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Misadventures of a Big Mouth Brit
by Piers MorganPiers has got a new job. He's off to America to be the 'Nasty Brit' judging the show America's Got Talent - surely a role he was made for? And with unprecedented access to people, places and parties on both sides of the pond, he'll get the inside scoop on the world of celebrity Stateside. So what could possibly go wrong?Well, it's not all plain sailing. Piers finds himself snubbed by the paparazzi and subjected to national ridicule by Alan Sugar. As well as foolishly embarking on a visit to the Playboy Mansion with his girlfriend he also becomes one of the only people to fall off the 'idiot-proof' Segway (George Bush fell off one too).Somehow though, Piers still manages to get invited to all the best parties. Perhaps because he keeps being mistaken for David Cameron? From chinwags with Naomi Campbell to a cigar-smoking session with Arnold Schwarzenegger; hilarious tête-à-têtes with everyone from Boris Johnson to Cheryl Cole; and many bizarre encounters with the likes of Paris Hilton, Tony Blair and Jay-Z, Piers is his usual candid, honest, loudmouth self as he lifts the lid on Tinsel Town.With the background cries of 'Please don't embarrass us Dad!' from his sons, the Big Mouth Brit embarks on his hilarious American adventure, and suffers just a few mishaps along the way.
The Misanthrope (SparkNotes Literature Guide Series)
by SparkNotesThe Misanthrope (SparkNotes Literature Guide) by Moliere Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster. Geared to what today's students need to know, SparkNotes provides: *Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Mise en jeu and Mise en geste
by Sergei EisensteinMise en jeu and Mise en geste was composed in January 1948, a few months before Sergei Eisenstein's untimely death. Here Eisenstein insists on subordinating all aspects of mise en scène to some unifying idea or principle inherent in the subject matter, transforming it from an incoherent jumble of staging decisions into a "legible text," wherein the subtext of a given scene or event – its hidden meaning – may be writ large. Unlike Eisenstein's previous writings on mise en scène, this essay treats separately distinct elements of that notoriously catch-all category: mise en jeu (transposition "of the interplay of motives" into a sequence of concrete actions); mise en geste (transposition of character into gesture); and mise en cadre (recreating the specific effects of a poetic passage through shot composition). Unfinished at the time of his death, the essay has been reconstructed by the Eisenstein Centre in Moscow and is appearing here in English for the first time. "[Filming Balzac's Père Goriot] is just like declaiming verse. A little too much emphasis on the period of the rhythm, and the recitation turns into a lifeless mechanical drone. A touch too slack on rhythmic delivery, and the distinct cadence of verse disintegrates into the baffling formlessness of semi-prose. A little too much emphasis on the circle [formed by the characters], and the mise en scène starts to lean towards ballet and conventional theatre. A bit too careless with the geometric figure, and the clear, distinct, meaningful mise en scène is sucked into the swamp of formless naturalism." — Sergei Eisenstein
Mise-en-scène: Film Style and Interpretation (Short Cuts)
by John GibbsMise-en-scène: Film Style and Interpretation explores and elucidates constructions of this fundamental concept in thinking about film. In uncovering the history of mise-en-scène within film criticism, and through the detailed exploration of scenes from films as Imitation of Life and Lone Star, John Gibbs makes the case for the importance of a sensitive understanding of film style, and provides an introduction to the skills of close reading. This book thus celebrates film-making as well as film criticism that is alive to the creative possibilities of visual style.
Mise-en-scène: Film Style and Interpretation
by John GibbsJohn Gibbs is lecturer in film and television studies at the London College of Printing, the London Institute.
Mise en scène, Acting, and Space in Comics (Palgrave Studies in Comics and Graphic Novels)
by Geraint D'ArcyThis book explores some of the less frequently questioned ideas which underpin comics creation and criticism. “Mise en scène” is a term which refers to the way in which visual elements work together to create meaning in comics. It is a term that comics have borrowed from cinema, which borrowed it in turn from theatre. But comics are not film and they are not cinema, so how can this term be of any use? If we consider comics to have mise en scène, should not we also ask if the characters in comics act like the characters on film and stage? In its exploration of these ideas, this book also asks what film and theatre can learn from comics.
Mise en Scène and Film Style: From Classical Hollywood to New Media Art (Palgrave Close Readings in Film and Television)
by A. MartinStyles of filmmaking have changed greatly from classical Hollywood through to our digital era. So, too, have the ways in which film critics and scholars have analysed these transformations in film style. This book explores two central style concepts, mise en scène and dispositif, to illuminate a wide range of film and new media examples.
Mise en Scène and Film Style: From Classical Hollywood to New Media Art (Palgrave Close Readings in Film and Television)
by Adrian MartinStyles of filmmaking have changed greatly from classical Hollywood through to our digital era. So, too, have the ways in which film critics and scholars have analysed these transformations in film style. This book explores two central style concepts, mise en scène and dispositif, to illuminate a wide range of film and new media examples.
The Miser's Purse
by Laura CamerlengoOriginally written as a thesis for the Parsons/Cooper-Hewitt MA program, The Miser's Purse by Laura Camerlengo, a Curatorial Fellow at the Philadelphia Museum of Art, tells the compelling story of how a small decorative purse became deeply embedded in nineteenth-century Victorian popular culture.<P><P> Known at the time as long purses, gentlemen's purses or simply purses, they came to be called "miser's purses" because their diminutive openings made it difficult to retrieve coins. References to miser's purses in women's magazines and etiquette guides reveal that they were given as gifts or sold at charitable fundraisers, and these social uses were adapted by many artists and writers in their portrayals of society.DesignFile is the new line of e-books on topics and trends in design published by the Cooper-Hewitt, Smithsonian Design Museum. There will be six to twelve titles published annually, each ranging in length from 7,500 to 20,000 words. Building a consortium with institutional partners and design practitioners, Cooper-Hewitt's series will bridge the academic, museum, design, and publishing worlds. Inaugural members of the e-book consortium are Parsons The New School for Design and the School of Visual Arts.
Misery Obscura (1981-2009): The Photography Of Eerie Von (1981-2009)
by Eerie VonFrom the deepest depths of punk rock's 1970s primordial wastelands, through the stygian goth swamps of the 1980s, and on into the bloodstained arenas of 1990s heavy metal, Eerie Von witnessed it all. Beginning as the unofficial photographer for punk legends The Misfits and later taking charge of the bass guitar as a founding member of underground pioneers Samhain and metal gods Danzig, the evil eye of Eerie Von's camera captured the dark heart of rock's most vital and bleeding-edge period, a time when rock and roll was not only dangerous, but downright menacing. Eerie Von's lens has documented everything from The Misfits' humble beginnings in Lodi, New Jersey, to the heights of Danzig's stadium-rock glory alongside metal superstars Metallica. As well as an essential visual document of music history, Eerie's road stories of triumph and damnation bring to life an era the likes of which will never again be seen.
Misfit Sisters: Screen Horror as Female Rites
by Sue ShortFeminist readings of horror television and movies from the past decade, including "Buffy the Vampire Slayer," exploring the links to fairy tales.
Misfits & Hybrids: Architectural Artifacts for the 21st-Century City
by Ferda KolatanContemporary cities are shaped by the unlikely adjacencies of objects that are vastly different in kind, origin, and scale: buildings, infrastructure, and other urban components that over time accumulate into mismatched configurations. However, despite the ubiquity of these oddities and their impact on the city, we rarely give them much consideration. In Misfits & Hybrids, Ferda Kolatan explores the untapped potential in these unexpected conditions for a new kind of architecture. A diverse array of projects, developed in Kolatan’s design studios at the University of Pennsylvania Weitzman School of Design, illustrates how hybrid artifacts can reveal the often overlooked cultural, socio-political, and material histories of a site, fostering design tactics invested in reinventing the existing. Set within the cosmopolitan megacities of Istanbul, Cairo, and New York, the projects are conceived as real fictions, conjuring novel narrative, aesthetic, and representational forms to reflect the pluralistic postindustrial city.
Mismatch: How Inclusion Shapes Design (Simplicity: Design, Technology, Business, Life)
by Kat HolmesHow inclusive methods can build elegant design solutions that work for all.Sometimes designed objects reject their users: a computer mouse that doesn't work for left-handed people, for example, or a touchscreen payment system that only works for people who read English phrases, have 20/20 vision, and use a credit card. Something as simple as color choices can render a product unusable for millions. These mismatches are the building blocks of exclusion. In Mismatch, Kat Holmes describes how design can lead to exclusion, and how design can also remedy exclusion. Inclusive design methods—designing objects with rather than for excluded users—can create elegant solutions that work well and benefit all.Holmes tells stories of pioneers of inclusive design, many of whom were drawn to work on inclusion because of their own experiences of exclusion. A gamer and designer who depends on voice recognition shows Holmes his “Wall of Exclusion,” which displays dozens of game controllers that require two hands to operate; an architect shares her firsthand knowledge of how design can fail communities, gleaned from growing up in Detroit's housing projects; an astronomer who began to lose her eyesight adapts a technique called “sonification” so she can “listen” to the stars.Designing for inclusion is not a feel-good sideline. Holmes shows how inclusion can be a source of innovation and growth, especially for digital technologies. It can be a catalyst for creativity and a boost for the bottom line as a customer base expands. And each time we remedy a mismatched interaction, we create an opportunity for more people to contribute to society in meaningful ways.
Misquamicut
by Donald L. Gentile Bernard L. GordonOriginally named Pleasant View, Misquamicut is a lovely stretch of beach located in southern Rhode Island. Court Bliven and his wife named the area for its remarkable views. They built the first cottage, called the Pioneer, in 1894 and the Wigwam Hotel in 1905. The trolley came to the area in 1908, and by 1911, there were three major hotels, a casino, a village square, and 150 cottages. Its Victorian charm attracted visitors from all parts of the country, but the Hurricane of 1938 devastated Misquamicut and destroyed many of its photographs. Misquamicut brings together more than 200 vintage postcards, many very rare, in chronological order dating from 1894 to today.
Miss Aluminium: ONE OF THE SUNDAY TIMES' 100 BEST SUMMER READS OF 2020
by Susanna MooreONE OF THE SUNDAY TIMES' 100 BEST SUMMER READS OF 2020'Unlike any Hollywood memoir you'll have read' Metro'It's hard to beat Susanna Moore's Miss Aluminium' Vogue'A sharp-edged summery treat' Hadley FreemanAt seventeen, Susanna Moore left her home in Hawai'i, with no money, no belongings and no prospects. But in Philadelphia, an unexpected gift of four trunks of beautiful clothes allowed her to assume the first of many disguises. Her journey takes her from New York to Los Angeles where she becomes a model and meets Joan Didion and Audrey Hepburn. She works as a script reader for Warren Beatty and Jack Nicholson, and is given a screen test by Mike Nichols. But beneath Miss Aluminium's glittering fairytale surface lies the story of a girl's insatiable hunger to learn. Moore gives us a sardonic, often humorous portrait of Hollywood in the seventies and of a young woman's hard-won arrival at selfhood.
Miss Angel: The Art and World of Angelica Kauffman, Eighteenth-Century Icon
by Angelica GooddenA word was coined to describe the condition of people stricken with a new kind of fever when the Swiss-born artist Angelica Kauffman (1741-1807) came to London in 1766. 'The whole world', it was said, 'is Angelicamad.' One of the most successful women artists in history - a painter who possessed what her friend Goethe called an 'unbelievable' and 'massive' talent - Kauffman became the toast of Georgian England, captivating society with her portraits, mythological scenes and decorative compositions. She knew and painted poets, novelists and playwrights, collaborating with them and illustrating their work; her designs adorned the houses of the Grand Tourists she had met and painted in Italy; actors, statesmen, philosophers, kings and queen sat to her; and she was the force that launched a thousand engravings. Despite rumours of relationships with other artists (including Sir Joshua Reynolds), and an apparently bigamous and annulled first marriage to a pseudo Count, Kauffman was adopted by royalty in England and abroad as a model of social and artistic decorum. A profoundly learned artist, but one who is loved, above all, for her tender adaptations from classical antiquity and sentimental literature; a commercially successful celebrity yet also a founding member of The Royal Academy of arts; the virginal creator of sexually ambivalent beings who was one of the hardest-headed businesswomen of her age, Kauffman's life and work is full of apparent contradictions explored in this first biography in over 80 years.
Miss Dior: A Story of Courage and Couture
by Justine Picardie“Remarkable” —Hamish Bowles, Vogue The overdue restoration of Catherine Dior's extraordinary life, from her brother's muse to Holocaust survivor When the French designer Christian Dior presented his first collection in Paris in 1947, he changed fashion forever. Dior’s “New Look” created a striking, romantic vision of femininity, luxury, and grace, making him—and his last name—famous overnight. One woman informed Dior’s vision more than any other: his sister, Catherine, a Resistance fighter, concentration camp survivor, and cultivator of rose gardens who inspired Dior’s most beloved fragrance, Miss Dior. Yet the story of Catherine’s remarkable life—so different from her famous brother’s—has never been told, until now. Drawing on the Dior archives and extensive research, Justine Picardie’s Miss Dior is the long-overdue restoration of Catherine Dior’s life. The siblings’ stories are profoundly intertwined: in Occupied France, as Christian honed his couture skills, Catherine dedicated herself to the Resistance, ultimately being captured by the Gestapo and sent to Ravensbruck, the only Nazi camp solely for women. Seeking to trace Catherine’s story as well as her influence on her brother, Picardie traveled to the significant places of Catherine’s life, including Les Rhumbs, the Dior family villa with its magnificent gardens; the House of Dior in Paris; and La Colle Noire, Christian’s chateâu that he bequeathed to his sister. Inventive and captivating, and shaped by Picardie’s own journey, Miss Dior examines the legacy of Christian Dior, the secrets of postwar France, and the unbreakable bond between two remarkable siblings. Most important, it shines overdue recognition on a previously overlooked life, one that epitomized courage and also embodied the astonishing capacity of the human spirit to remain undimmed, even in the darkest circumstances. Includes Black-and-White Illustrations
Miss Julie (SparkNotes Literature Guide Series)
by SparkNotesMiss Julie (SparkNotes Literature Guide) by August Strindberg Making the reading experience fun! Created by Harvard students for students everywhere, SparkNotes is a new breed of study guide: smarter, better, faster.Geared to what today's students need to know, SparkNotes provides:*Chapter-by-chapter analysis *Explanations of key themes, motifs, and symbols *A review quiz and essay topicsLively and accessible, these guides are perfect for late-night studying and writing papers
Miss May Does Not Exist: The Life and Work of Elaine May, Hollywood’s Hidden Genius
by Carrie CourogenMiss May Does Not Exist, by Carrie Courogen is the riveting biography of comedian, director, actor and writer Elaine May, one of America’s greatest comic geniuses. May began her career as one-half of the legendary comedy team known as Nichols and May, the duo that revolutionized the comedy sketch.After performing their Broadway smash An Evening with Mike Nichols and Elaine May, Elaine set out on her own. She toiled unsuccessfully on Broadway for a while, but then headed to Hollywood where she became the director of A New Leaf, The Heartbreak Kid, Mikey and Nicky, and the legendary Ishtar. She was hired as a script doctor on countless films like Heaven Can Wait, Reds, Tootsie, and The Birdcage. In 2019, she returned to Broadway where she won the Tony Award for Best Leading Actress in The Waverly Gallery. Besides her considerable talent, May is well known for her reclusiveness. On one of the albums she made with Mike Nichols, her bio is this: “Miss May does not exist.” Until now.Carrie Courogen has uncovered the Elaine May who does exist. Conducting countless interviews, she has filled in the blanks May has forcibly kept blank for years, creating a fascinating portrait of the way women were mistreated and held back in Hollywood. Miss May Does Not Exist is a remarkable love story about a prickly genius who was never easy to work with, not always easy to love and frequently often punished for those things, despite revolutionizing the way we think about comedy, acting, and what a film or play can be.
Miss Meteor
by Tehlor Kay Mejia Anna-Marie McLemoreA gorgeous and magical collaboration between two critically acclaimed, powerhouse YA authors offers a richly imagined underdog story perfect for fans of Dumplin’ and Aristotle and Dante Discover the Secrets of the Universe. There hasn’t been a winner of the Miss Meteor beauty pageant who looks like Lita Perez or Chicky Quintanilla in all its history.But that’s not the only reason Lita wants to enter the contest, or her ex-best friend Chicky wants to help her. The road to becoming Miss Meteor isn’t about being perfect; it’s about sharing who you are with the world—and loving the parts of yourself no one else understands.So to pull off the unlikeliest underdog story in pageant history, Lita and Chicky are going to have to forget the past and imagine a future where girls like them are more than enough—they are everything.
Miss Patch's Learn-to-Sew Book
by Carolyn Meyer Mary SuzukiSewing is a skill that's both fun and functional, and there's no better way to get started than with jolly Miss Patch! She learns how to thread a needle, cut patterns, and sew a fine seam by hand. With the help of Miss Patch, and the book's many diagrams and amusing drawings, beginning sewists can learn to make a pillow, a bag, a patchwork quilt, an apron, and even simple clothes. Originally published in 1969, this is a timeless introduction to the pleasures of sewing.
**Missing**: Techno-Imaginaries around 2000 and the case of "Piazza virtuale" (1992) (Neue Perspektiven der Medienästhetik)
by Christoph Ernst Jens SchröterThe late 20th century was a formative phase in the history of digital media culture. The introduction of "new media" was associated with promises for the future that still resonate today. This book brings together contributions that discuss key aspects of the "imaginaries" surrounding new media in this epoch. The focus is on the works of the media artist group Van Gogh-TV, especially the historically very important interactive television project "Piazza virtuale" (1992).
**Missing**: Geographies and Regulation of the Sex Industry (Routledge Advances in Sociology)
by Paul J. Maginn Christine Steinmetz(Sub)Urban Sexscapes brings together a collection of theoretically-informed and empirically rich case studies from internationally renowned and emerging scholars highlighting the contemporary and historical geographies and regulation of the commercial sex industry. Contributions in this edited volume examine the spatial and regulatory contours of the sex industry from a range of disciplinary perspectives—urban planning, urban geography, urban sociology, and, cultural and media studies—and geographical contexts—Australia, the UK, US and North Africa. In overall terms, (Sub)urban Sexscapes highlights the mainstreaming of commercial sex premises—sex shops, brothels, strip clubs and queer spaces—and products—sex toys, erotic literature and pornography—now being commonplace in night time economy spaces, the high street, suburban shopping centres and the home. In addition, the aesthetics of commercial and alternative sexual practices—BDSM and pornography—permeate the (sub)urban landscape via billboards, newspapers and magazines, television, music videos and the Internet. The role of sex, sexuality and commercialized sex, in contributing to the general character of our cities cannot be ignored. In short, there is a need for policy-makers to be realistic about the historical, contemporary and future presence of the sex industry. Ultimately, the regulation of the sex industry should be informed by evidence as opposed to moral panics. *** Winner of the Planning Institute of Australia (WA) 2015 Award for Excellence in Cutting Edge Research and Teaching ***
**Missing**: Dubbing Linguistic Variation (Palgrave Studies in Translating and Interpreting)
by Vincenza MinutellaThis book describes the dubbing process of English-language animated films produced by US companies in the 21st century, exploring how linguistic variation and multilingualism are used to create characters and identities and examining how Italian dubbing professionals deal with this linguistic characterisation. The analysis carried out relies on a diverse range of research tools: text analysis, corpus study and personal communications with dubbing practitioners. The book describes the dubbing workflow and dubbing strategies in Italy and seeks to identify recurrent patterns and therefore norms, as well as stereotypes or creativity in the way multilingualism and linguistic variation are tackled. It will be of interest to students and scholars of translation, linguistic variation, film and media.
**Missing** (Palgrave Macmillan Memory Studies)
by Klavdia Smola Ilya Kukulin Annelie BachmaierThis book is the first major study exploring archival and memorial practices of the Soviet unofficial culture. The creation of counter-archives was one of the most important forms of cultural resistance in the Soviet Union. Unofficial artists and poets had to reinvent the possibilities of maintaining art and literature that “did not exist”. Against the background of archival theories and memory studies, the volume explores how the culture of the Soviet underground has become one of the most striking cases of scholarly and artistic (self-)archiving, which – although being half-isolated from the outer world – reflected intellectual and artistic trends characteristic of its time. The guiding question of the volume is how Soviet unofficial culture (de)constructed social memory by collecting, archiving and memorizing tabooed culture of the past and present.