers since the 1870s, and it is through these old photographs that adventure seekers of the past are linked with nature enthusiasts of the present.
Lion of Hollywood: The Life and Legend of Louis B. Mayer
by Scott EymanLion of Hollywood is the definitive biography of Louis B. Mayer, the chief of Metro-Goldwyn-Mayer—MGM—the biggest and most successful film studio of Hollywood&’s Golden Age.An immigrant from tsarist Russia, Mayer began in the film business as an exhibitor but soon migrated to where the action and the power were—Hollywood. Through sheer force of energy and foresight, he turned his own modest studio into MGM, where he became the most powerful man in Hollywood, bending the film business to his will. He made great films, including the fabulous MGM musicals, and he made great stars: Garbo, Gable, Garland, and dozens of others. Through the enormously successful Andy Hardy series, Mayer purveyed family values to America. At the same time, he used his influence to place a federal judge on the bench, pay off local officials, cover up his stars&’ indiscretions and, on occasion, arrange marriages for gay stars. Mayer rose from his impoverished childhood to become at one time the highest-paid executive in America. Despite his power and money, Mayer suffered some significant losses. He had two daughters: Irene, who married David O. Selznick, and Edie, who married producer William Goetz. He would eventually fall out with Edie and divorce his wife, Margaret, ending his life alienated from most of his family. His chief assistant, Irving Thalberg, was his closest business partner, but they quarreled frequently, and Thalberg&’s early death left Mayer without his most trusted associate. As Mayer grew older, his politics became increasingly reactionary, and he found himself politically isolated within Hollywood&’s small conservative community. Lion of Hollywood is a three-dimensional biography of a figure often caricatured and vilified as the paragon of the studio system. Mayer could be arrogant and tyrannical, but under his leadership MGM made such unforgettable films as The Big Parade, Ninotchka, The Wizard of Oz, Meet Me in St. Louis, and An American in Paris. Film historian Scott Eyman interviewed more than 150 people and researched some previously unavailable archives to write this major new biography of a man who defined an industry and an era.
Lipstick Traces
by Greil MarcusGreil Marcus, author of Mystery Train, widely acclaimed as the best book ever written about America as seen through its music, began work on this new book out of a fascination with the Sex Pistols: that scandalous antimusical group, invented in London in 1975 and dead within two years, which sparked the emergence of the culture called punk. âeoeI am an antichrist!âe#157; shouted singer Johnny Rottenâe"where in the world of pop music did that come from? Looking for an answer, with a high sense of the drama of the journey, Marcus takes us down the dark paths of counterhistory, a route of blasphemy, adventure, and surprise. This is no mere search for cultural antecedents. Instead, what Marcus so brilliantly shows is that various kinds of angry, absolute demandsâe"demands on society, art, and all the governing structures of everyday lifeâe"seem to be coded in phrases, images, and actions passed on invisibly, but inevitably, by people quite unaware of each other. Marcus lets us hear strange yet familiar voices: of such heretics as the Brethren of the Free Spirit in medieval Europe and the Ranters in seventeenth-century England; the dadaists in Zurich in 1916 and Berlin in 1918, wearing death masks, chanting glossolalia; one Michel Mourre, who in 1950 took over Easter Mass at Notre-Dame to proclaim the death of God; the Lettrist International and the Situationist International, small groups of Parisâe"based artists and writers surrounding Guy Debord, who produced blank-screen films, prophetic graffiti, and perhaps the most provocative social criticism of the 1950s and âe(tm)60s; the rioting students and workers of May âe(tm)68, scrawling cryptic slogans on city walls and bringing France to a halt; the Sex Pistols in London, recording the savage âeoeAnarchy in the U. K. âe#157; and âeoeGod Save the Queen. âe#157;Although the Sex Pistols shape the beginning and the end of the story, Lipstick Traces is not a book about music; it is about a common voice, discovered and transmitted in many forms. Working from scores of previously unexamined and untranslated essays, manifestos, and filmscripts, from old photographs, dada sound poetry, punk songs, collages, and classic texts from Marx to Henri Lefebvre, Marcus takes us deep behind the acknowledged events of our era, into a hidden tradition of moments that would seem imaginary except for the fact that they are real: a tradition of shared utopias, solitary refusals, impossible demands, and unexplained disappearances. Written with grace and force, humor and an insistent sense of tragedy and danger, Lipstick Traces tells a story as disruptive and compelling as the century itself.
Liquid Architecture: Experimental Practices of Design in a State of Flux (Routledge Research in Architecture)
by Pierangelo Marco ScravaglieriLiquid Architecture challenges the idea of architecture as a fixed, inert container and reconceptualises it as a body whose boundaries are rather blurred and ever-changing. This book moves away from form as the primary driver of spatial protocols and explores what the built environment might look like when viewed through the lenses of a ‘wet ontology’ that is attentive to fluidity, flows and territorial dynamism. A reconfiguration of architectural materials and authorship is thus considered, leading, in turn, to an exploration of the ethical dimensions of co-designing with natural systems (of various viscosities) through liquid paradigms. The book examines a set of principles for practice-led discoveries that incorporate hybrid, mixed media with the author’s intersubjective relationship with liquid matter. Drawing from qualitative-based analytical investigation models, the text allows comprehension of the liquid phenomena via material contextualisation of an ever-becoming research setting. Through a practical and theoretical engagement with the ontology of liquids, the reader is exposed to a range of design-led experiments and creative propositions, visualisation systems, construction, and testing of physical models that collectively translate into a series of novel insights for architectural agendas. This book will be of interest to architecture and design research students and academics because it advocates the need for a more symbiotic and resilient approach to natural systems, which could benefit from the integration of regenerating material flows into our buildings and urban settlements.
Liquid Ecologies in Latin American and Caribbean Art (Routledge Advances in Art and Visual Studies)
by Liliana Gómez Lisa BlackmoreThis interdisciplinary book brings into dialogue research on how different fluids and bodies of water are mobilised as liquid ecologies in the arts in Latin America and the Caribbean. Examining the visual arts, including multimedia installations, performance, photography and film, the chapters place diverse fluids and systems of flow in art historical, ecocritical and cultural analytical contexts. The book will be of interest to scholars of art history, cultural studies, environmental humanities, blue humanities, ecocriticism, Latin American and Caribbean studies, and island studies.
Liquid Metal
by Sean RedmondLiquid Metal brings together 'seminal' essays that have opened up the study of science fiction to serious critical interrogation. Eight distinct sections cover such topics as the cyborg in science fiction; the science fiction city; time travel and the primal scene; science fiction fandom; and the 1950s invasion narratives. Important writings by Susan Sontag, Vivian Sobchack, Steve Neale, J.P. Telotte, Peter Biskind and Constance Penley are included.Contributor List:Alison Landsberg; Andrew Gordon; Barry Keith Grant; Carol Schwartz Ellis; Constance Penley; Donna J. Haraway; Doran Larson; Eric Avila; Henry Jenkins III; Isolde Standish; J.P. Telotte; John Tulloch; Jonathan Bignell; Kin Yuen Wong; Kurt Lancaster; Linda Ruth Williams; Mark Jancovich; Mary Ann Doane; Michael Ryan and Douglas Kellner; Peter Biskind; Peter Hutchings; Scott Bukatman; Sean Redmond; Steve Neale; Susan J. Napier; Susan Sontag; Vivian Sobchack; Warren Buckland; Will Brooker