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Art 101
by Eric GrzymkowskiExplore the beautiful and complex world of art! Too often, textbooks obscure the beauty and wonder of fine art with tedious discourse that even Leonardo da Vinci would oppose. Art 101 cuts out the boring details and lengthy explanations, and instead, gives you a lesson in artistic expression that keeps you engaged as you discover the world's greatest artists and their masterpieces. From color theory and Claude Monet to Jackson Pollock and Cubism, this primer is packed with hundreds of entertaining tidbits and works of art that you won't be able to get anywhere else. So whether you're looking to master classic painting techniques, or just want to learn more about popular styles of art, Art 101 has all the answers--even the ones you didn't know you were looking for.
Art 101: From Vincent van Gogh to Andy Warhol, Key People, Ideas, and Moments in the History of Art
by Eric GrzymkowskiExplore the beautiful and complex world of art!Too often, textbooks obscure the beauty and wonder of fine art with tedious discourse that even Leonardo da Vinci would oppose. Art 101 cuts out the boring details and lengthy explanations, and instead, gives you a lesson in artistic expression that keeps you engaged as you discover the world's greatest artists and their masterpieces.From color theory and Claude Monet to Jackson Pollock and Cubism, this primer is packed with hundreds of entertaining tidbits and works of art that you won't be able to get anywhere else.So whether you're looking to master classic painting techniques, or just want to learn more about popular styles of art, Art 101 has all the answers--even the ones you didn't know you were looking for.
The Art Abandonment Project: Create and Share Random Acts of Art
by Michael Demeng Andrea Matus DemengArt sharing at its sneakiest!Art sharing at its sneakiest! The Art Abandonment Project is your guide to expressing yourself through random acts of art! Create something for the joy of making it, and then leave it for an unsuspecting person to find--be it on a shelf at the library, a park bench, a table at a coffee shop or anywhere a stranger might stumble upon it. Inside you'll discover fun ideas for monthly abandonment challenges, way to connect with other "abandoneers" in the creative community, the value of sharing with others and more. Learn the ins and outs of being an abandoneer. Get ideas and inspiration for monthly abandoning challenges. See examples of abandoned art, and read the stories of the artists as well as the "finders." Receive helpful encouragement for letting go of your creations (sometimes it's hard!). Connect with the Art Abandonment community and learn how to share your own stories with others. Join the art abandonment project, set your art fee and make someone's day!
Art Across Time Combined (Fourth Edition)
by Laurie Schneider AdamsArt across Time combines sound scholarship, lavish visuals, and a lively narrative to provide students with a comprehensive, accessible, and engaging introduction to Art History. Popular with majors and non-majors alike, the text offers readers more than a chronology of art by placing each work within the time-and-place context within which it was created. <P><P>Encountering and interpreting a work of art in context offers the reader the richest possible experience of it. Large scale and high quality visual reproductions of artworks are often presented from multiple perspectives to enhance visual appeal and allow students to view details and elements of composition with greater ease. A thoughtful pedagogical approach helps students consider what they are viewing.
Art, Activism, and Oppositionality: Essays from Afterimage
by Grant H. KesterThere is a common perception in the arts today that overtly activist artæoften seen to sacrifice an aesthetic pleasure for a subversive oneæis no longer in fashion. In bringing together sixteen of the most important essays on activist and community-based art from the pages of Afterimageæone of the most influential journals in the media and visual arts fields for more than twenty-five yearsæGrant H. Kester demonstrates that activist art, far from being antithetical to the true meaning of the aesthetic, can be its most legitimate expression.Forging a style of criticism where aesthetic, critical, theoretical, and activist concerns converge, Afterimage has shaped American debates around the politics of visual production and arts education while offering a voice to politically involved artists and scholars. Art, Activism, and Oppositionality insists not only on the continuing relevance of an activist stance to contemporary art practice and criticism, but also on the significance of an engaged art practice that is aligned with social or political activism. With essays that span fifteen yearsæroughly from Ronald Reagan's 1980 presidential win to the 1994 Republican victories in Congress, a period marked by waning public support for the arts and growing antagonism toward activist art æArt, Activism, and Oppositionality confronts issues ranging from arts patronage, pedagogy, and the very definitions of art and activism to struggles involving AIDS, reproductive rights, sexuality, and racial identity.Art, Activism, and Oppositionality will interest students and scholars of contemporary art history, media studies, cultural studies, and the fine arts, as well as, arts activists, critics, and arts administrators.Contributors. Maurice Berger, Richard Bolton, Ann Cvetkovich, Coco Fusco, Brian Goldfarb, Mable Haddock, Grant H. Kester, Ioannis Mookas, Chiquita Mullins Lee, Darrell Moore, Lorraine O'Grady, Michael Renov, Martha Rosler, Patricia Thomson, David Trend, Charles A. Wright Jr., Patricia R. Zimmerman
Art Activism for an Anticolonial Future (SUNY series, Praxis: Theory in Action)
by Carlos Garrido CastellanoAnalyzing the confluence between coloniality and activist art, Art Activism for an Anticolonial Future argues that there is much to gain from approaching contemporary politically committed art practices from the angle of anticolonial, postcolonial, and decolonial struggles. These struggles inspired a vast yet underexplored set of ideas about art and cultural practices and did so decades before the acceptance of radical artistic practices by mainstream art institutions. Carlos Garrido Castellano argues that art activism has been confined to a limited spatial and temporal framework—that of Western culture and the modernist avant-garde. Assumptions about the individual creator and the belated arrival of derivative avant-garde aesthetics to the periphery have generated a narrow view of “political art” at the expense of our capacity to perceive a truly global alternative praxis. Garrido Castellano then illuminates such a praxis, focusing attention on socially engaged art from the Global South, challenging the supposed universality of Western artistic norms, and demonstrating the role of art in promoting and configuring a collective critical consciousness in postcolonial public spheres.This book is freely available in an open access edition thanks to Knowledge Unlatched—an initiative that provides libraries and institutions with a centralized platform to support OA collections and from leading publishing houses and OA initiatives. Learn more at the Knowledge Unlatched website at: https://www.knowledgeunlatched.org/, and access the book online at the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/7166.
Art After Appropriation: Essays on Art in the 1990s
by John C. WelchmanBeginning with the first comprehensive account of the discourse of appropriation that dominated the art world in the late 1970s and 1980s, Art After Appropriation suggests a matrix of inflections and refusals around the culture of taking or citation, each chapter loosely correlated with one year of the decade between 1989 and 1999. The opening chapters show how the Second World culture of the USSR gave rise to a new visibility for photography during the dissolution of the Soviet Union around 1989. Welchman examines how genres of ethnography, documentary and travel are crossed with fictive performance and social improvisation in the videos of Steve Fagin. He discusses how hybrid forms of subjectivity are delivered by a new critical narcissism, and how the Korean-American artist, Cody Choi converts diffident gestures of appropriation from the logic of material or stylistic annexation into continuous incorporated events. Art After Appropriation also examines the creation of public art from covert actions and social feedback, and how bodies participate in their own appropriation. Art After Appropriation concludes with the advent of the rainbow net, an imaginary icon that governs the spaces of interactivity, proliferation and media piracy at the end of the millennium.John Welchman is Professor of Modern Art History, Theory and Criticism at the University of California, San Diego. He is the author of Modernism Relocated (1995) and Invisible Colors (1997); and editor of Rethinking Borders (1996), and a forthcoming three-volume anthology of the writings of LA artist MIke Kelley. Welchman has contributed to numerous journals, magazines, museum catalogues and newspapers, including Artforum; New York Times; Los Angeles Times; International Herald Tribune; Los Angeles County Museum of Art; Tate Gallery; Museum of Contemporary Art, Los Angeles; Reina Sofia, Madrid; Haus der Kunst, Munich
Art After Instagram: Art Spaces, Audiences, Aesthetics (Routledge Advances in Art and Visual Studies)
by Lachlan MacDowall Kylie BudgeThis book explores the effects of the Instagram platform on the making and viewing of art. Authors Lachlan MacDowall and Kylie Budge critically analyse the ways Instagram has influenced artists, art spaces, art institutions and art audiences, and ultimately contemporary aesthetic experience. The book argues that more than simply being a container for digital photography, the architecture of Instagram represents a new relationship to the image and to visual experience, a way of shaping ocular habits and social relations. Following a detailed analysis of the structure of Instagram – the tactile world of affiliation (‘follows’), aesthetics (‘likes’) and attention (‘comments’) – the book examines how art spaces, audiences and aesthetics are key to understanding its rise. The book will be of interest to scholars working in art history, design, digital culture, cultural studies, sociology, education, business, media and communication studies.
Art After Instagram: Art Spaces, Audiences, Aesthetics (Routledge Advances in Art and Visual Studies)
by Lachlan MacDowall Kylie BudgeThis book explores the effects of the Instagram platform on the making and viewing of art.Authors Lachlan MacDowall and Kylie Budge critically analyse the ways Instagram has influenced artists, art spaces, art institutions and art audiences, and ultimately contemporary aesthetic experience. The book argues that more than simply being a container for digital photography, the architecture of Instagram represents a new relationship to the image and to visual experience, a way of shaping ocular habits and social relations. Following a detailed analysis of the structure of Instagram – the tactile world of affiliation (‘follows’), aesthetics (‘likes’) and attention (‘comments’) – the book examines how art spaces, audiences and aesthetics are key to understanding its rise.The book will be of interest to scholars working in art history, design, digital culture, cultural studies, sociology, education, business, media and communication studies.
Art after Money, Money after Art: Creative Strategies against Financialization
by Max HaivenWe imagine that art and money are old enemies, but this myth actually reproduces a violent system of global capitalism and prevents us from imagining and building alternatives. From the chaos unleashed by the ‘imaginary’ money in financial markets to the new forms of exploitation enabled by the ‘creative economy’ to the way art has become the plaything of the world’s plutocrats, our era of financialization demands that we question our romantic assumptions about art and money. By exploring the way contemporary artists engage with cash, debt, and credit, Haiven identifies and assesses a range of creative strategies for mocking, sabotaging, exiting, decrypting, and hacking capitalism today. Written for artists, activists, and scholars, this book makes an urgent call to unleash the power of the radical imagination by any media necessary.
Art after the Hipster: Identity Politics, Ethics and Aesthetics
by Wes HillThis book examines the complexities of the hipster through the lens of art history and cultural theory, from Charles Baudelaire's fl#65533;neur to the contemporary "creative" borne from creative industries policies. It claims that the recent ubiquity of hipster culture has led many artists to confront their own significance, responding to the mass artification of contemporary life by de-emphasising the formal and textual deconstructions so central to the legacies of modern and postmodern art. In the era of creative digital technologies, long held characteristics of art such as individual expression, innovation, and alternative lifestyle are now features of a flooded and fast-paced global marketplace. Against the idea that artists, like hipsters, are the "foot soldiers of capitalism", the institutionalized networks that make up the contemporary art world are working to portray a view of art that is less a discerning exercise in innovative form-making than a social platform--a forum for populist aesthetic pleasures or socio-political causes. It is in this sense that the concept of the hipster is caught up in age-old debates about the relation between ethics and aesthetics, examined here in terms of the dynamics of global contemporary art.
Art Against Dictatorship: Making and Exporting Arpilleras Under Pinochet
by Jacqueline AdamsArt can be a powerful avenue of resistance to oppressive governments. During the dictatorship of Augusto Pinochet in Chile, some of the country's least powerful citizens-impoverished women living in Santiago's shantytowns-spotlighted the government's failings and use of violence by creating and selling arpilleras, appliquéd pictures in cloth that portrayed the unemployment, poverty, and repression that they endured, their work to make ends meet, and their varied forms of protest. Smuggled out of Chile by human rights organizations, the arpilleras raised international awareness of the Pinochet regime's abuses while providing income for the arpillera makers and creating a network of solidarity between the people of Chile and sympathizers throughout the world. Using the Chilean arpilleras as a case study, this book explores how dissident art can be produced under dictatorship, when freedom of expression is absent and repression rife, and the consequences of its production for the resistance and for the artists. Taking a sociological approach based on interviews, participant observation, archival research, and analysis of a visual database, Jacqueline Adams examines the emergence of the arpilleras and then traces their journey from the workshops and homes in which they were made, to the human rights organizations that exported them, and on to sellers and buyers abroad, as well as in Chile. She then presents the perspectives of the arpillera makers and human rights organization staff, who discuss how the arpilleras strengthened the resistance and empowered the women who made them.
Art, Agency and the Continued Assault on Authorship (Routledge Advances in Art and Visual Studies)
by Simon BlondThis book presents a counter-history to the relentless critique of the humanist subject and authorial agency that has taken place over the past fifty years. It is both an interrogation of that critique and the tracing of an alternative narrative from Romanticism to the twenty-first century which celebrates the agency of the artist as a powerful contribution to the wellbeing of the community. It does so through arguments based on philosophical aesthetics and cultural theory interspersed with case histories of particular artists. It also engages with a second issue that cannot be separated from the first. This is the question of what the role and purpose of art is in society. This has become particularly important since the 1990s because of the "social turn" in art in which it is claimed that the only valid role for art was one that had explicit social consequences. This book argues that a political role for art is valuable, but not the only one that can be envisaged nor indeed is it the most obvious or most important. Art has other social roles both as a means to engender empathy and community, and to re-enchant a world bereft of meaning and reduced to material values. The book will appeal to practising artists as well as scholars working in art history, philosophy, aesthetics, and curatorial studies.
Art Alive! with Science: Get creative with art history and science!
by Mary AuldExperience how art meets science, from the earliest cave paintings to today's advanced tech - and meet the innovative artists behind it all!In Art Alive! with Science, award-winning author Mary Auld explores moments from art history that have expanded our understanding of the way things work, such as the beautiful balance of forces in kinetic sculpture, the interplay of light and shadow in painting and puppetry and how Op Art tricks our brains and plays with our senses. Following each case study of astounding innovation, there is a creative project that applies the scientific learning to the reader's own art practice. The unique art style of illustrator Sue Downing is sure to draw in young artists, especially alongside the photos of each artist's work and contribution to the timeline of innovation. Perfect for children age 8 and up.Artists and science principles inside include:Introduction: Artists and scientists from cave painting to bronze castingThe art of anatomy with Myron's Discobolus (Discus Thrower)The science of illustration with Hildegard of Bingen and Abd al-Rahman al-SufiThe fantasy of flight with Leonardo da VinciThe drama of light with Caravaggio's chiaroscuro and wayang kulit shadow puppetryThe art of nature with Ustad Mansur and Maria Sibylla MerianThe image in perspective with Johannes Vermeer's The GeographerThe science of clouds with Luke Howard, Caspar David Friedrich and John ConstableThe sense of colour with expressionism and pointillismThe structure of flowers with Georgia O'KeeffeThe energy of sound with Paul Klee's PolyphonyThe balance of forces with Alexander Calder's kinetic sculpturesThe art of astronomy with Galileo, Lucien Rudaux and NASAThe art of light with Pablo Picasso, Gjon Mili and their famous light drawing collaborationThe art of illusion with Marina ApollonioThe science of materials with Anish KapoorThe structures of life with Dorothy Hodgkin and Conrad ShawcrossThe reactions of chemistry with Cai Guo-Qiang's explosion eventsThe dimension of time with Jen's Stark's fascinating and mathematical 30 Cubed
Art Alphabets, Monograms, and Lettering (Dover Art Instruction)
by J. M. BerglingChicago–based jewelry engraver J. M. Bergling (1866–1933) created thousands of letter styles, signets, monograms, and ciphers. A noted author on the subjects of lettering and heraldic design, Bergling created books that became standard references of his era. He assembled his first book, Art Monograms and Letters,with the hopes of inspiring other etchers, engravers, sign painters, and artisans. This volume contains selected illustrations from that publication in addition to his complete Art Alphabets and Lettering,which comprises 96 pages of layouts and letter styles ranging from simple to ornate. Commercial artists, designers, calligraphers, engravers, amateurs, and professionals will prize this exclusive edition as a source of high-quality images and alphabets. This reference book features an appreciative Foreword by artist and author James Gurney, which places Bergling's works in historical context.
Art Anatomy of Animals
by Ernest Thompson SetonA prolific author of books on wildlife, the great naturalist Ernest Thompson Seton was also an accomplished illustrator. Noting a dearth of general zoological anatomies for artists, he took it upon himself to create one. This volume is the result of his efforts. In it, he provides a definitive artist's-eye view of the exterior anatomy of animals, helping readers depict surface features such as hair or fur, as well as basic body and facial structures.Chapters cover a number of domesticated and wild species: the anatomy, size, and proportion of the lion, tiger, leopard, and other members of the cat family; bears (including the grizzly, European brown, American black, and the polar bear); as well as the camel, Indian elephant, and the caribou. Additional sections consider the horse in motion, the gallop of a dog, and bird feathering.One of the most widely consulted books on the subject, Art Anatomy of Animals will be a valuable addition to the libraries of both instructors and students of art.
Art and Activism in the Age of Systemic Crisis: Aesthetic Resilience (Routledge Research in Art and Politics)
by Marijke De Valck Eliza Steinbock Bram IevenThis book examines how renewed forms of artistic activism were developed in the wake of the neoliberal repression since the 1980s. The volume shows the diverse ways in which artists have sought to confront systemic crises around the globe, searching for new and enduring forms of building communities and reimagining the political horizon. The authors engage in a dialogue with these artistic efforts and their histories – in particular the earlier artistic activism that was developed during the civil rights era in the 1960s and 70s – providing valuable historical insight and new conceptual reflection on the future of aesthetic resilience. This book will be of interest to scholars in contemporary art, history of art, film and literary studies, protest movements, and social movements.
Art and Activism in the Nuclear Age: Exploring the Legacy of Hiroshima and Nagasaki
by Roman Rosenbaum Yasuko ClaremontThis book explores the contemporary legacy of Hiroshima and Nagasaki following the passage of three quarters of a century, and the role of art and activism in maintaining a critical perspective on the dangers of the nuclear age. It closely interrogates the political and cultural shifts that have accompanied the transition to a nuclearised world. Beginning with the contemporary socio-political and cultural interpretations of the impact and legacy of the destruction of Hiroshima and Nagasaki, the chapters examine the challenges posed by committed opponents in the cultural and activist fields to the ongoing development of nuclear weapons and the expanding industrial uses of nuclear power. It explores how the aphorism that "all art is political" is borne out in the close relation between art and activism. This multi-disciplinary approach to the socio-political and cultural exploration of nuclear energy in relation to Hiroshima/Nagasaki via the arts will be of interest to students and scholars of peace and conflict studies, social political and cultural studies, fine arts, and art and aesthetic studies.
Art and Archaeology: Collaborations, Conversations, Criticisms (One World Archaeology #11)
by Ian Alden Russell Andrew CochraneThis volume presents a collection of interdisciplinary collaborations between contemporary art, heritage, anthropological, and archaeological practitioners. Departing from the proceedings of the Sixth World Archaeological Congress's 'Archaeologies of Art' theme and Ábhar agus Meon exhibitions, it includes papers by seminal figures as well as experimental work by those who are exploring the application of artistic methods and theory to the practice of archaeology. Art and archaeology: collaborations, conversations, criticisms encourages the creative interplay of various approaches to 'art' and 'archaeology' so these new modes of expression can contribute to how we understand the world. Established topics such as cave art, monumental architecture and land art will be discussed alongside contemporary video art, performance art and relational arts practices. Here, the parallel roles of artists as makers of new worlds and archaeologists as makers of pasts worlds are brought together to understand the influences of human creativity.
The Art and Archaeology of Ancient Greece
by Judith M. BarringerThe Art and Archeology of Ancient Greece is an introductory-level textbook for students with little or no background in ancient art. Arranged chronologically in broad swathes of time, from the Bronze and Iron Ages through the Geometric, Archaic, Classical, and Hellenistic periods, and concluding with the Roman conquest of the Greek world, the textbook focuses on Greek art but also incorporates Near Eastern, Etruscan, and Roman objects. Judith M. Barringer examines a variety of media, analyzing marble and bronze sculpture, public architecture, and vase painting, as well as coins, domestic architecture, mosaics, terracotta figurines and reliefs, jewelry, and wall painting. This book adopts an approach that considers objects and monuments within their cultural contexts. * More than 500 illustrations, with over 400 in color and 13 maps, including specially commissioned photographs, maps, plans, and reconstructions * Includes text boxes, chapter summaries and timelines, and detailed glossary * Looks at Greek art from perspectives of both art history and archaeology, giving students an understanding of the historical and everyday context of art objects
Art and Archaeology of Challuabamba, Ecuador
by Terence GriederChalluabamba (chī-wa-bamba)--now a developing suburb of Cuenca, the principal city in the southern highlands of Ecuador--has been known for a century as an ancient site that produced exceptionally fine pottery in great quantities. Suspecting that Challuabamban ceramics might provide a link between earlier, preceramic culture and later, highly developed Formative period art, Terence Grieder led an archaeological investigation of the site between 1995 and 2001. In this book, he and the team of art historians and archaeologists who excavated at Challuabamba present their findings, which establish the community's importance as a center in a network of trade and artistic influence that extended to the Amazon River basin and the Pacific Coast. Art and Archaeology of Challuabamba, Ecuador presents an extensive analysis of ceramics dating to 2100-1100 BC, along with descriptions of stamps and seals, stone and shell artifacts, burials and their offerings, human remains, and zooarchaeology. Grieder and his coauthors demonstrate that the pottery of Challuabamba fills a gap between early and late Formative styles and also has a definite connection with later highland styles in Peru. They draw on all the material remains to reconstruct the first clear picture of Challuabamba's prehistory, including agriculture and health, interregional contacts and exchange, red-banded incised ware and ceramic production, and shamanism and cosmology. Because southern Ecuador has received relatively little archaeological study, Art and Archaeology of Challuabamba, Ecuador offers important baseline data for what promises to be a key sector of the prehistoric Andean region.
Art And Architecture In Medieval France: Medieval Architecture, Sculpture, Stained Glass, Manuscripts, The Art Of The Church Treasuries
by Whitney S. StoddardThis is an English-language study on the architecture and art of medieval France of the Romanesque and Gothic periods between 1000-1500. In addition to essays on individual monuments there are general discussions of given periods and specific problems such as: why did Gothic come into being? Whitney Stoddard explores the interrelationship between all forms of medieval ecclesiastical art and characterization of the Gothic cathedral, which he believes to have an almost metaphysical basis.
Art and Architecture of China (China: The Emerging Superpower)
by Shelia Hollihan-ElliotChina has a rich artistic tradition extending back thousands of years. Art and Architecture of China surveys the art treasures of this vibrant civilization, from ancient and imperial China to today's People's Republic. The arts of each era are interpreted in the context of the life, culture, and politics of that era, offering insights to their meaning and showing how China's artistic output has reflected the development of Chinese society and thought. Art forms studied include ancient bronze ritual vessels and jade; the Three Perfections (calligraphy, poetry, and brush painting); ceramics and porcelain; sculpture; decorative and folk art; and modern, Western-influenced painting. Traditional Chinese architecture and town planning is also explored, revealing key technologies and design principles. In addition, today's interplay between traditional architecture and cutting-edge modernism is examined.
The Art and Architecture of Islam, 1250-1800
by Sheila S. Blair Jonathan M. BloomThe authors present a provocative essay on the varied legacies of Islamic art in Europe and the Islamic lands in the nineteenth and twentieth centuries.
Art And Architecture Of The Middle Ages: Exploring A Connected World
by Jill Caskey Adam S. Cohen Linda SafranArt and Architecture of the Middle Ages is a panoramic survey that focuses on the arts of medieval Europe, Byzantium, and the Islamicate world. From majestic monuments to exquisite tableware, Jill Caskey, Adam S. Cohen, and Linda Safran deftly guide readers over twelve centuries of art and architecture created by the diverse peoples and religious groups of western Eurasia and North Africa. This textbook, intended for a wide range of courses in the history of medieval art and architecture, uniquely features: • More than 450 color illustrations of fascinating works produced between ca. 250 CE and ca. 1450 CE • Coverage of secular and religious arts, including polytheistic, Zoroastrian, Jewish, Christian, and Islamic traditions • Informational text boxes on key issues and a glossary of terms • Diverse cultures interwoven in a single chronological framework • Five broad interpretive themes―artistic production, status and identity, connection to the past, ideology, and access to the sacred Complemented by a website (artofthemiddleages.com) with additional works, dynamic maps and timelines, podcasts, new primary-source translations, and more, Art and Architecture of the Middle Ages brilliantly expands and recalibrates the story of medieval art history.