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Mobile Hollywood: Labor and the Geography of Production
by Kevin SansonA free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. Contemporary film and television production is extraordinarily mobile. Filming large-scale studio productions in Atlanta, Budapest, London, Prague, or Australia's Gold Coast makes Hollywood jobs available to people and places far removed from Southern California—but it also requires individuals to uproot their lives as they travel around the world in pursuit of work. Drawing on interviews with a global contingent of film and television workers, Kevin Sanson weaves an analysis of the sheer scale and complexity of mobile production into a compelling account of the impact that mobility has had on job functions, working conditions, and personal lives. Mobile Hollywood captures how an expanded geography of production not only intensifies the often invisible pressures that production workers now face but also stretches the parameters of screen-media labor far beyond craftwork and creativity.
Mobile Interface Theory: Embodied Space and Locative Media
by Jason FarmanMobile media – from mobile phones to smartphones to netbooks – are transforming our daily lives. We communicate, we locate, we network, we play, and much more using our mobile devices. In Mobile Interface Theory, Jason Farman demonstrates how the worldwide adoption of mobile technologies is causing a reexamination of the core ideas about what it means to live our everyday lives. He argues that mobile media’s pervasive computing model, which allows users to connect and interact with the internet while moving across a wide variety of locations, has produced a new sense of self among users – a new embodied identity that stems from virtual space and material space regularly enhancing, cooperating or disrupting each other. Exploring a range of mobile media practices – including mobile maps and GPS technologies, location-aware social networks, urban and alternate reality games that use mobile devices, performance art, and storytelling projects – Farman illustrates how mobile technologies are changing the ways we produce lived, embodied spaces.
Mobile Interface Theory: Embodied Space and Locative Media
by Jason FarmanIn this updated second edition, Jason Farman offers a groundbreaking look at how location-aware mobile technologies are radically shifting our sense of identity, community, and place-making practices. Mobile Interface Theory is a foundational book in mobile media studies, with the first edition winning the Book of the Year Award from the Association of Internet Researchers. It explores a range of mobile media practices from interface design to maps, AR/VR, mobile games, performances that use mobile devices, and mobile storytelling projects. Throughout, Farman provides readers with a rich theoretical framework to understand the ever-transforming landscape of mobile media and how they shape our bodily practices in the spaces we move through. This fully updated second edition features updated examples throughout, reflecting the shifts in mobile technology. This is the ideal text for those studying mobile media, social media, digital media, and mobile storytelling.
Mobile Media In and Outside of the Art Classroom: Attending to Identity, Spatiality, and Materiality
by Juan Carlos CastroThis edited volume explores a range of educational effects on student learning that resulted from a long-term study using a creative visual arts curriculum designed for mobile media (smartphones and tablets) and used in art classrooms. The curriculum, entitled MonCoin, a French phrase meaning My Corner, was initially designed and piloted in a Montreal area school for at-risk youth in 2012. Since then, it has been refined, deployed, and researched across secondary schools from a range of socio-cultural educational contexts. This book is comprised of contributions from researchers and practitioners associated with the MonCoin project who address critical insights gleaned from our study, such as the social context of teen mobile media use; curriculum theory and design; influences of identity on creative practice; and specific strategies for creative applications of mobile media in schools. The purpose of this edited book is to offer art education researchers and teachers innovative curriculum for mobile media and the networked conditions that influence identity, space, and practice with and through this ubiquitous technology.
The Mobile Photographer
by Robert FisherIt’s been said that, with smartphones, everyone is a photographer. There is a snide implication with that statement-that camera phones aren’t "real” cameras and that the people who use them aren’t "real” photographers. In this book, Robert Fisher proves that today’s Android devices offer cameras that are remarkably powerful and more than capable of producing images that rival those made with more "serious” equipment. In this book, Fisher guides readers through the menus of the Android operating system, helping them to understand how to choose and use out-of-the-box controls for better images. Next, he covers add-on accessories and applications designed to enhance the devices’ capabilities. While the photographic capabilities of the "base” camera are pretty terrific and will meet with rave reviews from many users, the camera really produces images that sing when suited up with DSLR functions, filters, and postproduction effects-all of which Fisher covers with prowess and technical skill.
The Mobile Photographer
by Robert FisherIt's been said that, with smartphones, everyone is a photographer. There is a snide implication with that statement-that camera phones aren't "real" cameras and that the people who use them aren't "real" photographers. In this book, Robert Fisher proves that today's Android devices offer cameras that are remarkably powerful and more than capable of producing images that rival those made with more "serious" equipment.In this book, Fisher guides readers through the menus of the Android operating system, helping them to understand how to choose and use out-of-the-box controls for better images. Next, he covers add-on accessories and applications designed to enhance the devices' capabilities. While the photographic capabilities of the "base" camera are pretty terrific and will meet with rave reviews from many users, the camera really produces images that sing when suited up with DSLR functions, filters, and postproduction effects-all of which Fisher covers with prowess and technical skill.
Mobile Services for Toy Computing
by Patrick C. K. HungThe goal of this book is to crystallize the emerging mobile computing technologies and trends by focusing on the most promising solutions in services computing. The book will provide clear proof that mobile technologies are playing an increasingly important and critical role in supporting toy computing. The goal of this book is to bring together academics and practitioners to describe the use and synergy between the above-mentioned technologies. This book is intended for researchers and students working in computer science and engineering, as well as toy industry technology providers, having particular interests in mobile services.
Mobile Story Making in an Age of Smartphones
by Marsha Berry Max SchleserThe participatory turn in media, arts and design along with interrelated developments in the proliferation of social and network media have changed our understanding of the contemporary mediascape. Mobile Story Making in an Age of Smartphones reveals how smartphones and storytelling are forming a symbiosis that empowers twenty-first century citizens and creatives around the world. The edited collection further develops definitions and debate around creative mobile media and its impact on media, art and design. It brings together mobile artists, digital ethnographers, filmmakers working with smartphones, illustrators, screenwriters as well as musicians utilizing apps and mobile devices, who explore new directions in the creative arts with a focus on screen production. Lastly, it demonstrates how mobile devices and smartphones can make a difference in peoples’ lives and catalyses creativity in order to tackle current socio-cultural issues.
Mobile Storytelling in an Age of Smartphones
by Max Schleser Xiaoge XuThis book explores contemporary approaches to mobile storytelling, with contributions covering mobile education, news and screen storytelling, creative practice research, and the impact on vulnerable communities and social innovation. With 18 original chapters, Schleser and Xu bring together international media and communication scholars, digital storytellers, filmmakers, musicians, and educators to discuss the significant contributions made by mobile storytelling within academia, culture and society, resulting in a vibrant and interdisciplinary collection that will be a valuable resource to researchers across the arts, humanities and social sciences. This edited collection is a result of the collaboration between Mobile Studies International (MSI) and the Mobile Innovation Network & Association (MINA) at the International Mobile Storytelling Congress (IMSC) at the University of Nottingham Ningbo China.
Mobile Technologies of the City (Networked Cities Series)
by Mimi Sheller John UrryMobile communications technologies are taking off across the world, while urban transportation and surveillance systems are also being rebuilt and updated. Emergent practices of physical, informational and communicational mobility are reconfiguring patterns of movement, co-presence, social exclusion and security across many urban contexts. This book brings together a carefully selected group of innovative case studies of these mobile technologies of the city, tracing the emergence of both new socio-technical practices of the city and of a new theoretical paradigm for mobilities research.
Mobile Web and Intelligent Information Systems: 16th International Conference, MobiWIS 2019, Istanbul, Turkey, August 26–28, 2019, Proceedings (Lecture Notes in Computer Science #11673)
by Irfan Awan Muhammad Younas Perin Ünal Markus AleksyThis book constitutes the refereed proceedings of the 16th International Conference on Mobile Web and Intelligent Information Systems, MobiWIS 2019, held in Istanbul, Turkey, in August 2019. The 23 full papers presented together with 3 short papers were carefully reviewed and selected from 74 submissions. The papers of the MobiWIS 2019 deal with areas such as: mobile apps and services; web and mobile applications; security and privacy; wireless networks and cloud computing; intelligent mobile applications; and mobile web and practical applications.
Mobilising Housing Histories: Learning from London's Past for a Sustainable Future
by Peter Guillery David KrollThe problem of creating affordable, adequate housing for a growing population is not a new one. This book, for anyone with a professional or personal interest in improving housing provision everywhere, aims to inspire by offering in-depth studies of London's housing past and seeks to provide sustainable solutions for the future by linking to wider contemporary historical and social contexts. This book will influence today’s housing debates through showcasing lessons from the past and highlights examples that inform the present. The buildings assessed in these case studies will be measured in terms of their longevity, sustained popularity, livability, average densities and productivity. The research and case studies from the book provide an invaluable resource for academics of architecture, urban design, sociology, history and geography as well as professionals, policy makers and journalists.
Mobilités culturelles - Cultural Mobilities (Transferts culturels)
by Pascal Gin et/and Walter MoserLa mobilité – la capacité à se déplacer ou à être déplacé – est un élément si omniprésent dans la vie moderne qu’elle est tenue pour acquise, presque imperceptible en raison de sa constante présence. Dans Mobilités culturelles – Cultural Mobilities, des chercheurs du Canada et du Brésil, écrivant en anglais et en français, s’interrogent sur l’impact et l’influence qu’a la mobilité sur les dynamiques culturelles au sein de leurs deux pays et entre eux. Explorant le mouvement – des gens, des idées et des créations culturelles – et les processus qui affectent ce mouvement, ils apportent de nouvelles perspectives sur la manière dont la mobilité structure les conditions culturelles contemporaines. Intrinsèquement interdisciplinaire, le volume s’appuie sur des contributions provenant entre autres des domaines de la géographie urbaine, des arts visuels, du cinéma, de la littérature, de la danse et du journalisme, soulignant la mobilité comme un domaine important de la recherche universitaire. Aussi intrinsèquement interculturel, il utilise une approche comparative Sud–Nord qui révèle les points communs et les différences entre les contextes canadien et brésilien. Mobilités culturelles – Cultural Mobilities propose une méthode pour l’étude de la mobilité en tant que force culturelle dans la société contemporaine.
Mobility and Fantasy in Visual Culture (Routledge Advances in Art and Visual Studies)
by Lewis JohnsonThis volume offers a varied and informed series of approaches to questions of mobility—actual, social, virtual, and imaginary—as related to visual culture. Contributors address these questions in light of important contemporary issues such as migration; globalization; trans-nationality and trans-cultural difference; art, space and place; new media; fantasy and identity; and the movement across and the transgression of the proprieties of boundaries and borders. The book invites the reader to read across the collection, noting differences or making connections between media and forms and between audiences, critical traditions and practitioners, with a view to developing a more informed understanding of visual culture and its modalities of mobility and fantasy as encouraged by dominant, emergent, and radical forms of visual practice.
Mobility and Identity in US Genre Painting: Painting at the Threshold (Routledge Research in Art History)
by Lacey BaradelThis book examines the portrayal of themes of boundary crossing, itinerancy, relocation, and displacement in US genre paintings during the second half of the long nineteenth century (c. 1860–1910). Through four diachronic case studies, the book reveals how the high-stakes politics of mobility and identity during this period informed the production and reception of works of art by Eastman Johnson (1824–1906), Enoch Wood Perry, Jr. (1831–1915), Thomas Hovenden (1840–95), and John Sloan (1871–1951). It also complicates art history’s canonical understandings of genre painting as a category that seeks to reinforce social hierarchies and emphasize more rooted connections to place by, instead, privileging portrayals of social flux and geographic instability. The book will be of interest to scholars working in art history, literature, American studies, and cultural geography.
Mobility and Migration in Film and Moving Image Art: Cinema Beyond Europe (Routledge Advances in Film Studies)
by Nilgun BayraktarMobility and Migration in Film and Moving Image Art explores cinematic and artistic representations of migration and mobility in Europe from the 1990s to today. Drawing on theories of migrant and diasporic cinema, moving-image art, and mobility studies, Bayraktar provides historically situated close readings of films, videos, and cinematic installations that concern migratory networks and infrastructures across Europe, the Middle East, and Africa. Probing the notion of Europe as a coherent entity and a borderless space, this interdisciplinary study investigates the ways in which European ideals of mobility and fluidity are deeply enmeshed with forced migration, illegalization, and xenophobia. With a specific focus on distinct forms of mobility such as labor migration, postcolonial migration, tourism, and refugee mobilities, Bayraktar studies the new counter-hegemonic imaginations invoked by the work of filmmakers such as Ayşe Polat, Fatih Akin, Michael Haneke, and Tony Gatlif as well as video essays and installations of artists such as Kutluğ Ataman, Ursula Biemann, Ergin Çavuşoğlu, Maria Iorio and Raphaël Cuomo. Challenging aesthetic as well as national, cultural, and political boundaries, the works central to this book envision Europe as a diverse, inclusive, and unfixed continent that is reimagined from many elsewheres well beyond its borders.
The Mobility of People and Things in the Early Modern Mediterranean: The Art of Travel (Routledge Research in Art History)
by Elisabeth A. FraserFor centuries artists, diplomats, and merchants served as cultural intermediaries in the Mediterranean. Stationed in port cities and other entrepôts of the Mediterranean, these go-betweens forged intercultural connections even as they negotiated and sometimes promoted cultural misunderstandings. They also moved objects of all kinds across time and space. This volume considers how the mobility of art and material culture is intertwined with greater Mediterranean networks from 1580 to 1880. Contributors see the movement of people and objects as transformational, emphasizing the trajectory of objects over single points of origin, multiplicity over unity, and mutability over stasis.
Moby-Dick in Pictures: One Drawing for Every Page
by Matt KishA collection of illustrations inspired by lines from every single page of the 552-page Signet Classics paperback edition of Herman Melville's Moby-Dick Inspired by one of the world's greatest novels, Ohio artist Matt Kish set out on an epic voyage of his own one day in August 2009. More than one hundred and fifty years following the original publication of Moby-Dick, Kish began illustrating Herman Melville's classic, creating images based on text selected from every page of the 552-page Signet Classics paperback edition. Completely self-taught, Kish refused to set any boundaries for the artwork and employed a deliberately low-tech approach in response to the increasing popularity of born-digital art and literature. He used found pages torn from old, discarded books, as well as a variety of mediums, including ballpoint pen, marker, paint, crayon, ink, and watercolor. By layering images on top of existing words and images, Kish has crafted a visual masterpiece that echoes the layers of meaning in Melville's narrative. In retrospect, Kish says he feels as foolhardy as Ishmael, the novel's narrator, and as obsessed as Captain Ahab in his quest for the great white whale. "I see now that the project was an attempt to fully understand this magnificent novel, to walk through every sun-drenched word, to lift up all the hatches and open all the barrels, to smell, taste, hear, and see every seabird, every shark, every sailor, every harpooner, and every whale," he says. "It was a hard thing, a very painful thing, but the novel now lives inside me in a away it never could have before." Kish spent nearly every day for eighteen months toiling away in a small closet he converted into an art studio. In order to share the work with family and friends, he started the blog "One Drawing for Every page of Moby-Dick," where he posted art and brief description about his process on a daily basis.
Moby-Dick in Pictures: One Drawing for Every Page
by Matt KishA collection of illustrations inspired by lines from every single page of the 552-page Signet Classics paperback edition of Herman Melville's Moby-Dick Inspired by one of the world's greatest novels, Ohio artist Matt Kish set out on an epic voyage of his own one day in August 2009. More than one hundred and fifty years following the original publication of Moby-Dick, Kish began illustrating Herman Melville's classic, creating images based on text selected from every page of the 552-page Signet Classics paperback edition. Completely self-taught, Kish refused to set any boundaries for the artwork and employed a deliberately low-tech approach in response to the increasing popularity of born-digital art and literature. He used found pages torn from old, discarded books, as well as a variety of mediums, including ballpoint pen, marker, paint, crayon, ink, and watercolor. By layering images on top of existing words and images, Kish has crafted a visual masterpiece that echoes the layers of meaning in Melville's narrative. In retrospect, Kish says he feels as foolhardy as Ishmael, the novel's narrator, and as obsessed as Captain Ahab in his quest for the great white whale. "I see now that the project was an attempt to fully understand this magnificent novel, to walk through every sun-drenched word, to lift up all the hatches and open all the barrels, to smell, taste, hear, and see every seabird, every shark, every sailor, every harpooner, and every whale," he says. "It was a hard thing, a very painful thing, but the novel now lives inside me in a away it never could have before." Kish spent nearly every day for eighteen months toiling away in a small closet he converted into an art studio. In order to share the work with family and friends, he started the blog "One Drawing for Every page of Moby-Dick," where he posted art and brief description about his process on a daily basis.
Moby-Dick in Pictures
by Matt KishInspired by one of the world's greatest novels, Ohio artist Matt Kish set out on an epic voyage of his own one day in August 2009. More than one hundred and fifty years following the original publication of Moby-Dick, Kish began illustrating Herman Melville's classic, creating an image a day over the next eighteen months based on text selected from every page of the 552-page Signet Classics paperback edition. Completely self-taught, Kish refused to set any boundaries for the artwork and employed a deliberately low-tech approach in response to the increasing popularity of born-digital art and literature. He used found pages torn from old, discarded books, as well as a variety of mediums, including ballpoint pen, marker, paint, crayon, ink, and watercolor. By layering images on top of existing words and images, Kish has crafted a visual masterpiece that echoes the layers of meaning in Melville's narrative.
MoCap for Artists: Workflow and Techniques for Motion Capture
by Midori Kitagawa Brian WindsorMake motion capture part of your graphics and effects arsenal. This introduction to motion capture principles and techniques delivers a working understanding of today's state-of-the-art systems and workflows without the arcane pseudocodes and equations. Learn about the alternative systems, how they have evolved, and how they are typically used, as well as tried-and-true workflows that you can put to work for optimal effect. Demo files and tutorials provided on the downloadable resources deliver first-hand experience with some of the core processes.
Mock Classicism: Latin American Film Comedy, 1930-1960
by Nilo CouretIn Mock Classicism Nilo Couret presents an alternate history of Latin American cinema that traces the popularity and cultural significance of film comedies as responses to modernization and the forerunners to a more explicitly political New Latin American Cinema of the 1960s. By examining the linguistic play of comedians such as Cantinflas, Oscarito and Grande Otelo, Niní Marshall, and Luis Sandrini, the author demonstrates aspects of Latin American comedy that operate via embodiment on one hand and spatiotemporal emplacement on the other. Taken together, these parallel examples of comedic practice demonstrate how Latin American film comedies produce a "critically proximate" spectator who is capable of perceiving and organizing space and time differently. Combining close readings of films, archival research, film theory, and Latin American history, Mock Classicism rethinks classicism as a discourse that mediates and renders the world and argues that Latin American cinema became classical in distinct ways from Hollywood.
Mock Modernism
by Leonard DiepeveenHow was the modernist movement understood by the general public when it was first emerging? This question can be addressed by looking at how modernist literature and art were interpreted by journalists in daily newspapers, mainstream magazines like Punch and Vanity Fair, and literary magazines. In the earliest decades of the movement - before modernist artists were considered important, and before modernism's meaning was clearly understood - many of these interpretations took the form of parodies.Mock Modernism is an anthology of these amusing pieces, the overwhelming majority of which have not been in print since the first decades of the twentieth century. They include Max Beerbohm's send-up of Henry James; J.C. Squire's account of how a poet, writing deliberately incomprehensible poetry as a hoax, became the poet laureate of the British Bolshevist Revolution; and the Chicago Record-Herald's account of some art students' "trial" of Henri Matisse for "crimes against anatomy." An introduction and headnotes by Leonard Diepeveen highlight the usefulness of these pieces for comprehending media and public perceptions of a form of art that would later develop an almost unassailable power.
Mocksville
by Debra Leigh Dotson Jane Satchell McallisterOld photographs offer subjective and evocative evidence of the way we lived and worked in years past. Images of America: Mocksville shares the photographic story of the development of the town of Mocksville and its people to the mid-1900s. Named the seat of newly created Davie County in 1839, the town of Mocksville, originally known as Mocks Old Field, existed as early as the Revolutionary War. Photographs support documentary evidence of various trades as well as agricultural pursuits. Not all buildings or homes survive a town's growth, and Mocksville provides evidence of the passing parade of homes that did not survive. History comes alive as we rediscover and share old photographs and contemplate what they divulge of past times and lives.
Mockumentary Comedy: Performing Authenticity (Palgrave Studies in Comedy)
by Richard WallaceThis book is the first to take comedy seriously as an important aspect of the popular mockumentary form of film and television fiction. It examines the ways in which mockumentary films and television programmes make visible—through comedy—the performances that underpin straight documentaries and many of our public figures. Mockumentary Comedy focuses on the rock star and the politician, two figures that regularly feature as mockumentary subjects. These public figures are explored through detailed textual analyses of a range of film and television comedies, including A Hard Day’s Night, This is Spinal Tap, The Thick of It, Veep and the works of Christopher Guest and Alison Jackson. This book broadens the scope of existing mockumentary scholarship by taking comedy seriously in a sustained way for the first time. It ultimately argues that the comedic performances—by performers and of documentary conventions—are central to the form’s critical significance and popular appeal.