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On Hamlet
by Salvador MadariagaPublished in the year 1964, On Hamlet is a valuable contribution to the field of Performance.
On Landscapes (Thinking in Action #29)
by Susan HerringtonThere is no escaping landscape: it's everywhere and part of everyone's life. Landscapes have received much less attention in aesthetics than those arts we can choose to ignore, such as painting or music – but they can tell us a lot about the ethical and aesthetic values of the societies that produce them. Drawing on examples from a wide range of landscapes from around the world and throughout history, Susan Herrington considers the ways landscapes can affect our emotions, our imaginations, and our understanding of the passage of time. On Landscapes reveals the design work involved in even the most naturalistic of landscapes, and the ways in which contemporary landscapes are turning the challenges of the industrial past into opportunities for the future. Inviting us to thoughtfully see and experience the landscapes that we encounter in our daily lives, On Landscapes demonstrates that art is all around us.
On Lightness in World Literature
by Bede ScottDespite the apparent ubiquity of light literature, and despite the greater cultural prestige it has been afforded in recent decades, very little has been written on the adjective that actually defines this category. What, precisely, does it signify, and what are some of the key strategies by which the effect of lightness is achieved within literary discourse? In this original and engaging study, Bede Scott explores the aesthetic quality of lightness as demonstrated by a diverse range of narratives - spanning four different centuries and five different countries. In each case he focuses on a specific 'type' of lightness, whether it be the refined triviality of Sei Shonagon's Pillow Book, the ludic tendencies of Joaquim Maria Machado de Assis' Posthumous Memoirs of Br#65533;s Cubas, or the 'exhilarating and primitive vitality' of Voltaire's Candide. By bringing together such disparate sources, Scott makes a strong case for the universality of this particular aesthetic value, while also subjecting to close critical scrutiny its underlying structural features.
On Line and on Paper: Visual Representations, Visual Culture, and Computer Graphics in Design Engineering
by Kathryn HendersonHenderson offers a new perspective on this topic by exploring the impact of computer graphic systems on the visual culture of engineering design. He shows how designers use drawings both to organize work and knowledge and to recruit and organize resources.
On Literature and Art
by Mao Tse-TungThis historic document brilliantly exemplifies the profound integration of Marxism-Leninism with the practice of the Chinese revolution.
On Living with Television (Console-ing Passions)
by Amy HoldsworthIn On Living with Television, Amy Holdsworth examines the characteristics of intimacy, familiarity, repetition, and duration that have come to exemplify the medium of television. Drawing on feminist television studies, queer theory, and disability studies as well as autobiographical life-writing practices, Holdsworth shows how television shapes everyday activities, from eating and sleeping to driving and homemaking. Recounting her own life with television, she offers a sense of the joys and pleasures Disney videos brought to her disabled sister, traces how bedtime television becomes part of a daily routine between child and caregiver, explores her own relationship to binge-eating and binge-viewing, and considers the idea of home through the BBC family drama Last Tango in Halifax. By foregrounding the ways in which television structures our relationships, daily routines, and sense of time, Holdsworth demonstrates how television emerges as a potent vehicle for writing about life.
On Location
by Serra TinicFilm and television production are important components of the Canadian economy. In Vancouver, popular American television series like The X-Files and Canadian series like Da Vinci's Inquest have boosted the city's profile as a centre for international and domestic productions. Serra Tinic's On Location is the first empirical analysis of regional Canadian television producers in the context of developing global media markets.Tinic observes that global television production in Vancouver has been a contradictory process that has, on one level, led to the homogenization of culturally specific storylines, while simultaneously facilitating the development of new avenues for international ventures. The author explains how federal and regional network considerations, funding guidelines, and partnerships with international co-producers affect the capacity of Canadian television producers to negotiate culturally specific storylines in the development process. She further interrogates the concepts of globalization, culture, and national identity, and their relationship to broadcasting from the perspectives of members of the television industry themselves, highlighting the extent to which industry practices in Vancouver epitomize current trends in global television production. On Location fills a major gap in contemporary media and cultural studies debates that question the connections between the politics of place, culture, and commerce within the larger context of cultural globalization.
On Location in Cuba: Street Filmmaking During Times of Transition
by Ann Marie StockThe 1990s were a time of dramatic transformation for Cuba. With the collapse of its Cold War relationship with the Soviet Union, the island nation plummeted into an era of scarcity and uncertainty known as the Special Period, a time from which it emerged only slowly in the new century. On Location in Cubaviews these pivotal decades through the lens of cinema. Ann Marie Stock conducted hundreds of interviews and conversations in Cuba to examine individual artists' lives and creative output--including film, video, and audiovisual art. She explores the impact of the Cold War's end, the economic crisis that ensued, and the decentralization of the state's political, economic, and cultural apparatus. Stock focuses on what she calls Street Filmmaking--the production of emerging audiovisual artists who work outside the state film industry--to examine the island's transformation and changing notions of Cuban identity. Employing entrepreneurial approaches to producing art and to negotiating the exigencies of globalization, this younger generation of filmmakers offers fresh perspectives on what it means to be Cuban in an increasingly complex and connected world.
On The Margins Of Art Worlds
by Larry GrossDuring the late 1980s, the near-worship of artistic genius produced auction sales of works by Vmcent Van Gogh and Pablo Picasso for tens of millions of dollars, over $15 million for a painting by Jasper Johns, and record prices for works by many other deceased and even living masters. At the same time, it was no longer controversial in academic and intellectual circles to maintain that art works are the products of what Howard Becker has termed collective activity carried out within loosely defined art worlds: Works of art, from this point of view, are not the products of individual makers, "artists" who possess a rare and special gift. They are, rather, joint products of all the people who cooperate via an art world's characteristic conventions to bring works like that into existence. Artists are some sub-group of the world's participants who, by common agreement, possess a specialgift, therefore make a unique and indispensable contribution to the work, and thereby make it art. (1982: 35) The concept of the art world-with its central focus on the collective, social, and conventional nature of artistic production, distribution, and appreciation--confronts and potentially undermines the romantic ideology of art and artists still dominant in Western societies.
On Media, On Technology, On Life - Interviews with Innovators
by Arthur Clay, Timothy J. SeniorThe book 'On Media, On Technology, On Life: Interviews with Innovators' features thirteen artist-researchers whose artworks reconfigure the relationships between living bodies, microorganisms, tools, techniques, and institutions to ask new questions of life itself. When encountered for the first time, these are works that seem to challenge a conventional understanding of what artists and scientists do. Through the words of the artists themselves, these interviews explore what it means to spearhead innovative new partnerships able to create work that takes on a life of its own. By posing new questions at the interface between media, technology, and life, the book explores themes such as the life of multi-species bodies, the future of food security in the age of biotechnology, the microbial lives of historic archives, and the biohacker communities of the future. Together, they reveal how we are all actors in this theatre of life innovation.
On Michael Haneke
by Brian Price John David RhodesConsiders the films of Michael Haneke, who has emerged as a major figure in world cinema over the last fifteen years.
On My Knees: Stark International 2 (Stark International Series #2)
by J. KennerNew York Times bestselling author J. Kenner continues her smoking hot, emotionally compelling new erotic Stark International trilogy, which began with Say My Name, returning to the world of her beloved Stark novels, Release Me, Claim Me and Complete Me, with the explosive romance between Jackson Steele and Sylvia Brooks. For fans of Fifty Shades of Grey, Sylvia Day, Meredith Wild and Jodi Ellen Malpas.I never thought I'd lose control, but his desire took me to the edge. Powerful, ambitious and devastatingly sexy, Jackson Steele was unlike any other man I'd ever known. He went after what he wanted with his whole mind, body and soul - and I was the woman in his sights. One touch and I surrendered, one night together and I was undone. Jackson and I had secrets, dark pieces of our pasts that threatened to swallow us both. I was scared to trust him fully, to finally let go. Yet no matter the dangers that lay ahead, I knew I was his - that there could be no more holding back and that in our passion lay our salvation...Return to the smoking hot Stark world with the Stark International trilogy: Say My Name, On My Knees and Under My Skin is the explosively emotional story of Jackson Steele and Sylvia Brooks.Fall in love with J. Kenner's hot and addictive bestselling Stark series charting the romance of Nikki and Damien Stark: Release Me, Claim Me, Complete Me, Take Me, Have Me, Play My Game, Seduce Me and Unwrap Me.Don't miss J. Kenner's explosive Most Wanted series of three enigmatic and powerful men, and the striking women who can bring them to their knees: Wanted, Heated and Ignited.
On My Own: The Years Since The White House
by Eleanor RooseveltIn this volume the greatest and best-loved woman of her time shares the experiences - private and public - of her thirteen years since the death of her husband, Franklin Delano Roosevelt. She describes in intimate detail the problems she had to solve after her husband's death, winding up his affairs and working out a pattern for her new life. That new life would include much traveling and diplomatic work around Europe, Russia and Asia for the United Nations, for her forthright humanitarian endeavors she was voted as ninth in Gallup's List Of Most Widely Admired People Of The 20th Century.
On Not Looking: The Paradox of Contemporary Visual Culture (Routledge Advances in Art and Visual Studies)
by Frances GuerinOn Not Looking: The Paradox of Contemporary Visual Culture focuses on the image, and our relationship to it, as a site of "not looking." The collection demonstrates that even though we live in an image-saturated culture, many images do not look at what they claim, viewers often do not look at the images, and in other cases, we are encouraged by the context of exhibition not to look at images. Contributors discuss an array of images—photographs, films, videos, press images, digital images, paintings, sculptures, and drawings—from everyday life, museums and galleries, and institutional contexts such as the press and political arena. The themes discussed include: politics of institutional exhibition and perception of images; censored, repressed, and banned images; transformations to practices of not looking as a result of new media interventions; images in history and memory; not looking at images of bodies and cultures on the margins; responses to images of trauma; and embodied vision.
On Painting
by Leon AlbertiArtist, architect, poet and philosopher, Leon Battista Alberti revolutionized the history of art with his theories of perspective in On Painting (1435). Inspired by the order and beauty inherent in nature, his groundbreaking work sets out the principles of distance, dimension and proportion; instructs the painter on how to use the rules of composition, representation, light and colour to create work that is graceful and pleasing to the eye; and stipulates the moral and artistic pre-requisites of the successful painter. On Painting had an immediate and profound influence on Italian Renaissance artists including Ghiberti, Fra Angelico and Veneziano and on later figures such as Leonardo da Vinci, and remains a compelling theory of art.
On Painting
by Leon Battista Alberti Martin KempArtist, architect, poet and philosopher, Leon Battista Alberti revolutionized the history of art with his theories of perspective in On Painting (1435). Inspired by the order and beauty inherent in nature, his groundbreaking work sets out the principles of distance, dimension and proportion; instructs the painter on how to use the rules of composition, representation, light and colour to create work that is graceful and pleasing to the eye; and stipulates the moral and artistic pre-requisites of the successful painter. On Painting had an immediate and profound influence on Italian Renaissance artists including Ghiberti, Fra Angelico and Veneziano and on later figures such as Leonardo da Vinci, and remains a compelling theory of art. <p><p>For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
On Paper: The Everything of Its Two-Thousand-Year History
by Nicholas A. BasbanesA consideration of all things paper--its invention that revolutionized human civilization; its thousand-fold uses (and misuses), proliferation, and sweeping influence on society; its makers, shapers, collectors, and pulpers--written by the admired cultural historian and author of the trilogy on all things book-related: A Gentle Madness; Patience and Fortitude ("How could any intelligent, literate person not just love this book?"--Simon Winchester); and A Splendor of Letters ("Elegant, wry, and humane"--André Bernard, New York Observer). Nicholas Basbanes writes about paper, from its invention in China two thousand years ago to its ideal means, recording the thoughts of Islamic scholars and mathematicians that made the Middle East a center of intellectual energy; from Europe, by way of Spain in the twelfth century and Italy in the thirteenth at the time of the Renaissance, to North America and the rest of the inhabited world. Basbanes writes about the ways in which paper has been used to record history, make laws, conduct business, and establish identities . . . He makes clear that without paper, modern hygienic practice would be unimaginable; that as currency, people will do almost anything to possess it . . . that the Industrial Revolution would never have happened without paper on which to draw designs and blueprints. We see paper's crucial role in the unfolding of historical events, political scandals, and sensational trials: how the American Revolution which took shape with the Battle of Lexington and Concord, began with the Stamp Act of 1765 . . . the Dreyfus Affair and the forged memorandum known as "the bordereau" . . . America's entry into World War I with the Zimmerman Telegram . . . the Alger Hiss spy case and Whittaker Chambers's testimony involving the notorious Pumpkin Papers . . . Daniel Ellsberg's release of the Pentagon Papers in 1971 and the scandal of Watergate. Basbanes writes of his travels to get to the source of the story--to China, along the Burma Road, and to Japan, whose handmade paper, washi, is as much an expression of the human spirit as it is of craftsmanship . . . to Landover, Maryland, home of the National Security Agency and its one hundred million ultra secret documents, pulped by cryptologists and sent to be recycled as pizza boxes and egg cartons . . . to the Crane Paper mill of Dalton, Massachusetts, a seventh-generation family-owned enterprise, the exclusive supplier of paper for American currency since 1879 . . . and to the Kimberly-Clark mill in New Milford, Connecticut, manufacturer daily of one million boxes of Kleenex tissue and as many rolls of Scott kitchen towels.Entertaining, illuminating, irresistible, a book that masterfully guides us through paper's inseparability from human culture . . .
On Pedagogical Spaces, Multiplicity and Linearities and Learning: Before, Between, Beyond
by Michael CrowhurstThis book introduces a research method called ‘auto-teach(er)/ing-focused research,’ a research process that aims to document understandings generated by, and for the teacher when that teacher teaches or re-teaches a course. It demonstrates how this method is applied by the author/researcher within the pedagogical space that is the teaching of a course, one that has been taught numerous times by the author/researcher over many years. This book documents understandings about learning and teaching that have emerged within the pedagogical space that is the teaching of a course, and the pedagogical space that is the writing of a book. It explores the notion that pedagogical spaces are complex, and that subjects navigate and are produced within them in a multiplicity of ways. This book applies a research method that generates a knowledge product that research practitioners in a variety of settings might find useful to adopt or adapt.
On Photography
by Susan Sontag6 essays on photography (In Plato's Cave; America, Seen Through Photographs, Darkly; Melancholy Objects; The Heroism of Vision; Photographic Evangels; The Image-World), and a brief anthology of quotations.
On Picture Making and Picture Seeing: A Brief Discourse (Vision, Illusion and Perception #4)
by Jan B. DeręgowskiArchaeological and anthropological investigations of depictions seldom extend beyond a single culture or a single geographical location, although there is a powerful factor common to all depictions, the factor of human perception. In this volume an attempt is made to show how this factor affects both creation and recognition of depictions, how, in common with everyday vision of the environment, typical contours are derived and used, not merely to depict individually readily recognisable models, but also how by concatenation they lead to such a splendid figure as Australian Kakadu crocodiles, or by distortion to creation of illusions of pictorial depth, such as is evoked by Leonardo da Vinci’s perspective and by inverted (Byzantine) perspective thought by some to be an aberration. Bartel’s studies show that pictorial depth is often achieved to the artist’s, and many a viewer’s, but not to geometer’s satisfaction by partial distortion, and Chinese masterpieces embody, side by side, ‘normal’ and inverted perspective. The visual process is universally uniform (if it were not, one would not be able to recognise an Altamira bison as a bison) and its foibles can be freely exploited. Its best known exploiter is probably Cezanne. His pictures are admired by many and puzzle many. Strzemiński postulated that they compound distinct lines of sight, thus endorsing primacy of central vision, a concept thought by Gombrich to be of greater import to geometers than to artists.
On Pointe
by Lorie Ann GroverFor as long as she can remember, Clare and her family have had a dream: Someday Clare will be a dancer in City Ballet Company. For ten long years Clare has been taking ballet lessons, watching what she eats, giving up friends and a social life, and practicing until her feet bleed--all for the sake of that dream. And now, with the audition for City Ballet Company right around the corner, the dream feels so close. But what if the dream doesn't come true? The competition for the sixteen spots in the company is fierce, and many won't make it. Talent, dedication, body shape, size--everything will influence the outcome. Clare's grandfather says she is already a great dancer, but does she really have what it takes to make it into the company? And if not, then what? Told through passionate and affecting poems in Clare's own voice, On Pointe soars with emotion as it explores what it means to reach for a dream--and the way that dreams can change as quickly and suddenly as do our lives.and affecting poems in Clare's own voice, On Pointe soars with emotion as it explores what it means to reach for a dream -- and the way that dreams can change as quickly and suddenly as do our lives.
On Power in Architecture: From a Materialistic, Phenomenological, and Post-Structuralist Perspective (Routledge Research in Architecture)
by Mateja KurirArchitecture has always been a decisive manifestation of power. This volume represents an attempt to question and reflect on the relationship between power and architecture from three philosophical perspectives: materialistic, phenomenological and post-structuralist.This collection opens an interdisciplinary investigation that aims to reflect on architecture and its interconnectedness with power within philosophy and cultural theory at large while presenting these concepts using practical examples from the built environment. Internationally recognised authors – philosophers, architectural theorists and historians – Andrew Benjamin, Andrew Ballantyne, Mladen Dolar, Hilde Heynen, Nadir Lahiji, Jeff Malpas, Dean Komel, Elke Krasny, Robert Pfaller, Gerard Reinmuth, Luka Skansi, Douglas Spencer, Teresa Stoppani and Sven-Olov Wallenstein present their reflections in original unpublished essays and interviews. In the presented works, architecture is combined and transgressed by philosophy in a new discussion that focuses only on power. The contributions in this collection open a variety of architectural questions, one of the central among them being the impact of neoliberal capitalism on architecture. Architecture, with its implications on the complex contemporary political and social reality, is severely changing our space and, more globally, our environment. A reflection on the multilayered relation between architecture and power has never been as topical as it is today.This book will, therefore, be of interest to students, researchers and academics or professionals within the fields of architecture, philosophy, sociology, political sciences and cultural sciences.
On Quality in Art: Criteria of Excellence, Past and Present (The A. W. Mellon Lectures in the Fine Arts #13)
by Jakob RosenbergAn acclaimed art historian explains how to identify excellence in artIn this book, Jakob Rosenberg takes up the timeless problem of how to make a valid judgment about artistic quality. In his search for criteria of excellence in art, Rosenberg examines both the achievements and failures of other critics from the Renaissance to modern times, including Giorgio Vasari, Roger de Piles, Sir Joshua Reynolds, Théophile Thoré, and Roger Fry. Drawing vital lessons from these critics’ writings, Rosenberg charts an effective approach to the challenges of judging quality in works of art by analyzing master drawings from the fifteenth to twentieth centuries and comparing them with examples of followers or minor contemporaries. The result is a set of practical criteria that are applicable across diverse periods and styles. Brimming with insights from a legendary art critic and historian, On Quality in Art sheds invaluable light on drawings by artists ranging from Dürer, Raphael, Leonardo, Rubens, Rembrandt, Watteau, Degas, and van Gogh to Matisse, Picasso, and Marin.
On Racial Icons
by Nicole R. FleetwoodWhat meaning does the American public attach to images of key black political, social, and cultural figures? Considering photography's role as a means of documenting historical progress, what is the representational currency of these images? How do racial icons "signify"? Nicole R. Fleetwood's answers to these questions will change the way you think about the next photograph that you see depicting a racial event, black celebrity, or public figure. In On Racial Icons, Fleetwood focuses a sustained look on photography in documenting black public life, exploring the ways in which iconic images function as celebrations of national and racial progress at times or as a gauge of collective racial wounds in moments of crisis. Offering an overview of photography's ability to capture shifting race relations, Fleetwood spotlights in each chapter a different set of iconic images in key sectors of public life. She considers flash points of racialized violence in photographs of Trayvon Martin and Emmett Till; the political, aesthetic, and cultural shifts marked by the rise of pop stars such as Diana Ross; and the power and precarity of such black sports icons as Serena Williams and LeBron James; and she does not miss Barack Obama and his family along the way. On Racial Icons is an eye-opener in every sense of the phrase.
On Raising a Digital Human: A Personal Evolution (Synthesis Lectures on Computer Science)
by Norman I. BadlerThis book tells the story of building digital virtual human models in the context of the background, choices, and occurrences that shaped the author's own involvement and personal evolution. Such digital models found motivating applications in engineering, anthropology, medical, and group simulation problems, and numerous connections to other disciplines informed and enriched their design, development, and deployment. This personal perspective on developments in the field is enhanced by extensive citations that provide pointers into relevant literature, recognize the contributions of co-authors and collaborators, and give external evidence for claims. Both academic and corporate interest in virtual beings has exploded in recent years, and while this book does not survey the current state of the art it is an essential window into how the field arrived where it is today. The technical discussions throughout the book are deliberately accessible with extensive references to the literature for further reading. This book will be of interest to readers who want to understand the history of virtual human beings, how they evolved, and especially how they must address numerous human characteristics to achieve any sense of "human-ness."