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Material Strategies
by Blaine BrownellIn the successful Transmaterial series, author Blaine Brownell presents collections of materials that have the potential to transform the physical environment. With Materials Strategies, Princeton Architectural Press s next book in its Architecture Brief series, Brownell takes his research to the next stage by addressing how materials be applied to affect such a transformation, ultimately achieving design innovation. [Architecture has been shaped by the continual transformation of material technologies and application methods throughout history. Surprisingly, these approaches are rarely taught in academia or practice the former typically focuses on building-technology sequence, where students are given information about basic material properties and conventional methodologies. Architectural practice is worse: in the majority of offices, there is no established discipline or method for material innovation despite the widespread belief in its importance. ] [katharine, this whole paragraph could be cut if this is too much, which I think it is. ] Material Strategies is a primer on materials that goes beyond a mere description of materials. It provides insights regarding emerging technologies as well as their creative implementation, and presents a series of recent case studies that demonstrate successful realization of material-based innovation. The book is structured by a concise set of chapters based on fundamental material categories mineral, concrete, wood, metal, glass, and plastic. The introduction of each chapter describes the basic history of the material and its importance to architecture, a summary of previous building innovations and their technological as well as cultural effects, current environmental challenges and their future ramifications, recent disruptive technologies and their preliminary manifestations, as well as a series of disruptive applications exemplified by recent pioneering buildings. Architectural case studies are described with a focus on the significance of their particular contributions, and are documented in detailed illustrations. The primary attention of the book is on contemporary projects because of the ways in which these buildings deliver creative contributions related to present-day circumstances. Unlike many how-to manuals, the emphasis here is on unconventional and emerging practices. Moreover, unlike many surveys of new materials, this manual seeks to explain which new material technologies are most significant and why, how these technologies are being influenced by recent environmental concerns, the theoretical implications and conceptual debates one must consider, as well as the ways in which new material strategies are utilized to advance the architectural canon.
Material Strategies in Digital Fabrication
by Christopher BeorkremIn this second edition of Material Strategies in Digital Fabrication are new case studies, improved wayfinding, the inclusion of composites and plastics, and references to similar strategies between different projects. In 400 step-by-step diagrams dissecting 39 case studies in 10 countries on 3 continents, the book shows you how material performance drives the digital fabrication process and determines technique. The book identifies the important characteristics of each material, including connection types, relative costs, deformation, color, texture, finish, dimensional properties, durability, and weathering and waterproofing to link design outcomes to form. The book is divided into five main chapters by material; wood, metal, concrete/masonry, composites/plastics, and recycled/pre-cycled, to help you reference construction techniques for the fabrication machines you have on-hand. Includes projects by SHoP Architects, Gramazio & Kohler, Schindlersalmeron, The Institute for Computational Design (Achim Menges, Patkau Architects,Sebastien Wierinck, Blue Dot Furniture, Marble Fairbanks, Studio Gang Architects, Macdowell.Tomova, Thomas Heatherwick Studio, Heather Roberge, MX3D, Matsys, Asbjorn Sondergaard, Block Research Group (Phillipe Block), Ball Nogues Studio, Matter Design, WORK Architecture Company, and SoftLab.
Material Theories: Locating Artefacts and People in Gottfried Semper's Writings (Routledge Research in Interior Design)
by Elena ChestnovaMaterial Theories takes a radically new approach to well-established thinking on nineteenth-century architecture and design by investigating Gottfried Semper’s classic ideas about dressing, metamorphosis of material, and cultural development, culminating in his two-volume publication Style. This book demonstrates how Semper’s theories crystallised among his encounters with material things of the late 1840s and early 1850s. It examines several discursive frameworks and phenomena which shaped the attitude to artefacts in Europe in the mid-nineteenth century, and which were specifically pertinent to Semper’s evolution: archaeology and antiquarianism, the domestic interior, print media, collections, and the embodied relationship between the designer and their work. For the first time, this book examines the construction of a design theory not only as an intellectual endeavour but also as a process of confrontation with material things. It employs recent approaches to material culture, in particular Thing Theory, in order to show that Semper’s artefact references constituted his ideas, rather than simply giving impetus to them. It will be an important investigation for academics and researchers interested in interior design history, as well as scholars of material culture and history of design theory.
Material Witness
by Ted LeighAmerican painter Fairfield Porter (1907-1975) was an iconoclast who developed a singular style that was outside the politically correct boundaries of both left and right. This collection of letters sheds light on Porter's personal views and displays his acumen as a political critic. It encompasses letters from his early travels to the Soviet Union (including a description of an interview with Trotsky) as well as later correspondence with close friends. The volume features an introduction by poet/critic David Lehman and notes by Justin Spring, author of . Editor Leigh is an artist, writer, and teacher. Annotation ©2005 Book News, Inc. , Portland, OR (booknews. com)
MATERIAL WITNESS: Media, Forensics, Evidence (Leonardo)
by Susan SchuppliThe evidential role of matter—when media records trace evidence of violence—explored through a series of cases drawn from Kosovo, Japan, Vietnam, and elsewhere.In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, Material Witness moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather.These cases include an extraordinary videotape documenting the massacre at Izbica, Kosovo, used as war crimes evidence against Slobodan Milošević; the telephonic transmission of an iconic photograph of a South Vietnamese girl fleeing an accidental napalm attack; radioactive contamination discovered in Canada's coastal waters five years after the accident at Fukushima Daiichi; and the ecological media or “disaster film” produced by the Deep Water Horizon oil spill in the Gulf of Mexico. Each highlights the degree to which a rearrangement of matter exposes the contingency of witnessing, raising questions about what can be known in relationship to that which is seen or sensed, about who or what is able to bestow meaning onto things, and about whose stories will be heeded or dismissed.An artist-researcher, Schuppli offers an analysis that merges her creative sensibility with a forensic imagination rich in technical detail. Her goal is to relink the material world and its affordances with the aesthetic, the juridical, and the political.
Material World: The Modern Craft Bible
by Perri LewisTired of the clichés often trotted out about craft, Perri Lewis makes it her task to bring the world of making into the 21st century.In Material World, Perri enlists the help of luminaries from the worlds of art, craft, design and fashion to share their knowledge and advice. Among these include Rob Ryan, Emma Bridgewater, Grayson Perry, Philip Treacy, Tatty Devine, Topshop and Tracey Emin. Instead of just giving the reader individual projects, you can learn the techniques for crafts such as paper-cutting, dress-making, printing, encrusting, leather work and tailoring. However, if you prefer more guidance, there are 15 projects to make, including découpage shoes, a patchwork Louis chair and a printed scarf. With the compiled words of wisdom of these experts, and Perri's own timeless advice, you'll be up and running with scissors in no time.
The Material World of Ancient Egypt
by William H. PeckThe Material World of Ancient Egypt examines the objects and artifacts, the representations in art, and the examples of documentation that together reveal the day-to-day physical substance of life in ancient Egypt. This book investigates how people dressed, what they ate, the houses they built, the games they played, and the tools they used, among many other aspects of daily life, paying great attention to the change and development of each area within the conservative Egyptian society. More than any other ancient civilization, the ancient Egyptians have left us with a wealth of evidence about their daily lives in the form of perishable objects, from leather sandals to feather fans, detailed depictions of trades and crafts on the walls of tombs, and a wide range of documentary evidence from temple inventories to personal laundry lists. Drawing on these diverse sources and richly illustrating his account with nearly one hundred images, William H. Peck illuminates the culture of the ancient Egyptians from the standpoint of the basic materials they employed to make life possible and perhaps even enjoyable.
Materialist Film (Routledge Library Editions: Cinema)
by Peter GidalA polemical introduction to the avant-garde and experimental in film (including making and viewing), Materialist Film is a highly original, thought-provoking book. Thirty-seven short chapters work through a series of concepts which will enable the reader to deal imaginatively with the contradictory issues produced by experimental film. Each concept is explored in conjunction with specific films by Andy Warhol, Malcolm LeGrice, Lis Rhodes, Jean-Luc Goddard, Rose Lowder, Kurt Kren, and others. Peter Gidal draws on important politico-aesthetic writings, and uses some of his own previously published essays from Undercut, Screen, October, and Millennium Film Journal to undertake this concrete process of working through abstract concepts. Originally published in 1989.
Materiality and Architecture
by Sandra Karina LoschkeOnce regarded a secondary consideration, in recent years, materiality has emerged as a powerful concept in architectural discourse and practice. Prompted in part by developments in digital fabrication and digital science, the impact of materiality on design and practice is being widely reassessed and reimagined. <P><P>Materiality and Architecture extends architectural thinking beyond the confines of current design literatures to explore conceptions of materiality across the field of architecture. Fourteen international contributors use elucidate the problems and possibilities of materiality-based approaches in architecture from interdisciplinary perspectives. The book includes contributions from the professions of architecture, art, architectural history, theory and philosophy, including essays from Gernot Böhme, Jonathan Hill and Philip Ursprung. <P><P>Important 'immaterial' aspects such as presentation, agency, ecology and concept are examined, deepening our understanding of materiality’s role in architectural processes, the production of cultural identities, the pursuit of political agendas, and the staging of everyday environments and atmospheres. In-depth illustrated case studies examine works by Herzog & de Meuron, Zaha Hadid, and Lacaton & Vassal, interspersed with visual essays and interviews with architects such as MVRDV providing a direct connection to practice. Materiality and Architecture is an important read for researchers and students with an interest in architectural theory and related fields such as art, art history, or visual and cultural studies.
Materiality and Consumption in the Bronze Age Mediterranean: Materiality And Consumption In The Bronze Age Mediterranean (Routledge Studies in Archaeology #7)
by Louise SteelThe importance of cultural contacts in the East Mediterranean has long been recognized and is the focus of ongoing international research. Fieldwork in the Aegean, Egypt, Cyprus, and the Levant continues to add to our understanding of the nature of this contact and its social and economic significance, particularly to the cultures of the Aegean. Despite sophisticated discussion of the archaeological evidence, in particular on the part of Aegean and Mediterranean archaeologists, there has been little systematic attempt to incorporate anthropological perspectives on materiality and exchange into archaeological narratives of this material. This book addresses that gap and integrates anthropological discourse on contact, examining exchange systems, the gift, notions of geographical distance and power, colonization, and hybridization. Furthermore, it develops a social narrative of culture contact in the Mediterranean context, illustrating the reasons communities chose to engage in international exchange, and how this impacted the construction of identities throughout the region. While traditional archaeologies in the East Mediterranean have tended to be reductive in their approach to material culture and how it was produced, used, and exchanged, this book reviews current research on material culture, focusing on issues such as the biography of objects, inalienable possessions, and hybridization – exploring how these issues can further illuminate the material world of the communities of the Bronze Age Mediterranean.
Materiality and Interior Construction
by Nancy Gesimondo Jim PostellA comprehensive reference of materials for interior designers and architects Choosing the right material for the right purpose is a critical-and often overlooked-aspect in the larger context of designing buildings and interior spaces. When specified and executed properly, materials support and enhance a project's overall theme, and infuse interior space with a solid foundation that balances visual poetry and functionality. Materiality and Interior Construction imparts essential knowledge on how materials contribute to the construction and fabrication of floors, partitions, ceilings, and millwork, with thorough coverage of the important characteristics and properties of building materials and finishes. Individual coverage of the key characteristics of each material explores the advantages and disadvantages of using specific materials and construction assemblies, while helping readers discover how to make every building element count. In addition, Materiality and Interior Construction: Is highly illustrated throughout to show material properties and building assemblies Supplies rankings and information on the "green" attributes of each material so that designers can make informed decisions for specifications Is organized by application for easy and quick access to information Includes a companion website, featuring an extensive online image bank of materials and assemblies Rather than a typical catalog of materials, Materiality and Interior Construction is efficiently organized so that the reader is guided directly to the options for the location or assembly they are considering. Reliable and easy to use, Materiality and Interior Construction is a one-stop, comprehensive reference for hundreds of commonly used materials and their integration as building components-and an invaluable resource that every interior designer or architect should add to their set of tools.
The Materiality of Architecture
by Antoine PiconA new paradigm combining architectural tradition with emerging technologies Digital tools have launched architecture into a dizzying new era, one in which wood, stone, metal, glass, and other traditional materials are augmented by pixels and code. In this ambitious exploration, an eminent thinker examines what, exactly, the building blocks of architecture have meant over the centuries and how technology may—or may not—be changing how we think about them. Antoine Picon argues that materiality is not only about matter and that the silence and inscrutability—the otherness—of raw materials work against humanity&’s need to live in a meaningful world. He describes how people define who they are, in part, through their specific physical experience of architectural materials and spaces. Indeed, Picon asserts, the entire paradox of the architectural discipline consists in its desire to render matter expressive to human beings. Through a retrospective review of canonical moments in Western European architecture, Picon offers an original perspective on the ways materiality has varied throughout centuries, demonstrating how experiences of the physical world have changed in relation to the evolution of human subjectivity. Ultimately, Picon concludes that computer-based design methods are not an abrupt departure from previous architectural traditions but rather a new way for architects to control material resources. The result reinforces the fundamentally humanistic nature of architectural endeavor with an increasing sense of design freedom and a release from material constraint in the digital era.
Materiality of Cooperation (Medien der Kooperation – Media of Cooperation)
by Sebastian Gießmann Tobias Röhl Ronja Trischler Martin ZillingerThe volume investigates the socio-material dimension and media practices of cooperation – before, during and beyond situations. Cooperation is understood as reciprocal interplay operating with or without consensus, in co-presence or absence of the involved actors in distributed situations. Artefacts, bodies, texts and infrastructures are the media that make cooperation possible. They enable and configure reciprocal accomplishments – and are themselves created through media practices in cooperative situations.
The Materiality of Exhibition Photography in the Modernist Era: Form, Content, Consequence (Routledge History of Photography)
by Laurie TaylorThis book challenges the status quo of the materiality of exhibited photographs, by considering examples from the early to mid-twentieth century, when photography’s place in the museum was not only continually questioned but also continually redefined. By taking this historical approach, Laurie Taylor demonstrates the ways in which materiality (as opposed to image) was used to privilege the exhibited photograph as either an artwork or as non-art information. Consequently, the exhibited photograph is revealed, like its vernacular cousins, to be a social object whose material form, far from being supplemental, is instead integral and essential to the generation of meaning. The book will be of interest to scholars working in art history, history of photography, theory of photography, curatorial studies and museum studies.
The Materiality of Interaction: Notes on the Materials of Interaction Design (The\mit Press Ser.)
by Mikael WibergA new approach to interaction design that moves beyond representation and metaphor to focus on the material manifestations of interaction.Smart watches, smart cars, the Internet of things, 3D printing: all signal a trend toward combining digital and analog materials in design. Interaction with these new hybrid forms is increasingly mediated through physical materials, and therefore interaction design is increasingly a material concern. In this book, Mikael Wiberg describes the shift in interaction design toward material interactions. He argues that the “material turn” in human-computer interaction has moved beyond a representation-driven paradigm, and he proposes “material-centered interaction design” as a new approach to interaction design and its materials. He calls for interaction design to abandon its narrow focus on what the computer can do and embrace a broader view of interaction design as a practice of imagining and designing interaction through material manifestations. A material-centered approach to interaction design enables a fundamental design method for working across digital, physical, and even immaterial materials in interaction design projects.Wiberg looks at the history of material configurations in computing and traces the shift from metaphors in the design of graphical user interfaces to materiality in tangible user interfaces. He examines interaction through a material lens; suggests a new method and foundation for interaction design that accepts the digital as a design material and focuses on interaction itself as the form being designed; considers design across substrates; introduces the idea of “interactive compositions”; and argues that the focus on materiality transcends any distinction between the physical and digital.
The Materiality of Terracotta Sculpture in Early Modern Europe (Routledge Research in Art History)
by Zuzanna Sarnecka Agnieszka DzikiThrough meticulously researched case studies, this book explores the materiality of terracotta sculpture in early modern Europe. Chapters present a broad geographical perspective showcasing examples of modelling, firing, painting, and gilding of clay in Portugal, Spain, Italy, Germany, and the Netherlands. The volume considers known artworks by celebrated artists, such as Luca della Robbia, Andrea del Verrocchio, Filipe Hodart, or Hans Reichle, in parallel with several lesser-studied terracotta sculptures and tin-glazed earthenware made by anonymous artisans. This book challenges arbitrary distinctions into the fine art and the applied arts, that obscured the image of artistic production in the early modern world. The centrality of clay in the creative processes of artists working with two- and three-dimensional artefacts comes to the fore. The role of terracotta figures in religious practices, as well as processes of material substitutions or mimesis, confirm the medium’s significance for European visual and material culture in general. This book will be of interest to scholars working in art history, Renaissance studies, and material culture.
Materializing Memory in Art and Popular Culture (Routledge Research in Cultural and Media Studies)
by Laszlo Muntean Liedeke Plate Anneke SmelikMemory matters. It matters because memory brings the past into the present, and opens it up to the future. But it also matters literally, because memory is mediated materially. Materiality is the stuff of memory. Meaningful objects that we love (or hate) function not only as aide-mémoire but are integral to memory. Drawing on previous scholarship on the interrelation of memory and materiality, this book applies recent theories of new materialism to explore the material dimension of memory in art and popular culture. The book’s underlying premise is twofold: on the one hand, memory is performed, mediated, and stored through the material world that surrounds us; on the other hand, inanimate objects and things also have agency on their own, which affects practices of memory, as well as forgetting. By accounting for the material world as a medium through which acts of remembering and forgetting take place, the chapters of this book offer new insights on such topics as the study of ruins, the exchange and circulation of souvenirs, digitization and the Internet of Things, fashion and technology, as well as the material dimensions of corporeality and traumatic re-enactment.
Materials: An environmental primer
by Hattie Hartman Joe Jack WilliamsThe environmental impacts of construction are momentous. How can architects minimise these by making responsible material choices? Material choices have a global impact. The design and construction industry are responsible for 39% of all carbon emissions in the world. Despite the great desire among architects to address this, it can be difficult to compare materials directly, let alone understand the repercussions of selecting materials for use in different parts of a building or of sourcing them from across the world. Showcasing the latest thought leadership from subject experts across the industry, this primer sets out the various considerations and parameters for specifying a particular material. It empowers architects with the knowledge of which materials are available, how best to use them, and what their future holds as the industry continues to innovate. Each chapter will be devoted to a single material and will consider environmental impacts holistically, looking at health and biodiversity impacts, among other issues. Featuring: Chapters written by subject experts, including: Duncan Baker-Brown, Carol Costello, Graham Coult, Barbara Jones, Rowland Keable, Bruce Martin, Michael Stacey and Oliver Wilton. Mainstream and burgeoning materials, including: aluminium, bamboo, brick, concrete, cork, hemp, mycelium, plastics, steel, stone and timber. Diagrams, graphics and illustrated exemplars.
The Materials and Craft of Early Iconographers
by Mihaela D. LeonidaThis book describes in detail the materials and techniques used by medieval iconographers. It offers information about the natural sources, the raw materials, the tools and the technologies involved in preparing them. The book allows entry into the secretive world of very knowledgeable and skilled artisans, about which very little is known. Topics covered include raw materials, pigments, binders, solvents, adhesives, inks and varnishes. Special chapters will be dedicated to the fresco technique as practiced by the early iconographers, grinding, painting on glass and the training/apprenticeship of these craftsmen.
Materials and Interior Design
by Rachael BrownThe choice of materials is critical to the success of an interior. This book examines every aspect of the the use of materials in interior design, from initial concept and selection to visual representation and practical application. Following a brief introduction, the first five sections offer historical context and detailed guidance on selection, application, representation, communication, and sources, while the sixth and final section features case studies by international interior designers. The book includes useful step-by-step sequences, information on properties and sustainability, and a list of resources, online archives and sample libraries. It is an invaluable practical and inspirational guide for interior design students.
Materials and Interior Design (Portfolio Skills)
by Lorraine Farrelly Rachael BrownThe choice of materials is critical to the success of an interior. This book examines every aspect of the the use of materials in interior design, from initial concept and selection to visual representation and practical application. Following a brief introduction, the first five sections offer historical context and detailed guidance on selection, application, representation, communication, and sources, while the sixth and final section features case studies by international interior designers. The book includes useful step-by-step sequences, information on properties and sustainability, and a list of resources, online archives and sample libraries. It is an invaluable practical and inspirational guide for interior design students.
Materials and Meaning in Contemporary Japanese Architecture: Tradition and Today
by Dana BuntrockIn this beautiful and perceptive book, Dana Buntrock examines, for the first time, how tradition is incorporated into contemporary Japanese architecture. Looking at the work of five architects – Fumihiko Maki, Terunobu Fujimori, Ryoji Suzuki, Kengo Kuma, and Jun Aoki – Buntrock reveals the aims influencing many wonderful works barely known in the West; the sensual side of Japanese architecture borne out of approaches often less concerned with professionalism than with people and place. The buildings described in this book illustrate an architecture that embraces uniqueness, expressing unusual stories in the rough outlines of rammed earth and rust, and demonstrating new paths opening up for architectural practice today. For some, these examples will offer new insight into expressions of tradition in Japanese architecture; for others, this book offers inspiration for their own efforts to assert the unique heritage of other regions around the world. Compelling, insightful and groundbreaking, this book is essential for everyone studying Japanese architecture and anyone trying to invoke narrative and tradition in contemporary design.
Materials and Skills for Historic Building Conservation (Historic Building Conservation)
by Michael ForsythThis book is the third in a series of volumes that combine conservation philosophy in the built environment with knowledge of traditional materials, and structural and constructional conservation techniques and technology: Understanding Historic Building Conservation Structures & Construction in Historic Building Conservation Materials & Skills for Historic Building Conservation The series aims to introduce each aspect of conservation and to provide concise, basic and up-to-date knowledge for architects, surveyors and engineers as well as for commissioning client bodies, managers and advisors. In each book, Michael Forsyth draws together chapters by leading architects, structural engineers and related professionals to reflect the interdisciplinary nature of conservation work. The books are structured to be of direct practical application, taking the reader through the process of historic building conservation and emphasising throughout the integrative teamwork involved. The present volume - Materials & Skills for Historic Building Conservation – describes the characteristics and process of decay of traditional materials which inform the selection of appropriate repair techniques. It provides essential information on the properties of the principal traditional external building materials. Their availability, sourcing and environmental impact is covered, as well as the causes of erosion and decay, and the skills required for their application on conservation projects. It covers the main most commonly used materials and conservation techniques including stone, brickwork, lime products, concrete, iron and steel, timber, wattle and daub, and glass, Thirteen chapters written by the experts present today's key issues in materials and skills for historic building conservation: Gus Astley, Patrick Baty, Charley Brentnall, Michael Bussell, Michael Forsyth, Tony Graham, Chris Harris, David McLaughlin, Brian Ridout, Mike Stock, Geoff Wallis, Ian Williams, Rory Young
The Materials and Techniques of Medieval Painting (Dover Art Instruction)
by Daniel V. ThompsonMedieval painters built up a tremendous range of technical resources for obtaining brilliance and permanence. In this volume, an internationally known authority on medieval paint technology describes these often jealously guarded recipes, lists of materials, and processes. Based upon years of study of medieval manuscripts and enlarged by laboratory analysis of medieval paintings, this book discusses carriers and grounds, binding media, pigments, coloring materials, and metals used in painting. It describes the surfaces that the medieval artist painted upon, detailing their preparation. It analyzes binding media, discussing relative merits of glair versus gums, oil glazes, and other matters. It tells how the masters obtained their colors, how they processed them, and how they applied them. It tells how metals were prepared for use in painting, how gold powders and leaf were laid on, and dozens of other techniques. Simply written, easy to read, this book will be invaluable to art historians, students of medieval painting and civilization, and historians of culture. Although it contains few fully developed recipes, it will interest any practicing artist with its discussion of methods of brightening colors and assuring permanence. "A rich feast," The Times (London). "Enables the connoisseur, artist, and collector to obtain the distilled essence of Thompson's researches in an easily read and simple form," Nature (London). "A mine of technical information for the artist," Saturday Review of Literature.
Materials for Architects and Builders
by Arthur LyonsMaterials for Architects and Builders provides a clear and concise introduction to the broad range of materials used within the construction industry and covers the essential details of their manufacture, key physical properties, specification and uses. Understanding the basics of materials is a crucial part of undergraduate and diploma construction or architecture-related courses, and this established textbook helps the reader to do just that with the help of colour photographs and clear diagrams throughout. This new 6th edition has been completely revised and updated to include the latest developments in materials research, new images, appropriate technologies and relevant legislation. The ecological effects of building construction and lifetime use remain an important focus, and this new edition includes a wide range of energy saving building components.