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Moviemakers' Master Class: Private Lessons from the World's Foremost Directors
by Laurent TirardInterviews with Scorsese, Lynch, Godard, Woo, the Coen brothers, and more of the world’s greatest directors on how they make films—and why.Every great filmmaker has a secret method to his moviemaking—but each of them is different. In Moviemaker Master Class, Laurent Tirard talks to twenty of our era’s most important filmmakers to get to the core of each director’s approach to film, exploring the filmmaker’s vision as well as his technique, while allowing each to speak in his own voice.Martin Scorsese likes setting up each shot very precisely ahead of time—so that he has the opportunity to change it all if he sees the need. Lars Von Trier, on the other hand, refuses to think about a shot until the actual moment of filming. And Bernardo Bertolucci tries to dream his shots the night before; if that doesn’t work, he roams the set alone with a viewfinder, imagining the scene before the actors and crew join him. In these interviews with David Cronenberg, Pedro Almodovar, Tim Burton, Wim Wenders, and more—which originally appeared in the French film magazine Studio and are being published here in English for the first time—enhanced by exceptional photographs of the directors at work, Laurent Tirard has succeeded in finding out what makes each filmmaker, and his films, so extraordinary, shedding light on both the process and the people behind great moviemaking.“Tirard’s healthy balance of nuts-and-bolts information and conceptual musings should be of interest to lay readers as well as would-be auteurs.” —Publishers Weekly“[An] excellent resource.” —Library Journal
The Moviemaking with Your Camera Field Guide: The Essential Guide To Shooting Video With Hdslrs And Digital Cameras (Field Guide Ser.)
by Olivia SperanzaUnknowingly, photographers are already trained in many of the key skills behind great cinematography not least the arts of lighting and composition. Now, with the advent of high-definition video recording capabilities, the cameras have finally caught up. The Moviemaking With Your Camera Field Guide is a pocket-size guide that shows photographers how they can build on what they already know to create truly spectacular movies with their HDSLR camera. It introduces everything from the language of film and basic equipment, to the art of post-production and publishing new work. Includes creating filmmaking project ideas. "
The Moviemaking with Your Camera Field Guide: The Essential Guide to Shooting Video with HDSLRs and Digital Cameras (Field Guide Ser.)
by Olivia SperanzaAny photographer with a modern digital camera can be a moviemaker, and this book shows you all the skills you'll need to shoot everything, from a video-blog to a feature film. Build on your photographic skills - this knowledge predisposes you to create great cinematography - and understand the technical and practical necessities of high-definition video.The Moviemaking With Your Camera Field Guide shows you how you can build on what you already know to create truly spectacular movies with your DSLR in whatever genre you choose. It introduces everything from the language of film and basic equipment you will need, to the art of post-production and publishing your new work.Exclusive video content to accompany this book is available online.
Movies And Meaning (Sixth Edition): A Introduction to Film
by Stephen R. Prince<P>Movies and Meaning focuses on narrative filmmaking, and on fictional narratives in particular, because this is the most popular and pervasive form of filmmaking,<P> seen by the largest audiences, and what most people mean when they talk about "the movies."<P> Throughout the text, boxes extend the major topics of discussion into more specialized areas and supplement film examples with brief profiles of major directors.
Movies and Midrash: Popular Film and Jewish Religious Conversation
by Wendy I. ZierlerFinalist for the 2017 National Jewish Book Award in Modern Jewish Thought and Experience presented by the Jewish Book CouncilMovies and Midrash uses cinema as a springboard to discuss central Jewish texts and matters of belief. A number of books have drawn on films to explicate Christian theology and belief, but Wendy I. Zierler is the first to do so from a Jewish perspective, exploring what Jewish tradition, text, and theology have to say about the lessons and themes arising from influential and compelling films. The book uses the method of "inverted midrash": while classical rabbinical midrash begins with exegesis of a verse and then introduces a mashal (parable) as a means of further explication, Zierler turns that process around, beginning with the culturally familiar cinematic parable and then analyzing related Jewish texts. Each chapter connects a secular film to a different central theme in classical Jewish sources or modern Jewish thought. Films covered include The Truman Show (truth), Memento (memory), Crimes and Misdemeanors (sin), Magnolia (confession and redemption), The Descendants (birthright), Forrest Gump (cleverness and simplicity), and The Hunger Games (creation of humanity in God's image), among others.
Movies (And Other Things)
by Shea Serrano#1 New York Times bestselling author Shea Serrano is back, and his new book, Movies (And Other Things), combines the fury of a John Wick shootout, the sly brilliance of Regina George holding court at a cafeteria table, and the sheer power of a Denzel monologue, all into one. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 18.0px; font: 14.7px Tahoma; color: #000000; -webkit-text-stroke: #000000; background-color: #ffffff} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 18.0px; font: 14.7px Tahoma; color: #000000; -webkit-text-stroke: #000000; min-height: 18.0px} p.p3 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 17.0px; font: 14.7px Arial; color: #000000; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} span.s2 {font-kerning: none; background-color: #ffffff} Movies (And Other Things) is a book about, quite frankly, movies (and other things). One of the chapters, for example, answers which race Kevin Costner was able to white savior the best, because did you know that he white saviors Mexicans in McFarland, USA, and white saviors Native Americans in Dances with Wolves, and white saviors Black people in Black or White, and white saviors the Cleveland Browns in Draft Day? Another of the chapters, for a second example, answers what other high school movie characters would be in Regina George's circle of friends if we opened up the Mean Girls universe to include other movies (Johnny Lawrence is temporarily in, Claire from The Breakfast Club is in, Ferris Bueller is out, Isis from Bring It On is out...). Another of the chapters, for a third example, creates a special version of the Academy Awards specifically for rom-coms, the most underrated movie genre of all. And another of the chapters, for a final example, is actually a triple chapter that serves as an NBA-style draft of the very best and most memorable moments in gangster movies. Many, many things happen in Movies (And Other Things), some of which funny, others of which are sad, a few of which are insightful, and all of which are handled with the type of care and dedication to the smallest details and pockets of pop culture that only a book by Shea Serrano can provide.
Movies and Politics: The Dynamic Relationship (Routledge Library Editions: Cinema)
by James CombsCollecting together some of the best thinking about the relationship between movies and politics, this book, originally published in 1993, encourages an awareness of the political dimension of film, both for film scholars and those entering the film industry. Eight essays are grouped into four parts addressing political ideology and movie narrative, political myth in the movies, political history and movie culture, and political communication and the movies. An introductory essay, as well as prefatory remarks to each of the four parts, brings additional insight and perspective and puts the essays into context.
Movies and the Moral Adventure of Life (Boston Review)
by Alan A. StoneEssays on small art films and big-budget blockbusters, including Antonia's Line, American Beauty, Schindler's List, and The Passion of the Christ, that view films as life lessons, enlarging our sense of human possibilities. For Alan Stone, a one-time Freudian analyst and former president of the American Psychiatric Society, movies are the great modern, democratic medium for exploring our individual and collective lives. They provide occasions for reflecting on what he calls “the moral adventure of life”: the choices people make—beyond the limits of their character and circumstances—in response to life's challenges. The quality of these choices is, for him, the measure of a life well lived. In this collection of his film essays, Stone reads films as life texts. He is engaged more by their ideas than their visual presentation, more by their power to move us than by their commercial success. Stone writes about both art films and big-budget Hollywood blockbusters. And he commands an extraordinary range of historical, literary, cultural, and scientific reference that reflects his impressive personal history: professor of law and medicine, football player at Harvard in the late 1940s, director of medical training at McLean Hospital, and advisor to Attorney General Janet Reno on behavioral science. In the end, Stone's enthusiasms run particularly to films that embrace the sheer complexity of life, and in doing so enlarge our sense of human possibilities: in Antonia's Line, he sees an emotionally vivid picture of a world beyond patriarchy; in Thirteen Conversations about One Thing, the power of sheer contingency in human life; and in American Beauty, how beauty in ordinary experience draws us outside ourselves, and how beauty and justice are distinct goods, with no intrinsic connection. Other films discussed in these essays (written between 1993 and 2006 for Boston Review) include Un Coeur en Hiver, Schindler's List, Pulp Fiction, Thirteen Days, the 1997 version of Lolita, The Battle of Algiers, The Passion of the Christ, Persuasion, and Water.
Movies and TV: The New York Public Library Book of Answers
by Diane Corey Melinda Corey George OchoaIf you're a movie or television fan - how many of these questions can you answer? What was the last picture show in The Last Picture Show? Where was the stagecoach headed in Stagecoach? What was the name of the dinosaur bone in Bringing Up Baby? What did Gomer Pyle do before he entered the Marines? Who played Gentle Ben? Like The Book of Answers, this book answers hundreds of questions in one of the New York Public LIbrary Telephone Reference Service's most popular areas - film and television. It covers the biggest stars, breakthrough productions, famous on-and-off-screen incidents, and film and TV history and trivia. Movies and TV: The New York Public Library Book of Answers is both informative and entertaining - a treasure trove of fascinating movie and TV facts, a perfect companion to The Book of Answers, and a real treat for movie and TV fans.
Movies Are Prayers: How Films Voice Our Deepest Longings
by Josh Larsen"Movies are our way of telling God what we think about this world and our place in it. . . . Movies can be many things: escapist experiences, historical artifacts, business ventures, and artistic expressions, to name a few. I'd like to suggest that they can also be prayers."Filmspotting
The Movies as a World Force: American Silent Cinema and the Utopian Imagination
by Ryan Jay FriedmanThroughout the silent-feature era, American artists and intellectuals routinely described cinema as a force of global communion, a universal language promoting mutual understanding and harmonious coexistence amongst disparate groups of people. In the early 1920s, film-industry leaders began to espouse this utopian view, in order to claim for motion pictures an essentially uplifting social function. The Movies as a World Force examines the body of writing in which this understanding of cinema emerged and explores how it shaped particular silent films and their marketing campaigns. The utopian and universalist view of cinema, the book shows, represents a synthesis of New Age spirituality and the new liberalism. It provided a framework for the first official, written histories of American cinema and persisted as an advertising trope, even after the transition to sound made movies reliant on specific national languages.
Movies as Politics
by Jonathan RosenbaumIn this new collection of reviews and essays, Jonathan Rosenbaum focuses on the political and social dynamics of the contemporary movie scene. Rosenbaum, widely regarded as the most gifted contemporary American commentator on the cinema, explores the many links between film and our ideological identities as individuals and as a society. Readers will find revealing examinations of, for example, racial stereotyping in the debates surrounding Do the Right Thing, key films from Africa, China, Japan, and Taiwan, Hollywood musicals and French serials, and the cultural amnesia accompanying cinematic treatments of the Russian Revolution, the civil rights movement, and the Vietnam War. From Schindler's List, Star Wars, Pulp Fiction, Forrest Gump, The Piano, and Ace Ventura: Pet Detective to the maverick careers of Orson Welles, Jacques Tati, Nicholas Ray, Chantal Akerman, Todd Haynes, and Andrei Tarkovsky, Rosenbaum offers a polemically pointed survey that makes clear the high stakes involved in every aspect of filmmaking and filmgoing.
Movies R Fun!: A Collection of Cinematic Classics for the Pre-(Film) School Cinephile
by Josh CooleyNo one under seventeen should be admitted without a parent or guardian to these “fun-filled” illustrations of twisted movie moments from a beloved animator (Parade).Let’s face it, reading sucks . . . but movies are fun! In this grown-up parody of a children’s picture book, Pixar writer and artist Josh Cooley presents the most hilariously inappropriate—that is, the best—scenes from contemporary classic films in an illustrated, for-early-readers style. Terrifying, sexy, and awesome scenes from such favorite films as Alien, Rosemary’s Baby, Fargo, Basic Instinct, Seven, The Silence of the Lambs, Apocalypse Now, The Shining, and many more are playfully illustrated and captioned to make reading fun and exciting for kids who never grew up. A sly celebration of the things fans love most about these legendary films (and movies in general), this is one book that probably should not be read at bedtime.
Movies, Songs, and Electric Sound: Transatlantic Trends
by Charles O’BrienAn exploration of how the introduction of recorded music affected the production, viewing experience, and global export of movies.In Movies, Songs, and Electric Sound, Charles O’Brien examines American and European musical films created circa 1930, when the world’s sound-equipped theaters screened movies featuring recorded songs and filmmakers in the United States and Europe struggled to meet the artistic and technical challenges of sound production and distribution. The presence of singers in films exerted special pressures on film technique, lending a distinct look and sound to the films’ musical sequences. Rather than advancing a film’s plot, songs in these films were staged, filmed, and cut to facilitate the singer’s engagement with her or his public. Through an examination of the export market for sound films in the early 1930s, when German and American companies used musical films as a vehicle for competing to control the world film trade, this book delineates a new transnational context for understanding the Hollywood musical. Combining archival research with the cinemetric analysis of hundreds of American, German, French, and British films made between 1927 and 1934, O’Brien provides the historical context necessary for making sense of the aesthetic impact of changes in film technology from the past to the present.“Movies, Songs, and Electric Sound is an insightful study in the beginning of cinema’s sound era.” —popcultureshelf.com
The Movies That Changed Us: Reflections On The Screen
by Nick ClooneyTwenty movies that had an impact on society.
The Movies That Changed Us: Reflections on the Screen
by Nick ClooneyThere are movies we love, but only one movie in a thousand actually changes the way we live, the way we look at life, or the way we define entertainment. Broadcast journalist Nick Clooney, best known as the silver-haired movie host on the cable channel American Movie Classics, has selected twenty movies that changed us, some for the better, some for the worse. He starts with the recent past: Saving Private Ryan, a movie that changed the way people across the world view the American generation that fought World War Two; Star Wars, a motion picture so important that a missile defense system was named for it; and The Birth of a Nation, not only the first film to be hailed as the artistic equivalent to opera, literature, and painting, but also the first film to give a cloak of respectability to racial prejudice. Clooney's debate-starting distinctions will engage, delight, and challenge everyone who loves movies: Did Taxi Driver change the way we view individual violence? Did The Graduate change the way we view romance? Did Dr. Strangelove change the way we contemplate mass destruction? Did The Best Years of Our Lives alter our behavior toward veterans? And did Triumph of the Will almost help the Nazis win the war? Clooney ends with an epilogue on "The Movie That Never Was": the film that could have spurred the civil rights movement if only it had been made. "Sports changed things, the military changed things, and eventually the federal government changed things," Clooney writes, but in the matter of race, he concludes, the movies changed nothing. Thought-provoking, entertaining, and compulsively readable, The Movies That Changed Us will delight film fans of every generation.
Movies That Mattered: More Reviews from a Transformative Decade
by Dave KehrDave Kehr’s writing about film has garnered high praise from both readers and fellow critics. Among his admirers are some of his most influential contemporaries. Roger Ebert called Kehr “one of the most gifted film critics in America.” James Naremore thought he was “one of the best writers on film the country as a whole has ever produced.” But aside from remarkably detailed but brief capsule reviews and top-ten lists, you won’t find much of Kehr’s work on the Internet, and many of the longer and more nuanced essays for which he is best known have not yet been published in book form. With When Movies Mattered, readers welcomed the first collection of Kehr’s criticism, written during his time at the Chicago Reader. Movies That Mattered is its sequel, with fifty more reviews and essays drawn from the archives of both the Chicago Reader and Chicago magazine from 1974 to 1986. As with When Movies Mattered, the majority of the reviews offer in-depth analyses of individual films that are among Kehr’s favorites, from a thoughtful discussion of the sobering Holocaust documentary Shoah to an irresistible celebration of the raucous comedy Used Cars. But fans of Kehr’s work will be just as taken by his dissections of critically acclaimed films he found disappointing, including The Shining, Apocalypse Now, and Raiders of the Lost Ark. Whether you’re a long-time reader or just discovering Dave Kehr, the insights in Movies That Mattered will enhance your appreciation of the movies you already love—and may even make you think twice about one or two you hated.
Movies That Move Us
by Craig BattyFrom a screenwriting perspective, Batty explores the idea that the protagonist's journey is comprised of two individual yet interwoven threads: the physical journey and the emotional journey. His analysis includes detailed case studies of the films Muriel's Wedding , Little Voice , Cars , Forgetting Sarah Marshall , Sunshine Cleaning and Up.
Movies under the Influence
by Jocelyn Szczepaniak-GilleceA cultural history of the enduring relationship between film spectatorship and intoxicating substances Movies under the Influence charts the entangled histories of moviegoing and mind-altering substances from early cinema through the psychedelic 1970s. Jocelyn Szczepaniak-Gillece examines how the parallel trajectories of these two enduring aspects of American culture, linked by their ability to influence individual and collective consciousness, resulted in them being treated and regulated in similar ways. Rather than looking at representations of drug use within film, she regards cinema and intoxicants as kindred experiences of immersion that have been subject to corresponding forces of ideology and power. Exploring the effects of intoxicants such as caffeine, nicotine, alcohol, marijuana, and psychedelics on film spectatorship, Szczepaniak-Gillece demonstrates how American movie theaters sought to cultivate a dual identity, presenting themselves as both a place of wholesome entertainment and a shadowy zone of illicit behavior. Movies under the Influence highlights the various legislative, legal, and corporate powers that held sway over the darkened anonymity of theaters, locating the convergence of moviegoing and drug use as a site of mediation and social control in America. As much as substances and cinema are points where power intervenes, they are also settings of potential transcendence, and Movies under the Influence maintains this paradox as a necessary component of American film history. Recontextualizing a wide range of films, from Hollywood to the avant-garde, this book examines the implicit relationship intoxicants suggest between mass media, spectatorship, and governmental regulation and provides a new angle from which to understand cinema&’s lasting role in evolving American culture.
Movies with Balls: The Greatest Sports Films of All Time, Analyzed and Illustrated
by Kyle Bandujo Rick BrysonFeaturing original illustrations of fantasy memorabilia, ticket stubs, and playmaps, Movies with Balls will make you want to rewatch the movies you already love, and discover gems you&’ve never seen. Play ball!If you&’re the kind of fan who cheers every single time you watch Rocky beat Drago, or remembers who said &“Be the ball, Danny&” and &“If you build it, he will come,&” this is the book for you.Movies with Balls celebrates and analyzes more than two dozen of the greatest sports films of all time, with expert play-by-play and color commentary on the movies themselves and the athleticism they portray. You&’ll be transported into fictional arenas, stadiums, gyms, fields, and golf courses to relive the climactic moments from: CaddyshackThe NaturalField of DreamsDodgeballThe Karate KidRocky IVThe WaterboyBend it Like BeckhamCreedAnd many more!
Moving Between Cultures Through Arts-Based Inquiry: Re-membering Identity (Palgrave Studies in Movement across Education, the Arts and the Social Sciences)
by Ying WangThis book is an exploration of the concept of in-betweenness, as it occurs within the process of moving between the author’s root culture and adopted culture, from her perspective as an immigrant creative arts therapist. Through the critical autoethnographic voice and a/r/tographic inquiry, she introduces a unique exploration site within the process of Guqin-making, an ancient Chinese art form. Through the creation of images and poetry, and through Guqin-making and music-making/playing, the book expands the discussion of in-betweenness by re-theorising ancient Chinese philosophical perspectives on harmonic space. This contribution to arts-based research provides a unique standpoint to explore research methods of moving, walking, making, resting and awakening. It showcases how other researchers can transfer the invisible and intangible embodied feelings, memories and emotions arising from moving between two or more cultures into visible and tangible images, narrative, poetry, craft and music-playing to conduct powerful, interdisciplinary arts-based research.
Moving Bodies, Navigating Conflict: Practicing Bharata Natyam in Colombo, Sri Lanka
by Ahalya SatkunaratnamMoving Bodies, Navigating Conflict is a groundbreaking ethnographic examination of dance practice in Colombo, Sri Lanka, during the civil war (1983–2009). It is the first book of scholarship on bharata natyam (a classical dance originating in India) in Sri Lanka, and the first on the role of this dance in the country's war. Focusing on women dancers, Ahalya Satkunaratnam shows how they navigated conditions of conflict and a neoliberal, global economy, resisted nationalism and militarism, and advocated for peace. Her interdisciplinary methodology combines historical analysis, methods of dance studies, and dance ethnography.
Moving Consciously: Somatic Transformations through Dance, Yoga, and Touch
by Sondra FraleighThe popularity of yoga and Zen meditation has heightened awareness of somatic practices. Individuals develop the conscious embodiment central to somatics work via movement and dance, or through touch from a skilled teacher or therapist often called a somatic bodyworker. Methods of touch and movement foster generative processes of consciousness in order to create a fluid interconnection between sensation, thought, movement, and expression. In Moving Consciously , Sondra Fraleigh gathers essays that probe ideas surrounding embodied knowledge and the conscious embodiment of movement and dance. Using a variety of perspectives on movement and dance somatics, Fraleigh and other contributors draw on scholarship and personal practice to participate in a multifaceted investigation of a thriving worldwide phenomenon. Their goal: to present the mental and physical health benefits of experiencing one's inner world through sensory awareness and movement integration. A stimulating addition to a burgeoning field, Moving Consciously incorporates concepts from East and West into a timely look at life-changing, intertwined practices that involve dance, movement, performance studies, and education. Contributors: Richard Biehl, Robert Bingham, Hillel Braude, Alison East, Sondra Fraleigh, Kelly Ferris Lester, Karin Rugman, Catherine Schaeffer, Jeanne Schul, and Ruth Way.
Moving Frames: Photographs in German Cinema (Film Europa #26)
by Carrie Collenberg-González Martin P. SheehanAs the building blocks of moving pictures, photographs have played an integral role in cinema since the dawn of the medium—a relationship that has grown more complexly connected even as the underlying technologies continue to evolve. Moving Frames explores the use of photographs in German films from Expressionism to the Berlin School, addressing the formal and narrative roles that photographs play as well as the cultural and historical contexts out of which these films emerged. Looking beyond and within the canon, the editors gather stimulating new insights into the politics of surveillance, resistance, representation, and collective memory functioning through photographic rupture and affect in German cinema.
Moving History/Dancing Cultures
by Ann Cooper Albright Ann DilsThis new collection of essays surveys the history of dance in an innovative and wide-ranging fashion. Editors Dils and Albright address the current dearth of comprehensive teaching material in the dance history field through the creation of a multifaceted, non-linear, yet well-structured and comprehensive survey of select moments in the development of both American and World dance. This book is illustrated with over 50 photographs, and would make an ideal text for undergraduate classes in dance ethnography, criticism or appreciation, as well as dance history--particularly those with a cross-cultural, contemporary, or an American focus. The reader is organized into four thematic sections which allow for varied and individualized course use: Thinking about Dance History: Theories and Practices, World Dance Traditions, America Dancing, and Contemporary Dance: Global Contexts. The editors have structured the readings with the understanding that contemporary theory has thoroughly questioned the discursive construction of history and the resultant canonization of certain dances, texts and points of view. The historical readings are presented in a way that encourages thoughtful analysis and allows the opportunity for critical engagement with the text. Ebook Edition Note: Ebook edition note: Five essays have been redacted, including "The Belly Dance: Ancient Ritual to Cabaret Performance," by Shawna Helland; "Epitome of Korean Folk Dance", by Lee Kyong-Hee; "Juba and American Minstrelsy," by Marian Hannah Winter; "The Natural Body," by Ann Daly; and "Butoh: 'Twenty Years Ago We Were Crazy, Dirty, and Mad',"by Bonnie Sue Stein. Eleven of the 41 illustrations in the book have also been redacted.