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Archive Everything: Mapping the Everyday
by Gabriella GiannachiHow the archive evolved to include new technologies, practices, and media, and how it became the apparatus through which we map the everyday.In Archive Everything, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival. Archives now consist of not only documents and sites but also artworks, installations, museums, social media platforms, and mediated and mixed reality environments. Giannachi tracks the evolution of these diverse archival practices across the centuries. Archives today offer a multiplicity of viewing platforms to replay the past, capture the present, and map our presence. Giannachi uses archaeological practices to explore all the layers of the archive, analyzing Lynn Hershman Leeson's !Women Art Revolution project, a digital archive of feminist artists. She considers the archive as a memory laboratory, with case studies that include visitors' encounters with archival materials in the Jewish Museum in Berlin. She discusses the importance of participatory archiving, examining the “multimedia roadshow” Digital Diaspora Family Reunion as an example. She explores the use of the archive in works that express the relationship between ourselves and our environment, citing Andy Warhol and Ant Farm, among others. And she looks at the transmission of the archive through the body in performance, bioart, and database artworks, closing with a detailed analysis of Lynn Hershman Leeson's Infinity Engine.
An Archive of the Catastrophe: The Unused Footage of Claude Lanzmann's Shoah (SUNY series in Contemporary Jewish Literature and Culture)
by Jennifer CazenaveHonorable Mention, 2020 Best First Book Award presented by the Society for Cinema and Media StudiesClaude Lanzmann's 1985 magnum opus, Shoah, is a canonical documentary on the Holocaust—and in film history. Over the course of twelve years, Lanzmann gathered 230 hours of location filming and interviews with survivors, witnesses, and perpetrators, which he condensed into a 9½-hour film. The unused footage was scattered and inaccessible for years before it was restored and digitized by the United States Holocaust Memorial Museum. In An Archive of the Catastrophe, Jennifer Cazenave presents the first comprehensive study of this collection. She argues that the outtakes pose a major challenge to the representational and theoretical paradigms produced by the documentary, while offering new meanings of Shoah and of Holocaust testimony writ large. They lend fresh insight into issues raised by the film, including questions of resistance, rescue, refugees, and, above all, gender—Lanzmann's twenty hours of interviews with women make up a mere ten minutes of the finished documentary. As a rare instance of outtakes preserved during the predigital era of cinema, this unused footage challenges us to establish a new critical framework for understanding how documentaries are constructed and reshapes the way we view this key Holocaust film.To view the book trailer on YouTube, please go to: https://www.youtube.com/watch?v=bBjUWyAn55g
Archive Style: Photographs and Illustrations for U.S. Surveys, 1850-1890
by Robin KelseyThis imaginative study of American visual culture reveals how the political predicaments of a few small bureaucracies once fostered pictures of an extraordinary style. U.S. geographical and geological surveys of the late nineteenth century produced photographs and drawings of topography, American Indians, geologic features, botanical specimens, and specialists at work in the field. Some of these pictures have long been celebrated for their anticipation of a modernist aesthetic, but Robin Kelsey, in this abundantly illustrated volume, traces their modernistic qualities to archival ingenuity. The technical and promotional needs of surveys, Kelsey argues, fostered the emergence of a taut, graphic pictorial style that imitated the informational clarity of diagrams and maps. As this book demonstrates, these pictures became sites of struggle as well as innovation when three brilliant survey artists and photographers subtly resisted the programs they were hired to serve. Discovering a politics of style behind the modernist look of survey pictures, Kelsey offers a fresh interpretation of canonical western expedition photographs by Timothy H. O'Sullivan and introduces two exceptional but largely forgotten sets of pictures: views of the U.S.-Mexico boundary from the 1850s by Arthur Scott and photographs of the Charleston earthquake of 1886 by C. C. Jones.
Archiveology: Walter Benjamin and Archival Film Practices (a Camera Obscura Book)
by Catherine RussellIn Archiveology Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology—the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers—provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Védrès's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
Archives, Museums and Collecting Practices in the Modern Arab World
by John Pedro Schwartz Sonja Mejcher-AtassiCollecting has a long tradition in the Middle East but the museum as a public institution is relatively new. Today there are national museums for antiquities in most Arab countries. While in some cases the political and social climate has hindered the foundation of museums, with existing collections even destroyed at times, the recent museum boom in the Gulf States is again changing the outlook. This unique book is the first to explore collecting practices in archives and museums in the modern Arab world, featuring case studies of collecting practices in countries ranging from Egypt and Lebanon to Palestine, Jordan, Iraq and the Gulf, and providing a theoretical and methodological basis for future research. The authors are also concerned with investigating the relationship between past and present, since collecting practices tell us a great deal not only about the past but also about the ways we approach the past and present conceptions of our identities. Collections can be textual as well, as in the stories, memories or events selected, recalled, and retold in the pages of a text. As interest in memory studies as well as popular and visual culture grows in the Arab World, so collecting practices are at the heart of any critical approach to the past and the present in that region. The book will be of great interest not only to scholars and students of the modern Arab world but also to professionals in museums and collections in the region, as well as around the world.
Archives of American Art Journal, volume 60 number 1 (Spring 2021)
by Archives of American Art JournalThis is volume 60 issue 1 of Archives of American Art Journal. First published in 1960 as the Archives of American Art Bulletin, the Archives of American Art Journal is the longest-running scholarly periodical devoted to the history of art in the United States. This peer-reviewed publication showcases new approaches to and out-of-the-box thinking about primary sources. All contributions must be appropriate for the journal's broad audience and engage in a substantial, meaningful way with the holdings of the Archives of American Art.
Archives of American Art Journal, volume 60 number 2 (Fall 2021)
by Archives of American Art JournalThis is volume 60 issue 2 of Archives of American Art Journal. First published in 1960 as the Archives of American Art Bulletin, the Archives of American Art Journal is the longest-running scholarly periodical devoted to the history of art in the United States. This peer-reviewed publication showcases new approaches to and out-of-the-box thinking about primary sources. All contributions must be appropriate for the journal's broad audience and engage in a substantial, meaningful way with the holdings of the Archives of American Art.
Archives of American Art Journal, volume 61 number 1 (Spring 2022)
by Archives of American Art JournalThis is volume 61 issue 1 of Archives of American Art Journal. First published in 1960 as the Archives of American Art Bulletin, the Archives of American Art Journal is the longest-running scholarly periodical devoted to the history of art in the United States. This peer-reviewed publication showcases new approaches to and out-of-the-box thinking about primary sources. All contributions must be appropriate for the journal's broad audience and engage in a substantial, meaningful way with the holdings of the Archives of American Art.
Archives of American Art Journal, volume 61 number 2 (Fall 2022)
by Archives of American Art JournalThis is volume 61 issue 2 of Archives of American Art Journal. First published in 1960 as the Archives of American Art Bulletin, the Archives of American Art Journal is the longest-running scholarly periodical devoted to the history of art in the United States. This peer-reviewed publication showcases new approaches to and out-of-the-box thinking about primary sources. All contributions must be appropriate for the journal's broad audience and engage in a substantial, meaningful way with the holdings of the Archives of American Art.
Archives of American Art Journal, volume 62 number 1 (Spring 2023)
by Archives of American Art JournalThis is volume 62 issue 1 of Archives of American Art Journal. First published in 1960 as the Archives of American Art Bulletin, the Archives of American Art Journal is the longest-running scholarly periodical devoted to the history of art in the United States. This peer-reviewed publication showcases new approaches to and out-of-the-box thinking about primary sources. All contributions must be appropriate for the journal's broad audience and engage in a substantial, meaningful way with the holdings of the Archives of American Art.
Archives of American Art Journal, volume 62 number 2 (Fall 2023)
by Archives of American Art JournalThis is volume 62 issue 2 of Archives of American Art Journal. First published in 1960 as the Archives of American Art Bulletin, the Archives of American Art Journal is the longest-running scholarly periodical devoted to the history of art in the United States. This peer-reviewed publication showcases new approaches to and out-of-the-box thinking about primary sources. All contributions must be appropriate for the journal's broad audience and engage in a substantial, meaningful way with the holdings of the Archives of American Art.
Archives of American Art Journal, volume 63 number 1 (Spring 2024)
by Archives of American Art JournalThis is volume 63 issue 1 of Archives of American Art Journal. First published in 1960 as the Archives of American Art Bulletin, the Archives of American Art Journal is the longest-running scholarly periodical devoted to the history of art in the United States. This peer-reviewed publication showcases new approaches to and out-of-the-box thinking about primary sources. All contributions must be appropriate for the journal's broad audience and engage in a substantial, meaningful way with the holdings of the Archives of American Art.
Archives of the Insensible
by Allen FeldmanIn this jarring look at contemporary warfare and political visuality, renowned anthropologist of violence Allen Feldman provocatively argues that contemporary sovereign power mobilizes asymmetric, clandestine, and ultimately unending war as a will to truth. Whether responding to the fantasy of weapons of mass destruction or an existential threat to civilization, Western political sovereignty seeks to align justice, humanitarian right, and democracy with technocratic violence and visual dominance. Connecting Guantánamo tribunals to the South African Truth and Reconciliation Commission, American counterfeit killings in Afghanistan to the Baader-Meinhof paintings of Gerhard Richter, and the video erasure of Rodney King to lynching photography and political animality, among other scenes of terror, Feldman contests sovereignty's claims to transcendental right --whether humanitarian, neoliberal, or democratic--by showing how dogmatic truth is crafted and terror indemnified by the prosecutorial media and materiality of war. Excavating a scenography of trials--formal or covert, orchestrated or improvised, criminalizing or criminal--Feldman shows how the will to truth disappears into the very violence it interrogates. He maps the sensory inscriptions and erasures of war, highlighting war as a media that severs factuality from actuality to render violence just. He proposes that war promotes an anesthesiology that interdicts the witness of a sensory and affective commons that has the capacity to speak truth to war. Feldman uses layered deconstructive description to decelerate the ballistical tempo of war to salvage the embodied actualities and material histories that war reduces to the ashes of collateral damage, the automatism of drones, and the opacities of black sites. The result is a penetrating work that marries critical visual theory, political philosophy, anthropology, and media archeology into a trenchant dissection of emerging forms of sovereignty and state power that war now makes possible.
Archives of Times Past: Conversations about South Africa’s Deep History
by Rachel King John Wright Sifiso Mxolisi Ndlovu Mbongiseni Buthelezi Amanda Esterhuysen Geoffrey Blundell Fred Morton Muchaparara Musemwa Cynthia Kros Helen Ludlow Jan Boeyens Lize Kriel Sekibakiba Peter Lekgoathi Grant McNulty Hlonipha Mokoena Ndukuyakhe Ndlovu Himal Ramji Justine WintjesThis volume critically examines sources of evidence and material from the archive that historically have been used to tell southern Africa’s pre-colonial story.
Archiving an Epidemic: Art, AIDS, and the Queer Chicanx Avant-Garde (Sexual Cultures #36)
by Robb HernándezCritically reimagines Chicanx art, unmasking its queer afterlife Emboldened by the boom in art, fashion, music, and retail culture in 1980s Los Angeles, the iconoclasts of queer Aztlán—as Robb Hernández terms the group of artists who emerged from East LA, Orange County, and other parts of Southern California during this period—developed a new vernacular with which to read the city in bloom. Tracing this important but understudied body of work, Archiving an Epidemic catalogs a queer retelling of the Chicana and Chicano art movement, from its origins in the 1960s, to the AIDS crisis and the destruction it wrought in the 1980s, and onto the remnants and legacies of these artists in the current moment. Hernández offers a vocabulary for this multi-modal avant-garde—one that contests the heteromasculinity and ocular surveillance visited upon it by the larger Chicanx community, as well as the formally straight conditions of traditional archive-building, museum institutions, and the art world writ large. With a focus on works by Mundo Meza (1955–85), Teddy Sandoval (1949–1995), and Joey Terrill (1955– ), and with appearances by Laura Aguilar, David Hockney, Robert Mapplethorpe, and even Eddie Murphy, Archiving an Epidemic composes a complex picture of queer Chicanx avant-gardisms. With over sixty images—many of which are published here for the first time—Hernández’s work excavates this archive to question not what Chicanx art is, but what it could have been.
Archiving Cultures: Heritage, community and the making of records and memory (Routledge Studies in Archives)
by Jeannette A. BastianArchiving Cultures defines and models the concept of cultural archives, focusing on how diverse communities express and record their heritage and collective memory and why and how these often-intangible expressions are archival records. Analysis of oral traditions, memory texts and performance arts demonstrate their relevance as records of their communities. Key features of this book include definitions of cultural heritage and archival heritage with an emphasis on intangible cultural heritage. Aspects of cultural heritage such as oral traditions, performance arts, memory texts and collective memory are placed within the context of records and archives. It presents strategies for reconciling intangible and tangible cultural expressions with traditional archival theory and practice and offers both analog and digital models for constructing cultural archives through examples and vignettes. The audience includes archivists and other information workers who challenge Western archival theory and scholars concerned with interdisciplinary perspectives on tangible and intangible cultural heritage. This book is relevant to scholars involved with non-textual materials and will appeal to a range of academic disciplines engaging with "the archive".
Arctic Cinemas and the Documentary Ethos
by Anna Westerstahl StenportA collection of essays analyzing the representation of the Arctic region in documentary films.Beginning with Robert Flaherty’s Nanook of the North (1922), the majority of films that have been made in, about, and by filmmakers from the Arctic region have been documentary cinema. Focused on a hostile environment that few people visit, these documentaries have heavily shaped ideas about the contemporary global Far North. In Arctic Cinemas and the Documentary Ethos, contributors from a variety of scholarly and artistic backgrounds come together to provide a comprehensive study of Arctic documentary cinemas from a transnational perspective. This book offers a thorough analysis of the concept of the Arctic as it is represented in documentary filmmaking, while challenging the notion of “The Arctic” as a homogenous entity that obscures the environmental, historical, geographic, political, and cultural differences that characterize the region. By examining how the Arctic is imagined, understood, and appropriated in documentary work, the contributors argue that such films are key in contextualizing environmental, indigenous, political, cultural, sociological, and ethnographic understandings of the Arctic, from early cinema to the present. Understanding the role of these films becomes all the more urgent in the present day, as conversations around resource extraction, climate change, and sovereignty take center stage in the Arctic’s representation.“Highly recommended.” —Choice“A thorough exploration of the inexorable links between the circumpolar regions and historic and contemporary documentary filmmaking. It will b valuable to Arctic humanities specialists, particularly as a welcome addition to scholarship on visual depictions of the Arctic by authors such as Ann Fienup-Riordan, Richard Condon, Russell Potter, and Peter Geller, as well as Mackenzie and Westerstahl Steport’s earlier co-edited volume, Films on Ice. It will also be of use to anyone interested in ways of studying linkages between filmmaking, environments, and local and outsider communities.” —Sarah Pickman, Yale University, H-Environment, January 2020
Arctic Voices: Resistance at the Tipping Point
by Subhankar BanerjeeA pristine environment of ecological richness and biodiversity. Home to generations of indigenous people for thousands of years. The location of vast quantities of oil, natural gas and coal. Largely uninhabited and long at the margins of global affairs, in the last decade Arctic Alaska has quickly become the most contested land in recent US history. World-renowned photographer, writer, and activist Subhankar Banerjee brings together first-person narratives from more than thirty prominent activists, writers, and researchers who address issues of climate change, resource war, and human rights with stunning urgency and groundbreaking research. From Gwich'in activist Sarah James's impassioned appeal, "We Are the Ones Who Have Everything to Lose," during the UN Climate Conference in Copenhagen in 2009 to an original piece by acclaimed historian Dan O'Neill about his recent trips to the Yukon Flats fish camps, Arctic Voices is a window into a remarkable region.Other contributors include Seth Kantner, Velma Wallis, Nick Jans, Debbie Miller, Andri Snaer Magnason, George Schaller, George Archibald, Cindy Shogan, and Peter Matthiessen.
Arden
by Mark TaylorThe Village of Arden was founded in 1900 by sculptor Frank Stephens and architect Will Price, both social reformers who sought to create an ideal society based on principles set forth by the American economist Henry George. With funding from Joseph Fels, a wealthy Philadelphia soap manufacturer who also financed C. R. Ashbee's Guild of Handicraft in England, Stephens and Price purchased 162 acres in northern Delaware and named their colony after the Arden forest of William Shakespeare's As You Like It. The community's motto was "You Are Welcome Hither," but Arden's founders did not anticipate the diverse and colorful mix of radicals and progressives their experiment would attract, including Upton Sinclair, muckraking author of The Jungle, and Scott Nearing, author of Living the Good Life. Through photographs, Images of America: Arden explores the early history of one of this country's most vibrant, yet little known, utopian experiments.
La ardilla de Braque: Notas sobre arte
by José Francisco YvarsUna nueva y meditada reflexión sobre el arte, su historia y varios de sus protagonistas. Picasso fue a visitar a Braque en su estudio. El pintor trabajaba un bodegón. De pronto el malagueño exclamó: «¡Pobre amigo! Veo una ardilla en tu lienzo». Braque respondió sorprendido: «No es posible». Picasso insistió: «Quizá sea una visión paranoica, pero veo una ardilla. El lienzo está destinado a ser un cuadro y no una ilusión óptica; la gente necesita ver algo en él. Tú representas un paquete de tabaco junto a una pipa, pero aparta de ahí esa ardilla». Braque llegó a ver la ardilla y luchó encarnizadamente con ella, hasta que, al fin, el tabaco, la pipa y los naipes se transformaron en un cuadro cubista. Esta anécdota, apenas conocida, sirve a J. F. Yvars para dar título a esta nueva selección de textos. Insiste en el análisis de la obra de arte desde diferentes perspectivas y ayuda a descifrar el trabajo y lapersonalidad de figuras cardinales: Julio González, David Smith, Aby Warburg, entre otros.
Ardmore
by Charlsie Foust AllenAlthough part of the Chickasaw Nation, virgin soil lured pioneers into Indian Territory, and by 1900, intruders outnumbered Native Americans 10 to 1, building communities throughout Native American lands. In 1887, on a grassy prairie where buffalo had roamed, men gathered where the Santa Fe Railroad planned to build a station. By 1898, Ardmore was a thriving city with businesses, churches, electricity, and telephones. Under a new federal law in late 1898, Ardmore became an incorporated city. Several disasters including a massive explosion and two major fires almost destroyed the town, but the people who built Ardmore came from sturdy stock. After each disaster, they rebuilt, and Ardmore continued to prosper.
The Arduino Inventor's Guide: Learn Electronics by Making 10 Awesome Projects
by Brian Huang Derek RunbergWith Arduino, you can build any hardware project you can imagine. This open-source platform is designed to help total beginners explore electronics, and with its easy-to-learn programming language, you can collect data about the world around you to make something truly interactive.The Arduino Inventor's Guide opens with an electronics primer filled with essential background knowledge for your DIY journey. From there, you’ll learn your way around the Arduino through a classic hardware entry point—blinking LEDs. Over the course of the book, 11 hands-on projects will teach you how to:–Build a stop light with LEDs–Display the volume in a room on a warning dial–Design and build a desktop fan–Create a robot that draws with a motor and pens–Create a servo-controlled balance beam–Build your own playable mini piano–Make a drag race timer to race toy cars against your friendsEach project focuses on a new set of skills, including breadboarding circuits; reading digital and analog inputs; reading magnetic, temperature, and other sensors; controlling servos and motors; and talking to your computer and the Web with an Arduino. At the end of every project, you’ll also find tips on how to use it and how to mod it with additional hardware or code.What are you waiting for? Start making, and learn the skills you need to own your technology!Uses the Arduino Uno board or SparkFun RedBoard
Arduino Workshop: A Hands-On Introduction with 65 Projects
by John BoxallThe Arduino is a cheap, flexible, open source microcontroller platform designed to make it easy for hobbyists to use electronics in homemade projects. With an almost unlimited range of input and output add-ons, sensors, indicators, displays, motors, and more, the Arduino offers you countless ways to create devices that interact with the world around you.In Arduino Workshop, you'll learn how these add-ons work and how to integrate them into your own projects. You'll start off with an overview of the Arduino system but quickly move on to coverage of various electronic components and concepts. Hands-on projects throughout the book reinforce what you've learned and show you how to apply that knowledge. As your understanding grows, the projects increase in complexity and sophistication.Among the book's 65 projects are useful devices like:– A digital thermometer that charts temperature changes on an LCD–A GPS logger that records data from your travels, which can be displayed on Google Maps– A handy tester that lets you check the voltage of any single-cell battery– A keypad-controlled lock that requires a secret code to openYou'll also learn to build Arduino toys and games like:– An electronic version of the classic six-sided die– A binary quiz game that challenges your number conversion skills– A motorized remote control tank with collision detection to keep it from crashingArduino Workshop will teach you the tricks and design principles of a master craftsman. Whatever your skill level, you'll have fun as you learn to harness the power of the Arduino for your own DIY projects.Uses the Arduino Uno board
Are the Arts Essential?
by Alberta Arthurs Michael F. DiNisciaA timely and kaleidoscopic reflection on the importance of the arts in our societyIn the midst of a devastating pandemic, as theaters, art galleries and museums, dance stages and concert halls shuttered their doors indefinitely and institutional funding for entertainment and culture evaporated almost overnight, a cohort of highly acclaimed scholars, artists, cultural critics, and a journalist sat down to ponder an urgent question: Are the arts essential? Across twenty-five highly engaging essays, these luminaries join together to address this question and to share their own ideas, experiences, and ambitions for the arts. Darren Walker discusses the ideals of justice and fairness advanced through the arts; Mary Schmidt Campbell shows us how artists and cultural institutions helped New York overcome the economic crisis of the 1970s, bringing new investment and creativity to the city; Deborah Willis traces histories of oppression and disenfranchisement documented by photographers; and Oskar Eustis offers a brief history lesson on how theaters have built communities since the Golden Age of Athens. Other topics include the vibrancy and diversity of Muslim culture in America during a time of rising Islamophobia; the strengthening of the common good through the art and cultural heritages of indigenous communities; digital data aggregation informing and influencing new art forms; and the jazz lyricisms of a theater piece inspired by a composer’s two-month coma. Drawing on their experiences across the spectrum of the arts, from the performing and visual arts to poetry and literature, the contributors remind readers that the arts are everywhere and, in one important way after another, they question, charge and change us. These impassioned essays remind us of the human connections the arts can forge—how we find each other through the arts, across the most difficult divides, and how the arts can offer hope in the most challenging times. What answer does this convocation offer to Are the Arts Essential? A resounding Yes.
Are you an inclusive designer?
by Julie FleckDespite improvements in the last 20 years we still have a long way to go before all of our buildings, places and spaces are easy and comfortable for all of us to use. This book puts forward a powerful case for a totally new attitude towards inclusivity and accessibility. Exploring both the social and the business cases for striving for better, this book will empower architects to have more enlightened discussions with their clients about why we should be striving for better than the bare minimum, and challenging the notion that inclusive design should be thought of reductively as simply a list of “special features” to be added to a final design, or that inclusivity is only about wheelchair access. This book will be to help make inclusive design business as usual rather than something that is added on to address legislation at the end of the development process. Accessible and engaging, this book will be an invaluable resource for students as well as practicing architects, richly illustrated with case studies showing both good and bad examples of inclusive design and celebrating inclusion.