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Louis B. Mayer and Irving Thalberg: The Whole Equation (Jewish Lives)
by Kenneth TuranKenneth Turan brings to life the extraordinary partnership of Louis B. Mayer and Irving Thalberg and their role in creating the film industry as we know it &“Sharply observant.&”—Farran Smith Nehme, Wall Street Journal One was a tough junkman&’s son, the other a cosseted mama&’s boy, but they dreamed the same mighty dream: that the right movies could make a profit and change both the culture and individual lives. Sharing a religion and an evangelical zeal for film, Louis B. Mayer (1884–1957) and Irving Thalberg (1899–1936) were unlikely partners in one of the most significant collaborations in movie history. Over the course of their decade-long relationship, as key players at Metro-Goldwyn-Mayer and major players in Hollywood, they joined forces in redefining and mastering the template for the film industry. Mayer, older by more than a dozen years, was the business-minded face of the studio, while Thalberg worked closely with the creative corps, especially writers; together they rarely set a foot wrong. And while Mayer initially viewed Thalberg as the son he never had, the two would go from passionate friends to near enemies before Thalberg&’s shocking death at the age of thirty-seven. In the first joint biography of the two men in fifty years, film critic Kenneth Turan traces their fraught relationship while examining the complicated history of Jewish identity in Hollywood.
Louis C.K. and Philosophy
by Mark RalkowskiCharlie Rose has called Louis C.K. "the philosopher-king of comedy," and many have detected philosophical profundity in Louis's comedy, some of which has been watched tens of millions of times on YouTube and elsewhere. Louis C.K. and Philosophy is designed to help Louis's fans connect the dots between his pronouncements and living philosophical themes.Twenty-five philosophers examine the wisdom of Louis C.K. from a variety of philosophical perspectives. The chapters draw upon C.K.'s standup comedy, the show Louie, and C.K.'s other writings. There is no attempt to fit Louis into one philosophical school; instead the authors bring out the diverse aspects of the thought of Louis C.K.One writer looks at the different meanings of C.K.'s statement, "You're gonna be dead way longer than you were alive." Another explores how Louis knows when he's awake and when he's dreaming, taking a few tips from Descartes. One chapter shows the affinity of C.K.'s "sick of living this bullshit life" with Kierkegaard's "sickness unto death." Another pursues Louis's thought that we may by our lack of moral concern "live a really evil life without thinking about it." C.K.'s religion is "apathetic agnostic," conveyed in his thought experiment that God began work in 1982.
Louis I. Kahn in Rome and Venice: Tangible Forms (Routledge Research in Architecture)
by Elisabetta BarizzaThis book examines the idea of organism in the work of Louis I. Kahn, from the turning point of Rome to the project for Venice. It presents an original interpretation of the work of Kahn during one of the most fruitful periods of his career, when he was working on a particular design method based on an entirely novel way of interacting with the past. Beginning with a meticulous documentation and analysis of Kahn’s experiences in the twenty years from 1930 to 1950, the book sheds new light on the relationship between Kahn’s work and the modern movement. The arguments are supported by case studies, including that of the Palazzo dei Congressi in Venice based on Kahn’s words (like his lessons in Venice at IUA, International University of Art, in 1971) and others as the Trenton Bath House, the Salk Institute (La Jolla), the Kimbell Museum (Fort Worth), the Yale Gallery and the Mellon Center for British Art (New Haven) and more. Unlike much of the by now well-established literature on Kahn’s work, Louis I. Kahn in Rome and Venice suggests that the basic premise of Kahn’s invention is the idea of spatial, constructive organism, which explains how he created forms that were inextricably anchored in the past, without imitating any one kind of ancient architecture. The main objective of the book is to explain Kahn’s methodology to architects and students, showing how he was able to design an architectural object with the characteristics of the best designed objects: organisms, in which each part contributes, with the whole, to creating "something made of indivisible parts".
Louis Kahn: A Life in Architecture
by Carter WisemanThe man who envisioned and realized such landmark buildings as the Salk Institute, the Kimbell Art Museum, and the National Assembly complex in Bangladesh, Louis Kahn was born in what is now Estonia, immigrated to America, and became one of the towering figures in his adopted country’s built world. His works are unmistakable in their elegance, monolithic power, and architectural honesty.Written by Carter Wiseman, one of Kahn’s most respected commentators, this book offers a succinct, accessible examination of the life and work of one of America’s greatest architects. It traces the influence of his immigrant origins, his upbringing in poverty, his education, the impact of the Great Depression, and the arrival of Modernism on his life and work. Finally, it provides insight into why, as the legacy of many of his contemporaries has receded in importance, Kahn’s has remained so durably influential. Louis Kahn: A Life in Architecture provides the best concise introduction available to this singular life and achievement.
Louis Malle: Interviews (Conversations with Filmmakers Series)
by Christopher BeachA filmmaker whose work exhibits a wide range of styles and approaches, Louis Malle (1932–1995) was the only French director of his generation to enjoy a significant career in both France and the United States. Although Malle began his career alongside members of the French New Wave like François Truffaut, Jean-Luc Godard, and Claude Chabrol, he never associated himself with that group. Malle is perhaps best known for his willingness to take on such difficult or controversial topics as suicide, incest, child prostitution, and collaboration with the Nazis during World War II. His filmography includes narrative films like Zazie dans le Métro, Murmur of the Heart, Atlantic City, My Dinner with Andre, and Au revoir les enfants, as well as several major documentaries. In the late 1970s, Malle moved to the United States, where he worked primarily outside of the Hollywood studio system. The films of his American period display his keen outsider’s eye, which allowed him to observe diverse aspects of American life in settings that ranged from turn-of-the-century New Orleans to present-day Atlantic City and the Texas Gulf Coast. Louis Malle: Interviews covers the entirety of Malle’s career and features seventeen interviews, the majority of which are translated into English here for the first time. As the collection demonstrates, Malle was an extremely intelligent and articulate filmmaker who thought deeply about his own choices as a director, the ideological implications of those choices, and the often-controversial themes treated in his films. The interviews address such topics as Malle’s approach to casting and directing actors, his attitude toward provocative subject matter and censorship, his understanding of the relationship between documentary and fiction film, and the differences between the film industries in France and the US. Malle also discusses his sometimes-challenging work with such actors as Brigitte Bardot, Pierre Blaise, and Brooke Shields, and sheds new light on the making of his films.
Louis Sébastien Mercier: Revolution and Reform in Eighteenth-Century Paris (Transits: Literature, Thought & Culture, 1650-1850)
by Michael J. MulryanFrench playwright, novelist, activist, and journalist Louis Sébastien Mercier (1740–1814) passionately captured scenes of social injustice in pre-Revolutionary Paris in his prolific oeuvre but today remains an understudied writer. In this penetrating study—the first in English devoted to Mercier in decades—Michael Mulryan explores his unpublished writings and urban chronicles, Tableau de Paris (1781–88) and Le Nouveau Paris (1798), in which he identified the city as a microcosm of national societal problems, detailed the conditions of the laboring poor, encouraged educational reform, and confronted universal social ills. Mercier’s rich writings speak powerfully to the sociopolitical problems that continue to afflict us as political leaders manipulate public debate and encourage absolutist thinking, deepening social divides. An outcast for his polemical views during his lifetime, Mercier has been called the founder of modern urban discourse, and his work a precursor to investigative journalism. This sensitive study returns him to his rightful place among Enlightenment thinkers.
Louis XIV Outside In: Images of the Sun King Beyond France, 1661-1715 (Politics and Culture in Europe, 1650-1750)
by Tony Claydon Charles-Édouard LevillainLouis XIV - the ’Sun King’ - casts a long shadow over the history of seventeenth- and eighteenth-century Europe. Yet while he has been the subject of numerous works, much of the scholarship remains firmly rooted within national frameworks and traditions. Thus in France Louis is still chiefly remembered for the splendid baroque culture his reign ushered in, and his political achievements in wielding together a strong centralised French state; whereas in England, the Netherlands and other protestant states, his memory is that of an aggressive military tyrant and persecutor of non-Catholics. In order to try to break free of such parochial strictures, this volume builds upon the approach of scholars such as Ragnhild Hatton who have attempted to situate Louis’ legacy within broader, pan-European context. But where Hatton focused primarily on geo-political themes, Louis XIV Outside In introduces current interests in cultural history, integrating aspects of artistic, literary and musical themes. In particular it examines the formulation and use of images of Louis XIV abroad, concentrating on Louis' neighbours in north west Europe. This broad geographical coverage demonstrates how images of Louis XIV were moulded by the polemical needs of people far from Versailles, and distorted from any French originals by the particular political and cultural circumstances of diverse nations. Because the French regime’s ability to control the public image of its leader was very limited, the collection highlights how - at least in the sphere of public presentation - his power was frequently denied, subverted, or appropriated to very different purposes, questioning the limits of his absolutism which has also been such a feature of recent work.
Louis XIV's Architect: Louis Le Vau, France's Most Important Builder
by Richard BallardA must-read for those seeking to understand the intersection of politics and art in a pivotal moment of European history. This is a study of royal absolutism in a most extreme form in modern European history, and of the nature of Louis XIV's concept of personal glory and of the embodiment of France as a new superpower. It is a study of political ideas expressed in architecture to establish Versailles as the centre of French world power and royal prestige. It is also a personal story, full of social, cultural, and economic history of the period as seen in the life and work of Louis Le Vau, from a humble family of craftsmen, who was a self-taught architect in the early history of the profession, skilled in technical craft skills and even grand design. He was a major contributor to the architectural glories of Paris including the Louvre, Vincennes, Versailles and the College of the Four Nations. And all achieved despite interference from the great magnates of the age like Mazarin and Colbert and constant mind-changing by the King who wanted every feature in the buildings to reflect his concept of personal, royal, prestige. Le Vau was Louis XIV's First Architect from 1654 until his death and disgrace in 1670. The social, cultural, economic and political backdrop is striking with court intrigue, scandal, corruption, luxury, indulgence and the rise of a rich bourgeoisie, but the main thrust of the story concerns Louis XIV and the royal personal ambition, and the work of a stone-cutter's son who became the Sun King's instrument. The study is good on the more technical features of architectural history - reminiscent of Pevsner's marvellous Buildings of England series.
Louisa and Louisa County (Images of America)
by Pattie Gordon CookeFilled with local stories and anecdotes and containing an impressive range of photographs-from snapshots of veterans of the War Between the States to high school class pictures from the 1950s; from early images of the resort area to photographs documenting recent changes to Louisa-this new book will earn a lasting place on area bookshelves and will be handed down from generation to generation for years to come. Louisa and Louisa County will be enjoyed by older folk as a trip down memory lane, and appreciated by younger generations as a glimpse of an era when life was harder, but perhaps simpler. Also a valuable source of information for newcomers to the area, this powerful work serves to remind us of the importance of understanding our past and preserving our heritage in our march toward the twenty-first century.
Louise and Andie: The Art of Friendship
by Kelly LightIn this stunning companion to the acclaimed Louise Loves Art, Louise has a new neighbor, the creative and offbeat Andie—but can they overcome their differences and be friends?Louise loves art more than anything. Imagine her delight when a new neighbor, Andie, moves in . . . and she loves art too! It’s the best day ever.But liking the same thing doesn’t always mean you agree on it. Can they overcome their creative differences?Sometimes friendship, like art, can require collaboration.
Louise Blanchard Bethune: Every Woman Her Own Architect (Excelsior Editions)
by Kelly Hayes McAlonieAs America's first professional female architect, Louise Blanchard Bethune broke barriers in a male-dominated profession that was emerging as a vital force in a rapidly growing nation during the Gilded Age. Yet, Bethune herself is an enigma. Due to scant information about her life and her firm, Bethune, Bethune & Fuchs, scholars have struggled to provide a complete picture of this trailblazer. Using a newly discovered archival source of photographs, architectural drawings, and personal documents, Kelly Hayes McAlonie paints a picture of Bethune never before seen.Born in 1856 in Waterloo and raised in Buffalo, New York, Bethune wanted to be an architect from childhood. In fulfilling her dream, she challenged the nation to reconsider what a woman could do. A bicycle-riding advocate for coeducation, Bethune believed in women's emancipation through equal pay for equal work. This belief would be tested during the design competition for the Woman's Building for the 1893 World's Columbian Exposition, where female entrants were not paid for their work. Bethune refused to participate on principle, but nonetheless her career thrived, culminating in the most important commission of her life, Buffalo's Hotel Lafayette. A comprehensive biography of the first professional woman architect in the United States, who was also the first woman to be admitted to the American Institute of Architects, this book serves as an important addition to New York and architectural history.This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of the State University of New York and the University at Buffalo Libraries. Learn more at the TOME website, available at: https://www.openmonographs.org/. It can also be found in the SUNY Open Access Repository at https://soar.suny.edu/handle/20.500.12648/8382.
Louise Brigham and the Early History of Sustainable Furniture Design
by Antoinette LaFargeDuring the Progressive Era, a time when the field of design was dominated almost entirely by men, a largely forgotten activist and teacher named Louise Brigham became a pioneer of sustainable furniture design. With her ingenious system for building inexpensive but sturdy “box furniture” out of recycled materials, she aimed to bring good design to the urban working class. As Antoinette LaFarge shows, Brigham forged a singular career for herself that embraced working in the American and European settlement movements, publishing a book of box furniture designs, running carpentry workshops in New York, and founding a company that offered some of the earliest ready-to-assemble furniture in the United States. Her work was a resounding critique of capitalism’s waste and an assertion of new values in design—values that stand at the heart of today’s open and green design movements.
Louise Loves Art
by Kelly LightFor fans of Olivia and Eloise, this stunning debut from Kelly Light is an irresistible story about the importance of creativity in all its forms.Meet Louise. Louise loves art more than anything. It's her imagination on the outside. She is determined to create a masterpiece—her pièce de résistance!Louise also loves Art, her little brother. This is their story.Louise Loves Art is a celebration of the brilliant artist who resides in all of us.
Louise Loves Bake Sales (I Can Read Level 1)
by Kelly LightLouise loves all kinds of art. But when she has to make cupcakes for a bake sale—and everything goes wrong—can she and her brother make messy cupcakes into art? This charming I Can Read story also introduces the concept of how mixing primary colors makes new ones, and that creativity comes in all different forms.Louise Loves Bake Sales is a Level One I Can Read book, which means it’s perfect for children learning to sound out words and sentences. This is the first Level One I Can Read starring Louise, from the acclaimed picture book Louise Loves Art.
Louise Nevelson: A Passionate Life
by Laurie LisleLouise Nevelson, one of the most important American sculptors of the twentieth century, was a beautiful woman who lived so audacious a life that by the time of her death she was a legend both inside and outside the art world. Born Leah Berliawsky in Czarist Russia in 1899, she grew up in Maine, ostracized as a Jew and a foreigner. At twenty she escaped to Manhattan as Mrs. Charles Nevelson, eventually leaving her husband for a life devoted to art. She lived and loved with lusty abandon, often in poverty and obscurity, until she finally achieved fame and fortune at sixty. "This biography of a monstre sacre is a tale of hard-tacks heroism and heedless swipes at those who dared to love her," said Interview magazine. Nevelson found inspiration in cubism, primitive art, and her own unconscious, creating a rich iconography of images. With black, white, or gold paint and perfect placement, she transformed old pieces of wood picked up on the street into powerful sculptures. In later years she appeared in mink eyelashes and flamboyant costumes, all the while going to her studio every day before dawn to add to the astonishing body of work now in collections of museums around the world. Laurie Lisle interviewed Nevelson before the artist's death in 1988, as well as her lovers, family members, artist friends, and many others. This biography provides fascinating insights and information discovered in archives and public records, letters and diaries, and the artist's own prose and poetry. Now in a revised e-book edition, Louise Nevelson: A Passionate Life is the only biography of this important American sculptor. It is "impressive in its thoroughness, which nonetheless results in 'good reading' by virtue of its interweaving of personal and professional information, its eclectic introduction of psychological analysis, and a phraseology that appreciates both the pain and the joy surrounding Nevelson's eccentric behavior," according to Woman's Art Journal.
Louise Nevelson: Light and Shadow
by Laurie WilsonThe most complete biography of the iconic sculptor Louise Nevelson, the groundbreaking artist and fixture of New York’s art world based on hours of interviews the author conducted at the height of Nevelson’s fame In 1929, Louise Nevelson was a disappointed housewife with a young son, surrounded by New York’s vibrant artistic community but unable to fully engage with it. By 1950, she was an artist living on her own, financially dependent on her family, but she had received a glimmer of recognition from the establishment: inclusion in a group show at the Whitney Museum of American Art. In 1980, Nevelson celebrated her second Whitney retrospective. Her work was held in public collections around the world; her massive steel sculptures appeared in public spaces in seventeen states, including the Louise Nevelson Plaza in New York City’s Financial District. The story of Nevelson’s artistic, spiritual, even physical transformation (she developed a taste for outrageous outfits and false eyelashes made of mink) is dramatic, complex, and inseparable from major historical and cultural shifts of the twentieth century, particularly in the art world. Art historian and psychoanalyst Laurie Wilson brings a unique and sensitive perspective to Nevelson’s story, drawing on hours of interviews she conducted with Nevelson and her circle. Over 100 images, many of them drawn from personal archives and never before published, make this the most visually and narratively comprehensive biography of this remarkable artist yet published.
Louisiana Birding: Stories on Strategy, Stewardship & Serendipity (Natural History)
by John K. FloresFrom the bayous of the coast to prairies and rolling hills, Louisiana is home to a vibrant and thriving avian population. Herons, American goldfinches, snow geese and more call the state coastline home during the winter months. The music of neotropic songbirds like the parula and the prothonotary warbler fills the bayous every spring morning. Endangered species like the whooping crane and brown pelican have been reintroduced to the state to great success. The pragmatic conservation efforts of state, federal and private agencies not only led to the successful delisting of some endangered species of birds but also helped develop protocols for the future stewardship of others. Award-winning outdoor writer and photographer John Flores celebrates Louisiana's notable feathered inhabitants in their natural habitats.
Louisiana Coushatta Basket Makers: Traditional Knowledge, Resourcefulness, and Artistry as a Means of Survival
by Linda Langley Denise E. BatesLouisiana Coushatta Basket Makers brings together oral histories, tribal records, archival materials, and archaeological evidence to explore the fascinating history of the Coushatta Tribe’s famed basket weavers. After settling at their present location near the town of Elton, Louisiana, in the 1880s, the Coushatta (Koasati) tribe developed a basket industry that bolstered the local tribal economy and became the basis for generating tourism and political mobilization. The baskets represented a material culture that distinguished the Coushattas as Indigenous people within an ethnically and racially diverse region. Tribal leaders serving as diplomats also used baskets as strategic gifts as they built political and economic allegiances throughout the twentieth century, thereby securing the Coushattas’ future.Behind all these efforts were the basket makers themselves. Although a few Coushatta men assisted in the production of baskets, it was mostly women who put in the long hours to gather and process the materials, then skillfully stitch them together to produce treasures of all shapes and sizes. The art of basket making exists within a broader framework of Coushatta traditional teachings and educational practices that have persisted to the present.As they tell the story of Coushatta basket makers, Linda P. Langley and Denise E. Batesprovide a better understanding of the tribe’s culture and values. The weavers’ own “language of baskets” shapes this narrative, which depicts how the tribe survived repeated hardships as weavers responded on their own terms to market demands. The work of Coushatta basket makers represents the perseverance of traditional knowledge in the form of unique and carefully crafted fine art that continues to garner greater recognition and appreciation with every successive generation.
Louisiana State University
by Dr William Jenkins Barry CowanLouisiana State University began in 1860 as a small, all-male military school near Pineville. The institution survived the Civil War, Reconstruction politics, and budgetary difficulties to become a nationally and internationally recognized leader in research and teaching. A devastating fire destroyed the campus in 1869, and the school moved to Baton Rouge, where it has remained. Successive moves to larger campuses in 1887 and 1925 created greater opportunities in academics, student life, and athletics. Academics began with classical and engineering courses. New majors in the arts, literature, engineering, agriculture, and the sciences evolved, along with research in those fields. Student life changed from military regimentation to coeducation and students' freedom to live off campus and make their own decisions. Intercollegiate athletics began in 1893 with baseball and football games against Tulane, and the LSU Tigers have since won numerous championships. These evolutionary steps all helped to create Louisiana's flagship university.
Louisiana's Zydeco
by Sherry T. BroussardThe bayou sings and the trees sway with the untold stories of many unsung heroes, including Louisiana's amazing Zydeco musicians. The music is an extraordinary blend of the accordion, the bass and electric guitars, the drums, the rub or scrub board, and other instruments. It tells stories about finding and losing love, life lessons, and other revelatory events that rise from the skillful hands of musicians playing the diatonic and piano accordions. The diverse population of Louisiana creates a rich culture with Zydeco festivals, Creole foods, and the unique music that fills the air with a foot-stomping beat like no other. Louisiana's Zydeco is a snapshot of some of the many musicians who live and play the homegrown music known as Zydeco.
Louisville (Postcard History)
by John FindlingFounded in 1778 as a portage point on the lower Ohio River, Louisville was closely tied to river commerce for a century. In the 1880s, the Southern Exposition and the growth of the Louisville and Nashville Railroad did much to establish the city as an important commercial link between the North and South. By 1900, Louisville was the 18th largest city in America, with a population of just over 200,000. The city had a vibrant downtown with elegant office buildings and hotels and one of the finest park systems in the country, designed by the Olmsted brothers in the 1890s. In Louisville, more than 200 postcards present a visual record of the institutions, prosperity, and charm of the river city.
Louisville Television
by David InmanT-Bar-V Ranch went off the air in 1970, but ask any Louisville baby boomer to sing the theme song and you'll instantly hear, "Brush your teeth each morning / Get lots of sleep at night / Mind your mom and daddy / Cause they know what is right." Such is the power of homegrown television. This book is a look at Louisville television history over the last 50 years, from T-Bar-V to Tom Wills's retirement. Along the way, you will catch a glimpse of Diane Sawyer (as the WLKY "weather girl") and dozens of images of locally produced musical shows, game shows, talk shows, children's shows, and newscasts--not to mention all the lyrics to the T-Bar-V Ranch opening and closing theme song.
Louisville's Fern Creek
by Geoffrey Long Brandreth Cheryl BrandrethLocated in southeastern Jefferson County, Louisville's Fern Creek community was settled in the 1780s with land grants given by Virginia for military service. The construction of the Louisville-Bardstown Turnpike encouraged Fern Creek's growth as farmers settled the land along the route. Originally known as Stringtown for the appearance of the houses that sprang up along Bardstown Pike, Fern Creek is named after the creek that meanders through the area. Due to the abundant sources of water throughout the southeastern portion of Jefferson County, several mills operated in the area, most notably in Buechel, on Cedar Creek, and on Floyd's Fork. The erection of mills provided early settlers the means to grind corn and wheat. Originally an agricultural community of fields, orchards, and stables, Fern Creek established the Farmers and Fruit Growers Association in 1880 and the Jefferson County Fair Company, which operated at the Fern Creek Fairgrounds until 1928.
Louisville's Germantown and Schnitzelburg (Images of America)
by Lisa M. PistermanBelieved to have been named for the citizens who settled the area as early as the 1840s, Germantown and Schnitzelburg are located just east of downtown Louisville. The first parcels purchased and settled were part of the 1,000-acre land grant that was awarded to Col. Arthur Campbell in 1790 for his service to Virginia in the Indian Wars. Spanning more than 160 years of growth, the area developed from farms and dairies in the 1850s, to the industrialization of the 1880s, and then the halcyon era of the 1950s as a safe haven of family, community, and church. Remarkable historic landmarks include a Victorian-era cotton mill, DuPont Manual High School's football stadium, and the eclectic collection of residential architecture classified as "shotgun" and "camelback." Numerous neighborhood taverns and bakeries are both historic landmarks and popular eateries in this community. Look inside and enjoy the history and beauty of a bygone era and the development of a thriving community.
Loulou & Yves: The Untold Story of Loulou de La Falaise and the House of Saint Laurent
by Christopher PetkanasNo one interested in fashion, style, or the high-flying intrigues of café society will want to miss Christopher Petkanas’s exuberantly entertaining oral biography Loulou & Yves: The Untold Story of Loulou de La Falaise and the House of Saint Laurent.Dauntless, “in the bone” style made Loulou de La Falaise one of the great fashion firebrands of the twentieth century. Descending in a direct line from Coco Chanel and Elsa Schiaparelli, she was celebrated at her death in 2011, aged just sixty-four, as the “highest of haute bohemia,” a feckless adventuress in the art of living—and the one person Yves Saint Laurent could not live without.Yves was the most influential designer of his times; possibly also the most neurasthenic. In an exquisitely intimate, sometimes painful personal and professional relationship, Loulou was his creative right hand, muse, alter ego and the virtuoso behind all the flamboyant accessories that were a crucial component of the YSL “look.” For thirty years, until his retirement in 2002, Yves relied on Loulou to inspire him, make him laugh and talk him off the ledge—the enchanted formula that brought him from one historic collection to the next.Yves’s many tributes shape Loulou’s memory, as if everything there was to know about this fugitive, Giacometti-like figure could be told by her clanking bronze cuffs, towering fur toques, the turquoise boulders on her fingers and her working friendship with the man who put women in pants. But another, darker story lifts the veil on Loulou, a classic “number two” with a contempt for convention, and exposes the underbelly of fashion at its highest level. Behind Yves’s encomiums are a pair of aristocrat parents—Loulou’s shiftless French father and menacingly chic English mother—who abandoned her to a childhood of foster care and sexual abuse; Loulou’s recurring desperation to leave Yves and go out on her own; and the grandiose myths surrounding her family. Loulou felt that her life had been kidnapped by the operatic workings of the House of Saint Laurent, and in her last years faced financial ruin. Loulou & Yves unspools an elusive fashion idol—nymphomaniacal, heedless and up to her bracelets in coke and Boizel champagne—at the core of what used to be called “le beau monde.”