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Photo School Composition: Composition (Michael Freeman's Photo School Ser.)
by Michael Freeman Daniela BowkerIn this title, Michael Freeman and Daniela Bowker teaches how to use a photographic eye to not only seek out engaging subjects, but also approach them from the best angle, in optimal light, for the maximum effect.
Photo School Exposure: Exposure: Essential Aspects Of Exposure
by Jeff Wignall Michael FreemanA thorough understaNding of exposure is the foundation of every photographer's education. This book introduces these concepts in a comprehensive and interactive format. Casting aside auto mode, readers will learn to take creative control of their photographs as they master the essential elements of aperture, shutter speed and ISO.
Photo School Landscape: Landscape (Michael Freeman's Photo School Ser.)
by Michael Freeman Gary EastwoodOne of the constant challenges to any photographer is how to capture the immensity of a landscape scene within the confines of a photographic frame or print. This practical book takes that inspiration and offers a solid practical grounding in all the key techniques of landscape work, examining preparation, the instant of exposure and the possibilities of considered post-processing.
Photo School Light & Lighting: Light And Lighting (Michael Freeman's Photo School Ser.)
by Michael Freeman Catherine QuinnLearn to read light in this complete course on the most important aspect of every photograph. Beginning with an overview of how digital cameras measure and record light, Michael Freeman goes on to explore the different ways to interact with existing light.
Photo School Street: Street Photography: Essential Aspects Of Street Photography
by Michael Freeman Natalie DentonThe excitement and spontaneity of street shooting make it a perennial favorite for budding photographers, establishing it as the ideal training ground for honing the skills needed to anticipate and successfully capture dramatic scenes on the fly. With the unique collaborative structure of the 'Photo School' series, readers learn from the professional critiques of Michael Freeman as he works with exciting new talents, and the host of creative exercises featured throughout the book will encourage them to hit the streets with confidence and skill.
Photo Styling: How to Build Your Career and Succeed (Starting Your Career Ser.)
by Susan Linnet CoxDefinitive book on starting a career in photo styling Essential information plus business forms and insider tips Editorial, wardrobe, food styling-every specialty is covered. In real life, nothing looks as good as it does in magazines and on television. Who makes that happen? Photo stylists, that's who! Here's the definitive book on starting a career in photo styling, from choosing a specialty in editorial, wardrobe, soft goods, room sets, food styling, or another area, to working with the photo crew. Readers will learn how to create a portfolio, network, and market themselves, and interviews with real working stylists are packed with great advice and anecdotes. Business forms for proposals, job sheets, and invoices, plus top-secret tips like merchandise returns and retagging garments make Photo Styling the one-stop shop for everything the budding stylist needs.
Photo and Digital Imaging
by Jack KlaseyIntended for use in an introductory course in the basics of photography, this text addresses basic tools and techniques, with an emphasis on b&w photography (although color techniques and processes are also addressed). Covers the basic system of the camera, lenses, light, exposure, film, technique, film development, the darkroom, printing, finishing, mounting, large format and color photography, artificial light photography, advanced and special techniques, digital image capture, and digital image manipulation and output. Abundant color photographs, of course. Annotation c. Book News, Inc. , Portland, OR (booknews. com)
Photo by Brady: A Picture of the Civil War
by Jennifer ArmstrongMathew B. Brady was already a famous photographer by the time the Civil War began. But the war gave Brady something else: The chance to make a RECORD OF A WAR -- this war -- in a way that had never been done before: WITH TRUE-TO-LIFE PICTURES INSTEAD OF JUST WORDS. He hired field photographers to travel with the troops, equipped them with cameras and wagons filled with supplies, and sent them out with the directive to make a visual record of the war and to show people scenes they could have only read about before. The pictures the field photographers sent back were HAUNTING, BEAUTIFUL, DEVASTATING, AND TOTALLY UNFORGETTABLE. And thousands of them included the notation "Photo by Brady." Though Brady didn't actually take the photographs, he was the genius behind them. His vision and foresight gave the country images that not only touched the people at the time, but have gone on to leave an indelible mark on the collective memory of this country. And the name of Mathew Brady will always be remembered with them. In Photo By Brady, Jennifer Armstrong tells the story of the Civil War as seen through the lenses of its recorders. It is a moving and elegant look at the brutal and deadly time.
Photo by Sammy Davis, Jr.
by Burt BoyarSammy Davis, Jr. will forever be remembered as one of America's finest entertainers. An all–around performer who could sing, dance, and act, Davis broke racial barriers in the entertainment world and became the only non–white member of the Rat Pack. Only now, however, is Davis's talent as a photographer finally being recognized. In this previously unpublished collection of black and white photography, readers will be fascinated by Davis's portrayals of A–list performers, iconic world leaders, and scenes from everyday life. Davis's subjects include dozens of classic celebrities–such as Frank Sinatra, Marilyn Monroe, Paul Newman, and James Dean–who are often photographed at their most casual and revealing moments.Accompanying the pictures is an assortment of remembrances by Burt Boyar, a longtime friend and traveling companion of Davis who collaborated with the entertainer on both of his autobiographies. Through a series of memorable anecdotes, Boyar reflects on Davis's many achievements as well as the private moments they shared as friends. Along with Davis's candid shots of ordinary life–from a group of children laughing to a baseball game at the Washington Monument–these stories reveal a side of the performer far removed from his Rat Pack persona.The release of this book will also coincide with the release of Burt Boyar's upcoming documentary, Sammy Speaks, created from his extensive archive of taped conversations with the star.
Photo-Attractions: An Indian Dancer, an American Photographer, and a German Camera
by Ajay SinhaIn Spring 1938, an Indian dancer named Ram Gopal and an American writer-photographer named Carl Van Vechten came together for a photoshoot in New York City. Ram Gopal was a pioneer of classical Indian dance and Van Vechten was reputed as a prominent white patron of the African-American movement called the Harlem Renaissance. Photo-Attractions describes the interpersonal desires and expectations of the two men that took shape when the dancer took pose in exotic costumes in front of Van Vechten’s Leica camera. The spectacular images provide a rare and compelling record of an underrepresented history of transcultural exchanges during the interwar years of early-20th century, made briefly visible through photography. Art historian Ajay Sinha uses these hitherto unpublished photographs and archival research to raise provocative and important questions about photographic technology, colonial histories, race, sexuality and transcultural desires. Challenging the assumption that Gopal was merely objectified by Van Vechten’s Orientalist gaze, he explores the ways in which the Indian dancer co-authored the photos. In Sinha’s reading, Van Vechten’s New York studio becomes a promiscuous contact zone between world cultures, where a “photo-erotic” triangle is formed between the American photographer, Indian dancer, and German camera. A groundbreaking study of global modernity, Photo-Attractions brings scholarship on American photography, literature, race and sexual economies into conversation with work on South Asian visual culture, dance, and gender. In these remarkable historical documents, it locates the pleasure taken in cultural difference that still resonates today.
Photo-Fabric Play: Quilt & Craft Projects Your Whole Family Will Love
by Krista Camacho HalliganCreate Personalized Mementos for Your Favorite People • Turn favorite pictures and objects into one-of-a-kind gifts to treasure • 13 fun projects easy enough to complete in a day or a weekend • Personalize your projects the easy way with your digital camera, scanner, printer, or all-in-one Give someone you love the best gift of all-good memories. These 13 easy projects include a scrapbook quilt with photos of favorite people, a wallhanging that displays a child's artwork, a word-and-picture quilt for beginning readers, a growth chart, scrapbook pages, a scrapbook clock, and other clever ways to display photos and treasured objects through printing on fabric.
Photobomb (Lethal Lit, Novel #2)
by Micol OstowTig Torres investigates a decades-old cold case -- and a present-day stalker -- in this original novel based on the hit podcast Lethal Lit from Einhorn's Epic Productions and iHeartRadio!Lethal Lit follows Tig Torres, a Cuban-American teen detective in her hometown of Hollow Falls. This second original novel takes place after the events of season two of the hit podcast series, when Tig and her friends investigate the mysterious deaths surrounding a new hotel opening in Hollow Falls.Now, follow Tig as she solves a brand-new mystery with help from her friends Max, Wyn, and Ella.While visiting Hollow Falls’s local art gallery, Tig runs into Darsi, someone she knew back in New York. But an old friend isn't the only unexpected thing Tig finds at the gallery. Tig spots a murder happening in the background of one of the photos in the gallery exhibit. But who was murdered -- and who is the killer?Tig and her friends, including Darsi, are determined to find out what happened to the woman in the photograph. But they don’t realize that they’re being watched. The murder captured in the photo has gone undiscovered for decades -- and someone is willing to kill to keep it that way.Told from Tig’s first-person POV and featuring tons of podcast interstitials, this is a brand-new story not heard on the podcast!
Photocatalytic Production of Energy-Rich Compounds
by G. Grassi D.O. HallThis workshop comprises part of the four-year (1985-1988) non-nuclear energy R & D programme for the development of renewable energy sources which is being implemented by the Commission of the European Communities. The aim of the workshop was to present work by the contracting laboratories in addition to work by numerous other research laboratories
Photocinema: The Creative Edges of Photography and Film (Critical Photography Series)
by Neil Campbell Alfredo CramerottiTaking as its starting point the notion of photocinema--or the interplay of the still and moving image--the photographs, interviews, and critical essays in this volume explore the ways in which the two media converge and diverge, expanding the boundaries of each in interesting and unexpected ways. <p><p>The book's innovative approach to film and photography produces what might be termed a hybrid "third space," where the whole becomes much more than the sum of its individual parts, encouraging viewers to expand their perceptions to begin to understand the bigger picture. <p><p>The latest edition in Intellect's Critical Photography series, Photocinema represents a nuanced theoretical and practical exploration of the experimental cinematic techniques exemplified by artists like Wim Wenders and Hollis Frampton. In addition to new critical essays by Victor Burgin and David Campany, the book includes interviews with Martin Parr, Hannah Starkey, and Aaron Schumann, and a portfolio of photographs from various new and established artists.
Photocommunication Across Media: Beginning Photography for Professionals in Mass Media
by Ross Collins Keith GreenwoodPhotocommunication Across Media is a must-have for aspiring mass media professionals who are striving to compete in the new landscape of convergence journalism and media. You will learn principles of photography both still and video and how to incorporate them into your storytelling. That’s no longer a specialty skill—in today’s world of media, it’s a necessity. Editors Ross Collins and Keith Greenwood collaborate with highly accomplished photographers to make the concepts and techniques of today’s mass media photography accessible to all readers. Photocommunication Across Media speaks directly to journalists, advertisers and professional communicators who want to round out their toolkit without sifting through dense texts meant specifically for photographers and photojournalists. This guide, edited by experts who teach these concepts to the next generation of media professionals, is everything you need to know—and nothing you don’t—to take the next step for your career in communication.
Photograph Couples
by Tiffany WayneWedding and portrait photography is a vast segment of the professional portrait industry. Those who cater to this demographic know that photographing couples during a very exciting period in their lives demands a unique skill-set-these sessions are done when emotions are high, in a wide range of locations, and under a staggering array of conditions. Still, the photographer must wrangle all of the variables to create images that flatter the subjects AND tell the story of their relationship. In this book, Tiffany Wayne presents 60 high-caliber images-each paired with gorgeous alternate poses-and detailed text showing readers how each image was conceived and orchestrated to flatter the couple and show their unique relationship to best effect. In 60 two-page spreads, readers will get a behind-the-scenes look at how the image came together. Wayne discusses her intent for each image, then shows the steps used to carry out her artistic vision-from positioning the individual subjects, to creating a physical bond, and eliciting emotion. Also detailed are the compositional choices that were made to reinforce and strengthen the portrait presentation. In the first part of the book, Wayne showcases engagement portraits-images made under more relaxed conditions when the pace of the day is not as hectic as it will be on the wedding day. In the second part of the book, Wayne turns her attention to wedding portraits of the couple. With the fresh, modern feel of Tiffany Wayne's images and her casual, seemingly effortless-yet perfect-posing approach, readers will find much to emulate in this book.
Photograph Couples
by Tiffany WayneWedding and portrait photography is a vast segment of the professional portrait industry. Those who cater to this demographic know that photographing couples during a very exciting period in their lives demands a unique skill-set-these sessions are done when emotions are high, in a wide range of locations, and under a staggering array of conditions. Still, the photographer must wrangle all of the variables to create images that flatter the subjects AND tell the story of their relationship.In this book, Tiffany Wayne presents 60 high-caliber images-each paired with gorgeous alternate poses-and detailed text showing readers how each image was conceived and orchestrated to flatter the couple and show their unique relationship to best effect. In 60 two-page spreads, readers will get a behind-the-scenes look at how the image came together. Wayne discusses her intent for each image, then shows the steps used to carry out her artistic vision-from positioning the individual subjects, to creating a physical bond, and eliciting emotion. Also detailed are the compositional choices that were made to reinforce and strengthen the portrait presentation.In the first part of the book, Wayne showcases engagement portraits-images made under more relaxed conditions when the pace of the day is not as hectic as it will be on the wedding day. In the second part of the book, Wayne turns her attention to wedding portraits of the couple.With the fresh, modern feel of Tiffany Wayne's images and her casual, seemingly effortless-yet perfect-posing approach, readers will find much to emulate in this book.
Photograph the Face
by Jeff SmithThe most essential factor in creating a successful, salable portrait is properly lighting the face. But, every face is different, and, each face type requires a different style of lighting. It is imperative that the photographer realizes this. From the subjects' complexion and facial size, to their clothing, hair color and setting, there are many aspects to consider when lighting a client. The photographer must also take into consideration what type of product the client wants: senior portrait, bridal portrait, glamour or professional. Each one of these requires something different. Properly and efficiently addressing all of these factors will set you and your business apart from the competition.In this book, Smith focuses on teaching photographers how to conceptualize and produce portraits that will please the client. He emphasizes that he is not creating his own artistic vision, but that he is crafting what the client wants. That is not to say the results aren't artful and creative. Both of those things are very important, as Smith shows, but the main goal as a successful professional photographer is to create portraits that the subject wants to buy. Smith advises photographers to be aware of a subject's self-image when creating the portrait, being sure not to light them in a manner that is unflattering or distorted. Success in creating salable portraits relies as much on understanding people and the way our self image functions as it does understanding the proper techniques of lighting.First, Smith discusses the differences between face types and what to be aware of when setting up the lighting for each. Proper metering and placement of light source are essential to controlling your highlights, your shadowing and the transition area in between. Establishing a system for modifying your lighting setup for each subject is emphasized. The concept of Camera Sight, or visualizing the finished photo ahead of time to look for potential problem areas, is very important. As Smith admits, this skill comes with experience. Where he once had to take many test shots to pick out these issues, he is now able to able to see them before he shoots a single frame. This is a skill that develops over time with training and practice.The author then explains the differences between shooting in a studio and shooting on location, both indoors and outdoors. Different equipment is required for each scenario, but the equipment used for shooting outdoors can even differ depending on the time of day. While the most ideal natural light occurs just after sunrise or just before sunset, most customers do not want to have their portraits taken at 5am or late in the day. So, the photographer needs to be prepared to shoot in the harsh midday sun. In addition to lighting the face, the photographer must find usable light to illuminate the background properly. Smith details the lighting system he uses for outdoor portraiture and presents it in the context of his shooting experiences.While studio shoots provide greater levels of comfort and consistency compared to a location shoot, there are still many things required to get that perfect shot. Properly applying fill, accent light and shadowing are just as important in the studio as they are on location. Understanding the concepts of traditional lighting allows the photographer to consistently create studio portraits that will please any customer.The most important part of the face to light properly is the eyes. Smith explains in detail what factors a successful photographer must consider to get the final portrait every client wants. Whether it is a difference in the size of the client's eyes or ears, asymmetrical lips, or a crooked nose, there are ways to light these to correct the differences. Using artistry and creative vision to adapt from the comfort of studio shoots to the complicated and diverse demands of location shoots, Smith provides the reader with the tools to capture what the client wants every time.
Photographer's Guide to A Delivery Memo
by Tad CrawfordPart of The Photographer's Guide series, this guide provides information about the issues relevant to photographers today. It discusses the transfer of photographic work from one party to another and how to ensure accountability and protection of ownership rights. Included are a sample delivery memo and a helpful negotiating checklist.
Photographer's Guide to Book Publishing Contract
by Tad CrawfordPart of The Photographer's Guide series, this classic guide provides information about the issues relevant to photographers today. It acts as a reference for photographer's contracts, negotiating, subsidiary rights publishers, as well as ebook publishers.
Photographer's Guide to Wedding Album Design and Sales
by Bob CoatesFull of instructive images and insightful hints, this book is indispensable for photographers who want to boost their wedding-album sales. Updated with the latest styles, this showcase of 15 top wedding photographers' work and business practices provides insight into each artist's creative process, client service skills, and album design. Information on album types and basic design principles is accompanied by tips for marketing albums, including creating a dazzling sample album, expertly preparing the images for presentation after the ceremony, and discussing the importance of the album as a memento to be cherished for a lifetime. Savvy photographers will learn how to turn an album purchase into a multiple-album sale, how to add on á la carte images, and how to make networking and referrals generate additional business.
Photographer's Guide to a Commercial Lease
by Tad CrawfordPart of The Photographer's Guide series, this classic guide provides information about issues relevant to photographers today. It explains how to approach a commercial lease and what responsibilities one may encounter when renting for commercial purposes. This guide explains three types of leases (Form 20, 21, 22) and their provisions, includes a sample commercial lease contract, and contains helpful negotiation checklists.
Photographer's Guide to a Contract for the Sale of Fine Art Photography
by Tad CrawfordPart of The Photographer's Guide series, this classic guide provides information about the issues relevant to photographers today. It discusses the sale of fine art photographs to galleries, collectors, and dealers of photography. Included are a helpful negotiation checklist, a sample contract, and several provisions that can be added dealing with issues of resale, restoration, uniqueness, and more.
Photographer's Guide to a Contract to Create a Video for Transmission, Sales, or Rentals
by Tad CrawfordPart of The Photographer's Guide series, this guide includes information about the issues relevant to photographers today. It discusses the use of video for publicity, income, or educational purposes. This guide also includes a helpful negotiation checklist and a sample contract.
Photographer's Guide to a Contract with an Independent Contractor
by Tad CrawfordPart of The Photographer's Guide series, this guide includes information about the issues relevant to photographers today. Hiring an independent contractor-which is different from hiring an employee-requires alternate paperwork. This guide details important employee benefits, payroll taxes, and business expenses a photographer should know before hiring an independent contractor. Included are a helpful negotiation checklist and a sample contract.