- Table View
- List View
National Treasures: Saving The Nation's Art in World War II
by Caroline ShentonThe gigantic covert wartime mission led by the men and women of London's museums and galleries to save the nation's priceless heritage.As Hitler prepared to invade Poland during the sweltering summer of 1939, men and women from across London's museums, galleries and archives formulated ingenious plans to send the nation's highest prized objects to safety. Using stately homes, tube tunnels, slate mines, castles, prisons, stone quarries and even their own homes, a dedicated bunch of unlikely misfits packed up the nation's greatest treasures and, in a race against time, dispatched them throughout the country on a series of top-secret wartime adventures. National Treasures highlights a moment from our history when an unlikely coalition of mild-mannered civil servants, social oddballs and metropolitan aesthetes became the front line in the heritage war against Hitler. Caroline Shenton shares the interwoven lives of ordinary people who kept calm and carried on in the most extraordinary of circumstances in their efforts to save the Nation's historic identity.(P) 2021 Hodder & Stoughton Limited
Nationalism and Architecture (Ashgate Studies in Architecture)
by Sarah Butler Darren DeaneUnlike regionalism in architecture, which has been widely discussed in recent years, nationalism in architecture has not been so well explored and understood. However, the most powerful collective representation of a nation is through its architecture and how that architecture engages the global arena by expressing, defining and sometimes negating a sense of nation in order to participate in the international world. Bringing together case studies from Europe, North and South America, the Middle East, Africa, Asia and Australia, this book provides a truly global exploration of the relationship between architecture and nationalism, via the themes of regionalism and representation, various national building projects, ethnic and trans-national expression, national identities and histories of nationalist architecture and the philosophies and sociological studies of nationalism. It argues that nationalism needs to be trans-national as a notion to be critically understood and the geographical scope of the proposed volume reflects the continuing relevance of the topic within current architectural scholarship as an overarching notion. The interdisciplinary essays are coherently grouped together in three thematic sections: Revisiting Nationalism, Interpreting Nationalism and Questioning Nationalism. These chapters, offer vignettes of the protean appearances of nationalism across nations, and offer a basis of developing wider knowledge and critically situated understanding of the question, beyond a singular nation's limited bounds.
Nationalism and Youth in Theatre and Performance (Routledge Advances in Theatre & Performance Studies)
by Angela Sweigart-Gallagher Victoria Pettersen LantzNationalism and Youth in Theatre and Performance explores how children and young people fit into national political theatre and, moreover, how youth enact interrogative, patriotic, and/or antagonistic performances as they develop their own relationship with nationhood. Children are often seen as excluded from public discourse or political action. However, this idea of exclusion is false both because adults place children at the center of political debates (with the rhetoric of future generations) and because children actively insert themselves into public discourse. Whether performing a national anthem for visiting heads of state, creating a school play about a country’s birth, or marching in protest of a change in public policy, young people use theatre and performance as a means of publicly staking a claim in national politics, directly engaging with ideas of nationalism around the world. This collection explores the issues of how children fit into national discourse on international stages. The authors focus on national performances by/for/with youth and examine a wide range of performances from across the globe, from parades and protests to devised and traditional theatre. Nationalism and Youth in Theatre and Performance rethinks how national performance is defined and offers previously unexplored historical and theoretical discussions of political youth performance.
Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945-1995
by Hugo FreyIt is often taken for granted that French cinema is intimately connected to the nation's sense of identity and self-confidence. But what do we really know about that relationship? What are the nuances, insider codes, and hidden history of the alignment between cinema and nationalism? Hugo Frey suggests that the concepts of the 'political myth' and 'the film event' are the essential theoretical reference points for unlocking film history. Nationalism and the Cinema in France offers new arguments regarding those connections in the French case, examining national elitism, neo-colonialism, and other exclusionary discourses, as well as discussing for the first time the subculture of cinema around the extreme right Front National. Key works from directors such as Michel Audiard, Jean-Luc Godard, Jean-Pierre Melville, Marcel Pagnol, Jean Renoir, Jacques Tati, François Truffaut, and others provide a rich body of evidence.
Nationalism in Contemporary Western European Cinema (Palgrave European Film and Media Studies)
by James HarveyThis book investigates screen representations of 21st century nationalism—arguably the most urgent and apparent phenomenon in the Western world today. The chapters explore recurrent thematic and stylistic features of 21st century western European cinema, and analyse the ways in which film responds to contemporary developments of mounting tensions and increasing hostilities to difference. The collection blends incisive sociological and historical engagement with close textual analysis of many types of screen media, including popular cinema, art-house productions, low-budget independent work, documentary and video installation. Identifying motifs of nationhood and indigeneity throughout, the contributors of this volume present important perspectives and a timely cultural response to the contemporary moment of nationalism.
Nationalists, Cosmopolitans, and Popular Music in Zimbabwe
by Thomas TurinoThe book talks about how cosmopolitanism gave rise to the nationalist movement in Zimbabwe, explaining the combination of "foreign" and indigenous elements that define nationalist art and cultural projects.
Nations Of The Northeast Coast
by Bobbie Kalman Molly AloianNations of the Northeast Coast describes the many Native nations that lived along the coast of northeastern North America during the seventeenth century. Young readers will be fascinated to learn about the hunting and fishing practices, the methods of transportation, and the family lives of these Native peoples.
Nations of the Southwest
by Bobbie Kalman Amanda BishopThe Southwest region was home to some of the earliest inhabitants of North America. The diverse landscapes of deserts, mountains, and rivers provided food, shelter, and raw materials to ancient cultures as well as later groups, such as the Apache, Comanche, Hopi, Navajo, Zuni, and many others.
Native American Architecture
by Peter Nabokov Robert EastonFor many people, Native American architecture calls to mind the wigwam, tipi, iglu, and pueblo. Yet the richly diverse building traditions of Native Americans encompass much more, including specific structures for sleeping, working, worshipping, meditating, playing, dancing, lounging, giving birth, decision-making, cleansing, storing and preparing food, caring for animals, and honoring the dead. In effect, the architecture covers all facets of Indian life. The collaboration between an architect and an anthropologist, Native American Architecture presents the first book-length, fully illustrated exploration of North American Indian architecture to appear in over a century. Peter Nabokov and Robert Easton together examine the building traditions of the major tribes in nine regional areas of the continent from the huge plank-house villages of the Northwest Coast to the moundbuilder towns and temples of the Southeast, to the Navajo hogans and adobe pueblos of the Southwest. Going beyond a traditional survey of buildings, the book offers a broad, clear view into the Native American world, revealing a new perspective on the interaction between their buildings and culture. Looking at Native American architecture as more than buildings, villages, and camps, Nabokov and Easton also focus on their use of space, their environment, their social mores, and their religious beliefs. Each chapter concludes with an account of traditional Indian building practices undergoing a revival or in danger today. The volume also includes a wealth of historical photographs and drawings (including sixteen pages of color illustrations), architectural renderings, and specially prepared interpretive diagrams which decode the sacred cosmology of the principal house types.
Native American Art in the Twentieth Century: Makers, Meanings, Histories
by W. Jackson Rushing IIIThis illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our timeThe contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereigntyTracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.
Native American Designs Stained Glass Pattern Book
by Carolyn ReleiStained glass workers in search of handsome, high-quality patterns will welcome this collection of designs based on traditional Native American themes. Approximately 120 identified patterns -- shown as insets on the pattern page -- have been adapted from authentic tribal motifs.Here are striking designs fashioned after motifs from Seminole beadwork, an Apache basket, an Acoma polychrome vessel, pottery from the Santo Domingo Pueblo in New Mexico, an Arapaho rawhide bag, Zuni and Hopi pottery, New Mexican Laguna jars, Jicarilla Apache basketry, an altar with feathers, a Navajo weave of Germantown yarn, a Hopi ceremonial blanket, a detail of Mayan stonework from the Yucatan Peninsula, images from a Nez Percé woven bag, a thunderbird figure on a shaman's rattle from the Pacific Northwest, a design on a Blackfoot cradleboard (late nineteenth century), eagle feathers in an abstract design, and much more.Shown in circular, rectangular, diamond-like, and other shapes, these dramatic, decorative elements can be incorporated into stained glass and other imaginative craft projects.
Native American Homes (Real Life Readers)
by Lincoln JamesExplore the great variety of the first peoples of America through a look at traditional homes, from longhouses to teepees, to adobe villages. Correlated to the Informational Text Standards from the Common Core, readers glean a look at America's first homes, with high quality photographs and key text features.
Native Americans of East-Central Indiana (American Heritage)
by Chris FlookNative Americans lived, hunted and farmed in east-central Indiana for two thousand years before the area became a part of the Hoosier State. Mounds and enclosures built by Adena and Hopewell peoples still stand near the White River and reflect their vibrant and mysterious cultures. The Lenape tribes moved to east-central Indiana many years later after the Northwest Indian War. Led by the great chiefs Buckhongehelas and Kikthawenund, the White River Lenape attempted to forge an identity after being forced from their homeland on the Atlantic coast. Place names like Delaware County, Muncie, Yorktown and Anderson demonstrate the importance of the tribe in local history. Author Chris Flook explores the unique yet often untold history of the Native experience in east-central Indiana.
Native Americans on Film: Conversations, Teaching, and Theory
by M. Elise Marubbio and Eric L. Buffalohead“An essential book for courses on Native film, indigenous media, not to mention more general courses . . . A very impressive and useful collection.” —Randolph Lewis, author of Navajo Talking PictureThe film industry and mainstream popular culture are notorious for promoting stereotypical images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick, the ruthless warrior, the female drudge, the princess, the sexualized maiden, the drunk, and others. Over the years, Indigenous filmmakers have both challenged these representations and moved past them, offering their own distinct forms of cinematic expression.Native Americans on Film draws inspiration from the Indigenous film movement, bringing filmmakers into an intertextual conversation with academics from a variety of disciplines. The resulting dialogue opens a myriad of possibilities for engaging students with ongoing debates: What is Indigenous film? Who is an Indigenous filmmaker? What are Native filmmakers saying about Indigenous film and their own work? This thought-provoking text offers theoretical approaches to understanding Native cinema, includes pedagogical strategies for teaching particular films, and validates the different voices, approaches, and worldviews that emerge across the movement.“Accomplished scholars in the emerging field of Native film studies, Marubbio and Buffalohead . . . focus clearly on the needs of this field. They do scholars and students of Native film a great service by reprinting four seminal and provocative essays.” —James Ruppert, author of Meditation in Contemporary Native American Literature“Succeed[s] in depicting the complexities in study, teaching, and creating Native film . . . Regardless of an individual’s level of knowledge and expertise in Native film, Native Americans on Film is a valuable read for anyone interested in this topic.” —Studies in American Indian Literatures
Native Arts Of North America, Africa, And The South Pacific: An Introduction
by George A. CorbinThis introduction to the art of tribal peoples of North America, Africa, and the South Pacific does not briefly cover the hundreds of artistic traditions in these three vast areas but rather studies in depth thirty-six art styles within all three areas using the methods of art history, including stylistic analysis and iconographic interpretation. Emphasis is on the art in cultural context and as a system of visual communication within each tribal area. Where appropriate for a more complete understanding of the art, data from archaeology, ethnology, linguistics, religion, and other humanistic disciplines are included.Among the peoples and cultures whose art is studied are the Haida, Kwakiutl, and Tlingit; the Hohokam and Mongollon, the Anasazi and Hopi; the Dogon and Bamana of Mali; the Asante of Ghana; the Benin, Yoruba, and Ibo of Nigeria; the Fan, the Bamum, and the Kuba of Central Africa; Australian aboriginal and Island New Guinea art; Island Melanesia art; central and eastern Polynesia; Hawaii and the Maori in Marginal Polynesia.The format of the text and selected illustrations is based on seventeen years of teaching African, North American Indian, and South Pacific art to undergraduate and graduate students at Herbert H. Lehman College (CUNY), New York University, and Columbia University. The book is intended for art history and anthropology students and the interested lay reader or collector. The detailed notes at the end of the book are for further study, research, and understanding of the tribal art style under discussion.
Native Arts Of North America, Africa, And The South Pacific: An Introduction
by George A. CorbinThis introduction to the art of tribal peoples of North America, Africa, and the South Pacific does not briefly cover the hundreds of artistic traditions in these three vast areas but rather studies in depth thirty-six art styles within all three areas using the methods of art history, including stylistic analysis and iconographic interpretation. Emphasis is on the art in cultural context and as a system of visual communication within each tribal area. Where appropriate for a more complete understanding of the art, data from archaeology, ethnology, linguistics, religion, and other humanistic disciplines are included.Among the peoples and cultures whose art is studied are the Haida, Kwakiutl, and Tlingit; the Hohokam and Mongollon, the Anasazi and Hopi; the Dogon and Bamana of Mali; the Asante of Ghana; the Benin, Yoruba, and Ibo of Nigeria; the Fan, the Bamum, and the Kuba of Central Africa; Australian aboriginal and Island New Guinea art; Island Melanesia art; central and eastern Polynesia; Hawaii and the Maori in Marginal Polynesia.The format of the text and selected illustrations is based on seventeen years of teaching African, North American Indian, and South Pacific art to undergraduate and graduate students at Herbert H. Lehman College (CUNY), New York University, and Columbia University. The book is intended for art history and anthropology students and the interested lay reader or collector. The detailed notes at the end of the book are for further study, research, and understanding of the tribal art style under discussion.
Native Moderns: American Indian Painting, 1940-1960
by Bill AnthesBetween 1940 and 1960, many Native American artists made bold departures from what was considered the traditional style of Indian painting. They drew on European and other non-Native American aesthetic innovations to create hybrid works that complicated notions of identity, authenticity, and tradition. This richly illustrated volume focuses on the work of these pioneering Native artists, including Pueblo painters Jos Lente and Jimmy Byrnes, Ojibwe painters Patrick DesJarlait and George Morrison, Cheyenne painter Dick West, and Dakota painter Oscar Howe. Bill Anthes argues for recognizing the transformative work of these Native American artists as distinctly modern, and he explains how bringing Native American modernism to the foreground rewrites the broader canon of American modernism. In the mid-twentieth century, Native artists began to produce work that reflected the accelerating integration of Indian communities into the national mainstream as well as, in many instances, their own experiences beyond Indian reservations as soldiers or students. During this period, a dynamic exchange among Native and non-Native collectors, artists, and writers emerged. Anthes describes the roles of several anthropologists in promoting modern Native art, the treatment of Native American "Primitivism" in the writing of the Jewish American critic and painter Barnett Newman, and the painter Yeffe Kimball's brazen appropriation of a Native identity. While much attention has been paid to the inspiration Native American culture provided to non-Native modern artists, Anthes reveals a mutual cross-cultural exchange that enriched and transformed the art of both Natives and non-Natives.
Native North American Art
by Janet Catherine Berlo Ruth B. PhillipsAn exploration of the indigenous arts of the US and Canada from the early pre-Columbian period to the present day.
Natur filmen und fotografieren für Dummies (Für Dummies)
by Svenja Schieke Ralph SchiekeFangen Sie spannende Motive in der Natur ein – mit Ihrer Kamera Schon mit wenig Ausrüstung können Sie wunderbare Momente festhalten – nicht nur in Einzelbildern, sondern auch im Film. Wie Sie Landschaften und Tiere filmen und fotografieren, lernen Sie in diesem Buch. Svenja und Ralph Schieke zeigen Ihnen Schritt für Schritt von der Planung bis zur Veröffentlichung, wie spannende und interessante Naturfotografien und Naturfilme mit dem gewissen Etwas entstehen. Sie erfahren, wie Sie Motive finden, welche Ausrüstung Sie benötigen, was Sie bei den Aufnahmen beachten müssen und wie Sie Ihre Ergebnisse weiter bearbeiten. Sie erfahren Wie Sie auch mit Ihrem Smartphone gelungene Aufnahmen machen Warum sich die Stadt nicht verstecken muss, wenn es um Naturaufnahmen gehtWie Sie einen Film planen und in der Natur Schritt für Schritt umsetzenWo Sie Ihre Aufnahmen präsentieren können
Natural Attraction: A Field Guide to Friends, Frenemies, and Other Symbiotic Animal Relationships
by Iris GottliebBest buds, frenemies, freeloaders, bullies, copycats, hangers-on. We’re accustomed to all types of people and human interactions. But animal relationships can be just as weird and complex. For anyone who’s ever felt a bit awkward in their relationships, wait until you hear about how complicated things get in the animal world. This funny and enlightening gift book depicts charming and unusual symbiotic animal relationships in all their awkward glory. Through delightful watercolor illustrations and funny yet scientifically accurate text, Iris Gottlieb explores the symbiotic relationships of 35 odd, cute, and unpredictable animal pairs. Here are stories of vampires, cannibalism, mimicry, parasites, and more. You’ll learn a lot about nature--and human nature--as you recognize traits of your own friends, frenemies, and enemies in this insightful, amusing look into the secret lives of animals.From the Hardcover edition.
Natural Bridge (Images of America)
by Ernst H. KastningNatural Bridge, located in the historic Shenandoah Valley, is one of the most recognized and visited geologic landmarks in the country. The massive 90-foot-wide arch spans Cedar Creek, which runs 200 feet below. Legend says that George Washington, as a young land surveyor, carved his initials on its wall. In 1774, King George III granted ownership to Thomas Jefferson. Natural Bridge was often regarded as the "Eighth Natural Wonder of the World" during the 19th and 20th centuries. The site became a popular venue for events, ranging from conventions to the annual Easter Sunrise Service. Hotels, inns, and cottages were built to accommodate travelers, and on-site attractions--including a show cave, a wax museum, and a Monacan Indian village--broadened visitor appeal. Natural Bridge remained privately owned until 2014, when the title was transferred, allowing it to become a state park; the bridge will now truly belong to the people, a concept that would have made Jefferson proud.
Natural Burial: Landscape, Practice and Experience
by Mark Powell Jenny Hockey Andy Clayden Trish GreenThis book unravels the many different experiences, meanings and realities of natural burial. Twenty years after the first natural burial ground opened there is an opportunity to reflect on how a concept for a very different approach to caring for our dead has become a reality: new providers, new landscapes and a hybrid of new and traditional rituals. In this short time the natural burial movement has flourished. In the UK there are more than 200 sites, and the concept has travelled to North America, Holland, Australia, New Zealand and Japan. This survey of natural burials draws on interviews with those involved in the natural burial process – including burial ground managers, celebrants, priests, bereaved family, funeral directors – providing a variety of viewpoints on the concept as a philosophy and landscape practice. Site surveys, design plans and case studies illustrate the challenges involved in creating a natural burial site, and a key longitudinal case study of a single site investigates the evolving nature of the practice. Natural Burial is the first book on this subject to bring together all the groups and individuals involved in the practice, explaining the facts behind this type of burial and exploring a topic which is attracting significant media interest and an upsurge of sites internationally.
Natural Color: Vibrant Plant Dye Projects for Your Home and Wardrobe
by Sasha DuerrA beautiful book of seasonal projects for using the brilliant spectrum of colors derived from plants to naturally dye your clothing and home textiles.Organized by season, Natural Color is a beautifully photographed guide to the full range of plant dyes available, drawn from commonly found fruits, flowers, trees, and herbs, with accompanying projects. Using sustainable methods and artisanal techniques, designer, artist, and professor Sasha Duerr details achievable ways to apply these limitless color possibilties to your home and wardrobe. Whether you are new to dyeing or more practiced, Duerr's clear and simple ingredients lists, step-by-step instructions, and detailed breakouts on techniques such as shibori, dip-dye, and block printing will ensure beautiful results. With recipes to dye everything from dresses and sweaters to rugs and napkins, Natural Color will inspire fashion enthusiasts, home decorators, textile lovers, and everyone else who wants to bring more color into their life. From the Hardcover edition.
Natural Disaster: I Cover them. I am one.
by Ginger ZeeGinger grew up in small-town Michigan where she developed an obsession with weather as a young girl. Ginger opens up about her lifelong battle with crippling depression, her romances that range from misguided to dangerous, and her tumultuous professional path.
Natural Dyes and Home Dyeing
by Rita J. AdroskoHere in a single volume is all the information you will need to extract dyestuffs from common trees, flowers, lichens, and weeds -- all the information you need to create beautifully dyed materials after your own fancy, distinctive and individual. The heart of this book is fifty-two recipes for dyes made from natural, easily obtained dyestuffs: brown dyes from the bark of apple, birch, hemlock, hickory, and maple trees; yellows from a wide variety of sources such as arsemart, white ash bark, barberry bark, sassafras, lichens, camomile flowers, and coffee beans; reds from madder, cochineal, Brazilwood, and alkanet; blues from woad, chemic, orchil and cudbear, as well as from the popular indigo; and blacks most commonly made from logwood and soot. There is also the possibility of combining any of these by top-dyeing (successive dyeing) -- instructions for which are given.Each recipe gives you step-by-step instructions that tell you how to prepare your ingredients, how to shred, soak, dissolve, and boil the materials you collect, how to prepare your cloth (whether cotton or wood) for dyeing, and exactly how long to boil it for optimum results.Besides the fifty-two recipes, most of which are given in several versions, Miss Adrosko deepens your knowledge of dyeing techniques with a history of the craft before the discovery of America, among the colonists, and after 1850 when synthetic dyes began to be used. Appendixes list dyes mentioned in early dyers' manuals printed in America, and give excerpts from three 19th-century treatises which reveal literally hundreds of sources for natural dyestuffs. Concisely written, well organized, this book will not only let you make all the dyes described in its pages, but will also give you the skills to make your own exciting discoveries in a field that has long been neglected.