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Manga's Cultural Crossroads: Manga's Cultural Crossroads (Routledge Advances in Art and Visual Studies #5)
by Jaqueline Berndt Bettina Kümmerling-MeibauerFocusing on the art and literary form of manga, this volume examines the intercultural exchanges that have shaped manga during the twentieth century and how manga’s culturalization is related to its globalization. Through contributions from leading scholars in the fields of comics and Japanese culture, it describes "manga culture" in two ways: as a fundamentally hybrid culture comprised of both subcultures and transcultures, and as an aesthetic culture which has eluded modernist notions of art, originality, and authorship. The latter is demonstrated in a special focus on the best-selling manga franchise, NARUTO.
Manhattan Churches (Postcard History Series)
by Richard Panchyk Timothy Cardinal DolanManhattan Churches celebrates the wonderful diversity of churches in New York City's oldest borough. The book takes an in-depth look at a wide array of awe-inspiring structures, from Lower Manhattan and Midtown to the Upper East Side, Upper West Side, and Harlem. From Trinity Church and St. Patrick's Cathedral to the Little Church Around the Corner and the Cathedral of St. John the Divine, the city's churches are a fascinating part of New York's religious, cultural, and architectural history.
Manhattan Classic
by Geoffrey LynchThe Dakota. The Apthorp. The San Remo. The names of these legendary New York apartment buildings evoke images of marble-lined lobbies, uniformed doormen, and sunlit penthouses with sweeping Central Park views. Built from the 1880s through 1930s, classic prewar apartments were designed to lure townhouse dwellers reluctant to share a roof with other families. Billed as private mansions in the sky, they promised a charmed Manhattan lifestyle of elegance and luxury. Manhattan Classic takes readers on a lavishly illustrated guided tour of eighty-five of the most coveted buildings in New York. Author Geoffrey Lynch provides capsule histories--equal parts architectural and social history-- of the most celebrated examples, with anecdotes about well-known residents and essential information about notable features. This gorgeous coffee table book is an indispensible resource for apartment hunters, real estate and design professionals, and anyone fascinated by the grace and glamour of prewar style.
Manhattan Moves Uptown: An Illustrated History (New York City)
by Charles LockwoodThis fascinating chronicle traces New York City's growth from Wall Street at the end of the Revolutionary War to Harlem at the turn of the twentieth century. Documenting the frantic construction and speculative frenzy that swept through Manhattan in the nineteenth century, it explores the development of the city's landmark neighborhoods as the rural landscape of Upper Manhattan gave way street by street to today's fashionable residential and commercial districts. Compiled from newspaper archives and richly illustrated with historic images, Manhattan Moves Uptown reveals bygone days when Greenwich Village was a real village and Midtown was a cluster of shacks surrounded by garbage dumps and slaughter houses. The rise of Union Square, Murray Hill, Broadway, the Upper West Side, and other well-known areas are recounted, along with trends ranging from the first luxury department store to the earliest tenement houses. A captivating account of metropolitan flux and expansion, this book offers memorable historic views of one of the nation's richest, most powerful, and most exciting cities.
Manhattan Project at Hanford Site, The
by Elizabeth ToomeyThe Manhattan Project at Hanford Site describes the top-secret effort undertaken during World War II to develop a weapon never imagined at "Site W" or "Hanford Engineer Works," one of three sites selected in the United States (plus Los Alamos and Oak Ridge) to research and produce weapons that were ultimately used to bomb Hiroshima and Nagasaki and end World War II. It was a research and engineering feat of unimaginable proportion, and the total project cost for all three sites was $2.1 billion--an unthinkable amount for a country that was coming out of the Great Depression. It is a story of gumption, resolve, tenacity, patriotism, pride, and selflessness for the thousands of people who worked multiple shifts, seven days a week, in a hot, dry, and desolate desert, never knowing what they were working on. It is a tribute to American resolve in the face of overwhelming adversity.
Manhattan Street Scenes
by Barry MorenoThis richly nostalgic volume highlights some of the mostextraordinary periods of New York City's history, including the first decade of the 20th century, the Roaring Twenties, and the later years that led to the Great Depression and World War II. Abounding with evocative period photography,Manhattan Street Scenes invites readers into an age when no man walked the streets without wearing a hat, when buying liquor was illegal, when vaudeville and Broadway theaters were aglitter with stars and wildly popular songs, and when the city's streets teemed with motorcars such as Packards, Studebackers, and Dusenbergs. Additionally, the inclusion of rare, never before published police and crime photography enhances the charm of this volume.
Manhattan's Lost Streetcars
by Stephen L. MeyersBy the first quarter of the 20th century, Manhattan had well over 400 miles of streetcar trackage, an investment of several million dollars. Less than 50 years later, the rail system had completely vanished. Manhattan's Lost Streetcars chronicles the finance, political pressures, and advancing technology behind Gotham's streetcar networks from 1890 to 1935. The story ends with the dismantling of the system. Manhattan's Lost Streetcars recalls a bygone era when public rail transportation was aboveground and New Yorkers rode the Metropolitan Street Railway, the Green Lines, the Manhattan Bridge Three Cent Line, and the Brooklyn & North River line, among others. It features images of the independent rail companies and the individual lines that made up a vast public transportation network in Manhattan.
Manhattan's Public Spaces: Production, Revitalization, Commodification (Routledge Critical Studies in Urbanism and the City)
by Ana Morcillo PallarésManhattan’s Public Spaces: Production, Revitalization, Commodification analyzes a series of architectural works and their contribution to New York’s public space over the past few decades. By exploring a mix of urban mechanisms, supportive frameworks, legal systems, and planning guidelines for the transformation of the city’s collective realm, the text frames Manhattan as a controversial landscape of interests and concerns to authorities, communities, and, very importantly, developers. The production, revitalization, and commodification of Manhattan’s public spaces, as a phenomenon and as a subject of study, also highlights the vicissitudes of the reconciliation of the many different agents, which are part of the process. The challenge of the book does not only lie in the analysis of good design but, more importantly, in how to understand the functional mechanisms for the current trends in the production of space for public use. A complex framework of actors, governance, and market monopolies, which invites the reader to participate in the debate of how these interventions contribute, or not, to an inclusive environment anchored in the existing built fabric. Manhattan’s Public Spaces invites reflection on the revitalization of the city’s shared space from all dimensions. Beautifully illustrated in black and white, with over 50 images, this book will be of interest to scholars and students in architecture, planning, and urban design.
Manhood in Hollywood from Bush to Bush
by David GrevenA struggle between narcissistic and masochistic modes of manhood defined Hollywood masculinity in the period between the presidencies of George H. W. Bush and George W. Bush. David Greven's contention is that a profound shift in representation occurred during the early 1990s when Hollywood was transformed by an explosion of films that foregrounded non-normative gendered identity and sexualities. In the years that have followed, popular cinema has either emulated or evaded the representational strategies of this era, especially in terms of gender and sexuality. One major focus of this study is that, in a great deal of the criticism in both the fields of film theory and queer theory, masochism has been positively cast as a form of male sexuality that resists the structures of normative power, while narcissism has been negatively cast as either a regressive sexuality or the bastion of white male privilege. Greven argues that narcissism is a potentially radical mode of male sexuality that can defy normative codes and categories of gender, whereas masochism, far from being radical, has emerged as the default mode of a traditional normative masculinity. This study combines approaches from a variety of disciplines-psychoanalysis, queer theory, American studies, men's studies, and film theory-as it offers fresh readings of several important films of the past twenty years, including Casualties of War, The Silence of the Lambs, Fight Club, The Passion of the Christ, Auto Focus, and Brokeback Mountain.
Manhua Modernity: Chinese Culture and the Pictorial Turn
by John A. CrespiA free open access ebook is available upon publication. Learn more at www.luminosoa.org. From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. Manhua Modernity offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style.
Manifestations of Male Image in the World’s Cultures (The Vastness of Culture)
by Renata IwickaManifestations of Male Image in the World’s Cultures shows a single cultural phenomenon from a number of diverse perspectives. Methods used to analyze the titular male image range from Literary Studies and Cultural Studies to Media Studies. Thanks to the Authors’ broad experience in various fields of academic research, the volume presents this highly layered theme in a truly interdisciplinary way. I perceive the multiauthored – and therefore “polyphonic” – collection as a truly original attempt to build a framework of humanistic thought that is based on clear theoretical and methodological criteria. Moreover, its open character allows the use and merging of a number of humanistic methods, such as the aforementioned Literary or Cultural Studies, with other inspirations that, layer by layer, add the depth and provide further insight into the relationship between the male image and broadly understood cultural practices.
The Manifestos and Essays
by Richard Foreman"Richard Foreman reinvented dialogue, action, sound, stage design, and philosophical groundwork as no other stage artist in our history."--PEN/Laura Pels Master American Dramatist Award citation These writings, collected from two earlier books now long out-of-print along with two recent interviews, provide a fascinating window into Richard Foreman's singular mind and creative process. Also included is The Gods Are Pounding My Head! (AKA Lumberjack Messiah), his last play before transitioning to more multi-media work. Richard Foreman has written, directed, and designed more than fifty of his own plays, both internationally and at his Ontological-Hysteric Theater, which he founded in 1968. He has received many OBIE awards, an NEA Lifetime Achievement Award, and a MacArthur "Genius" Fellowship.
Manifold Mirrors
by Felipe CuckerMost works of art, whether illustrative, musical or literary, are created subject to a set of constraints. In many (but not all) cases, these constraints have a mathematical nature, for example, the geometric transformations governing the canons of J. S. Bach, the various projection systems used in classical painting, the catalog of symmetries found in Islamic art, or the rules concerning poetic structure. This fascinating book describes geometric frameworks underlying this constraint-based creation. The author provides both a development in geometry and a description of how these frameworks fit the creative process within several art practices. He furthermore discusses the perceptual effects derived from the presence of particular geometric characteristics. The book began life as a liberal arts course and it is certainly suitable as a textbook. However, anyone interested in the power and ubiquity of mathematics will enjoy this revealing insight into the relationship between mathematics and the arts.
Manistee County
by Shannon McraeBetween 1860 and 1900, some say, Michigan lumber made more fortunes than California gold. Many of those fortunes were made in Manistee. Home to hardworking, self-made millionaires, Manistee also became a thriving cultural center, with elegant architecture, theatrical performances, and intellectual societies that debated the issues of the day. Steamers and schooners brought tourists across Lake Michigan to stroll the grand streets, relax on the beaches of Onekama's Portage Point Inn, or attend the latest play at the Ramsdell Theater. Manistee County also offered opportunities for America's newest immigrants. Drawn by the promise of land and economic opportunity, the new arrivals established communities in the city and surrounding townships. For some of these settlers, such as the Finns who founded Kaleva or the small religious community of Brethren, Manistee County held the promise of utopia. When the lumber era ended, Manistee County reinvented itself, replacing sawmills and lumberyards with salt wells, hydroelectric dams, and power plants. As it continued to draw tourists from across the lake and along newly built roads, Manistee County entered the modern age with a vibrant future to match its fascinating history.
Manistique
by M. Vonciel Leduc Schoolcraft County Historical SocietyManistique, as with many towns in the Upper Peninsula of Michigan, became a boomtown as interest in natural resources made its westward movement. The area was first populated by Native Americans and occasional fur traders. Fr. Frederic Baraga made his appearance in the early 1800s bringing Christianity, but development of the area did not begin until the latter part of the 1800s. With the eastern United States' timber gone, Manistique was discovered in the 1870s and the timber rush began. Until the early 1900s, Manistique was a boomtown with sawmills, subsidiary companies, and supporting merchants and services. Once the timber was cut, the companies moved westward to find more timber and Manistique was left behind. As time went along in the last century, Manistique retained a few industries, but its primary focus has become serving as a mecca for tourism.
Manly Arts: Masculinity and Nation in Early American Cinema
by David A. GerstnerIn this innovative analysis of the interconnections between nation and aesthetics in the United States during the late nineteenth century and the early twentieth, David A. Gerstner reveals the crucial role of early cinema in consolidating a masculine ideal under American capitalism. Gerstner describes how cinema came to be considered the art form of the New World and how its experimental qualities infused other artistic traditions (many associated with Europe--painting, literature, and even photography) with new life: brash, virile, American life. He argues that early filmmakers were as concerned with establishing cinema's standing in relation to other art forms as they were with storytelling. Focusing on the formal dimensions of early-twentieth-century films, he describes how filmmakers drew on European and American theater, literature, and painting to forge a national aesthetic that equated democracy with masculinity. Gerstner provides in-depth readings of several early American films, illuminating their connections to a wide range of artistic traditions and cultural developments, including dance, poetry, cubism, realism, romanticism, and urbanization. He shows how J. Stuart Blackton and Theodore Roosevelt developed The Battle Cry of Peace (1915) to disclose cinema's nationalist possibilities during the era of the new twentieth-century urban frontier; how Paul Strand and Charles Sheeler positioned a national avant-garde through the fusion of "American Cubism" and industrialization in their film, Manhatta (1921); and how Oscar Micheaux drew on slave narratives and other African American artistic traditions as he grappled with the ideological terms of African American and white American manhood in his movie Within Our Gates (1920). Turning to Vincente Minnelli's Cabin in the Sky (1943), Gerstner points to the emergence of an aesthetic of cultural excess that brought together white and African American cultural producers--many of them queer--and troubled the equation of national arts with masculinity.
The Mannequins' Ball
by Daniel Gerould Bruno JaslenskiThis play, by Futurist poet Bruno Jasienski, is an outstanding example of the joining of left-wing politics and avant-garde interest in human mechanization that characterized the experimental theatre of Poland in the inter-war years. Stalinism and the purges cut short Jasienski's career and prevented productions of his play for many years - except for a brilliant constructivist staging in Prague in 1933. The Mannequins' Ball can now take its place along with Capek's R.U.R. as one of the major twentieth-century dramas making use of the themes and techniques of human automata. Reproduced in this volume are the eight woodcuts by Moor which accompanied the original Moscow publication in 1931.
Mannequins in Museums: Power and Resistance on Display
by Bridget R. Cooks; Jennifer J. WagelieMannequins in Museums is a collection of historical and contemporary case studies that examine how mannequins are presented in exhibitions and shows that, as objects used for storytelling, they are not neutral objects. Demonstrating that mannequins have long histories of being used to promote colonialism, consumerism, and racism, the book shows how these histories inform their use. It also engages readers in a conversation about how historical narratives are expressed in museums through mannequins as surrogate forms. Written by a select group of curators and art historians, the volume provides insight into a variety of museum contexts, including art, history, fashion, anthropology and wax. Drawing on exhibition case studies from North America, South Africa, and Europe, each chapter discusses the pedagogical and aesthetic stakes involved in representing racial difference and cultural history through mannequins. As a whole, the book will assist readers to understand the history of mannequins and their contemporary use as culturally relevant objects. Mannequins in Museums will be compelling reading for academics and students in the fields of museum studies, art history, public history, anthropology and visual and cultural studies. It should also be essential reading for museum professionals who are interested in rethinking mannequin display techniques.
Mannerism, Spirituality and Cognition: The Art Of Enargeia (Visual Culture in Early Modernity)
by Lynette M. BoschThis book employs a new approach to the art of sixteenth-century Europe by incorporating rhetoric and theory to enable a reinterpretation of elements of Mannerism as being grounded in sixteenth-century spirituality. Lynette M. F. Bosch examines the conceptual vocabulary found in sixteenth-century treatises on art from Giorgio Vasari to Federico Zuccari, which analyses how language and spirituality complement the visual styles of Mannerism. By exploring the way in which writers from Leone Ebreo to Gabriele Paleotti describe the interaction between art and spirituality, Bosch establishes a religious base for the language of art in sixteenth-century Europe. The book will be of interest to scholars working in art history, Renaissance studies, religious studies, and religious history.
Manoel de Oliveira (Contemporary Film Directors)
by Randal JohnsonUnderstanding the iconoclastic work of a lifelong cinematic pioneer Manoel de Oliveira's eighty-five year career made him a filmmaking icon and a cultural giant in his native Portugal. A lifelong cinematic pioneer, Oliveira merged distinctive formal techniques with philosophical treatments of universal themes--frustrated love, aging, nationhood, evil, and divine grace--in films that always moved against mainstream currents. Randal Johnson navigates Oliveira's massive feature film oeuvre. Locating the director's work within the broader context of Portuguese and European cinema, Johnson discusses historical and political influences on Oliveira's work, particularly Portugal's transformation from dictatorship to social democracy. He ranges from Oliveira's early concerns with cinematic specificity to hybrid discourses that suggest a tenuous line between film and theater on the one hand, and between fiction and documentary on the other. A rare English-language portrait of the director, Manoel de Oliveira invites students and scholars alike to explore the work of one of the cinema's greatest and most prolific artists.
Mansfield
by Timothy Brian MckeeMansfield was established in 1808, when its public square was built in north-central Ohio, carved out of a wilderness inhabited only by tribes of Native Americans and an itinerant nurseryman called Johnny Appleseed. Throughout the 200 years since, Mansfield has always been characterized as a leader in innovation. When agriculture was the nation's mainstay, Mansfield manufactured farming machinery; when the country became industrial, Mansfield rose to strength with new technologies in stoves, streetcars, and steel; and when automobiles rolled into history, they rode on Mansfield tires. As a centralized crossroads where railroads and highways meet, it was known to travelers on the Lincoln Highway or the Pennsylvania Railroad as a charming town of tree-lined streets and church towers. With the rust belt decline of big industry in the late 1900s, Mansfield went through yet another metamorphosis, defining the new American economy of small manufacturing and service industries.
Mansfield: In Vintage Postcards (Then and Now)
by Timothy Brian Mckee Jeff SprangMansfield began in 1808 when its public square was carved out of a wilderness inhabited only by Wyandots, wild animals, and an itinerant nurseryman named Johnny Appleseed. Throughout the 200 years since then, the character and appearance of the city has transformed many times as new generations remade it into their home. Driving around Mansfield today, there is enough remaining of historical times to compare with old photographs in order to make the past come alive.
Mansfield in Vintage Postcards: In Vintage Postcards (Postcard History)
by Timothy Brian MckeeTake a trolley tour around Mansfield, Ohio, by way of this collection of vintage postcards. Starting the tour with The Square, see the series of ornate government seats built here, like the 1840 Greek Revival and 1878 Victorian courthouses, as well as the fountain and the gazebo located there. Next, traveling into the Downtown now encompassed by the Carousel and Central Park Districts, explore Main Street and the old hotels, the stone churches, and the railroad depots. From there, progressing to The Flats, catch a glimpse of the industries and the now-vanished agricultural works. Heading into The Neighborhoods from Downtown, visit the schools, the churches, and the Children's Home. And finally, following the tracks out past the Sturges area and Senator Sherman's mansion, ride to the end of the tracks to see Luna Park, Kingwood, and the Ohio State Reformatory.
Mansfield Plantation: A Legacy on the Black River
by Christopher BoyleStanding on the banks of the Black River, Mansfield Plantation is a living testament to antebellum rice plantations. In 1718, it started as a five-hundred-acre land grant near the upstart village of Georgetown. The main house was built around 1800, and the plantation soon grew to nearly one thousand acres. John and Sallie Middleton Parker returned the property to the Man-Taylor-Lance-Parker family, a line of ownership dating back 150 years. Ongoing preservation projects ensure that future generations can explore and appreciate one of the most well-preserved rice plantations in America. Plantation historian Christopher C. Boyle captures the spirit of Mansfield Plantation and unravels the many mysteries of its past.
Mansfield Township, Burlington County
by Mansfield Township Historical Society Book CommitteeMansfield Township was established as a constabulary in 1688 and became incorporated in 1798. It is one of the oldest townships in Burlington County. Made up of one town, Columbus, and the four villages of Hedding, Kinkora, Georgetown, and Mansfield Square, the township continues to retain the rural, agricultural landscape that its first settlers witnessed. Mansfield Township has had a number of notable residents, from Prince Lucian Murat, nephew of Napoleon Bonaparte, to Thomas Larzelere, an architect who was instrumental in designing plans for the Capitol Building in Washington, D.C. The vintage images in Mansfield Township, Burlington County bring to life the history of the township, from the days when weary travelers stopped for refreshment at the Columbus Inne to the modern, technologically driven community that the township is today.