- Table View
- List View
Ministers of a New Medium: Broadcasting Theology in the Radio Ministries of Fulton J. Sheen and Walter A. Maier
by Kirk D. FarneyDuring the anxiety-laden period from the Great Depression through World War II to the Cold War, Americans found a welcome escape in the new medium of radio.Ministers of a New MediumThe Lutheran HourCatholic HourFarney examines how Sheen and Maier used their exceptional erudition, their sensitivity to the times, their powerful communication skills, and their unwavering Christian conviction, all for the purpose of calling the souls of listeners and the soul of a nation to repentance and godliness. Their combination of talents also brought their respective denominations, Roman Catholicism and Missouri Synod Lutheranism, from the periphery of the American religious landscape to a much greater level of recognition and acceptance. With careful attention to both the theological content and the cultural influence of these masters of a new medium, Farney's study sheds new light on the history of media and Christianity in the United States.
Ministry of Illusion: Nazi Cinema and Its Afterlife
by Eric RentschlerGerman cinema of the Third Reich, even a half-century after Hitler's demise, still provokes extreme reactions. "Never before and in no other country," observes director Wim Wenders, "have images and language been abused so unscrupulously as here, never before and nowhere else have they been debased so deeply as vehicles to transmit lies." More than a thousand German feature films that premiered during the reign of National Socialism survive as mementoes of what many regard as film history's darkest hour. As Eric Rentschler argues, however, cinema in the Third Reich emanated from a Ministry of Illusion and not from a Ministry of Fear. Party vehicles such as Hitler Youth Quex and anti-Semitic hate films such as Jew Süss may warrant the epithet "Nazi propaganda," but they amount to a mere fraction of the productions from this era. The vast majority of the epoch's films seemed to be "unpolitical"--melodramas, biopix, and frothy entertainments set in cozy urbane surroundings, places where one rarely sees a swastika or hears a "Sieg Heil." Minister of propaganda Joseph Goebbels, Rentschler shows, endeavored to maximize film's seductive potential, to cloak party priorities in alluring cinematic shapes. Hitler and Goebbels were master showmen enamored of their media images, the Third Reich was a grand production, the Second World War a continuing movie of the week. The Nazis were movie mad, and the Third Reich was movie made. Rentschler's analysis of the sophisticated media culture of this period demonstrates in an unprecedented way the potent and destructive powers of fascination and fantasy. Nazi feature films--both as entities that unreeled in moviehouses during the regime and as productions that continue to enjoy wide attention today--show that entertainment is often much more than innocent pleasure.
The Ministry of Illusion: Nazi Cinema and Its Afterlife
by Eric RentschlerEric Rentschler, America's leading scholar of National Socialist cinema, has produced a compact compendium of everything you wanted to know about Nazi filmdom but were afraid to ask. This extensively researched and well written book contains fascinating anecdotal information. It provides a delightful browsing in bits and pieces.
The Minjian Avant-Garde: Art of the Crowd in Contemporary China
by Chang TanThe Minjian Avant-Garde studies how experimental artists in China mixed with, brought changes to, and let themselves be transformed by minjian, the volatile and diverse public of the post-Mao era. Departing from the usual emphasis on art institutions, global markets, or artists' communities, Chang Tan proposes a new analytical framework in the theories of socially engaged art that stresses the critical agency of participants, the affective functions of objects, and the versatility of the artists in diverse sociopolitical spheres.Drawing from hitherto untapped archival materials and interviews with the artists, Tan challenges the views of Chinese artists as either dissidents or conformists to the regime and sees them as navigators and negotiators among diverse political discourses and interests. She questions the fetishization of marginalized communities among practitioners of progressive art and politics, arguing that the members of minjian are often more complex, defiant, and savvy than the elites would assume. The Minjian Avant-Garde critically assesses the rise of populism in both art and politics and show that minjian could constitute either a democratizing or a coercive force.This book was published with generous support from the George Dewey and Mary J. Krumrine Endowment.
Minka: My Farmhouse in Japan
by John RoderickIn 1959 journalist John Roderick joined the Tokyo bureau of the Associated Press. There, he befriended a Japanese family, the Takishitas. After musing offhandedly that he would like to one day have his own house in Japan, the family—unbeknownst to John—set out to grant his wish. They found Roderick a 250-year-old minka, or hand-built farmhouse, with a thatched roof and held together entirely by wooden pegs and joinery. It was about to be washed away by flooding and was being offered for only fourteen dollars. Roderick graciously bought the house, but was privately dismayed at the prospect of living in this enormous old relic lacking heating, bathing, plumbing, and proper kitchen facilities. So the minka was dismantled and stored, where Roderick secretly hoped it would stay, as it did for several years. But Roderick's reverence for natural materials and his appreciation of traditional Japanese and Shinto craftsmanship eventually got the better of him. Before long a team of experienced carpenters were hoisting massive beams, laying wide wooden floors, and attaching the split-bamboo ceiling. In just forty days they rebuilt the house on a hill overlooking Kamakura, the ancient capital of Japan. Working together, they renovated the farmhouse, adding features such as floor-to-ceiling sliding glass doors and a modern kitchen, bath, and toilet. From these humble beginnings, Roderick's minka has become internationally known and has hosted such luminaries as President George H. W. Bush, and Senator Hillary Clinton. John Roderick's architectural memoir Minka tells the compelling and often poignant story of how one man fell in love with the people, culture, and ancient building traditions of Japan, and reminds us all about the importance of craftsmanship and the meaning of place and home in the process.
Minneapolis Millers of the American Association, The (Images of Baseball)
by Rex HamannThe Minneapolis Millers graced the fields of the American Association for six decades, from 1902 to 1960. Known as a high-level training ground for professional ballplayers, the Millers were also famous for their heated rivalry with the neighboring St. Paul Saints. Drawing on the extensive array of photographs from the Hennepin County Library Special Collections and the author's private collection, Images of Baseball: The Minneapolis Millers of the American Association presents the history of these "boys of summer."
Minneapolis Rehearsals: Tyrone Guthrie Directs Hamlet
by Alfred RossiThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1970.
Minneapolis Riverfront, The
by Iric NathansonWith the Mississippi River's only true waterfalls at its front door, Minneapolis harnessed the power of the falls to become an international milling center. Changing market conditions, though, forced Minnesota's largest city to give up its preeminent position in the milling world after World War I. As the local milling industry gradually faded away, Minneapolis turned its back on its riverfront origins. By 1950, a once-bustling commercial area along the banks of the Mississippi had become an industrial wasteland. Then, a decade later, the seeds of renewal were planted when some urban pioneers recognized the potential of this long-ignored historic district. By the first decade of the 21st century, the riverfront had reemerged as a vibrant residential, cultural, and recreational center.
Minnesota Caves: History & Lore
by Greg BrickMinnesota’s caves have a deep history. Carver’s Cave is the first to be described in the literature of North America after explorer Jonathan Carver visited it in 1766. The storied Fountain Cave was the birthplace of the city of St. Paul. Just after the American Civil War, Chute’s Cave inspired an elaborate national hoax regarding an ancient civilization. Folklore surrounds Petrified Indian Cave, where a strangely shaped stalagmite was mistaken for a person turned to stone. Geologist and urban explorer Greg Brick, PhD, uses decades of research to uncover the secrets of geological wonders.
Minnesota Moxie: True Tales of Courage, Muscle & Grit in the Land of Ten Thousand Lakes
by Ben WelterMinnesotans are a tough lot, capable of pulling a house six miles by muscle alone or giving birth to a sixteen-pound boy. In 1921, young Phoebe Fairgrave set a parachute world record, stepping off the wing of a biplane 15,200 feet above the Twin Cities. In 1962, the last powerhouse Gophers football team brought home the Rose Bowl trophy. A year later, thirteen-year-old Jean Webb of Minneapolis risked arrest and refused to leave a segregated restaurant. In 1979, Gerry Spiess crossed the Atlantic alone in a 10-foot sailboat he built in his White Bear Lake garage. These inspiring stories and dozens more, culled from the Star Tribune newspaper archives, are presented in their original form by author Ben Welter, along with in-depth background, fresh interviews and more than seventy-five historic photos.
Minnesota's Angling Past (Images of America)
by Thomas A. UehlingThe importance of fishing in Minnesota goes back thousands of years: first as a means of critical subsistence and then, in the last 200 years, as a major economic influence. In the 1800s, anglers seeking pristine lakes with ample fish traveled to Minnesota on the railroads. The widespread use of automobiles and an improving road system rapidly increased the state's accessibility in the 1900s, and resorts sprouted everywhere. During the early tourist boom, the state was also home to countless boat builders, tackle manufacturers, and other fishing-related businesses. Images of America: Minnesota's Angling Past provides a view of the time when boats were made from wood and propelled by rowing; when great fishing spots were found through experience rather than electronics; and, for some, a suit or dress was proper attire for a day of fishing. This book includes rare images from across the state that capture memorable days of angling, such as the 1955 Leech Lake Muskie Rampage.
Minnie Pearl’s Diary
by Minnie PearlSarah Ophelia Colley, takes on her well-known alter ego Minnie Pearl to write a quaint diary in her inimitable Southern Country style.“Dear Folks:Up to now, you’ve only heard what she could tell on the air. But at last she’s been persuaded to give us her secret diary—writ by hand.We asked her for some information “to put on the outside of the book” and this is what she sent us:BIRTHPLACE: Grinder’s Switch, 3 miles west of Centerville (not even a wagon greasin’). Population 300 folks; 350 dogs.DATE OF BIRTH: Age is a relative matter and that’s her trouble—too many relatives—she’s in her early fifties—young enough to wink at the fellers; too old to have them wink back.FAMILY: Minnie has a brother, a sister, Uncle Nabob, Aunt Ambrosy, Coz Elmer, etc., etc., etc.SCHOOLING: Minnie Pearl went all the way through Grinder’s Switch Elementary School—several times.CHILDHOOD ACTIVITIES: She enjoyed carefree life at Grinder’s Switch, early interest in fellers, kissing games, coon hunts, possum hunts, kissing games, swimming in Duck River, watching the train go through, kissing games.LATER ACTIVITIES: She participates—invited or not—in all activities at Grinder’s Switch with heavy emphasis on efforts to snare a husband. She is the social leader of Grinder’s Switch, showing keen interest in ice cream socials, church socials, and any other parties where they play games, especially kissing games. B(u )y now!”
Minor Ballet Composers: Biographical Sketches of Sixty-Six Underappreciated Yet Significant Contributors to the Body of West
by William E Studwell Bruce R SchuenemanWhile most music lovers are familiar with the famous scores of Tchaikovsky, Delibes, and Stravinsky, many other lesser-known composers also wrote for the ballet. Several of these composers wrote almost exclusively for the ballet--and all enriched the world of dance. Minor Ballet Composers presents biographical sketches of 66 underappreciated ballet composers of the 19th and 20th centuries from around the world, along with selected stories from the ballets they helped create. While the composers’contributions to ballet music are emphasized, all aspects of their lives and works are touched upon. Plot summaries and excerpts from reviews of many of the ballets are also provided. Other topics of interest you’ll find covered in Minor Ballet Composers include: Les Six: Darius Milhaud, Louis Durey, Georges Auric, Arthur Honegger, Francis Poulenc, and Germaine Tailleferre--and their relationship with Erik Satie and Jean Cocteau how politics, revolutions, and wars have affected composers and their works who studied with whom; who collaborated with whom schools, movements, and musical renaissance the importance of opera to ballet music the relationship between film scores and ballet music which books, plays, stories, and folk tales certain ballets are based upon where many of these ballets premieredMinor Ballet Composers emphasizes the importance of second-tier composers and their influence on the rich tradition of music written for the dance (though in some cases the music was appropriated for the ballet from other original designs). The gathering of these composers in a single volume in appreciation of their ballet music, with a glossary of choreographers and an index of ballet titles, makes this book a useful volume for ballet aficionados, music librarians, musicians, and others interested in dance and dance music.
Minor China: Method, Materialisms, and the Aesthetic (ANIMA: Critical Race Studies Otherwise)
by Hentyle YappIn Minor China Hentyle Yapp analyzes contemporary Chinese art as it circulates on the global art market to outline the limitations of Western understandings of non-Western art. Yapp reconsiders the all-too-common narratives about Chinese art that celebrate the heroic artist who embodies political resistance against the authoritarian state. These narratives, as Yapp establishes, prevent Chinese art, aesthetics, and politics from being discussed in the West outside the terms of Western liberalism and notions of the “universal.” Yapp engages with art ranging from photography and performance to curation and installations to foreground what he calls the minor as method—tracking aesthetic and intellectual practices that challenge the predetermined ideas and political concerns that uphold dominant conceptions of history, the state, and the subject. By examining the minor in the work of artists such as Ai Weiwei, Zhang Huan, Cao Fei, Cai Guo-Qiang, Carol Yinghua Lu, and others, Yapp demonstrates that the minor allows for discussing non-Western art more broadly and for reconfiguring dominant political and aesthetic institutions and structures.
Minor Transnationalism
by Françoise Lionnet Shu-Mei ShihMinor Transnationalism moves beyond a binary model of minority cultural formations that often dominates contemporary cultural and postcolonial studies. Where that model presupposes that minorities necessarily and continuously engage with and against majority cultures in a vertical relationship of assimilation and opposition, this volume brings together case studies that reveal a much more varied terrain of minority interactions with both majority cultures and other minorities. The contributors recognize the persistence of colonial power relations and the power of global capital, attend to the inherent complexity of minor expressive cultures, and engage with multiple linguistic formations as they bring postcolonial minor cultural formations across national boundaries into productive comparison. Based in a broad range of fields--including literature, history, African studies, Asian American studies, Asian studies, French and francophone studies, and Latin American studies--the contributors complicate ideas of minority cultural formations and challenge the notion that transnationalism is necessarily a homogenizing force. They cover topics as diverse as competing versions of Chinese womanhood; American rockabilly music in Japan; the trope of mestizaje in Chicano art and culture; dub poetry radio broadcasts in Jamaica; creole theater in Mauritius; and race relations in Salvador, Brazil. Together, they point toward a new theoretical vocabulary, one capacious enough to capture the almost infinitely complex experiences of minority groups and positions in a transnational world. Contributors. Moradewun Adejunmobi, Ali Behdad, Michael Bourdaghs, Suzanne Gearhart, Susan Koshy, Franoise Lionnet, Seiji M. Lippit, Elizabeth Marchant, Kathleen McHugh, David Palumbo-Liu, Rafael Prez-Torres, Jenny Sharpe, Shu-mei Shih , Tyler Stovall
Minority Politics at the Millennium (Contemporary Urban Affairs)
by Richard A. Keiser Katherine UnderwoodFirst published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Minoru Yamasaki: Humanist Architecture for a Modernist World
by Dale Allen GyureThe first book to reevaluate the evocative and polarizing work of one of midcentury America’s most significant architects Born to Japanese immigrant parents in Seattle, Minoru Yamasaki (1912–1986) became one of the towering figures of midcentury architecture, even appearing on the cover of Time magazine in 1963. His self-proclaimed humanist designs merged the modern materials and functional considerations of postwar American architecture with traditional elements such as arches and colonnades. Yamasaki’s celebrated and iconic projects of the 1950s and ’60s, including the Lambert–St. Louis Airport and the U.S. Science Pavilion in Seattle, garnered popular acclaim. Despite this initial success, Yamasaki’s reputation began to decline in the 1970s with the mixed critical reception of the World Trade Center in New York, one of the most publicized projects in the world at the time, and the spectacular failure of St. Louis’s Pruitt-Igoe Apartments, which came to symbolize the flaws of midcentury urban renewal policy. And as architecture moved in a more critical direction influenced by postmodern theory, Yamasaki seemed increasingly old-fashioned. In the first book to examine Yamasaki’s life and career, Dale Allen Gyure draws on a wealth of previously unpublished archival material, and nearly 200 images, to contextualize his work against the framework of midcentury modernism and explore his initial successes, his personal struggles—including with racism—and the tension his work ultimately found in the divide between popular and critical taste.
Minoru Yamasaki and the Fragility of Architecture
by Paul KidderFew figures in the American arts have stories richer in irony than does architect Minoru Yamasaki. While his twin towers of New York’s World Trade Center are internationally iconic, few who know the icon recognize its architect’s name or know much about his portfolio of more than 200 buildings. One is tempted to call him America’s most famous forgotten architect. He was classed in the top tier of his profession in the 1950s and ’60s, as he carried modernism in novel directions, yet today he is best known not for buildings that stand but for two projects that were destroyed under tragic circumstances: the twin towers and the Pruitt-Igoe housing project in St. Louis. This book undertakes a reinterpretation of Yamasaki’s significance that combines architectural history with the study of his intersection with defining moments of American history and culture. The story of the loss and vulnerability of Yamasaki’s legacy illustrates the fragility of all architecture in the face of natural and historical forces, yet in Yamasaki’s view, fragility is also a positive quality in architecture: the source of its refinement, beauty, and humanity. We learn something essential about architecture when we explore this tension of strength and fragility. In the course of interpreting Yamasaki’s architecture through the wide lens of the book we see the mid-century role of Detroit as an industrial power and architectural mecca; we follow a debate over public housing that entailed the creation and eventual destruction of many thousands of units; we examine competing attempts to embody democratic ideals in architecture and to represent those ideals in foreign lands; we ponder the consequences of anti-Japanese prejudice and the masculism of the architectural profession; we see Yamasaki’s style criticized for its arid minimalism yet equally for its delicacy and charm; we observe Yamasaki making a great name for himself in the Arab world but his twin towers ultimately destroyed by Islamic militants. As this curious tale of ironies unfolds, it invites reflection on the core of modern architecture’s search for meaning and on the creative possibilities its legacy continues to offer. Beautifully illustrated with over 100 color illustrations of Yamasaki’s buildings, this book will be of interest to students, academics and professionals in a range of disciplines, including architectural history, architectural theory, architectural preservation, and urban design and planning.
Minstrel Traditions: Mediated Blackface in the Jazz Age
by Kevin James ByrneMinstrel Traditions: Mediated Blackface in the Jazz Age explores the place and influence of black racial impersonation in US society during a crucial and transitional time period. Minstrelsy was absorbed into mass-culture media that was either invented or reached widespread national prominence during this era: advertising campaigns, audio recordings, radio broadcasts, and film. Minstrel Traditions examines the methods through which minstrelsy's elements connected with the public and how these conventions reified the racism of the time. This book explores blackface and minstrelsy through a series of overlapping case studies which illustrate the extent to which blackface thrived in the early twentieth century. It contextualizes and analyzes the last musical of black entertainer Bert Williams, the surprising live career of pancake icon Aunt Jemima, a flourishing amateur minstrel industry, blackface acts of African American vaudeville, and the black Broadway shows which brought new musical styles and dances to the American consciousness. All reflect, and sometimes incorporate, the mass-culture technologies of the time, either in their subject matter or method of distribution. Retrograde blackface seamlessly transitioned from live to mediated iterations of these cultural products, further pushing black stereotypes into the national consciousness. The book project oscillates between two different types of performances: the live and the mediated. By focusing on how minstrelsy in the Jazz Age moved from live performance into mediatized technologies, the book adds to the intellectual and historical conversation regarding this pernicious, racist entertainment form. Jazz Age blackface helped normalize new media technologies and that technology extended minstrelsy's influence within US culture. Minstrel Traditions tracks minstrelsy's social impact over the course of two decades to examine how ideas of national identity employ racial nostalgias and fantasias. This book will be of great interest to scholars and researchers in theatre studies, communication studies, race and media, and musical scholarship
Mira lo que te pierdes: El mundo visto a través del arte
by Will GompertzVuelve la fresca sabiduría de Gompertz para enseñarnos a mirar como artistas y experimentar una nueva manera de estar en el mundo. Los artistas han aprendido a prestar atención. El resto de los mortales, sin embargo, pasamos la mayor parte del tiempo con el piloto automático, corriendo de aquí para allá, y nuestra excesiva familiaridadcon lo que nos rodea nos ciega ante el sinfín de maravillosos fenómenos que afirman la vida. Pero no tiene por qué ser así. A su más puro estilo, Will Gompertz nos lleva a la mente de los artistas, desde estrellas contemporáneas hasta viejos maestros, desde los más famosos hasta algunos menos conocidos, a lo largo y ancho del mundo, para mostrarnos cómo mirar y experimentar el mundo con mayor conciencia.Tras leer Mira lo que te pierdes disfrutamos contemplando el cielo en días nublados como el pintor romántico John Constable; Hockney se convierte en el nuevo guía de nuestros paseos por el bosque; entendemos qué es de verdad una amapola gracias a Georgia O'Keeffe; y Rembrandt nos contagia su valentía a la hora de mirarnos a nosotros mismos. Este libro nos ofrece la estimulante sensación de estar verdaderamente vivos. La crítica ha dicho:«Will Gompertz es un tipo singular. Rápido como la sangre. Y un defensor de la claridad en un territorio de opacidades».Antonio Lucas, El Mundo «Gompertz es tan provocador, irreverente, irónico, divertido y políticamente incorrecto como muchos de los artistas de los que habla. Su visión del mundo del arte es inteligente, salpimentada con buenas dosis de humor».Nati Pulido, ABC«Will Gompertz es de esa estirpe de profesionales que, porque de verdad saben, no necesitan demostrar nada. Aúna sencillez, hondura y falta de afectación».Hoyesarte.com «A Gompertz se le da mal ser aburrido».The Times «Gompertz es el mejor profesor que has tenido jamás».The Guardian
Mira Mesa
by Pam StevensMira Mesa is a suburban community in the northern part of the city of San Diego with many qualities of a small town. Mira Mesa is San Diego's largest suburb, with over 75,000 residents, stretching from Marine Corps Air Station Miramar on the south to Los Peñasquitos Canyon Preserve on the north, and from I-15 on the east to I-805 on the west. When rapid growth in the early 1970s transformed the mesa from rocks and rattlesnakes to tract homes, there were no schools, parks, or other facilities, not even a grocery store. Residents held rallies and marches, and the first schools in Mira Mesa were created inside houses leased from developers. Mira Mesa today is a happily multiethnic community that includes schools, parks, a library, industrial and retail centers, and several supermarkets.
Miracle in the Evening: An Autobiography
by Norman Bel GeddesMIRACLE IN THE EVENING is the autobiography of one of the most brilliant stage and industrial designers of our time. Norman Bel Geddes’ story is the drama of a young man who, having worked his way through school, climaxed a brilliant career with ideas that gave birth to some of the most spectacular theatrical productions of the last half century.Through Norman Bel Geddes’ story, as through the theater itself, pass the many colorful personalities of our age, lending brilliance and scope, good humor and compelling human interest.The life story of this ingenuous man is filled with names of the glittering and the great, such as Frank Lloyd Wright, Madame Schumann-Heink (his first portrait-sketch was of this famous contralto), Will Rogers, Charlie Chaplin, David Belasco, Horace Liveright, J. Walter Thompson, Walter Chrysler, Harold Ross, and many others—a fascinating story of a man who has more than once created for audiences a MIRACLE IN THE EVENING.
Miracle Mile in Los Angeles: History and Architecture
by Ruth WallachThe world-famous Miracle Mile in Los Angeles was shaped into a great commercial and cultural district by the city's tremendous urban expansion in the early twentieth century. Its origins along Wilshire Boulevard are directly related to the twin LA booms in auto travel and real estate ventures. Once the home of such famous stores as the May Company, Silverwood's, Coulter's and Desmond's, as well as Streamline Moderne and Art Deco architecture, Miracle Mile has boasted the La Brea Tar Pits and Farmer's Market, Gilmore Field and CBS Television City, as well as Pan Pacific Park and Museum Row. Join author Ruth Wallach, head of the University of Southern California's Architecture and Fine Arts Library, for this tour through the most emblematic neighborhood of twentieth-century Los Angeles development.
The Miracle of Clarence W. Jones & HCJB
by Lois Neely"Go south with radio," God said to Clarence Wesley Jones. So C. W. went south--to Ecuador. Come up to this mountain," God said. Clarence Jones ascended the mountain and perched his tiny radio operation in Quito, the city at the "top of the world." Lord, C. W. prayed then, give me this mountain. And so it was that in 1931, in a humble sheepshed rigged with a 250-watt transmitter and antenna wire, a Christmas program was broadcast to a total of just thirteen receiving sets, and HCJB was born. It was the advent of missionary radio. Come Up to This Mountain is the inspiring story of HCJB and the pioneering missionary spirit of C. W. Jones. A man of dreams, relentless energy, and immense practicality, C. W. Jones took that "soft whisper of the Andes" and, through hardship and tragedy, built it into a massive 500,000-watt radio center, a "mighty shout echoing around the globe." Give me this mountain, said C. W. Jones. And God gave him the world.
Miracles
by C. S. LewisIn the classic Miracles, C.S. Lewis, the most important Christian writer of the 20th century, argues that a Christian must not only accept but rejoice in miracles as a testimony of the unique personal involvement of God in his creation.