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Los Angeles Memorial Coliseum
by Chris EptingOpened to the public in June of 1923, the Los Angeles Memorial Coliseum can arguably be called "America's Most Historic Sports Stadium." In 1984 the Memorial Coliseum was declared a State and Federal Historic Landmark for its contributions to both the State of California and the United States. The history of this institution is captured here in over 200 vintage images.The Memorial Coliseum's history spans eight decades, playing host to two Olympiads, two Super Bowls, one World Series, a multitude of concerts and political rallies, a Papal mass, and one of the most famous Democratic presidential nomination acceptance speeches of the 20th century by John F. Kennedy. Using photographs culled from its archives, pictured here are never-before-seen photographs of the Coliseum's construction; rare images of political and religious rallies held at the Stadium and the Los Angeles Sports Arena, and home to famous speeches by Franklin Roosevelt, Martin Luther King Jr., and Nelson Mandela; and a myriad of other sporting and entertainment events hosted by the Memorial Coliseum, including the Los Angeles Dodgers, motocross racing, and the Rolling Stones.
The Los Angeles Plaza
by William David EstradaCity plazas worldwide are centers of cultural expression and artistic display. They are settings for everyday urban life where daily interactions, economic exchanges, and informal conversations occur, thereby creating a socially meaningful place at the core of a city. At the heart of historic Los Angeles, the Plaza represents a quintessential public space where real and imagined narratives overlap and provide as many questions as answers about the development of the city and what it means to be an Angeleno. The author, a social and cultural historian who specializes in nineteenth- and early twentieth-century Los Angeles, is well suited to explore the complex history and modern-day relevance of the Los Angeles Plaza. From its indigenous and colonial origins to the present day, Estrada explores the subject from an interdisciplinary and multiethnic perspective, delving into the pages of local newspapers, diaries and letters, and the personal memories of former and present Plaza residents, in order to examine the spatial and social dimensions of the Plaza over an extended period of time. The author contributes to the growing historiography of Los Angeles by providing a groundbreaking analysis of the original core of the city that covers a long span of time, space, and social relations. He examines the impact of change on the lives of ordinary people in a specific place, and how this change reflects the larger story of the city.
Los Angeles Railway (Past and Present)
by Steven J. Crise Michael A. Patris the Mount Lowe Preservation SocietyThe Los Angeles Railway's Yellow Cars, a system cobbled together from numerous horse-powered lines, cable car lines, and upstart narrow-gauge trolley companies, served downtown and its environs in some iteration from 1898 to 1963. Henry Huntington assembled this conglomerate, making it functionally effective and well patronized.
Los Angeles Sports Memories (Sports)
by Doug KrikorianFor five decades, distinguished sportswriter Doug Krikorian chronicled LA's most transcendent sports moments. Revisit revered columns enshrining iconic achievements like when rookie Magic Johnson scored forty-two points and collected fifteen rebounds, leading the Lakers to the NBA title against the Philadelphia 76ers. Celebrate with the Angels all over again after their 2002 World Series victory. Reflect on momentous stories featuring Eric Dickerson, Wayne Gretzky, Muhammad Ali and many other illustrious personalities. From Wilt Chamberlain and Kareem Abdul-Jabbar's fervent feud to Dodger Kirk Gibson's legendary game-winning 1988 World Series opener home run, relive the triumphs and tribulations of one of America's marquee sports towns.
Los Angeles Television
by Joel Tator The Museum of Broadcast CommunicationsLos Angeles television history began in the small room of an auto dealership in 1931. Since then, much of the nation's television history has been made here: the first television helicopter, the first big story that television broke before newspapers, the first live coverage of an atomic bomb, and the careers of numerous icons like Betty White, Steve Allen, Liberace, Lawrence Welk, and Tennessee Ernie Ford. Many Los Angeles television personalities went on to network fame, including Tom Snyder, Tom Brokaw, Bryant Gumbel, Connie Chung, Maury Povich, Bob Barker, Bill Leyden, Ann Curry, Pat Sajak, and Regis Philbin. Readers will discover, in many untold stories, the origins of that curious building on top the Hollywood sign, Albert Einstein's must-see local program, Marilyn Monroe's video debut, a popular television star's last tragic performance, and the actual identities of legends Korla Pandit and Iron Eyes Cody. Also in these pages is the reveal of the Mystery Tower Sitter, the all-night amateur show, the big Las Vegas premiere telecast that was blown off the air, and the treasured performer who worked at one station for 65 years.
Los Angeles's Bunker Hill: Pulp Fiction's Mean Streets and Film Noir's Ground Zero!
by Jim DawsonAn illustrated history of the iconic Hollywood neighborhood featured in numerous film noir classics—and the shadowy story of how it disappeared. When postwar movie directors went looking for a gritty location to shoot their psychological crime thrillers, they found Bunker Hill, a neighborhood of fading Victorians, flophouses, tough bars, stairways, and dark alleys in downtown Los Angeles. Novelist Raymond Chandler had already used its real-life mean streets to lend authenticity to his hardboiled detective stories featuring Philip Marlowe. But the biggest crime of all was going on behind the scenes, run by the city&’s power elite. And Hollywood just happened to capture it on film. Using nearly eighty photos, writer Jim Dawson sheds new light on Los Angeles history with this grassroots investigation of a vanished place.
Los Angeles's Central Avenue Jazz
by Sean J. O'ConnellFrom the late 1910s until the early 1950s, a series of aggressive segregation policies toward Los Angeles's rapidly expanding African American community inadvertently led to one of the most culturally rich avenues in the United States. From Downtown Los Angeles to the largely undeveloped city of Watts to the south, Central Avenue became the center of the West Coast jazz scene, nurturing homegrown talents like Charles Mingus, Dexter Gordon, and Buddy Collette while also hosting countless touring jazz legends such as Duke Ellington, Louis Armstrong, and Billie Holiday. Twenty-four hours a day, the sound of live jazz wafted out of nightclubs, restaurants, hotel lobbies, music schools, and anywhere else a jazz combo could squeeze in its instruments for nearly 50 years, helping to advance and define the sound of America's greatest musical contribution.
Los Angeles's Historic Ballparks (Images of America)
by Chris EptingBaseball's long and storied history in Los Angeles has been played at venues including the turn-of-the-century Chutes Park, which was part of an amusement park, as well as Gilmore Field, where the Hollywood Stars played, and Wrigley Field, where many movies and television shows were filmed. The 1923-vintage Los Angeles Memorial Coliseum became the Dodgers' first home in California in 1958, when they moved from Brooklyn. Greater Los Angeles also featured professional baseball at Olive Memorial Stadium in Burbank, Brookside Park in Pasadena, on Catalina Island, plus at numerous diamonds throughout Orange and Riverside Counties, where legends including Babe Ruth, Joe DiMaggio, and Connie Mack appeared. Most fans know Dodger Stadium and Angel Stadium, but many other historic ballparks existed in Southern California. Their images are collected together here for the first time.
Los Angeles's Little Tokyo (Images of America)
by Little Tokyo Historical SocietyIn 1884, a Japanese sailor named Hamanosuke Shigeta made his way to the eastern section of downtown Los Angeles and opened Little Tokyo's first business, an American-style café. By the early 20th century, this neighborhood on the banks of the Los Angeles River had developed into a vibrant community serving the burgeoning Japanese American population of Southern California. When Japanese Americans were forcibly removed to internment camps in 1942 following the attack on Pearl Harbor and the United States' entrance into World War II, Little Tokyo was rechristened "Bronzeville" as a newly established African American enclave popular for its jazz clubs and churches. Despite the War Relocation Authority's opposition to re-establishing Little Tokyo following the war, Japanese Americans gradually restored the strong ties evident today in 21st-century Little Tokyo--a multicultural, multigenerational community that is the largest Nihonmachi (Japantown) in the United States.
Los Angeles's The Palms Neighborhood
by George GarriguesThe Westside neighborhood of Palms is the oldest suburb of Los Angeles. Founded in 1886 halfway between L.A. and the beach on a steam railroad line, Palms attracted wealthy Angelinos escaping the summer's downtown heat as well as Easterners seeking a new life in "the natural home of the fig, olive, lemon, lime, apricot, and that class of fruit that brings the largest profit in the local market." Rancho Park and Mar Vista had yet to make it onto maps--it was all "The Palms." The school district stretched from the Santa Monica Mountains on the north toward Redondo Beach on the south. A lively social and business life sprang up, but gradually the metropolis enfolded Palms, which was annexed into Los Angeles in 1915. After World War II, subdivisions brought young families, the flatlands became a huge swath of apartments, and the barren hill area became the tree-shrouded Westside Village.
Los Caprichos
by Francisco GoyaAfter a serious illness in 1792, Goya spent five years recuperating and preparing himself for the burst of creativity that was to follow. He read deeply in the French revolutionary philosophers. From Rousseau he evolved the idea that imagination divorced from reason produces monsters, but that coupled with reason "it is the mother of the arts and the source of their wonders." In Spain he saw a country that had abandoned reason, and he peopled Los Caprichos with the grotesque monsters that result from such an action. Plate after plate shows witches, asses, devils, and other strange creatures, many of which are caricatures of members of the society against which Goya was fighting. The plates were first published in 1799. There are still in existence, however, six extremely rare sets of artist's proofs, considered by most who have managed to see them as infinitely superior to the work actually published. Now, for the first time, this edition reproduces one of these sets of 80 prints, together with the "Prado" manuscript, a commentary on the plates. In addition, this collection contains supplementary material to the Los Caprichos series, inlcuding a never-before-published study for Caprichos 10; three unique proofs of plates probably intended for publication with the others; a preliminary drawing for plate I, a self-portrait of Goya (which appears as the frontispiece to this volume); and a unique proof of "Woman in Prison" which may represent an earlier version of Caprichos 32.
Los Gatos (Images of Modern America)
by Peggy Conaway BergtoldA magical place to grow up and an exceptionally lovely place to live, Los Gatos has transformed from its agrarian roots to an upscale community at the southern tip of Silicon Valley. With its sublime Mediterranean climate and stunning natural setting, the town has progressed while still valiantly protecting its small town character and customs. The 1989 Loma Prieta earthquake hit Los Gatos hard, creating a devastating litany of 481 damaged homes and businesses, many of them historic. Los Gatos made the decision to rebuild and restore what had been lost, with picture-perfect results.
Los Gatos
by Peggy ConawayNestled in the heart of a dramatic natural amphitheater formed by the Santa Cruz Mountains, Los Gatos serves as the gateway from the Santa Clara Valley to the Pacific Ocean. This happy accident of location allowed historic Los Gatos to witness a colorful parade of swashbuckling explorers, Franciscan padres, and hearty American pioneers, many of whom came to harvest virgin redwood forests from the mountains and grow fruit in exceptionally fertile soil. Los Gatos grew up around the 1850s flour mill established by Scotsman James Alexander Forbes. In 1878 the railroad arrived and was a powerful influence for more than 80 years. Named for the mountain lions that still inhabit the area, Los Gatos has reflected the expansive richness of the California Dream for 150 years.
Los Gatos (Postcard History)
by Stephanie Ross Mathews Los Gatos Library and Museum History ProjectThe charming town of Los Gatos is nestled at the base of the Santa Cruz Mountains and is sometimes referred to as the "Gem City of the Foothills." It has inspired hundreds of postcard images through the years, many reflecting the area's abundance of natural beauty. As the town and surrounding area grew and prospered through agriculture, logging, and commerce, the local architecture and landmarks became popular subjects. Glimpses of everyday life--churches, schools, houses, and businesses--further enhanced the pictorial history the postcards represent.
Los Gatos Generations
by Peggy ConawayFrom its beginnings as a Mexican land grant, Los Gatos has been filled with promise. A beautiful natural setting attracted a fascinating population of innovators, inventors, intellectuals, and artists; those who dreamed and those who cultivated the splendid richness of the soil. A gracious integration of fruit, flowers, and a gentle, delightful climate allowed settlers to thrive and find sure success. Inevitable tragedy and troubles also beset the little settlement at the western edge of the country, especially a series of devastating fires and episodes of raw frontier violence in the 1880s. Yet through all of its history, Los Gatos has prided itself on its strong sense of community, each generation proud of its heritage and of what they accomplished. A gathering of talent graced each decade--hopeful, hardworking people who appreciated the unique combination of an ideal place and abundant opportunity existent in their corner of the "Valley of Hearts Delight."
Los Milagros (Libros De Bolsillo Ser.)
by C. S. Lewis¿En realidad suceden milagros?"El milagro principal del que hablan los cristianos es la Encarnación. Ellos dicen que Dios se hizo Hombre. Cualquier otro milagro sucedió en preparación para esto, o es un resultado de esto."Este es el punto clave de Los Milagros, obra en la cual C. S. Lewis nos muestra que un cristiano debe no sólo aceptar sino también regocijarse de los milagros como testimonios de la participación de Dios en la creación. Utilizando su característico calor, lucidez e ingenio, Lewis desafía a los racionalistas y a los cínicos por su falta de imaginación, y ofrece una poética y alegre afirmación que los milagros sí ocurren en nuestras vidas cotidianas.
Los Olivos
by Jim NorrisLos Olivos was named for central Santa Barbara County wine country's other small fruit. The local fascination for vineyards is fairly new, but Los Olivos has thrived as a community since not long after Native American days. Los Olivos grew important enough to local trade and travel to become the inland terminus of the narrow-gauge Pacific Coast Railway, which zigzagged southeasterly from Avila Beach. The town was platted in 1887 by the West Coast Land Company and the railroad's owners. The dry-farming of grain and cattle ranches eventually drove the local economy in the surrounding Santa Ynez River Valley. Today Los Olivos thrives as a way station and gateway for tourists enjoying the beauty of the valley, the Santa Ynez Mountains, Los Padres National Forest, and nearby attractions, including the Mission Santa Ines, wineries, Solvang, and Santa Barbara.
Los Osos/Baywood Park (Images of America)
by Lynette TornatzkyLos Osos and Baywood Park, on the south end of Morro Bay, were two independent areas that developed separately during different periods. Over time, they grew together. In 1974, the US Post Office eliminated the Baywood branch and declared the area as Los Osos. Residents, passionate about their neighborhoods, specifically refer to Cuesta-by-the-Sea, Baywood, or the 12 other housing areas, while nonresidents ascribe to the Los Osos name. This area, including the beautiful Los Osos Valley, has been home to artisans, fishermen, and hunters for centuries, and more recently, cattle ranchers and farmers. The town grew haphazardly in fits and starts. Quirky, rebellious, off the beaten path--all apply. People here are happy to be a bit undiscovered and prefer that it stays that way.
Losing It: Staging the Cultural Conundrum of Dementia and Decline in American Theatre
by Dorothy ChanskyThis monograph is a study of American (U.S.) stage representations of dementia mounted between 1913 and 2019. Its imbricated strands are playtexts; audiences as both the targets of the productions (artifacts in the marketplace) and as anticipated determinants of legibility; and medical science, both as has been (and is) known to researchers and, more importantly, as it has been (and is) known to educated general audiences. As the Baby Boom generation finds itself solidly in the category of “Senior,” interest in plays that address personal and social issues around cognitive decline as a potentially frightening and expensive experience, no two iterations of which are identical, have, understandably, burgeoned. This study shines a spotlight on eleven dementia plays that have been produced in the United States over the past century, and seeks, in the words of medical humanities scholar Anne Whitehead, to “open up, and to hold open, central ethical questions of responsiveness, interpretation, responsibility, complicity and care.”
Losing Site: Architecture, Memory and Place (Ashgate Studies In Architecture Ser.)
by Shelley HornsteinAs Ruskin suggests in his Seven Lamps of Architecture: "We may live without [architecture], and worship without her, but we cannot remember without her." We remember best when we experience an event in a place. But what happens when we leave that place, or that place no longer exists? This book addresses the relationship between memory and place and asks how architecture captures and triggers memory. It explores how architecture exists as a material object and how it registers as a place that we come to remember beyond the physical site itself. It questions what architecture is in the broadest sense, assuming that it is not simply buildings. Rather, architecture is considered to be the mapping of physical, mental or emotional space. The idea that we are all architects in some measure - as we actively organize and select pathways and markers within space - is central to this book's premise. Each chapter provides a different example of the manifold ways in which the physical place of architecture is curated by the architecture in our "mental" space: our imaginary toolbox when we think of a place and look at a photograph, or visit a site and describe it later or send a postcard. By connecting architecture with other disciplines such as geography, visual culture, sociology, and urban studies, as well as the fine and performing arts, this book puts forward the idea that a conversation about architecture is not exclusively about formal, isolated buildings, but instead must be deepened and broadened as spatialized visualizations and experiences of place.
Loss and the Literary Culture of Shakespeare’s Time (Early Modern Literature in History)
by Matthew Steggle Roslyn L. Knutson David McInnisAs early modernists with an interest in the literary culture of Shakespeare’s time, we work in a field that contains many significant losses: of texts, of contextual information, of other forms of cultural activity. No account of early modern literary culture is complete without acknowledgment of these lacunae, and although lost drama has become a topic of increasing interest in Shakespeare studies, it is important to recognize that loss is not restricted to play-texts alone. Loss and the Literary Culture of Shakespeare’s Time broadens the scope of the scholarly conversation about loss beyond drama and beyond London. It aims to develop further models and techniques for thinking about lost plays, but also of other kinds of lost early modern works, and even lost persons associated with literary and theatrical circles. Chapters examine textual corruption, oral preservation, quantitative analysis, translation, and experiments in “verbatim theater”, plus much more.
Loss in French Romantic Art, Literature, and Politics (Routledge Research in Art History)
by Jonathan P. RibnerAn interdisciplinary examination of nineteenth-century French art pertaining to religion, exile, and the nation’s demise as a world power, this study concerns the consequences for visual culture of a series of national crises—from the assault on Catholicism and the flight of émigrés during the Revolution of 1789, to the collapse of the Empire and the dashing of hope raised by the Revolution of 1830. The central claim is that imaginative response to these politically charged experiences of loss constitutes a major shaping force in French Romantic art, and that pursuit of this theme in light of parallel developments in literature and political debate reveals a pattern of disenchantment transmuted into cultural capital. Focusing on imagery that spoke to loss through visual and verbal idioms particular to France in the aftermath of the Revolution and Empire, the book illuminates canonical works by major figures such as Eugène Delacroix, Théodore Chassériau, and Camille Corot, as well as long-forgotten images freighted with significance for nineteenth-century viewers. A study in national bereavement—an urgent theme in the present moment—the book provides a new lens through which to view the coincidence of imagination and strife at the heart of French Romanticism. The book will be of interest to scholars working in art history, French literature, French history, French politics, and religious studies.
The Loss of Small White Clouds: Dementia in Contemporary Performance (Routledge Series in Equity, Diversity, and Inclusion in Theatre and Performance)
by Morgan BatchThis volume seeks to instigate a discussion about dementia in theatre. The discussions in this book borrow from the literature on dementia’s representation in other artforms, while reflecting on theatre’s unique capacity to incorporate multiple artforms in a live context (hypermediacy). The author examines constructions of diegesis and the use of various performance tools, including physical theatre, puppetry, and postdramatic performance. She discusses stage representations of interior experiences of dementia; selfhood in dementia; the demarcation of those with dementia from those without; endings, erasure, and the pursuit of catharsis; placelessness and disruptions of traditional dramatic constructions of time; and ultimately, performances creatively led by people with dementia. The book traces patterns of narrativisation on the stage—including common dramaturgical forms, settings, and character relationships—as well as examples that transcend mainstream representation. This book is important reading for theatre and performance students, scholars, and practitioners, as well as cultural studies writers engaged in research about narratives of dementia.
Lossy Image Compression
by K K Shukla M. V. PrasadImage compression is concerned with minimization of the number of information carrying units used to represent an image. Lossy compression techniques incur some loss of information which is usually imperceptible. In return for accepting this distortion, we obtain much higher compression ratios than is possible with lossless compression. Salient features of this book include: four new image compression algorithms and implementation of these algorithms; detailed discussion of fuzzy geometry measures and their application in image compression algorithms; new domain decomposition based algorithms using image quality measures and study of various quality measures for gray scale image compression; compression algorithms for different parallel architectures and evaluation of time complexity for encoding on all architectures; parallel implementation of image compression algorithms on a cluster in Parallel Virtual Machine (PVM) environment.
Lost
by Ian PhillipsDespite all the visual distractions of the digital age, one low-tech form of mass communication remains as popular as ever: the lost pet poster. Stapled to telephone poles and bulletin boards in cities and suburbs worldwide, these often hastily made signs are quirky combinations of hand-drawn illustration, emotional longing, and surprisingly offbeat humor. For more than a decade, artist and animal lover Ian Phillips collected lost and found pet posters from around the world.LOST features the most notable selections from Phillips's collection chosen for their cleverness, humor, sorrow, entreaties, rewards, and--in several instances--sheer outlandishness. Featuring a veritable Noah's ark of animals--from everyday pets such as dog, cats, hamsters, and turtles to more unusual companions, including ferrets, parrots, cows, and cockatiels--these remarkable posters are their own form of folk art. Telling tales of friendship, loss, and hope, they are a powerful testament to the love and devotion shared by pet owners everywhere.