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Monumental Bali
by A.J. Bernet KempersMonumental Bali describes a formative period in Balinese history through a study of the island's fascinating antiquities. This classic work provides the key to understanding Bali's most famous monuments, including the "Elephant Cave" near Ubud, the "Royal Tombs" at Gunung Kawi, and the spectacular "Mother Temple" at Besakih. A comprehensive Guide to the Monuments section contains:Detailed MapsSite DiagramsOver one Hundred Beautiful Color PhotographsIn 1956 Dr. and Mrs. Bernet Kempers returned to the Netherlands and began working in both Indonesian and European studies. Between 1958 and 1971, Dr. Bernet Kempers was director of the Netherlands Open Air Museum in Amhem, and was for a time professor of European Ethnology at the University of Amsterdam. Between 1970 and 1948 he revised Indonesian (including Bali) regularly in connection with research into ancient monuments and archaeological preservation.Monumental Bali will not only be informative, but will also take the reader into the history behind each fascinating place found in province and islands of Bali.
Monumental Controversies: Mount Rushmore, Four Presidents, and the Quest for National Unity
by Harriet F. SenieIn recent years the United States has witnessed major controversies surrounding past American presidents, monuments, and sites. Consider Mount Rushmore, which features the heads of the nation&’s most revered presidents—George Washington, Thomas Jefferson, Abraham Lincoln, and Theodore Roosevelt. Is Rushmore a proud national achievement or a symbol of the U.S. theft and desecration of the Lakota Sioux&’s sacred land? Is it fair to denigrate George Washington for having owned slaves and Thomas Jefferson for having had a relationship with Sally Hemings, an enslaved woman, to the point of dismissing these men&’s accomplishments? Should we retroactively hold Abraham Lincoln accountable for having signed off on the largest single-day mass execution in U.S. history, of thirty-eight Dakota men? How do we reckon with Theodore Roosevelt&’s legacy? He was criticized for his imperialist policies but praised for his prolabor antitrust and conservation programs. These charged issues and many others have been plaguing our nation and prompting the removal of Confederate statues and flags amid racial unrest, a national pandemic, and political strife. Noted art historian Harriet F. Senie tackles these pivotal subjects and more in Monumental Controversies. Senie places partisan politics aside as she investigates subjects that have not been adequately covered in classrooms or literature and require substantial reconciliation in order for Americans to come to terms with their history. She shines a spotlight on the complicated facts surrounding these figures, monuments, and sites, enabling us to revisit the flaws of our Founding Fathers and their checkered legacies while still recognizing their enormous importance and influence on the United States of America.Monumental Controversies presents strategies to create an inclusive narrative that honors the varied stakeholders in a democracy—a vital step toward healing the divisiveness that now appears to be a dominant feature of American discourse. As the public and press reconsider the viability of the American experiment in democracy, Senie offers a thoughtful reflection on the complex lives and legacies of the four presidents memorialized on Mount Rushmore. All four presidents faced some of the most contentious times in our history and yet they championed unity, made possible by acknowledging and accepting opposing opinions as a basic premise of democracy. Historians, curators, government officials, academics, and students at all levels will be riveted by this authoritative work.
Monumental Dreams: The Life and Sculpture of Ann Norton
by Caroline SeebohmIn 1929, the Museum of Modern Art opened its doors, showing the astonishing paintings of Picasso, Matisse, and other avant garde artists. Young American artists quickly responded by experimenting with impressionism, cubism, and abstraction.In Monumental Dreams, author Caroline Seebohm tells the riveting story of how Ann Norton (1905–1982)—a child of the South who had eschewed her Alabama roots to become a sculptor in New York City—joined this new guard. She studied with John Hovannes and Jose de Creeft and was studio assistant to Alexander Archipenko. Her work was well received, and by age 35, she had already participated in group shows at MOMA and the Whitney Museum of American Art.Despite her burgeoning career, Norton found New York a difficult place to live. In search of paying work, she moved to Florida, where she became a teacher at the Norton Gallery and School of Art, founded by retired Acme Steel president Ralph Hubbard Norton. The two built a relationship based on love as well as common aesthetic values, and after his death, she built her finest and lasting work. Today, her monolithic sculptures—in the spirit of Stonehenge, Henry Moore, and Buddhist temple art—can be admired in the Ann Norton Sculpture Gardens.
Monumental Graffiti: Tracing Public Art and Resistance in the City
by Rafael SchacterWhat graffiti says about contemporary society, and why it demands our urgent attention as a form of civic expression.What is graffiti—vandalism, ornament, art? What if, rather than any of those things, we thought of graffiti as a monument? How would that change our understanding of graffiti, and, in turn, our understanding of monument? In Monumental Graffiti, curator and anthropologist Rafael Schacter focuses on the material, communicative, and contextual aspects of these two forms of material culture to provide a timely perspective on public art, citizenship, and the city today. He applies monument as a lens to understand graffiti and graffiti as a lens to comprehend monument, challenging us to consider what the appropriate monument for our contemporary world could be.Monumental Graffiti unpacks today&’s iconoclastic moment, showing us why graffiti demands our urgent attention as a form of expression that challenges power structures by questioning whose voices are included in—and whose are excluded from—public space. Written from twenty years of embedded research on graffiti, the book includes works from graffiti writers such as 10Foot, Delta, Egs, Honet, Mosa, Petro, Revok, and Wombat, alongside those of artists such as Francis Alÿs, Jeremy Deller, Thomas Hirschhorn, Jenny Holzer, Klara Liden, Gordon Matta-Clark, William Pope.L, Cy Twombly, and many more.Richly illustrated, this study of graffiti as monument and monument as graffiti is as fascinating as it is ethnographically expansive.
Monumental Lies: Culture Wars and the Truth about the Past
by Robert BevanHow statues, heritage and the built environment have become the battleground for the culture warsThe past is weaponised in culture wars and cynically edited by those who wish to impose their ideology upon the physical spaces around us. Holocaust deniers use details of the ruins of the gas chambers Auschwitz to promote their lies: &‘No Holes; No Holocaust&’. Yet long-standing concepts such as &‘authenticity&’in heritage are undermined and trivialised by gatekeepers such as UNESCO. At the same, time, opposition to this manipulation is being undermined by cultural ideas that prioritise memory and impressions over history and facts. In Monumental Lies, Robert Bevan argues that monuments, architecture and cities are material evidence of history. They are the physical trace of past events, of previous ways of thinking and of politics, economics and values that percolate through to today. When our cities are reshaped as fantasies about the past, when monuments tell lies about who deserves honour or are destroyed and the struggle for justice forgotten, the historical record is being manipulated. When decisions are based on misinformed assumptions about how the built environment influences our behaviour or we are told, falsely, that certain architectural styles are alien to our cities, or when space pretends to be public but is private, or that physical separation is natural, we are being manipulated. There is a growing threat to the material evidence of the truth about history.We are in serious trouble if we can no longer trust the tangible world around us to tell us the truth. Monumental Lies explores the threats to our understanding of the built environment and how it impacts on our lives, as well as offers solutions to how to combat the ideological manipulations.
Monumental Matters: The Power, Subjectivity, and Space of India's Mughal Architecture
by Santhi Kavuri-BauerBuilt in the sixteenth and seventeenth centuries, India's Mughal monuments--including majestic forts, mosques, palaces, and tombs, such as the Taj Mahal--are world renowned for their grandeur and association with the Mughals, the powerful Islamic empire that once ruled most of the subcontinent. In Monumental Matters, Santhi Kavuri-Bauer focuses on the prominent role of Mughal architecture in the construction and contestation of the Indian national landscape. She examines the representation and eventual preservation of the monuments, from their disrepair in the colonial past to their present status as protected heritage sites. Drawing on theories of power, subjectivity, and space, Kavuri-Bauer's interdisciplinary analysis encompasses Urdu poetry, British landscape painting, imperial archaeological surveys, Indian Muslim identity, and British tourism, as well as postcolonial nation building, World Heritage designations, and conservation mandates. Since Independence, the state has attempted to construct a narrative of Mughal monuments as symbols of a unified, secular nation. Yet modern-day sectarian violence at these sites continues to suggest that India's Mughal monuments remain the transformative spaces--of social ordering, identity formation, and national reinvention--that they have been for centuries.
Monumentality in Etruscan and Early Roman Architecture: Ideology and Innovation
by Michael L. Thomas Gretchen E. MeyersEvery society builds, and many, if not all, utilize architectural structures as markers to define place, patron, or experience. Often we consider these architectural markers as "monuments" or "monumental" buildings. Ancient Rome, in particular, is a society recognized for the monumentality of its buildings. While few would deny that the term "monumental" is appropriate for ancient Roman architecture, the nature of this characterization and its development in pre-Roman Italy is rarely considered carefully. What is "monumental" about Etruscan and early Roman architecture? Delving into the crucial period before the zenith of Imperial Roman building, Monumentality in Etruscan and Early Roman Architecture addresses such questions as, "What factors drove the emergence of scale as a defining element of ancient Italian architecture?" and "How did monumentality arise as a key feature of Roman architecture?" Contributors Elizabeth Colantoni, Anthony Tuck, Nancy A. Winter, P. Gregory Warden, John N. Hopkins, Penelope J. E. Davies, and Ingrid Edlund-Berry reflect on the ways in which ancient Etruscans and Romans utilized the concepts of commemoration, durability, and visibility to achieve monumentality. The editors' preface and introduction underscore the notion of architectural evolution toward monumentality as being connected to the changing social and political strategies of the ruling elites. By also considering technical components, this collection emphasizes the development and the ideological significance of Etruscan and early Roman monumentality from a variety of viewpoints and disciplines. The result is a broad range of interpretations celebrating both ancient and modern perspectives.
Monuments and Memory in Africa: Reflections on Coloniality and Decoloniality (Routledge Contemporary Africa)
by John Sodiq Sanni Madalitso Zililo PhiriThis book investigates how monuments have been used in Africa as tools of oppression and dominance, from the colonial period up to the present day. The book asks what the decolonisation of historical monuments and geographies might entail and how this could contribute to the creation of a post-imperial world. In recent times, African movements to overthrow the symbols and monuments of the colonial era have gathered pace as a means of renaming, reclassifying, and reimagining colonial identities and spaces. Movements such as #RhodesMustFall in South Africa have sprung up around the world, connected by a history of Black life struggles, erasures, oppression, suppression, and the depression of Black biopolitics. This book provides an important multidisciplinary intervention in the discourse on monuments and memories, asking what they are, what they have been used to represent, and ultimately what they can reveal about past and present forms of pain and oppression. Drawing on insights from philosophy, historical sociology, politics, museum, and literary studies, this book will be of interest to a range of scholars with an interest in the decolonisation of global African history.
Monuments and Memory in Africa: Reflections on Coloniality and Decoloniality (ISSN)
by John Sodiq Sanni Madalitso Zililo PhiriThis book investigates how monuments have been used in Africa as tools of oppression and dominance, from the colonial period up to the present day.The book asks what the decolonisation of historical monuments and geographies might entail and how this could contribute to the creation of a post-imperial world. In recent times, African movements to overthrow the symbols and monuments of the colonial era have gathered pace as a means of renaming, reclassifying, and reimagining colonial identities and spaces. Movements such as #RhodesMustFall in South Africa have sprung up around the world, connected by a history of Black life struggles, erasures, oppression, suppression, and the depression of Black biopolitics. This book provides an important multidisciplinary intervention in the discourse on monuments and memories, asking what they are, what they have been used to represent, and ultimately what they can reveal about past and present forms of pain and oppression.Drawing on insights from philosophy, historical sociology, politics, museum, and literary studies, this book will be of interest to a range of scholars with an interest in the decolonisation of global African history.
Monuments as Cultural and Critical Objects: From Mesolithic to Eco-queer
by Thomas HoultonMonuments as Cultural and Critical Objects explores monuments as political, psychical, social and mystical objects. Incorporating autoethnography, psychoanalysis, deconstruction, postcolonialism, and queer ecology, Houlton argues for a radical, interdisciplinary approach to our monument culture. Tracing historical developments in monuments alongside contemporary movements such as Rhodes Must Fall and Black Lives Matter, Houlton provides an in-depth critique of monument sites, as well as new critical and conceptual methodologies for thinking across the field. Alongside analysis of monuments to the Holocaust, colonial figures, and LGBTQIA+ subjects, this book provides new critical engagements with the work of D.W. Winnicott, Marion Milner, Jacques Derrida, Edward Said, Eve Sedgwick, and others. Houlton traces the potential for monuments to exert great influence over our sense of self, nation, community, sexuality, and place in the world. Exploring the psychic and physical spaces these objects occupy—their aesthetics, affects, politics, and powers—this book considers how monuments can challenge our identities, beliefs, and our very notions of remembrance. The interdisciplinary nature of Monuments as Cultural and Critical Objects means that it is ideally placed to intervene across several critical fields, particularly museum and heritage studies. It will also prove invaluable to those engaged in the study of monuments, psychoanalytic object relations, decolonization, queer ecology, radical death studies, and affect theory.
Monuments Decolonized: Algeria's French Colonial Heritage (Worlding the Middle East)
by Susan Slyomovics"Statuomania" overtook Algeria beginning in the nineteenth century as the French affinity for monuments placed thousands of war memorials across the French colony. But following Algeria's hard-fought independence in 1962, these monuments took on different meaning and some were "repatriated" to France, legally or clandestinely. Today, in both Algeria and France, people are moving and removing, vandalizing and preserving this contested, yet shared monumental heritage. Susan Slyomovics follows the afterlives of French-built war memorials in Algeria and those taken to France. Drawing on extensive fieldwork in both countries and interviews with French and Algerian heritage actors and artists, she analyzes the colonial nostalgia, dissonant heritage, and ongoing decolonization and iconoclasm of these works of art. Monuments emerge here as objects with a soul, offering visual records of the colonized Algerian native, the European settler colonizer, and the contemporary efforts to engage with a dark colonial past. Richly illustrated with more than 100 color images, Monuments Decolonized offers a fresh aesthetic take on the increasingly global move to fell monuments that celebrate settler colonial histories.
The Monument’s End: Public Art and the Modern Republic
by Marisa Anne BassHow today&’s questions surrounding monuments and the ways we commemorate our past first arose in Rembrandt&’s timeMonuments occupy a controversial place in nations founded on principles of freedom and self-governance. It is no accident that when we think of monuments, we think of statues modeled on legacies of conquest, domination, and violence. The Monument&’s End reveals how the artists, architects, poets, and scholars of the early modern Netherlands contended with the profound disconnect between the public monument and the ideals of republican government. Their experiences offer vital lessons about the making, reception, and destruction of monuments in the present.In the seventeenth century, the newly formed Dutch Republic dominated world trade and colonized vast overseas territories even as it sought to shed the trappings of its imperial past. Marisa Anne Bass describes the frustrated attempts by figures such as Rembrandt van Rijn and playwright and poet Joost van den Vondel to reimagine public memory for their emergent nation. She shows how the most celebrated age of Dutch art was more an age of bronze than of gold, one in which the pursuit of freedom from domination was constantly challenged by the commercial ambitions of empire.Exploring how the artists and intellectuals of this vibrant century asked questions that still resonate today, this beautifully illustrated book discusses works by contemporary artists such as Spencer Finch and Thomas Hirschhorn and offers new perspectives on monuments like the 9/11 Memorial and Museum and events such as the Unite the Right rally in Charlottesville.
Monuments for Posterity: Self-Commemoration and the Stalinist Culture of Time
by Antony KalashnikovMonuments for Posterity challenges the common assumption that Stalinist monuments were constructed with an immediate, propagandistic function, arguing instead that they were designed to memorialize the present for an imagined posterity. In this respect, even while pursuing its monument-building program with a singular ruthlessness and on an unprecedented scale, the Stalinist regime was broadly in step with transnational monument-building trends of the era and their undergirding cultural dynamics. By integrating approaches from cultural history, art criticism, and memory studies, along with previously unexplored archival material, Antony Kalashnikov examines the origin and implementation of the Stalinist monument-building program from the perspective of its goal to "immortalize the memory" of the era. He analyzes how this objective affected the design and composition of Stalinist monuments, what cultural factors prompted the sudden and powerful yearning to be remembered, and most importantly, what the culture of self-commemoration revealed about changing outlooks on the future—both in the Soviet Union and beyond its borders. Monuments for Posterity shifts the perspective from monuments' political-ideological content to the desire to be remembered and prompts a much-needed reconsideration of the supposed uniqueness of both Stalinist aesthetics and the temporal culture that they expressed. Many Stalinist monuments still stand prominently in postsocialist cityscapes and remain the subject of continual heated political controversy. Kalashnikov makes manifest monuments' intentional attempts to seduce us—the "posterity" for whom they were built.
Monuments, Objects, Histories: Institutions of Art in Colonial and Post-Colonial India (Cultures of History)
by Tapati Guha-ThakurtaArt history as it is largely practiced in Asia as well as in the West is a western invention. In India, works of art-sculptures, monuments, paintings-were first viewed under colonial rule as archaeological antiquities, later as architectural relics, and by the mid-20th century as works of art within an elaborate art-historical classification. Tied to these views were narratives in which the works figured, respectively, as sources from which to recover India's history, markers of a lost, antique civilization, and symbols of a nation's unique aesthetic, reflecting the progression from colonialism to nationalism. The nationalist canon continues to dominate the image of Indian art in India and abroad, and yet its uncritical acceptance of the discipline's western orthodoxies remains unquestioned, the original motives and means of creation unexplored. The book examines the role of art and art history from both an insider and outsider point of view, always revealing how the demands of nationalism have shaped the concept and meaning of art in India. The author shows how western custodianship of Indian "antiquities" structured a historical interpretation of art; how indigenous Bengali scholarship in the late 19th and early 20th centuries attempted to bring Indian art into the nationalist sphere; how the importance of art as a representation of national culture crystallized in the period after Independence; and how cultural and religious clashes in modern India have resulted in conflicting "histories" and interpretations of Indian art. In particular, the author uses the depiction of Hindu goddesses to elicit conflicting scenarios of condemnation and celebration, both of which have at their core the threat and lure of the female form, which has been constructed and narrativized in art history. Monuments, Objects, Histories is a critical survey of the practices of archaeology, art history, and museums in nineteenth- and twentieth-century India. The essays gathered here look at the processes of the production of lost pasts in modern India: pasts that come to be imagined around a growing corpus of monuments, archaeological relics, and art objects. They map the scholarly and institutional authority that emerged around such structures and artifacts, making of them not only the chosen objects of art and archaeology but also the prime signifiers of the nation's civilization and antiquity. The close imbrication of the "colonial" and the "national" in the making of India's archaeological and art historical pasts and their combined legacy for the postcolonial present form one of the key themes of the book. Monuments, Objects, Histories offers both an insider's and an outsider's perspective on the growth of these scholarly fields and their institutional apparatus, analyzing the ways they have constituted and recast their objects of study. The book moves from a period that saw the consolidation of western expertise and custodianship of India's "antiquities," to the projection over the twentieth century of varying regional, nativist, and national claims around the country's architectural and artistic inheritance, into a current period that has pitched these objects and fields within a highly contentious politics of nationhood. Monuments, Objects, Histories traces the framing of an official national canon of Indian art through these different periods, showing how the workings of disciplines and institutions have been tied to the pervasive authority of the nation. At the same time, it addresses the radical reconfiguration in recent times of the meaning and scope of the "national," leading to the kinds of exclusions and chauvinisms that lie at the root of the current endangerment of these disciplines and the monuments and art objects they encompass.
Monuments to Faith: Ukrainian Churches in Manitoba
by Basil Rotoff Roman Yereniuk Stella HryniukUkrainians first came to Canada a century ago, seeking a new life on the western prairies. They brought with them an ancient and rich cultural tradition, deeply rooted in Christianity. The most visible symbol of this tradition is the Ukrainian church with its distinctive cupolas. As soon as the settlers were established in the new land, they began to reshape their environment by building churches in the styles they remembered from their homeland.In this richly illustrated volume, the authors trace the continuity of tradition in achitecture, art, and community life from Ukraine to the parishes of the Manitoba prairie. In a detailed examination of the exteriors and interiors of forty-nine churches, the book establishes a typology of Ukrainian church designs. Biographies of the architects, master builders, and artists are included, along with a guide to the art and architecture of a Ukrainian church.
Moodle 1.9 Theme Design: Beginner's Guide
by Paul James GadsdonThis is a Beginner's Guide, with plenty of worked examples, step-by-step visual guides, and explanations. If you are a Moodle administrator, ICT technical personnel, designer or a teacher and wish to enhance your Moodle site to make it visually attractive, then this book is for you. You should be familiar with the basics of Moodle operation, and some familiarity with web design techniques, such as HTML and CSS, will be helpful.
The Moon: A Beginner’s Guide to Lunar Features and Photography
by James Harrop“A must-have for anybody interested in lunar photography. If you are a beginner, this is the only lunar observing book you will ever need.” —BBC Sky at Night MagazineThis is a practical guide aimed at beginners interested in learning about the Moon and how to image our closest satellite neighbor. The book contains the complete photographic process including equipment, settings, capture techniques, stacking and image processing, each of which is vitally important to producing a good image. The information is laid out in a visual and easy-to-understand format so that even the dark art of image processing will not seem quite so daunting. There are many high-quality color photos of the Moon to help you learn about different lunar features and a list of 100 lunar targets identified as a challenge for you to find. All the targets have been captured by the author who provides a brief description of each feature and where it is located on the lunar surface. You will be surprised to discover the fine level of lunar detail which you can see from your back garden and once you start imaging, you will realize there is more to the Moon than meets the eye.“Although this book uses the Moon as a starting point, the wisdom it imparts can be applied to many different areas of astrophotography, including how to use planetary imaging preprocessing for crystal-clear images. Whether you’ve never picked up a camera before or you’re looking to get a few tips and tricks, this book is a great addition to your photography library.” —How it Works
Moon: Art, Science, Culture
by Alexandra Loske Robert MasseyA source of light in the dark of night and our ever-changing cosmic companion, the Moon has fascinated humankind since we first gazed into the sky. In this extensively illustrated and illuminating volume, art historian Alexandra Loske and astronomer Robert Massey present a rich and curious history. From its violent birth through to the exhilarating story of the Space Race and current exploration efforts, discover the many faces of the Moon and how they have shaped humanity's existence.
Moon Barcelona Walks (Travel Guide)
by Moon Travel GuidesExperience Barcelona like a local: on foot! Wander "Barça's" ancient alleys and beachfront boulevards, savor the sunshine and sangria, and discover the city's hip hot spots and bohemian hangouts with Moon Barcelona Walks. This full-color guide features:Six customizable walks through the city's liveliest neighborhoods, including El Born, Gràcia, Barceloneta, the Gothic Quarter, and more, with color-coded stops and turn-by-turn directions; Foldout maps of each route and a removable full-city map in a handy, portable guide; Curated "Top Ten" lists for architecture, restaurants, Sunday activities, and nightlife, for visitors looking to hit the highlights; The top attractions and the best-kept local secrets: Browse designer boutiques and pop in to a trendy coffee shop, or stroll the beaches of Barceloneta to bask in the culture of an authentic fishing neighborhood. Marvel at the Sagrada Familia, or admire gothic architecture as you stroll the medieval streets of the historic barri. Walk through an old Olympic village, wander through Park Güell, and see the famed works of Picasso and Gaudi. Sip sangria by the beach, sample classic and modern tapas, and discover the hippest bars and clubs for a night on the town; Public transportation options, including the metro, bus, or bike rental; Tips for first-time visitors, including national holidays, where you'll need to make a reservation, and getting to and from the airport; With creative routes, public transit options, and a full-city map, you can explore Barcelona at your own pace, without missing a beat.
Moon Berlin Walks
by Moon Travel GuidesExperience Berlin like a local: on foot! Moon Berlin Walks reveals Berlin's thriving art scene, palpable history, and unique vibe by guiding you to the city's unmissable hotspots and trendiest locales. This full-color guide features: Six customizable walks through the city's hippest neighborhoods, including Kreuzberg, Prenzlauer Berg, Shöneberg, and more, with color-coded stops and turn-by-turn directions; Foldout maps of each route and a removable full-city map, in a handy, portable guide; Curated "Top Ten" lists for restaurants, street food, nightlife, and Sunday activities for visitors looking to hit the highlights; The top attractions and the best-kept local secrets: Stumble upon the newest, hippest coffee shop in Prenzlauer, or kick back in a popular public park. Discover your favorite currywurst or kebap stand, or sample schnitzel, spätzle, and brews at a biergarten. Peruse vintage knick-knacks at a Sunday flea market, and admire the works of art along the East Side Gallery. Browse world-class museums, or head to historical sites like Checkpoint Charlie. Dance the night away to an up-and-coming DJ set in an open-air club or underground warehouse party, or sip craft cocktails at a brand-new rooftop bar overlooking the city. Public transportation options, including the subway, bus, taxi, or bike rental. Tips for first-time visitors, including navigating nightlife, where you'll need to make a reservation, and getting to and from the airport. With creative routes, public transit options, and a full-city map, you can explore Berlin at your own pace, without missing a beat.
Moon by the Window
by Shodo Harada Roshi Priscilla Daichi Storandt Jane Shotaku Lago Tim Jundo WilliamsShodo Harada is internationally recognized both as a Zen teacher and as a world-class master of the fine art of Zen calligraphy. Harada regularly exhibits and gives calligraphy demonstrations in museums and universities in the U.S. and abroad. Accomplished Zen teachers from across the globe come to further plumb the depths of Zen through studying with him, earning him a reputation as "the roshi's roshi" - which is to say, the master's master. Moon by the Window is a beautiful collection of 108 pieces of Shodo Harada's calligraphic Zen masterpieces - assembled over decades, and drawn from the rich and poetic literature of the Zen tradition. Each work of art is accompanied by Harada Roshi's sharp and glittering commentaries, making each page a spiritually edifying and aesthetically uplifting treasure.
Moon Dancer
by Margaret I. RostkowskiSoon moonlight washed over everything. The houses and rocks around us and the cliff above sprang into detail in the bone white light. I hugged my knees and watched, leaning against Max, and without making a big deal about it, he put his arm around me. Then he stood up and pulled me up, too, then climbed down from the rock, signaling for me to follow. Once on the ground, he put both arms around my waist and waited until I reached up to put my arms on his shoulders. Then we began to dance, there in the moonlight, there with each other. We didn't say another word, just danced, held hands, and finally, slowly, carefully, kissed . . . then kissed again. I felt shot with silver, from the moon, from the dance, from Max.
Moon London Walks
by Moon Travel GuidesExperience London like a local: on foot! Whether you're shopping on the high street, strolling lively street markets, or admiring renowned modern art, discover London's highlights and local favorites with Moon London Walks. This full-color guide features: Six customizable walks through the city's hippest neighborhoods, including Shoreditch, Chelsea, Marylebone, and more, with color-coded stops and turn-by-turn directions; Foldout maps of each route and a removable full-city map, in a handy, portable guide; Curated "Top Ten" lists for restaurants, nightlife, markets, and Sunday activities; The top attractions and the best-kept local secrets: Head to Portobello Road Market to browse vintage treasures, or treat yourself at upscale department stores like Harrods. Make your way to the Tate Modern and other world-famous art galleries, take in London's history at Westminster Abbey, and watch the changing of the guards at Buckingham Palace. Take a leisurely stroll through Regent's Park, enjoy afternoon tea at a stylish hotel, or grab a pint and some fish and chips before heading to the theatre. Sip craft cocktails in an old train station, discover the hippest new gastropub, or watch the sun set over the city from a chic rooftop barPublic transportation options, including the underground, public buses, and taxis Practical tips for first-time visitors, including average costs, where you'll need to make a reservation, public holidays, and getting to and from the airport. With creative routes, public transit options, and a full-city map, you can explore London at your own pace, without missing a beat.
Moon Over the Mountain: A Quilting Cozy (A\quilting Cozy Ser. #6)
by Carol Dean JonesA quilting getaway in the Appalachians is overshadowed by danger in this mystery featuring bonus quilt instructions! After losing her husband, Sarah Miller has been trying to move on into a fulfilling new life, and the friends she&’s found at the Cunningham Village retirement community are a big help. And a tranquil quilting retreat in the Great Smoky Mountains will be a lovely getaway. But there&’s something alarming in the surrounding forest—and Sarah will soon have to turn her attention from threads to threats…
The Moon Over the Mountain: Maiden's Bookshelf (Maiden's Bookshelf #2)
by Atsushi NakajimaThe Maiden&’s Bookshelf series combines classic short stories of the early 20th century with gorgeous original artwork to create collectible editions for a contemporary audience.At what cost art?In the course of a routine journey, government inspector Yuan Can encounters his old friend Li Zheng—but not as he remembers him. Transformed by obsession into a hideous beast, Li Zheng spins a tragic tale, and ultimately presents his confidante with a singular request. Dressed in the trappings of 8th-century China, Atsushi Nakajima&’s meditation on poetry and friendship nevertheless transcends time and language to speak directly to our hearts about what it means to be human. 14+