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Michael Mann: Kino zwischen Zorn und Einsamkeit
by Holger SchumacherZum ersten Mal widmen sich zehn deutschsprachige Wissenschaftler mit unterschiedlichen Forschungsschwerpunkten dem Gesamtwerk Michael Manns. Dabei werden die Leser*innen zu einer zweifachen Reise eingeladen: Auf einem faszinierenden Tauchgang in die Filmwelt des gefeierten Regisseurs treten zentrale Themen, Figurenkonstellationen, kulturelle Hintergründe und Wirkungseinheiten zutage, die einen völlig neuen Blick auf seine Kunst eröffnen: Wie schafft es Michael Mann seit mehr als 40 Jahren, ein weltweites Publikum zu fesseln und immer wieder aufs Neue in den Kinosaal zu locken? Was verraten seine Filme dadurch über die unbewussten Sehnsüchte, Obsessionen und Widerstände in unserer Kultur? Gleichzeitig entwickelt sich ein spannender Dialog zwischen den verschiedenen Deutungsansätzen: Anhand populärer Kinofilme wie HEAT oder COLLATERAL wecken die wichtigsten Disziplinen - von der Morphologie bis zur Seduktionstheorie - Neugier auf den Facettenreichtum der deutschsprachigen Filmwissenschaft. Auf diese Weise entsteht ein Buch über die Kunst des Films und seiner Interpretation.
Michael Moore Is a Big Fat Stupid White Man
by David T. Hardy Jason ClarkeWatching Michael Moore in action—passing off manipulating facts in Bowling for Columbine, spinning statistics in Stupid White Men and Dude, Where's My Country?, shamelessly grandstanding at the Academy Awards, and epitomizing the hypocrisy he's made a king's fortune railing against—has spurred authors David T. Hardy and Jason Clarke to take action into their own hands. In Michael Moore Is a Big Fat Stupid White Man, Hardy and Clarke dish it back hard to the fervent prophet of the far left, turning a careful eye on Moore's use of camera tricks and publicity ploys to present his own version of the truth.Postwar documentarians gave us the documentary, Rob Reiner gave us the mockumentary, and Moore initiated a third genre, the crockumentary.How, they ask, does Moore pull off a proletarian, "man-of-the-people" image so at odds with his lifestyle as a fabulously wealthy Manhattanite? And how large of an impact do his incendiary, ill-founded polemics have on the growing community that follows him with near-religious devotion? Loaded with well-researched, solidly reasoned arguments, and laced with irreverent wit, Michael Moore Is a Big Fat Stupid White Man fires back at one of the left's biggest targets—politically and literally.
Michael Snow: Lives and Works
by James KingA biography of Canada’s greatest living artist. Michael Snow is rightly recognized as the greatest living Canadian artist, and he is also acknowledged as one of the most significant figures in Canadian art history. In a productive, lengthy career, he has, in a wide variety of genres, asked (and often answered) some of the most vexing and important issues in the history of art. During his career, the notion of what constitutes a work of art has undergone many changes, and he has been in the forefront of defining these changes. In many ways, he is the visual artist as intellectual: his images are vibrant and compelling but so are the ideas behind them. Ultimately, his work is about perception. What do we really see when we look at a work of art? What is the act of looking all about? What exactly is a work of art? Michael Snow: Lives and Works is a personal and intimate portrait of an artist who has helped shaped the face of Canadian art in our time.
Michael Snow (October Files #24)
by Annette Michelson Kenneth WhiteEssential texts on the work of the influential artist Michael Snow: essays and interviews spanning more than four decades. Few filmmakers have had as large an impact on the recent avant-garde film scene as Canadian Michael Snow (b. 1928). His works in a range of media—film, installation, video, painting, sculpture, sound, photography, drawing, writing, and music—address the fundamental properties of his materials, the conditions of perception and experience, questions of authorship in technologically reproducible media, and techniques of translation through written and pictorial representation. His film Wavelength (1967) is a milestone of avant-garde cinema and possibly the most frequently discussed “structural” film ever made. This volume collects essential texts on Snow's work, with essays and interviews spanning more than four decades.From its earliest issues, October has been a primary interlocutor of Snow's work, and many of these texts first appeared in its pages. Written by such distinguished critics and scholars as Annette Michelson, Hubert Damisch, and Malcolm Turvey, they document Snow's participation in postwar discourses of minimalism, postminimalism, photo-conceptualism, and avant-garde cinema, and examine particular works. Thierry de Duve's essay on linguistics in Snow's work appears alongside Snow's response. The volume also includes other writings by Snow, images from his 1975 work Musics for Piano, Whistling, Microphone, and Tape Recorder, and an interview with the artist conducted by Annette Michelson. Essays and interviewsJean Arnaud, Érik Bullot, Hubert Damisch, Thierry de Duve, Andrée Hayum, Annette Michelson, Michael Snow, Amy Taubin, Malcolm Turvey, Kenneth White
Michael Winterbottom: Interviews (Conversations with Filmmakers Series)
by Damon SmithProlific British director Michael Winterbottom (b. 1961) might be hard to pin down and even harder to categorize. Over sixteen years, he has created feature films as disparate and stylistically diverse as Welcome to Sarajevo, 24 Hour Party People, In This World, Butterfly Kiss, and The Killer Inside Me. But in this collection, the first English-language volume to gather international profiles and substantive interviews with the Blackburn native, Winterbottom reveals how working with small crews, available light, handheld digital cameras, radio mics, and minuscule budgets allows him fewer constraints than most filmmakers, and the ability to capture the specificity of the locations where he shoots. In Michael Winterbottom: Interviews he emerges as an industrious filmmaker committed to a stripped-down approach whose concern with outsiders and docu-realist authenticity have remained constant throughout his career. Collecting pieces from news periodicals as well as scholarly journals, including previously unpublished interviews and the first-ever translation of a lengthy, illuminating exchange with the French editors of Positif, this volume spans the full breadth of Winterbottom's notably eclectic feature-film career.
Michaela DePrince: From War-Torn Childhood to Ballet Fame (Movers, Shakers, and History Makers)
by Carrie MyersMichaela DePrince was born in Sierra Leone and grew up in the United States. She rose to fame as a ballet dancer in the late 2000s. Learn more about DePrince's life as a famous ballerina!
Michaelangelo: A Portrait Of The Greatest Artist Of The Italian Renaissance (Y Ser.)
by William E. WallaceMichaelangelo: Selected Readings is the long-awaited condensation of the five volume English article collection of Michaelangelo's life. Selections include: Life and Early Works; The Sistine Chapel; San Lorenzo; Tomb of Julius II and Other Works in Rome; and Drawings, Poetry and Miscellaneous Studies.
Michelangelo: A Life on Paper
by Leonard BarkanA groundbreaking account of the role of writing in Michelangelo's artMichelangelo is best known for great artistic achievements such as the Sistine ceiling, the David, the Pietà, and the dome of St. Peter's. Yet throughout his seventy-five year career, he was engaged in another artistic act that until now has been largely overlooked: he not only filled hundreds of sheets of paper with exquisite drawings, sketches, and doodles, but also, on fully a third of these sheets, composed his own words. Here we can read the artist's marginal notes to his most enduring masterpieces; workaday memos to assistants and pupils; poetry and letters; and achingly personal expressions of ambition and despair surely meant for nobody's eyes but his own. Michelangelo: A Life on Paper is the first book to examine this intriguing interplay of words and images, providing insight into his life and work as never before.This sumptuous volume brings together more than two hundred stunning, museum-quality reproductions of Michelangelo's most private papers, many in color. Accompanying them is Leonard Barkan's vivid narrative, which explains the important role the written word played in the artist's monumental public output. What emerges is a wealth of startling juxtapositions: perfectly inscribed sonnets and tantalizing fragments, such as "Have patience, love me, sufficient consolation"; careful notations listing money spent for chickens, oxen, and funeral rites for the artist's father; a beautiful drawing of a Madonna and child next to a mock love poem that begins, "You have a face sweeter than boiled grape juice, and a snail seems to have passed over it." Magnificently illustrated and superbly detailed, this book provides a rare and intimate look at how Michelangelo's artistic genius expressed itself in words as well as pictures.
Michelangelo: Renaissance Artist
by Diane CookA painter, poet, sculptor, and more, Michelangelo was one of the most important artists that ever lived. Many of Michelangelo's works are among the most famous in the world, visited by tourists from around the world every day. His painting in the Sistine Chapel in Rome has impressed and inspired people for centuries. His sculpture David is known around the globe. Learn the story of one of the most important artists of all time in Michelangelo: Renaissance Artist.
Michelangelo: A Tormented Life
by Antonio ForcellinoThis major new biography recounts the extraordinary life of one of the most creative figures in Western culture, weaving together the multiple threads of Michelangelo’s life and times with a brilliant analysis of his greatest works. The author retraces Michelangelo’s journey from Rome to Florence, explores his changing religious views and examines the politics of patronage in Renaissance Italy, politics that were complicated by the fact that Michelangelo worked for both the Medici and the Papacy. He discusses Michelangelo’s character in detail, showing him to be a tormented man, solitary, avaricious, deeply religious, burdened with repressed homosexuality and a surplus of creative enthusiasm. Drawing on Michelangelo’s memoirs and personal correspondence, the author paints a portrait of a deeply contradictory man whose work was infused with a sensuality of which he chose to deprive himself. For the first time, Forcellino explores the spiritual turning point Michelangelo experienced between the late 1530s and the early 1540s, a crucial period when he created some of his most important works, such as the Universal Judgement and Moses. Forcellino offers a systematic reconstruction and interpretation of the frescos in the Paolina Chapel which Michelangelo completed in the late 1540s. Although less well-known than their counterparts in the Sistine Chapel, Forcellino shows that these frescos are among the artist’s supreme achievements. The author also seeks to reconstruct the last years of Michelangelo’s life, dark years of which we know very little but which are fundamental to the posthumous creation of the Michelangelo legend. As a restorer and a recognized expert on Michelangelo, Forcellino took part in the restoration of the Sistine Chapel and Moses, two projects which gave us a new perspective on the techniques used by Michelangelo, the way he worked with colour and marble and the tools he used.
Michelangelo: His Epic Life
by Martin GayfordAt thirty one, Michelangelo was considered the finest artist in Italy, perhaps the world; long before he died at almost 90 he was widely believed to be the greatest sculptor or painter who had ever lived (and, by his enemies, to be an arrogant, uncouth, swindling miser).For decade after decade, he worked near the dynamic centre of events: the vortex at which European history was changing from Renaissance to Counter Reformation. Few of his works - including the huge frescoes of the Sistine Chapel Ceiling, the marble giant David and the Last Judgment - were small or easy to accomplish. Like a hero of classical mythology - such as Hercules, whose statue he carved in his youth - he was subject to constant trials and labours.In Michelangelo Martin Gayford describes what it felt like to be Michelangelo Buonarroti, and how he transformed forever our notion of what an artist could be.
Michelangelo (Pelican Ser.)
by Howard HibbardIn this masterly, Howard Hibbard relates Michelangelo's art to his life and to the times in which he lived, relying on the earliest biographies and the latest scholarly research as well as on Michelangelo's own letters and poems. What emerges is both a perspective appraisal of his work and a revealing life history of the man who was arguably the greatest artist of all time.
Michelangelo
by Diane StanleyWhen he was born, Michelangelo Buonarroti was put into the care of a stonecutter's family. He often said it was from them that he got his love of sculpture. It certainly didn't come from his own father, a respectable magistrate who beat his son when he asked to become an artist's apprentice. But Michelangelo persevered. His early sculptures caught the attention of Florence's great ruler, Lorenzo de' Medici, who invited the boy to be educated with his own sons. Soon after, Michelangelo was astonishing people with the lifelike creations he wrested from marble--from the heartbreaking Pietd he sculpted when he was only twenty-five to the majestic David that brought him acclaim as the greatest sculptor in Italy. Michelangelo had a turbulent, quarrelsome life. He was obsessed with perfection and felt that everyone--from family members to his demanding patrons--took advantage and let him down. His long and difficult association with Pope Julius II yielded his greatest masterpiece, the radiant paintings in the Sistine Chapel, and his most disastrous undertaking, the monumental tomb that caused the artist frustration and heartache for forty years.
Michelangelo: A Study In The Nature Of Art (Routledge Classics)
by Adrian StokesAdrian Stokes was one of the twentieth century's finest and most discriminating writers on art. Of over twenty works of art criticism, Michelangelo was considered by Lawrence Gowing to be the most complete he ever wrote, presenting an understanding of the great artist that no one subsequently could afford to ignore. Stokes brings to bear in this work not only twenty-five years' study and appreciation of Italian Renaissance art and of aesthetics, but also a unique psychological perspective, as he explains in his introduction, which enables him to uncover the depths of the artist's personality. The subtlety of feeling and profound knowledge of sculpture which Sir Herbert Read admired in Stokes's work is also combined with a literary style perfected through his own poetry and criticism. Presenting a unique survey of his subject's literary as well as his artistic legacy, Stokes succeeds, as no other has before or since, in his aim of bringing Michelangelo's greatness into nearer view.
Michelangelo: A Life in Six Masterpieces
by Miles J. UngerThis is the life of one of the most revolutionary artists in history, told through the story of six of his greatest masterpieces: “The one indispensable guide for encountering Michelangelo on his home turf” (The Dallas Morning News).Michelangelo stands alone as a master of painting, sculpture, and architecture, a man who reinvented the practice of art itself. Throughout his long career he clashed with patrons by insisting that he had no master but his own demanding muse. Michelangelo was ambitious, egotistical, and difficult, but through the towering force of genius and through sheer pugnaciousness, he transformed the way we think about art. Miles Unger narrates the life of this tormented genius through six of his greatest masterpieces. Each work expanded the expressive range of the medium, from the Pietà carved by a brash young man of twenty-four, to the apocalyptic Last Judgment, the work of an old man weighed down by the unimaginable suffering he had witnessed. In the gargantuan David he depicts Man in the glory of his youth, while in the tombs he carved for his Medici overlords he offers perhaps history’s most sustained meditation on death and the afterlife of the soul. In the vast expanse of the Sistine Chapel ceiling he tells the epic story of Creation. During the final decades of his life, his hands too unsteady to wield the brush and chisel, he exercised his mind by raising the soaring vaults and dome of St. Peter’s in a final tribute to his God. “A deeply human tribute to one of the most accomplished and fascinating figures inthe history of Western culture” (The Boston Globe), Michelangelo brings to life the irascible, egotistical, and undeniably brilliant man whose artistry continues to amaze and inspire us after five hundred years.
Michelangelo
by William E. WallaceOne hundred articles, selected from the vast amount of writing about Michelangelo, are arranged in five volumes, which are available as a set or separately. The collection is both accessible to the general reader and useful to the specialist, offering a sampling of old and new commentary on the artist and his work. V. 1, Life and Early Works (0-8153-1823-5, $95) begins with overviews of Michelangelo's life and work and also contains more focused essays on his political thought and his chief biographers, as well as surveys of his early career and some principal works (including the Rome Pieta and the David. The other volumes are as follows: v. 2: The Sistine Chapel (1825-1, $95); v. 3: San Lorenzo (1826-X, $95), covering his mid-career, between 1515 and 1534; v. 4: Tomb of Julius II and Other Works in Rome (1827-8, $90); and v. 5: Drawings, Poetry, and Miscellaneous Studies (1828-6, $90). The articles are reproduced from various sources, and some are in reduced type that is not kind on the eyes. Bandw photos are included in each volume. Unfortunately, neither the individual volumes nor the set as a whole is indexed. Annotation copyright by Book News, Inc. , Portland, OR
Michelangelo
by William E. WallaceOne hundred articles, selected from the vast amount of writing about Michelangelo, are arranged in five volumes, which are available as a set or separately. The collection is both accessible to the general reader and useful to the specialist, offering a sampling of old and new commentary on the artist and his work. V. 1, Life and Early Works (0-8153-1823-5, $95) begins with overviews of Michelangelo's life and work and also contains more focused essays on his political thought and his chief biographers, as well as surveys of his early career and some principal works (including the Rome Pieta and the David. The other volumes are as follows: v. 2: The Sistine Chapel (1825-1, $95); v. 3: San Lorenzo (1826-X, $95), covering his mid-career, between 1515 and 1534; v. 4: Tomb of Julius II and Other Works in Rome (1827-8, $90); and v. 5: Drawings, Poetry, and Miscellaneous Studies (1828-6, $90). The articles are reproduced from various sources, and some are in reduced type that is not kind on the eyes. Bandw photos are included in each volume. Unfortunately, neither the individual volumes nor the set as a whole is indexed. Annotation copyright by Book News, Inc. , Portland, OR
Michelangelo and the Pope's Ceiling
by Ross KingThis book recounts the four extraordinary years Michelangelo spent laboring over the vast ceiling while the power politics and personal rivalries that abounded in Rome swirled around him.
Michelangelo and the Sistine Chapel
by Andrew Graham-DixonYou cannot stand underneath the masterwork that is the Sistine Chapel without considering the genius and painstaking work that went into its creation. Michelangelo Buonarroti never wanted to paint the Sistine Chapel, though. Appointed by the temperamental Julius II, Michelangelo believed the suspiciously large-scale project to be a plot for failure conspired by his rivals and the "Warrior Pope." After all, Michelangelo was not a painter--he was a sculptor. The noble artist reluctantly took on the daunting task that would damage his neck, back, and eyes (if you have ever strained to admire the real thing, you know). Andrew Graham-Dixon tells the story behind the famous painted ceiling over which the great artist painfully toiled for four long years. Linking Michelangelo's personal life to his work on the Sistine Chapel, Graham-Dixon describes Michelangelo's unique depiction of the Book of Genesis, tackles ambiguities in the work, and details the painstaking work that went into Michelangelo's magnificent creation. Complete with rich, full-color illustrations and Graham-Dixon's articulate narrative, Michelangelo and the Sistine Chapel is an indispensable and significant piece of art criticism. It humanizes this heavenly masterpiece in a way that every art enthusiast, student, and professional can understand and appreciate.
Michelangelo Buonarroti (SparkNotes Biography Guide)
by SparkNotesMichelangelo Buonarroti (SparkNotes Biography Guide) Making the reading experience fun! SparkNotes Biography Guides examine the lives of historical luminaries, from Alexander the Great to Virginia Woolf. Each biography guide includes:An examination of the historical context in which the person lived A summary of the person&’s life and achievements A glossary of important terms, people, and events An in-depth look at the key epochs in the person&’s career Study questions and essay topics A review test Suggestions for further reading Whether you&’re a student of history or just a student cramming for a history exam, SparkNotes Biography guides are a reliable, thorough, and readable resource.
Michelangelo for Kids: His Life and Ideas, with 21 Activities
by Simonetta CarrArt historian Simonetta Carr draws on recent scholarship that challenges the traditional view of Michelangelo as a recluse. Readers will also learn about the complex and fluid era of the Italian Renaissance and how the times affected his life and work. Lavish photos, informative sidebars, a time line, glossary, and suggestions for further readings add value, while 21 hands-on activities help young readers identify with the artist and his work.
Michelangelo, God's Architect: The Story of His Final Years and Greatest Masterpiece
by William E. WallaceThe untold story of Michelangelo's final decades—and his transformation into one of the greatest architects of the Italian RenaissanceAs he entered his seventies, the great Italian Renaissance artist Michelangelo despaired that his productive years were past. Anguished by the death of friends and discouraged by the loss of commissions to younger artists, this supreme painter and sculptor began carving his own tomb. It was at this unlikely moment that fate intervened to task Michelangelo with the most ambitious and daunting project of his long creative life.Michelangelo, God's Architect is the first book to tell the full story of Michelangelo's final two decades, when the peerless artist refashioned himself into the master architect of St. Peter’s Basilica and other major buildings. When the Pope handed Michelangelo control of the St. Peter’s project in 1546, it was a study in architectural mismanagement, plagued by flawed design and faulty engineering. Assessing the situation with his uncompromising eye and razor-sharp intellect, Michelangelo overcame the furious resistance of Church officials to persuade the Pope that it was time to start over.In this richly illustrated book, leading Michelangelo expert William Wallace sheds new light on this least familiar part of Michelangelo’s biography, revealing a creative genius who was also a skilled engineer and enterprising businessman. The challenge of building St. Peter’s deepened Michelangelo’s faith, Wallace shows. Fighting the intrigues of Church politics and his own declining health, Michelangelo became convinced that he was destined to build the largest and most magnificent church ever conceived. And he was determined to live long enough that no other architect could alter his design.
Michelangelo Life Drawings
by MichelangeloThroughout his long life, Michelangelo Buonarroti (1475-1564) never ceased to practice drawing with pen, pencil, or chalk. In the 60 years of creative activity encompassed by this volume, the artist produced scores of sketches, drawings, and studies -- nudes, heads, figure studies, Madonnas, anatomical drawings, studies of children and animals, mythical representations, and religious works. This book reproduces 46 of his finest drawings, embodying most of his artistic themes and techniques, and executed in his characteristic media of pen and ink, and red and black chalk. The extraordinary strength, grace, and clarity of his renderings are beautifully illustrated on every page. The compositions, carefully reproduced on fine-quality paper, range from youthful studies modeled after ancient sculpture and early Renaissance frescoes to the otherworldly religious creations of his old age. Many are preliminary drawings executed in connection with some of his most important commissions: the marble David of 1501-04; the famous cartoon of 1504 for the projected fresco in the Palazzo Vecchio, The Battle of Cascina; the paintings on the vaulted ceiling of the Sistine Chapel, executed 1508-12; and the imposing fresco of The Last Judgment in the same chapel, executed 1535-14; as well as several of the more highly finished allegorical presentation drawings of the early 1530s. In some cases, e.g. The Battle of Cascina, the drawings are all that remain of a lost masterpiece. All drawings are accompanied by brief descriptive captions including date, medium, size, and current location.
Michelangelo's Art of Devotion in the Age of Reform
by Emily A. FenichelIn this volume, Emily A. Fenichel offers an in-depth investigation of the religious motivations behind Michelangelo's sculpture and graphic works in his late period. Taking the criticism of the Last Judgment as its point of departure, she argues that much of Michelangelo's late oeuvre was engaged in solving the religious and artistic problems presented by the Counter-Reformation. Buffeted by critiques of the Last Judgment, which claimed that he valued art over religion, Michelangelo searched for new religious iconographies and techniques both publicly and privately. Fenichel here suggests a new and different understanding of the artist in his late career. In contrast to the received view of Michelangelo as solitary, intractable, and temperamental, she brings a more nuanced characterization of the artist. The late Michelangelo, Fenichel demonstrates, was a man interested in collaboration, penance, meditation, and experimentation, which enabled his transformation into a new type of religious artist for a new era.
Michelangelo's David
by John T. Paoletti Rolf BagemihlThis book takes a new look at the interpretations of, and the historical information surrounding, Michelangelo's David. New documentary materials discovered by Rolf Bagemihl add to the early history of the stone block that became the David and provide an identity for the painted terracotta colossus that stood on the cathedral buttresses for which Michelangelo's statue was to be a companion. The David, with its placement at the Palazzo della Signoria, was deeply implicated in the civic history of Florence, where public nakedness played a ritual role in the military and in the political lives of its people. This book, then, places the David not only within the artistic history of Florence and its monuments but also within the popular culture of the period as well.