- Table View
- List View
An Aesthesia of Networks
by Anna MunsterToday almost every aspect of life for which data exists can be rendered as a network. Financial data, social networks, biological ecologies: all are visualized in links and nodes, linesconnecting dots. A network visualization of a corporate infrastructure could look remarkably similarto that of a terrorist organization. In An Aesthesia of Networks, Anna Munsterargues that this uniformity has flattened our experience of networks as active and relationalprocesses and assemblages. She counters the "network anaesthesia" that results from thispervasive mimesis by reinserting the question of experience, or aesthesia, into networked cultureand aesthetics. Rather than asking how humans experience computers and networks, Munster asks hownetworks experience -- what operations they perform and undergo to change andproduce new forms of experience. Drawing on William James's radical empiricism, she asserts thatnetworked experience is assembled first and foremost through relations, which make up its mostimmediately sensed and perceived aspect. Munster critically considers a range of contemporaryartistic and cultural practices that engage with network technologies and techniques, includingdatabases and data mining, the domination of search in online activity, and the proliferation ofviral media through YouTube. These practices -- from artists who "undermine" data tomusicians and VJs who use intranetworked audio and video software environments -- are concerned withthe relationality at the core of today's network experience.
An Aesthesia of Networks: Conjunctive Experience in Art and Technology (Technologies of Lived Abstraction)
by Anna MunsterThe experience of networks as the immediate sensing of relations between humans and nonhuman technical elements in assemblages such as viral media and databases.Today almost every aspect of life for which data exists can be rendered as a network. Financial data, social networks, biological ecologies: all are visualized in links and nodes, lines connecting dots. A network visualization of a corporate infrastructure could look remarkably similar to that of a terrorist organization. In An Aesthesia of Networks, Anna Munster argues that this uniformity has flattened our experience of networks as active and relational processes and assemblages. She counters the “network anaesthesia” that results from this pervasive mimesis by reinserting the question of experience, or aesthesia, into networked culture and aesthetics.Rather than asking how humans experience computers and networks, Munster asks how networks experience—what operations they perform and undergo to change and produce new forms of experience. Drawing on William James's radical empiricism, she asserts that networked experience is assembled first and foremost through relations, which make up its most immediately sensed and perceived aspect. Munster critically considers a range of contemporary artistic and cultural practices that engage with network technologies and techniques, including databases and data mining, the domination of search in online activity, and the proliferation of viral media through YouTube. These practices—from artists who “undermine” data to musicians and VJs who use intranetworked audio and video software environments—are concerned with the relationality at the core of today's network experience.
An Aesthetic Occupation
by Daniel Bertrand MonkIn An Aesthetic Occupation Daniel Bertrand Monk unearths the history of the unquestioned political immediacy of "sacred" architecture in the conflict between Palestinians and Israelis. Monk combines groundbreaking archival research with theoretical insights to examine in particular the Mandate era--the period in the first half of the twentieth century when Britain held sovereignty over Palestine. While examining the relation between monuments and mass violence in this context, he documents Palestinian, Zionist, and British attempts to advance competing arguments concerning architecture's utility to politics. Succumbing neither to the view that monuments are autonomous figures onto which political meaning has been projected, nor to the obverse claim that in Jerusalem shrines are immediate manifestations of the political, Monk traces the reciprocal history of both these positions as well as describes how opponents in the conflict debated and theorized their own participation in its self-representation. Analyzing controversies over the authenticity of holy sites, the restorations of the Dome of the Rock, and the discourse of accusation following the Buraq, or Wailing Wall, riots of 1929, Monk discloses for the first time that, as combatants looked to architecture and invoked the transparency of their own historical situation, they simultaneously advanced--and normalized--the conflict's inability to account for itself. This balanced and unique study will appeal to anyone interested in Israel or Zionism, the Palestinians, the Middle East conflict, Jerusalem, or its monuments. Scholars of architecture, political theory, and religion, as well as cultural and critical studies will also be informed by its arguments.
An American Cakewalk: Ten Syncopators of the Modern World
by Zeese PapanikolasThe profound economic and social changes in the post-Civil War United States created new challenges to a nation founded on Enlightenment and transcendental values, religious certainties, and rural traditions. Newly-freed African Americans, emboldened women, intellectuals and artists,and a polyglot tide of immigrants found themselves in a restless new world of railroads, factories, and skyscrapers where old assumptions were being challengedand new values had yet to be created. InAn American Cakewalk: Ten Syncopators of the Modern World, Zeese Papanikolas tells the lively and entertaining story of a diverse group of figures in the arts and sciences who inhabited this new America. Just as ragtime composers subverted musical expectations by combining European march timing with African syncopations, so this book's protagonists--who range from Emily Dickinson toThorstein Veblen and from Henry and William James to Charles Mingus--interrogated the modern American world through their own "syncopations" of cultural givens. The old antebellum slave dance, the cakewalk, with its parody of the manners and pretensions of the white folks in the Big House, provides a template of how the tricksters, shamans, poets, philosophers, ragtime pianists, and jazz musicians who inhabit this book used the arts of parody, satire, and disguise to subvert American cultural norms and to create new works of astonishing beauty and intellectual vigor.
An American Comedy
by Harold Lloyd Wesley W. StoutThis autobiography by an influential silent film star gives an insider&’s view of the motion picture industry in the early twentieth century. It&’s one of the most enduring images in film history: a young man in circular glasses, dangling from the hands of a clock high above Los Angeles. The actor performing this daring stunt was Harold Lloyd, a highly successful comedian from the silent film era. Lloyd made nearly two hundred comedies, both silent and &“talkies,&” between 1914 and 1947. He is best known for his &“Glass&” character, a bespectacled everyman who captured the mood of the 1920s. In this fascinating autobiography, which was written just around the time sound was revolutionizing cinema, Lloyd chronicles his experiences as a performer and producer of silent films, preserving firsthand details of Hollywood&’s bygone period. This extraordinary memoir, originally published in 1928, discusses actors both comedic and dramatic, stage to film adaptations, producers, directors, and primarily, how early silent movies were made. It is a must-read for film historians and movie buffs alike.
An American Girl Anthology: Finding Ourselves in the Pleasant Company Universe (Cultures of Childhood)
by Kc Hysmith Justine Orlovsky-SchnitzlerContributions by Mary Berman, Mary M. Burke, Abigail C. Fine, Juliette Holder, KC Hysmith, Mackenzie Kwok, Esther Martin, Hannah Matthews, Janine B. Napierkowski, Justine Orlovsky-Schnitzler, Samantha Pickette, Sheena Roetman-Wynn, Rebekkah Rubin, Marissa J. Spear, Tara Strauch, Cary Tide, and Laura TraisterAn American Girl Anthology: Finding Ourselves in the Pleasant Company Universe turns American Girl dolls—and the ever-growing ecosystem surrounding them—inside out. Editors Justine Orlovsky-Schnitzler and KC Hysmith, along with an expansive list of contributors across multiple disciplines and within different research areas, explore Pleasant Company (American Girl’s parent corporation) and the social and cultural impact the dolls and broader American Girl universe continue to have for generations of American consumers through thoughtful and fun essays. This collection serves as an ode to the democratizing power of the internet and the intoxicating power of nostalgia, while also looking toward the future as the eldest American Girl fans become parents themselves. It is also a critical account of the ways in which American Girl has shaped senses of self-worth and hopes for the future, securing a base of lifelong consumers, and also serves as a love letter to the kids we collectively used to be. Along the way, readers will take seriously American Girl’s influence and place within larger cultural conversations. They will find essays focusing on topics as diverse as food and historical recipes in American Girl publications, the advent of “tag yourself” memes, the struggle to find authentic and long-lasting Asian American representation within the pages of the American Girl catalog, and the enduring power of The Care and Keeping of You as a resource for finding joy in our bodies.
An American Health Dilemma: Race, Medicine, and Health Care in the United States 1900-2000
by W. Michael Byrd Linda A. ClaytonFirst published in 2002. An American Health Dilemma is the story of medicine in the United States from the perspective of people who were consistently, officially mistreated, abused, or neglected by the Western medical tradition and the US health-care system. It is also the compelling story of African Americans fighting to participate fully in the health-care professions in the face of racism and the increased power of health corporations and HMOs. This tour-de-force of research on the relationship between race, medicine, and health care in the United States is an extraordinary achievement by two of the leading lights in the field of public health. Ten years out, it is finally updated, with a new third volume taking the story up to the present and beyond, remaining the premiere and only reference on black public health and the history of African American medicine on the market today. No one who is concerned with American race relations, with access to and quality of health care, or with justice and equality for humankind can afford to miss this powerful resource.
An American Quilt: Unfolding A Story Of Family And Slavery
by Rachel MayFollowing the trail left by an unfinished quilt, this illuminating saga examines slavery from the cotton fields of the South to the textile mills of New England—and the humanity behind it. When we think of slavery, most of us think of the American South. We think of back-breaking fieldwork on plantations. We don’t think of slavery in the North, nor do we think of the grueling labor of urban and domestic slaves. Rachel May’s rich new book explores the far reach of slavery, from New England to the Caribbean, the role it played in the growth of mercantile America, and the bonds between the agrarian south and the industrial north in the antebellum era—all through the discovery of a remarkable quilt. While studying objects in a textile collection, May opened a veritable treasure-trove: a carefully folded, unfinished quilt made of 1830s-era fabrics, its backing containing fragile, aged papers with the dates 1798, 1808, and 1813, the words “shuger,” “rum,” “casks,” and “West Indies,” repeated over and over, along with “friendship,” “kindness,” “government,” and “incident.” The quilt top sent her on a journey to piece together the story of Minerva, Eliza, Jane, and Juba—the enslaved women behind the quilt—and their owner, Susan Crouch. May brilliantly stitches together the often-silenced legacy of slavery by revealing the lives of these urban enslaved women and their world. Beautifully written and richly imagined, An American Quilt is a luminous historical examination and an appreciation of a craft that provides such a tactile connection to the past.
An Anatomy of Sprawl: Planning and Politics in Britain (RTPI Library Series)
by Nicholas A. PhelpsDespite the combined efforts of British planners, politicians, the public and interest groups, the ‘Solent City’ stands as one of a number of instances of a peculiar instance of urban sprawl – muted, and slow to emerge – yet produced paradoxically by very strong interests in promoting conservation and restraint. This unique and valuable case study, while focusing on the planning and development of South Hampshire in particular, enables an in-depth study of the issues surrounding planning strategies with regards to growing populations.
An Annotated Bibliography for Taiwan Film Studies
by James Jim Cheng Wicks Noguchi SachieCompiled by two skilled librarians and a Taiwanese film and culture specialist, this volume is the first multilingual and most comprehensive bibliography of Taiwanese film scholarship, designed to satisfy the broad interests of the modern researcher. The second book in a remarkable three-volume research project, An Annotated Bibliography for Taiwan Film Studies catalogues the published and unpublished monographs, theses, manuscripts, and conference proceedings of Taiwanese film scholars from the 1950s to 2013. Paired with An Annotated Bibliography for Chinese Film Studies (2004), which accounts for texts dating back to the 1920s, this series brings together like no other reference the disparate voices of Chinese film scholarship, charting its unique intellectual arc. <P><P>Organized intuitively, the volume begins with reference materials (bibliographies, cinematographies, directories, indexes, dictionaries, and handbooks) and then moves through film history (the colonial period, Taiwan dialect film, new Taiwan cinema, the 2/28 incident); film genres (animated, anticommunist, documentary, ethnographic, martial arts, teen); film reviews; film theory and technique; interdisciplinary studies (Taiwan and mainland China, Taiwan and Japan, film and aboriginal peoples, film and literature, film and nationality); biographical materials; film stories, screenplays, and scripts; film technology; and miscellaneous aspects of Taiwanese film scholarship (artifacts, acts of censorship, copyright law, distribution channels, film festivals, and industry practice). Works written in multiple languages include transliteration/romanized and original script entries, which follow universal AACR-2 and American cataloguing standards, and professional notations by the editors to aid in the use of sources.
An Anthology of Blackness: The State of Black Design
by Terresa Moses Omari SouzaAn adventurous collection that examines how the design field has consistently failed to attract and support Black professionals—and how to create an anti-racist, pro-Black design industry instead.An Anthology of Blackness examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of inclusivity, including Black representation in designed media, anti-racist pedagogy, and radical self-care. Through autoethnography, lived experience, scholarship, and applied research, these contributors share proven methods for creating an anti-racist and inclusive design practice.The contributions in An Anthology of Blackness include essays, opinion pieces, case studies, and visual narratives. Many contributors write from an intersectional perspective on race, gender, sexuality, ethnicity, and ability. Each section of the book expands on community-driven concerns about the state of the design industry, design pedagogy, and design activism. Ultimately, this articulated intersection of Black identity and Black design practice reveals the power of resistance, community, and solidarity—and the hope for a more equitable future. With a foreword written by design luminary Elizabeth (Dori) Tunstall, An Anthology of Blackness is a pioneering contribution to the literature of social justice.Contributors Kprecia Ambers, Jazmine Beatty, Anne H. Berry, John Brown VI, Nichole Burroughs, Antionette D. Carroll, Jillian M. Harris, Asher Kolieboi, Terrence Moline, Tracey L. Moore, Lesley-Ann Noel, Pierce Otlhogile-Gordon, Jules Porter, Stacey Robinson, Melanie Walby, Jacinda N. Walker, Kelly Walters, Jennifer White-Johnson, Maya Aduba Williams, S. Alfonso Williams
An Anthropology of Architecture
by Victor BuchliEver since anthropology has existed as a discipline, anthropologists have thought about architectural forms. This book provides the first overview of how anthropologists have studied architecture and the extraordinarily rich thought and data this has produced.With a focus on domestic space - that intimate context in which anthropologists traditionally work - the book explains how anthropologists think about public and private boundaries, gender, sex and the body, the materiality of architectural forms and materials, building technologies and architectural representations. Each chapter uses a broad range of case studies from around the world to examine from within anthropology what architecture 'does' - how it makes people and shapes, sustains and unravels social relations.An Anthropology of Architecture is key reading for students of anthropology, material culture, geography, sociology, architectural theory, design and city planning.
An Anthropology of Contemporary Art: Practices, Markets, and Collectors (Criminal Practice Ser.)
by Thomas Fillitz Paul van der GrijpDrawing on the exciting developments that have occurred in the anthropology of art over the last twenty years, this study uses ethnographic methods to explore shifts in the art market and global contemporary art. Recognizing that the huge diversity of global phenomena requires research on the ground, An Anthropology of Contemporary Art examines the local art markets, biennials, networks of collectors, curators, artists, patrons, auction houses, and museums that constitute the global art world.Divided into four parts – Picture and Medium; World Art Studies and Global Art; Art Markets, Maecenas and Collectors; Participatory Art and Collaboration – chapters go beyond the standard emphasis on Europe and North America to present first-hand fieldwork from a wide range of areas, including Brazil, Turkey, and Asia and the Pacific.With contributions from distinguished anthropologists such as Philippe Descola and Roger Sansi Roca, this book provides a fresh approach to key topics in the discipline. A model for demonstrating how contemporary art can be studied ethnographically, this is a vital read for students in anthropology of art, visual anthropology, visual culture, and related fields.
An Anthropology of Gender Variance and Trans Experience in Naples: Beauty in Transit
by Marzia MaurielloThis book recounts the author’s fieldwork among the trans and gender-variant communities in Naples. This is where a gender-variant figure, the femminiello, has found a safe environment within the city’s historical poorest neighborhoods, the so-called “quartieri popolari”, which were and continue to be culturally and socially connoted. The femminielli, who can be read as “suspended” figures between the feminine and the masculine, provide the background for a discourse on the meanings that genders and sexualities have assumed in modern Naples. This is done with significant openings to theoretical reasoning that is both extraterritorial and multidisciplinary. Starting from the micro context, the aim of the book is to explore the breadth and complexity of the gender variant and trans experience, with particular reference to the changing meanings of the body, which are also tied to the collective images of beauty in contemporary times.
An Anthropology of Images: Picture, Medium, Body
by Hans BeltingA compelling theory that places the origin of human picture making in the bodyIn this groundbreaking book, renowned art historian Hans Belting proposes a new anthropological theory for interpreting human picture making. Rather than focus exclusively on pictures as they are embodied in various media such as painting, sculpture, or photography, he links pictures to our mental images and therefore our bodies. The body is understood as a "living medium" that produces, perceives, or remembers images that are different from the images we encounter through handmade or technical pictures. Refusing to reduce images to their material embodiment yet acknowledging the importance of the historical media in which images are manifested, An Anthropology of Images presents a challenging and provocative new account of what pictures are and how they function.The book demonstrates these ideas with a series of compelling case studies, ranging from Dante's picture theory to post-photography. One chapter explores the tension between image and medium in two "media of the body," the coat of arms and the portrait painting. Another, central chapter looks at the relationship between image and death, tracing picture production, including the first use of the mask, to early funerary rituals in which pictures served to represent the missing bodies of the dead. Pictures were tools to re-embody the deceased, to make them present again, a fact that offers a surprising clue to the riddle of presence and absence in most pictures and that reveals a genealogy of pictures obscured by Platonic picture theory.
An Apology for Actors: From the Edition of 1612, Compared with That of W. Cartwright. With an introduction and notes
by Thomas HeywoodHeywood is a good example of the professional dramatist who worked for Philip Henslowe, the theatrical manager, both as a playwright and an actor. By his own admission, Heywood claimed to have "either an entire hand or at least the main finger" in 220 plays, of which less than 30 survive. His best-known play, A Woman Killed with Kindness (1603), exemplifies domestic tragedy, in which sentiment and homely details are equally mingled. Heywood wrote an eloquent defense of the theater against Puritan attack called An Apology for Actors (1607-08). Heywood suggests here that the stage can both delight and teach.-Print ed.
An Archaeological Study of the Bayeux Tapestry: The Landscapes, Buildings and Places
by Trevor RowleyAn analysis of the famed medieval English tapestry through examination of the depicted landscapes, towns, castles, and other structures.An Archaeological Study of the Bayeux Tapestry provides a unique re-examination of this famous piece of work through the historical geography and archaeology of the tapestry. Trevor Rowley is the first author to have analyzed the tapestry through the landscapes, buildings and structures shown, such as towns and castles, while comparing them to the landscapes, buildings, ruins and earthworks which can be seen today. By comparing illustrated extracts from the tapestry to historical and contemporary illustrations, maps and reconstructions Rowley is able to provide the reader with a unique visual setting against which they are able to place the events on the tapestry. This approach allows Rowley to challenge a number of generally accepted assumptions regarding the location of several scenes in the tapestry, most controversially suggesting that William may never have gone to Hastings at all. Finally, Rowley tackles the missing end of the tapestry, suggesting the places and events which would have been depicted on this portion of William&’s journey to Westminster.Praise forAn Archaeological Study of the Bayeux Tapestry &“We all know what the Bayeux Tapestry celebrates in its iconic artwork, but Trevor Rowley goes one step further and looks at the buildings and characters with a view actually identifying them! Absolutely fascinating, brings a whole new dimension to the study of this amazing artefact.&” —Books Monthly &“Rowley&’s arguments are copiously illustrated with details from the tapestry, photographs and plans. It results in very densely packed chapters well worth reading, and you certainly will never look at that tea towel in the same way again.&” —Hexham Local History Society
An Archaeology of Architecture: Photowriting the Built Environment
by Dennis TedlockPage by page, this book takes us on a journey through the built world that ranges from Greece to Guatemala and from New York to San Francisco. Tedlock practices what he calls photowriting, a creative process that brings photographer and writer together in the same person. It may be true enough that a photograph can show more than words can say, but it is equally true that words can say more than a photograph can show. A third space opens up in the middle, where the viewer reader can look back and forth between image and text at will.Tedlock looks at the built world with the eye of an archaeologist and ethnographer His long experience as a fieldworker has made him acutely aware of the ways in which buildings are continuously altered by human actions and natural forces Anthropology assigns ruins to archaeology and structures currently in use to ethnology, but Tedlock reminds the viewer that an occupied building bears marks of the same processes that produce archaeological remains. As he puts it, &“Whenever I look around at the worlds humans build for themselves, I see archaeology in the making.&”
An Archaeology of Land Ownership (Routledge Studies in Archaeology #9)
by Maria Relaki Despina CatapotiWithin archaeological studies, land tenure has been mainly studied from the viewpoint of ownership. A host of studies has argued about land ownership on the basis of the simple co-existence of artefacts on the landscape; other studies have tended to extrapolate land ownership from more indirect means. Particularly noteworthy is the tendency to portray land ownership as the driving force behind the emergence of social complexity, a primordial ingredient in the processes that led to the political and economic expansion of prehistoric societies. The association between people and land in all of these interpretive schemata is however less easy to detect analytically. Although various rubrics have been employed to identify such a connection – most notable among them the concepts of ‘cultures,’ ‘regions,’ or even ‘households’ – they take the links between land and people as a given and not as something that needs to be conceptually defined and empirically substantiated. An Archaeology of Land Ownership demonstrates that the relationship between people and land in the past is first and foremost an analytical issue, and one that calls for clarification not only at the level of definition, but also methodological applicability. Bringing together an international roster of specialists, the essays in this volume call attention to the processes by which links to land are established, the various forms that such links take and how they can change through time, as well as their importance in helping to forge or dilute an understanding of community at various circumstances.
An Archaeology of Materials: Substantial Transformations in Early Prehistoric Europe (Routledge Studies in Archaeology)
by Chantal ConnellerAn Archaeology of Materials sets out a new approach to the study of raw materials. Traditional understandings of materials in archaeology (and in western thought more widely) have failed to acknowledge both the complexity and, moreover, the benefits of an analysis of materials. Here Conneller argues that materials cannot be understood independently of the practices through which they are constituted. Drawing on a number of different thinkers, and using case studies from the European early Prehistoric period, she investigates how we can rethink the properties of matter and the relationship of material and form. What emerges from this book is the variability and the specificity of human-material interactions and the rather more active role that matter plays in these than traditionally conceived. Rather than being insignificant, a formless substrate or simply a constraint to human action, it is argued that materials are more fundamental. Tracing the processes by which the properties of past materials emerge reveals the working of past worlds, particularly articulations of the cultural, the natural and the supernatural. This book will establish a new perspective on the meaning and significance of materials, particularly those involved in mundane, daily usage, and will be a timely addition to the literature on technologies and materials.
An Architect's Guide to Fame
by Paul Davies Torsten SchmiedeknechtThis lively text provides a candid inquiry into the contemporary means by which architects get work and (for better or worse) become famous. In response to the reciprocal relationship between publicity and everyday architectural practice, this book examines the mechanisms by which architects seek publicity and manage to establish themselves and their work ahead of their colleagues. Through the essays of specialist contributors, this book enables the reader to understand the complex relationship between what they see as the built environment and the unwritten stories behind how it came about.
An Architect's Guide to Public Procurement
by Fin GarveyThere is suspicion in the UK and across Europe that the upcoming introduction of new European Directives will encourage a regime of conservatism and legal risk aversion, fostering the delivery of mediocre and banal building design. This book dispels these myths and instead looks at the genuine impact of EU law on architectural practice.Engaging in public sector work requires a broad understanding of this seemingly complex and constantly evolving subject, and unlike other texts, the book is designed to explore public procurement from the perspective of the architect. An easy to follow guide through the complex legal and technical jargon involved in the procurement process, the book provides practical tools which will assist architects in developing their own, clear procurement strategy.Although written with a UK audience in mind, the advice will also be applicable to other European jurisdictions. It is invaluable reading for existing practitioners wishing to expand their current involvement in the public procurement process, as well as those encountering it for the first time.
An Architecture Manifesto: Critical Reason and Theories of a Failed Practice
by Nadir LahijiWhat is a manifesto? In basic terms, a manifesto is ‘the invention of future for the present’. We have been oblivious to the fact that the twentieth century was the century of manifestos. It was the century of programmatic declarations, radical and avant-garde political, artistic and architectural proclamations. Manifestos came to be a genre of concise and radical-critical writings exposing the repressed contradictions in a dominant doctrine. They opened up the present to the future by denouncing the forces of the status quo and offering alternative programs. Today, this genre is a more valid, even urgent, form of writing for our time, in order to expose the dominant doctrine that has closed the future in subscribing to the ideology of the ‘end of history’. In this manifesto, Nadir Lahiji takes a leap of faith. It is a faith in Lost Causes. He asserts that today, architectonic reason has fallen into ruins. As soon as architecture leaves the limits set to it by architectonic reason, no other path is open to it but the path to aestheticism. This is the wrong path contemporary architecture has taken. In its reduction to a pure aesthetic object, architecture negatively affects the human sensorium. Capitalist consumer society creates desires by generating ‘surplus-enjoyment’ for capitalist profit and contemporary architecture has become an instrument in generating this ‘surplus-enjoyment’, with fatal consequences. This manifesto is thus both a critique and a work of theory. It is a siren, alarm, klaxon to the current status quo within architectural discourse and a timely response to the conditions of architecture today.
An Architecture of Care in South Africa: From Arts and Crafts to Other Progeny (Routledge Research in Architecture)
by Nicholas CoetzerArchitects care. It is foundational and germane to the discipline and practice of architecture. This book charts the way the Arts and Crafts Movement established the moral ethos of ‘an architecture of care’ that not only remains embedded in current discourse and practice but also that is being given a more vocal presence in our climate-crisis and social justice world. By way of ‘genealogical strands’ the book charts the origin of ‘architecture of care’ ideas in the Arts and Crafts Movement and their impact on the ‘other progeny’ architectural projects in South Africa over the past hundred years. These range from the translation of inglenooks into an armature architecture of ‘Dignified Places’ in Cape Town’s townships to the ethos of ‘upliftment’ and care that translates from Octavia Hill through to ‘correcting’ building regulations and eventually finding a less moralising and more transformative impact in the ‘Hostels to Homes’ project. The birth of design through context and climate in the Arts and Crafts Movement is demonstrated by the shift in South African houses from boxy cottages to solar- and nature-oriented ribbon plans as demonstrated through the work of Helmut Stauch and Norman Eaton. The dislocation of Arts and Crafts ideas to the Cape also demonstrated a limit to the valorising of vernacular architecture and its ‘against-globalization’ building materials whereby English architects promoted Cape Dutch settler architecture and denigrated African vernacular architecture. As a final ‘genealogical strand,’ the book demonstrates the coherence of moral instrumentality with the animism and affects potential of handmade buildings. Written for academics, students and researchers interested in architectural history, it is an eye-opening investigation into the role of architecture in society.
An Architecture of Ineloquence: A Study in Modern Architecture and Religion (Ashgate Studies in Architecture)
by J.K. BirkstedSet on a hillside near Cluny, in a region associated with religious institutions and sacred architecture (including Le Corbusier's La Tourette), Le Carmel de la Paix, designed by José Luis Sert, remains tranquilly unvisited and quietly erased from architectural history. Why? This unusual convent falls outside the standard categories of Sert's architecture and has been overlooked in most publications about his work. As J.K. Birksted explains, the design and construction process for this building proved nightmarish, resulting in a building which, at first sight, appears to be 'ineloquent'. This first detailed examination of this building shows how the convent and the story of its creation offer valuable and important new insights into Sert, his architecture and his life. However, the study also opens up discussions on wider subjects such as the relationships between modernist architecture and ecclesiastical architecture. The design and construction of the Carmel de la Paix (1968-1972) followed the Second Ecumenical Council of the Vatican (1962-1965), which introduced fundamental changes and proposals for renewing the relationship between the Church and the changing modern world and the convent provides an interesting illustration of this period. In addition, it offers insights into the fascinating world of the Carmelite order and its specific liturgical requirements, and, reflecting on the nuns' active involvement in the design and construction process, it also explores wider issues of women in architecture.