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The Monster Book of Manga Steampunk Gothic
by Jorge BalaguerEnter an alternative world ruled by steam-powered machinery, Victorian elegance, and futuristic technology by creating your own elaborate manga characters in Steampunk, the latest volume in the bestselling Monster Book of Manga series.This easy-to-follow guidebook brings to life more than thirty avant-garde manga characters fit for a steampunk universe where fantasy, science, and history collide. Through advanced illustration techniques and step-by-step instructions, you'll learn how to easily transform rough sketches into intricately inked graphics, all adorned in clockwork motifs, rich colors, and Space Age attire. Characters include pirates, sci-fi soldiers, industrial aviators, witches, time travelers, robots, and vampires. Whether you're a novice or a skilled artist, The Monster Book of Manga: Steampunk is the definitive guide to creating your very own collection of steampunk manga characters.
Monster Cinema (Quick Takes: Movies and Popular Culture)
by Barry Keith GrantMonster Cinema introduces readers to a vast menagerie of movie monsters. Some are gigantic, like King Kong or the kaiju in Pacific Rim, while others are microscopic. Some monsters appear uncannily human, from serial killers like Norman Bates to the pod people in Invasion of the Body Snatchers. And of course, other movie monsters like demons, ghosts, vampires, and witches emerge from long folklore traditions. Film expert Barry Keith Grant considers what each type of movie monster reveals about what it means to be human and how we regard the world. Armed with an encyclopedic knowledge of film history, Grant presents us with an eclectic array of monster movies, from Nosferatu to Get Out. As he discovers, although monster movies might claim to be about Them!, they are really about the capacity for horror that lurks within each of us.
Monster Factory: Draw Cute and Cool Cartoon Monsters
by Ernie HarkerHow to Draw Monsters!(No humans were harmed in the making of this book.)Looking for a way to unleash your inner beast? It's easy with these wonderfully weird and relatively harmless creatures.Head inside the Monster Factory to:Draw 43 fun and feisty monsters step by step!Learn to draw different eyes, mouths, horns, legs and feet, and then mix them up to invent your very own, unique and scary creations.Create four breeds of monsters, including freestyle, alien, mashups and robots.Spot monster-making inspiration all around you, from animals and insects to jelly beans and toasters. Inside are some of the most likeable (and freaky) fiends you'll ever encounter--from Stephanie, who just wants to hug, to Patience, the bug-eating rock, to Peeperpillar, a cute caterpillar-parakeet. They come from the quirky minds of three professional monster artists, here to share their secret techniques and character-building tips. With a fun, anything-goes approach to monster-making, they show you how to bring to life the monsters running wild in your own imagination.
The Monster Movies of Universal Studios
by James L NeibaurThis history and critique of classic scary films &“honors Universal&’s horror legacy. . . . an excellent resource for film students and monster movie fanatics&” (Library Journal). In 1931 Universal Studios released Dracula starring Bela Lugosi. This box office success was followed by a string of films featuring macabre characters and chilling atmospherics, including Frankenstein, The Mummy, and The Invisible Man. With each new film, Universal established its place in the Hollywood firmament as the leading producer of horror films, a status it enjoyed for more than twenty years. In The Monster Movies of Universal Studios, James L. Neibaur examines the key films produced by the studio from the early 1930s through the mid-1950s. In each entry, Neibaur recounts the movie&’s production, provides critical commentary, considers the film&’s commercial reception, and offers an overall assessment of the movie&’s significance. Neibaur also examines the impact these films had on popular culture, an influence that resonates in the cinema of fear today. From the world premiere of Dracula to the 1956 release of The Creature Walks among Us, Universal excelled at scaring viewers of all ages—and even elicited a few chuckles along the way by pitting their iconic creatures against the comedic pair of Abbott and Costello. The Monster Movies of Universal Studios captures the thrills of these films, making this book a treat for fans of the golden age of horror cinema. &“Studio stills and trade ads for several of the films add a suitably scary touch to this treat for fans and scholars alike. ― Booklist &“An impressive work of film scholarship.&” ― Cinema Retro
The Monster Show: A Cultural History of Horror
by David J. SkalIlluminating the dark side of the American century, The Monster Show uncovers the surprising links between horror entertainment and the great social crises of our time, as well as horror's function as a pop analogue to surrealism and other artistic movements. With penetrating analyses and revealing anecdotes, David J. Skal chronicles one of our most popular and pervasive modes of cultural expression. He explores the disguised form in which Hollywood's classic horror movies played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control catalyzed by the Cold War; the preoccupation with demon children that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in visceral, transformative special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and the current fascination with vampires; and much more. Now with a new Afterword by the author that looks at horror's popular renaissance in the last decade, The Monster Show is a compulsively readable, thought-provoking inquiry into America's obsession with the macabre.
The Monster Theory Reader
by Jeffrey Andrew WeinstockA collection of scholarship on monsters and their meaning—across genres, disciplines, methodologies, and time—from foundational texts to the most recent contributions Zombies and vampires, banshees and basilisks, demons and wendigos, goblins, gorgons, golems, and ghosts. From the mythical monstrous races of the ancient world to the murderous cyborgs of our day, monsters have haunted the human imagination, giving shape to the fears and desires of their time. And as long as there have been monsters, there have been attempts to make sense of them, to explain where they come from and what they mean. This book collects the best of what contemporary scholars have to say on the subject, in the process creating a map of the monstrous across the vast and complex terrain of the human psyche.Editor Jeffrey Andrew Weinstock prepares the way with a genealogy of monster theory, traveling from the earliest explanations of monsters through psychoanalysis, poststructuralism, and cultural studies, to the development of monster theory per se—and including Jeffrey Jerome Cohen&’s foundational essay &“Monster Theory (Seven Theses),&” reproduced here in its entirety. There follow sections devoted to the terminology and concepts used in talking about monstrosity; the relevance of race, religion, gender, class, sexuality, and physical appearance; the application of monster theory to contemporary cultural concerns such as ecology, religion, and terrorism; and finally the possibilities monsters present for envisioning a different future. Including the most interesting and important proponents of monster theory and its progenitors, from Sigmund Freud to Julia Kristeva to J. Halberstam, Donna Haraway, Barbara Creed, and Stephen T. Asma—as well as harder-to-find contributions such as Robin Wood&’s and Masahiro Mori&’s—this is the most extensive and comprehensive collection of scholarship on monsters and monstrosity across disciplines and methods ever to be assembled and will serve as an invaluable resource for students of the uncanny in all its guises.Contributors: Stephen T. Asma, Columbia College Chicago; Timothy K. Beal, Case Western Reserve U; Harry Benshoff, U of North Texas; Bettina Bildhauer, U of St. Andrews; Noel Carroll, The Graduate Center, CUNY; Jeffrey Jerome Cohen, Arizona State U; Barbara Creed, U of Melbourne; Michael Dylan Foster, UC Davis; Sigmund Freud; Elizabeth Grosz, Duke U; J. Halberstam, Columbia U; Donna Haraway, UC Santa Cruz; Julia Kristeva, Paris Diderot U; Anthony Lioi, The Julliard School; Patricia MacCormack, Anglia Ruskin U; Masahiro Mori; Annalee Newitz; Jasbir K. Puar, Rutgers U; Amit A. Rai, Queen Mary U of London; Margrit Shildrick, Stockholm U; Jon Stratton, U of South Australia; Erin Suzuki, UC San Diego; Robin Wood, York U; Alexa Wright, U of Westminster.
Monsters: A Fan’s Dilemma
by Claire DedererA passionate, provocative and blisteringly smart interrogation of how we experience art in the age of #MeToo, and whether we can separate an artist's work from their biography.What do we do with the art of monstrous men? Can we love the work of Roman Polanski and Michael Jackson, Hemingway and Picasso? Should we love it? Does genius deserve special dispensation? Is history an excuse? What makes women artists monstrous? And what should we do with beauty, and with our unruly feelings about it?Claire Dederer explores these questions and our relationships with the artists whose behaviour disrupts our ability to apprehend the work on its own terms. She interrogates her own responses and her own behaviour, and she pushes the fan, and the listener, to do the same. Morally wise, deeply considered and sharply written, Monsters gets to the heart of one of our most pressing conversations.(P) 2023 Penguin Audio
Monsters: A Fan’s Dilemma
by Claire Dederer'An exhilarating, shape-shifting exploration of the perilous boundaries between art and life' JENNY OFFILL'An incredible book, the best work of criticism I have read in a very long time' NICK HORNBY'Wise and bold and full of the kind of gravitas that might even rub off' LISA TADDEOA passionate, provocative and blisteringly smart interrogation of how we experience art in the age of #MeToo, and whether we can separate an artist's work from their biography.What do we do with the art of monstrous men? Can we love the work of Roman Polanski and Michael Jackson, Hemingway and Picasso? Should we love it? Does genius deserve special dispensation? What makes women artists monstrous? And what should we do with beauty, and with our unruly feelings about it?Claire Dederer explores these questions and our relationships with the artists whose behaviour disrupts our ability to understand the work on its own terms. She interrogates her own responses and behaviour, and she pushes the fan, and the reader, to do the same. Morally wise, deeply considered and sharply written, Monsters gets to the heart of one of our most pressing conversations.'A blisteringly erudite and entertaining read . . . It's a book that deserves to be widely read and will provoke many conversations' NATHAN FILER'Fascinating . . . Dederer poses so many topical questions, plays with so many pertinent ideas, that I'm still thinking about this book long after I finished it' CLAIRE FULLER
Monsters: A Fan's Dilemma
by Claire DedererA NEW YORK TIMES NOTABLE BOOK • NATIONAL BESTSELLER • A timely, passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of cancel culture, and of the link between genius and monstrosity. Can we love the work of controversial classic and contemporary artists but dislike the artist?"A lively, personal exploration of how one might think about the art of those who do bad things" —Vanity Fair • "[Dederer] breaks new ground, making a complex cultural conversation feel brand new." —Ada Calhoun, author of Also a Poet From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, Monsters is &“part memoir, part treatise, and all treat&” (The New York Times). This unflinching, deeply personal book expands on Claire Dederer&’s instantly viral Paris Review essay, "What Do We Do with the Art of Monstrous Men?" Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience's relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art.&“Monsters leaves us with Dederer&’s passionate commitment to the artists whose work most matters to her, and a framework to address these questions about the artists who matter most to us." —The Washington PostA Best Book of the Year: The New York Times, NPR, The Washington Post, The New Yorker, Vulture, Elle, Esquire, Kirkus
Monsters in Performance: Essays on the Aesthetics of Disqualification
by Michael Chemers Analola SantanaMonsters in Performance boasts an impressive range of contemporary essays that delve into topical themes such as race, gender, and disability, to explore what constitutes monstrosity within the performing arts. These fascinating essays from leading and emerging scholars explore representation in performance, specifically concerning themselves with attempts at social disqualification of "undesirables." Throughout, the writers employ the concept of "monstrosity" to describe the cultural processes by which certain identities or bodies are configured to be threateningly deviant. The editors take a range of previously isolated critical inquiries – including bioethics, critical race studies, queer studies, and televisual studies - and merge them to create an accessible and dynamic platform which unifies these ranges of representations. The global scope and interdisciplinary nature of Monsters in Performance renders it an essential book for Theatre and Performance students of all levels as well as scholars; it will also be an enlightening text for those interested in monstrosity and Cultural Studies more broadly.
Monsters in the Machine: Science Fiction Film and the Militarization of America after World War II
by Steffen HantkeDuring the 1950s and early 1960s, the American film industry produced a distinct cycle of films situated on the boundary between horror and science fiction. Using the familiar imagery of science fiction--from alien invasions to biological mutation and space travel--the vast majority of these films subscribed to the effects and aesthetics of horror film, anticipating the dystopian turn of many science fiction films to come. Departing from projections of American technological awe and optimism, these films often evinced paranoia, unease, fear, shock, and disgust. Not only did these movies address technophobia and its psychological, social, and cultural corollaries; they also returned persistently to the military as a source of character, setting, and conflict. Commensurate with a state of perpetual mobilization, the US military comes across as an inescapable presence in American life.Regardless of their genre, Steffen Hantke argues that these films have long been understood as allegories of the Cold War. They register anxieties about two major issues of the time: atomic technologies, especially the testing and use of nuclear weapons, as well as communist aggression and/or subversion. Setting out to question, expand, and correct this critical argument, Hantke follows shifts and adjustments prompted by recent scholarly work into the technological, political, and social history of America in the 1950s. Based on this revised historical understanding, science fiction films appear in a new light as they reflect on the troubled memories of World War II, the emergence of the military-industrial complex, the postwar rewriting of the American landscape, and the relative insignificance of catastrophic nuclear war compared to America's involvement in postcolonial conflicts around the globe.
Monsters in the Movies: 100 Years of Cinematic Nightmares
by John LandisFrom B-movie bogeymen and outer space oddities to big-budget terrors, Monsters in the Movies by legendary filmmaker John Landis showcases the greatest monsters ever to creep, fly, slither, stalk, or rampage across the Silver Screen! Landis provides his own fascinating and entertaining insights into the world of moviemaking, while conducting in-depth "conversations" with leading monster makers, including David Cronenberg, Christopher Lee, John Carpenter, and Sam Raimi — to discuss some of the most petrifying monsters ever seen. He also surveys the historical origins of the archetypal monsters, such as vampires, zombies, and werewolves, and takes you behind the scenes to discover the secrets of those special-effects wizards who created such legendary frighteners as King Kong, Dracula, and Halloween's Michael Myers. With more than 1000 stunning movie stills and posters, this book is sure to keep even the most intense fright-seekers at the edge of their seats for hours!
Monsters of the Week: The Complete Critical Companion to The X-Files
by Zack Handlen Emily Todd VanDerWerffThe complete critical companion to The X-Files, covering every episode and both films and featuring interviews with screenwriters and stars.In Monsters of the Week: The Complete Critical Companion to The X-Files, TV critics Zack Handlen and Emily Todd VanDerWerff look back at exactly what made the long-running cult series so groundbreaking. Packed with insightful reviews of every episode—including the tenth and eleventh seasons and both major motion pictures—Monsters of the Week leaves no mystery unsolved and no monster unexplained. This crucial collection includes a foreword by series creator Chris Carter as well as exclusive interviews with some of show’s stars and screenwriters, including Carter, Vince Gilligan, Mitch Pileggi, James Wong, Robert Patrick, Darin Morgan, and more. Monsters of the Week is the definitive guide to The X-Files—whether you’re a lifelong viewer or a new fan uncovering the conspiracy for the first time. “This rich critical companion provides what evert X-Files fan deserves.” —Entertainment Weekly “The X-Files is my favorite show and Zack and Emily are my favorite reviewers of my favorite show and this is my favorite quote about it.” —Kumail Nanjiani, writer and star of The Big Sick; creator of The X-Files Files podcast“If Mulder and Scully had access to this terrific book, they would’ve solved every mystery of The X-Files in a single season. . . . The truth is in here!” —Damon Lindelof, co-creator of Lost and The Leftovers
Monsters on the Couch: The Real Psychological Disorders Behind Your Favorite Horror Movies
by Brian A. SharplessHorror movies can reveal much more than we realize about psychological disorders—and clinical psychology has a lot to teach us about horror. Our fears—mortality, failure, loneliness—can be just as motivating as our wishes or desires. Horror movie characters uniquely reveal all of these to a wide audience. If explored in an honest and serious manner, our fears have the potential to teach us a great deal about ourselves, our culture, and certainly other people. From psychologist, researcher, and horror film enthusiast Brian A. Sharpless comes Monsters on the Couch, an exploration into the real-life psychological disorders behind famous horror movies. Accounts of clinical syndromes every bit as dramatic as those on the silver screen are juxtaposed with fascinating forays into the science and folklore behind our favorite movie monsters. Horror fans may be obsessed with vampires, werewolves, zombies, and the human replacements from Invasion of the Body Snatchers, but even many medical professions may not know about the corresponding conditions of Renfield's syndrome, clinical lycanthropy, Cotard's syndrome, and the misidentification delusions. Some of these disorders are surprisingly common in the general population. For instance, a number of people experience isolated sleep paralysis, a disorder implicated in ghost and alien abduction beliefs.As these tales unfold, readers not only learn state-of-the-art psychological science but also gain a better understanding of history, folklore, and how Hollywood often—but not always—gets it wrong when tackling these complex topics.
Monsters Under Bridges
by Rachel Roellke CoddingtonFrom Portland, Oregon to Seattle, Washington to Vancouver, BC, this playful picture book introduces misunderstood monsters and the Pacific Northwest bridges they call home. Meet Irving the Noble Vegetarian who lives under the Astoria-Megler Bridge and smells like vegetables and hair gel. Or the Flixies, a group of winged pixie creatures who live under the Fremont Bridge in Portland. Each monster takes on the history and environment of their home, making Monsters Under Bridges engaging as well as educational. Find out who these lovable monsters are, how they spend their time, what they like to eat, and more in this fun monster almanac!
The Monstrous-Feminine in Contemporary Japanese Popular Culture (East Asian Popular Culture)
by Raechel DumasThis book explores the monstrous-feminine in Japanese popular culture, produced from the late years of the 1980s through to the new millennium. Raechel Dumas examines the role of female monsters in selected works of fiction, manga, film, and video games, offering a trans-genre, trans-media analysis of this enduring trope. The book focuses on several iterations of the monstrous-feminine in contemporary Japan: the self-replicating shōjo in horror, monstrous mothers in science fiction, female ghosts and suburban hauntings in cinema, female monsters and public violence in survival horror games, and the rebellious female body in mytho-fiction. Situating the titles examined here amid discourses of crisis that have materialized in contemporary Japan, Dumas illuminates the ambivalent pleasure of the monstrous-feminine as a trope that both articulates anxieties centered on shifting configurations of subjectivity and nationhood, and elaborates novel possibilities for identity negotiation and social formation in a period marked by dramatic change.
Monstrous Nature: Environment and Horror on the Big Screen
by Robin L. Murray Joseph K. HeumannGodzilla, a traditional natural monster and representation of cinema’s subgenre of natural attack, also provides a cautionary symbol of the dangerous consequences of mistreating the natural world—monstrous nature on the attack. Horror films such as Godzilla invite an exploration of the complexities of a monstrous nature that humanity both creates and embodies. Robin L. Murray and Joseph K. Heumann demonstrate how the horror film and its offshoots can often be understood in relation to a monstrous nature that has evolved either deliberately or by accident and that generates fear in humanity as both character and audience. This connection between fear and the natural world opens up possibilities for ecocritical readings often missing from research on monstrous nature, the environment, and the horror film. Organized in relation to four recurring environmental themes in films that construct nature as a monster—anthropomorphism, human ecology, evolution, and gendered landscapes—the authors apply ecocritical perspectives to reveal the multiple ways nature is constructed as monstrous or in which the natural world itself constructs monsters. This interdisciplinary approach to film studies fuses cultural, theological, and scientific critiques to explore when and why nature becomes monstrous.
Monstrous Possibilities: The Female Monster in 21st Century Screen Horror
by Amanda Howell Lucy BakerThis book focuses on how the abject spectacle of the ‘monstrous feminine’ has been reimagined by recent and contemporary screen horrors focused on the desires and subjectivities of female monsters who, as anti-heroic protagonists of revisionist and reflexive texts, exemplify gendered possibility in altered cultures of 21st century screen production and reception. As Barbara Creed notes in a recent interview, the patriarchal stereotype of horror that she named ‘the monstrous-feminine’ has, decades later, ‘embarked on a life of her own’. Focused on this altered and renewed form of female monstrosity, this study engages with an international array of recent and contemporary screen entertainments, from arthouse and indie horror films by emergent female auteurs, to the franchised products of multimedia conglomerates, to 'quality' television horror, to the social media-based creations of horror fans working as ‘pro-sumers’. In this way, the monograph in its organisation and scope maps the converged and rapidly changing environment of 21st century screen cultures in order to situate the monstrous female anti-hero as one of its distinctive products.
Monstrous Progeny: A History of the Frankenstein Narratives
by Lester D. Friedman Allison B. KaveyMary Shelley's 1818 novel Frankenstein is its own type of monster mythos that will not die, a corpus whose parts keep getting harvested to animate new artistic creations. What makes this tale so adaptable and so resilient that, nearly 200 years later, it remains vitally relevant in a culture radically different from the one that spawned its birth? Monstrous Progeny takes readers on a fascinating exploration of the Frankenstein family tree, tracing the literary and intellectual roots of Shelley's novel from the sixteenth century and analyzing the evolution of the book's figures and themes into modern productions that range from children's cartoons to pornography. Along the way, media scholar Lester D. Friedman and historian Allison B. Kavey examine the adaptation and evolution of Victor Frankenstein and his monster across different genres and in different eras. In doing so, they demonstrate how Shelley's tale and its characters continue to provide crucial reference points for current debates about bioethics, artificial intelligence, cyborg lifeforms, and the limits of scientific progress. Blending an extensive historical overview with a detailed analysis of key texts, the authors reveal how the Frankenstein legacy arose from a series of fluid intellectual contexts and continues to pulsate through an extraordinary body of media products. Both thought-provoking and entertaining, Monstrous Progeny offers a lively look at an undying and significant cultural phenomenon.
The Monstrous Races In Medieval Art And Thought (Medieval Studies)
by John Block FriedmanDuring the Middle Ages, travellers in Africa and Asia reported that monstrous races thrived beyond the boundaries of the known world. This work offers an introspective look at these races and their interaction with Western art, literature and philosophy.
Monstrously Funny Cartoons
by Christopher HartA monstrously big guide that teaches you how to draw the silliest and scariest zombies, vampires, witches, ghouls, and other creepy cartoon favorites.Aspiring artists learn all the drawing tips and tricks they need to create laugh-out-loud renditions of their favorite monsters and scary creatures direct from cartooning master Christopher Hart. This jam-packed cartooning guide shows readers how to capture the lighter side of these creepy creatures by combining them with Hart's incredibly popular cartoon drawing style! Taking readers step-by-step through each monster type, Hart demonstrates how to draw everything from terrifyingly silly heads to wacky comic strip-like scenes of monstrous menace. Chockful of hints, humor, and horror, The Ginormous Book of Monster Cartoons is guaranteed to be a real scream for aspiring and professional artists, as well as all fans of things that go bump in the night.
Mont-Saint-Michel and Chartres: A Study of Thirteenth-Century Unity
by Henry AdamsThis first paperback facsimile of the classic 1913 edition includes thirteen photographs and numerous illustrations of the great cathedrals of Northern France. Henry Adams referred to this book as "A Study of Thirteenth-Century Unity," and its expansive scope, together with the author's deep understanding of the period, makes it a classic in art history as well as in American literature. He wrote, "I wanted to show the intensity of the vital energy of a given time, and of course that intensity had to be stated in its two highest terms-religion and art." Henry Adams' record of his journeys through France, searching for images of unity in an age of conflict, is accompanied by observations on literature, politics, religion, and maior church leaders such as Abelard, St. Francis of Assisi, and St. Thomas Aquinas.
Mont-Saint-Michel and Chartres
by Henry Adams Raymond CarneyMont Saint Michel and Chartres is a record not of a literal jouney but of a meditative journey across time and space into the medieval imagination. Using the architecture, sculpture, and stained glass of the two locales as a starting point, Adams breathes life into what others might see merely as monuments of a past civilization. With daring and inventive conceits, Adams looks at the ordinary people, places, and events in the context of the social conventions and systems of thought and belief of the thirteenth century turning the study of history into a kind of theater. As Raymond Carney discusses in his introduction, Adams' freeedom from the European traditions of study lends an exuberance--and puckish wit--to his writings.
Montage (Theories Of Representation And Difference Ser.)
by Jacques AumontDescribing editing as cinema's formal and aesthetic soul because of its ability to represent time, in this wide-ranging essay Jacques Aumont surveys the theory and practice of editing and montage from early cinema to the digital era. Aumont addresses the Soviet filmmaker-theorists of the 1920s, of course – he is a translator of Eisenstein and the author of a book on Eisenstein's montage – but also brings into the discussion contemporary directors such as Jia Zhangke, Abbas Kiarostami, Aleksandr Sokurov, Kathryn Bigelow and Lisandro Alonso, with stops along the way for the ideas of André Bazin, Jean-Luc Godard and Pier Paolo Pasolini. This original essay is essential reading by one of the leading film scholars at work in the world today and a rare opportunity for English speakers to enjoy his work. This expanded and revised edition adds a dozen pages to the original volume. "We have entered into a period in which the reign of vision has become contested by that of the image, with the result that editing has changed nature, because its job is no longer to regulate a succession of shots as much as it is to regulate a succession of images. And while the shot has a responsibility towards reality, the image is responsible only to itself." — Jacques Aumont
Montague: Labor and Leisure (Images of America)
by Kyle J. ScottMontague, a picturesque New England town, was once a hub of manufacturing. This uniquely planned community was established in an area that was well suited to both labor and leisure. The Great Falls offered the power to cover the energy needs for the countless factories along the river's edge as well as its man-made power canal. The newly planned village of Turners Falls and the pleasant living conditions of Montague's other villages led to a growth in population at the beginning of the twentieth century. Immigrants from all over the globe added to the diversity of Montague. The historical photographs in Montague Labor and Leisure show one hundred thirty-five years of captivating history.