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Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony
by Rochona MajumdarThe project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term “art film” and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought.Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak—the leading figures of Indian art cinema—became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures.Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India’s Forgotten Futures offers sweeping new insights into film’s relationship with the postcolonial condition and its role in decolonial imaginations of the future.
Art Cinema and Neoliberalism (Global Cinema)
by Alex LykidisArt Cinema and Neoliberalism surveys cinematic responses to neoliberalism across four continents. One of the first in-depth studies of its kind, this book provides an imaginative reassessment of art cinema in the new millennium by showing how the exigencies of contemporary capitalism are exerting pressure on art cinema conventions. Through a careful examination of neoliberal thought and practice, the book explores the wide-ranging effects of neoliberalism on various sectors of society and on the evolution of film language. Alex Lykidis evaluates the relevance of art cinema style to explanations of the neoliberal order and uses a case study approach to analyze the films of acclaimed directors such as Asghar Farhadi, Yorgos Lanthimos, and Lucrecia Martel in relation to the social, political, and cultural characteristics of neoliberalism. By connecting the aesthetics of art cinema to current social antagonisms, Lykidis positions class as a central concern in our understanding of the polarized dynamics of late capitalism and the escalating provocations of today’s film auteurs.
Art Cities Of The Future: 21st-Century Avant-Gardes
by Antawan I. Byrd Reid Shier Geeta Kapur Kaelen Wilson-GoldieIn the 1990s a quiet revolution began. Contemporary art, for decades an enterprise dominated by a relatively small number of individuals - artists, dealers, collectors, curators and critics based in three or four cities - gradually became global. Biennials sprang up in every corner of the world just as cheap airfares began to shrink the distances between them. Emerging technologies opened up new lines of communication, and international publishers launched contemporary art lists. Meanwhile art fairs grew and multiplied, creating a movable feast with regular stops on every continent. Today the art world is more of a world in every sense, with a larger population, a wider territory and a greater number of nationalities. Its prevailing conversation, however, has yet to catch up. This conversation, still shaped by the belief that artistic progress stems from the avant-garde - a cohesive group with a common lineage, all grappling with a shared set of artistic issues - risks overlooking the real breakthroughs taking place all around us. Art Cities of the Future uncovers twelve distinct avant-gardes that have emerged around the world in recent decades. Twelve curators each select eight artists to represent the avant-garde of a specific city. These artists may be senior figures or newer faces, artists working in familiar mediums or inventing their own, but they all share two qualities- a commitment to experimental art and a dedication to their local milieu. These twelve cities are art's next capitals, and from this batch of 96 artists will emerge tomorrow's stars - the future heroes of art history and the market's next blue-chip investments.
Art Cloth
by Jane DunnewoldThis information-packed handbook is appropriate for both newcomers and experienced dyers but assumes that readers have a serious interest in textile design.
Art Cloth
by Jane DunnewoldThis information-packed handbook is appropriate for both newcomers and experienced dyers but assumes that readers have a serious interest in textile design.
Art Club (A Graphic Novel)
by Rashad DoucetInspired by the author&’s own childhood, this contemporary graphic novel paints a picture of an aspiring young artist on a mission to prove that the arts are worth fighting for. Dale Donavan has heard the same lecture over and over again: Art will get you nowhere in life. A kid with a creative streak, Dale wants nothing more than to doodle, play video games, and create comics forever—maybe even as a full-time job one day. But between his grandfather pushing him to focus on his studies and a school with zero interest in funding arts programs, Dale feels like his future has already been decided for him. That is, until he comes up with the perfect plan: What if he starts an after-school art club, gathers a team of creative students like himself, and proves all the naysayers—his stubborn vice principal in particular—wrong? This might just work, but if the club isn&’t financially successful by the end of the semester, the school with shut them down. This may be Dale&’s only chance to show the adults in his life that a career as an artist is not just a dream but a possibility!
Art Collecting and Middle Class Culture from London to Brighton, 1840–1914 (Routledge Research in Art History)
by David AdelmanThis study explores the interplay between money, status, politics and art collecting in the public and private lives of members of the wealthy trading classes in Brighton during the period 1840–1914.Chapters focus on the collecting practices of five rich and upwardly mobile Victorians: William Coningham (1815–84), Henry Hill (1813–82), Henry Willett (1823–1905) and Harriet Trist (1816–96) and her husband John Hamilton Trist (1812–91). The book examines the relationship between the wealth of these would-be members of the Brighton bourgeoisie and the social and political meanings of their art collections paid for out of fortunes made from sugar, tailoring, beer and wine. It explores their luxury lifestyles and civic activities including the making of Brighton museum and art gallery, which reflected a paradoxical mix of patrician and liberal views, of aristocratic aspiration and radical rhetoric. It also highlights the centrality of the London art world to their collecting facilitated by the opening of the London to Brighton railway line in 1841.The book will be of interest to scholars working in art history, museum studies and British history.
Art Collecting Today: Market Insights for Everyone Passionate about Art
by Doug WoodhamAn insider's guide to buying, collecting, and selling art from an insider of Christie's Grounded in real-life stories, Art Collecting Today is the essential practical guide to today's art market. A lightly regulated industry with more than sixty billion dollars of annual sales, the art market is often opaque and confusing to even the most experienced collectors. But whether a seasoned collector, an uninitiated newcomer, or an art-world insider, readers will learn within these pages how the art marketplace works in practice and how to navigate it smartly. Those who may have been put off by art-world practices will finally feel they have the knowledge needed to participate freely and fully, and collectors will be able to pursue their passion with more confidence. Important topics covered include:How to evaluate, buy, and sell art while avoiding costly mistakes and time-consuming roadblocks How the market works in practice for essential artists like Ren? Magritte, Christopher Wool, Amedeo Modigliani, and Yayoi Kusama How collectors can be taken advantage of, and the actions they should take to protect themselves Why tax laws in the United States reward "art investors" yet penalize "art collectors" How cultural property laws impact the market for works by such artists as Frida Kahlo and Andy Warhol Advice for new and prospective collectors Informed by close to one hundred interviews with collectors, lawyers, art advisors, gallerists, and auction specialists in the United States and Europe, as well as by the author's own experiences, Art Collecting Today offers a lively and thought-provoking analysis of the day-to-day workings at play today in the fine art marketplace.
Art Collections, Private and Public: A Comparative Legal Study (SpringerBriefs in Law)
by Elina MoustairaThis book is a comparative legal study of the private and public art collections in various states of the world, covering the most important issues that usually arise and focusing on the differences and the similarities of the national laws in the treatment of those issues.
The Art Collector in Early Modern Italy: Andrea Odoni and his Venetian Palace
by Monika SchmitterLorenzo Lotto's Portrait of Andrea Odoni is one of the most famous paintings of the Italian Renaissance. Son of an immigrant and a member of the non-noble citizen class, Odoni understood how the power of art could make a name for himself and his family in his adopted homeland. Far from emulating Venetian patricians, however, he set himself apart through the works he collected and the way he displayed them. In this book, Monika Schmitter imaginatively reconstructs Odoni's house – essentially a 'portrait' of Odoni through his surroundings and possessions. Schmitter's detailed analysis of Odoni's life and portrait reveals how sixteenth-century individuals drew on contemporary ideas about spirituality, history, and science to forge their own theories about the power of things and the agency of object. She shows how Lotto's painting served as a meta-commentary on the practice of collecting and on the ability of material things to transform the self.
Art Collector Report
by Larry'S ListThe Larry's List team consists of art market researchers from around the world. Currently, we have more than 20 nationalities, each researcher with a background in art history or experience with art dealing.Which city in the world has the highest density of 2014 contemporary art collectors? Which country?Why does Germany almost have as many private art museums as the us?And what are the future trends for the global collectors scene?What you get: Unique Information on Art Collectors! The report offers detailed information on leading art collectors around the world. Our researchers carefully selected the data manually.
Art Collector Report KINDLE EDITION
by Larry'S ListThe Larry's List team consists of art market researchers from around the world. Currently, we have more than 20 nationalities, each researcher with a background in art history or experience with art dealing.<P><P>Which city in the world has the highest density of 2014 contemporary art collectors? Which country?Why does Germany almost have as many private art museums as the us?And what are the future trends for the global collectors scene?What you get: Unique Information on Art Collectors! The report offers detailed information on leading art collectors around the world. Our researchers carefully selected the data manually.
Art Connections (Level #6)
by McGraw-HillThis textbook is about art, its history and culture, aesthetic perception, art criticism, etc.
Art Connections (Level #2)
by McGraw-HillArtists make art about many subjects. Subject matter is the content of an artist's work. For example, the subject of a painting can be a vase of flowers or a self-portrait. This subject matter is easy to see. The subject matter is harder to understand when the artwork stands for something beyond itself.
The Art & Craft of Handmade Paper
by Vance StudleyIf you can chop vegetables and boil water, you can make paper. It's easy with this fascinating step-by-step guide to making paper with vegetable fibers. No special tools are required and quality results can be had in a very short time.The opening chapter of Vance Studley's clearly outlined, beautifully illustrated text introduces the reader to the origin and development of paper, describes its use in history, examines cultures that made paper and explains why quality paper is ideal for creative use.The author then shows you in detail how to make attractive and useful paper in a vast number of sizes, shapes, textures, and colors. Details of the papermaking process range from scissoring the raw material and beating the pulp, to blending the contents and forming, pressing, drying, and separating the sheets.Step-by-step instructions and over 160 sharply detailed illustrations introduce professional artists as well as students of all ages and levels of expertise to necessary materials, tools, and equipment. A final chapter suggests a variety of projects, including the compilation of a portfolio, creating papers for printmaking and drawing, and producing a collage from the designer's finished product.An invaluable book for the craftsperson interested in learning a satisfying and fascinating hobby, this comprehensive manual will also appeal to artists in search of distinctive papers and teachers looking for a refreshing change in classroom projects.
Art, Creativity and Imagination in Social Work Practice.
by Prue Chamberlayne and Martin SmithHarnessing the inspiration available from the arts and the imagination brings to life sensitive and effective social work practice. Workers feel most satisfied while service users and communities are more likely to benefit when creative thinking can be applied to practice dilemmas. Drawing on contributions from Canada, England and Utrecht this book illustrates the transforming effect of creatively applied thinking to social problems. The first part of the book considers how use of the self can be enhanced by analytic reflection and application to difficulties facing individuals and communities. The second part shows psychodynamic theory to be a valuable aid when thinking about issues faced by social workers facing threats and accusations, therapeutic work with children and restorative youth justice. The third part of the book considers the implications of working with the arts in community settings – an ex-mining community in North West England, the Tate Gallery in London and the ‘cultural capital’ of Liverpool. Taken as a whole these chapters combine to inspire and provoke thought of how the arts and the imagination can be used creativity to help service users confronted by problems with living and the workers who attempt to get alongside them to think about these.This book was published as a special issue of the Journal of Social Work Practice.
Art, Creativity, and Psychoanalysis: Perspectives from Analyst-Artists
by George HagmanArt, Creativity, and Psychoanalysis: Perspectives from Analyst-Artists collects personal reflections by therapists who are also professional artists. It explores the relationship between art and analysis through accounts by practitioners who identify themselves as dual-profession artists and analysts. The book illustrates the numerous areas where analysis and art share common characteristics using first-hand, in-depth accounts. These vivid reports from the frontier of art and psychoanalysis shed light on the day-to-day struggle to succeed at both of these demanding professions. From the beginning of psychoanalysis, many have made comparisons between analysis and art. Recently there has been increasing interest in the relationship between artistic and psychotherapeutic practices. Most important, both professions are viewed as highly creative with spontaneity, improvisation and aesthetic experience seeming to be common to each. However, differences have also been recognized, especially regarding the differing goals of each profession: art leading to the creation of an art work, and psychoanalysis resulting in the increased welfare and happiness of the patient. These issues are addressed head-on in Art, Creativity, and Psychoanalysis: Perspectives from Analyst-Artists. The chapters consist of personal essays by analyst/artists who are currently working in both professions; each has been trained in and is currently practicing psychoanalysis or psychoanalytic psychotherapy. The goal of the book is to provide the audience with a new understanding of psychoanalytic and psychotherapeutic processes from the perspective of art and artistic creativity. Drawing on artistic material from painting, poetry, photography, music and literature, the book casts light on what the creative processes in art can add to the psychoanalytic endeavor, and vice versa. Art, Creativity, and Psychoanalysis: Perspectives from Analyst-Artists will appeal to psychoanalysts and psychoanalytic psychotherapists, theorists of art, academic artists, and anyone interested in the psychology of art.
Art & Crime: The fight against looters, forgers, and fraudsters in the high-stakes art world
by Stefan Koldehoff Tobias TimmA thrilling, eye-popping look at true crime in the billion-dollar art world.The art world is one of the most secretive of global businesses, and the list of its crimes runs long and deep. Today, with prices in the hundreds of millions for individual artworks, and billionaires' collections among the most conspicuous and liquid of their assets, crime is more rampant than ever in this largely unregulated universe. Increased prices and globalization have introduced new levels of fraud and malfeasance into the art world--everything from "artnapping," in which an artwork is held hostage and only returned for a ransom, to forgery and tax fraud. However, the extent of the economic and cultural damage that results from criminality in the global art scene rarely comes to light. The stories of high-stakes, brazen art crimes told by art experts Stefan Koldehoff and Tobias Timm are by turns thrilling, disturbing, and unbelievable (the imagination for using art to commit crimes seems boundless). The authors also provide a well-founded analysis of what needs to change in the art market and at museums. From the authors of False Pictures, Real Money (about the Beltracchi art forgery case), Art and Crime includes a chapter on art owned by Donald Trump. It is a thoroughly researched, explosive, and highly topical book that uncovers the extraordinary and multifarious thefts of art and cultural objects around the world.
Art Criticism and Modernism in the United States (Routledge Research in Art History)
by Stephen MoonieThis study is an analysis of 'high' and 'late' modernist criticism in New York during the 1960s and early 1970s. Through a close reading of a selection of key critics of the period—which will expand the remit beyond the canonical texts—the book examines the ways that modernist criticism’s discourse remains of especial disciplinary interest. Despite its alleged narrowness and exclusion, the debates of the 1960s raised fundamental questions concerning the nature of art writing. Those include arguments around the nature of value and judgement; the relationship between art criticism and art history; and the related problem of what we mean by the ‘contemporary.’ Stephen Moonie argues that within those often-fractious debates, there exists a shared discourse. And further, contrary to the current consensus that modernists were elitist, dogmatic, and irrelevant to contemporary debates on art, the study shows that there is much that we can learn from reconsidering their writings. The book will be of interest to scholars working in art history, modern art, art criticism, and literary studies.
Art, Cybernetics and Pedagogy in Post-War Britain: Roy Ascott’s Groundcourse (Routledge Advances in Art and Visual Studies)
by Kate SloanThis is the first full-length study about the British artist Roy Ascott, one of the first cybernetic artists, with a career spanning seven decades to date. The book focuses on his early career, exploring the evolution of his early interests in communication in the context of the rich overlaps between art, science and engineering in Britain during the 1950s and 1960s. The first part of the book looks at Ascott’s training and early work. The second park looks solely at Groundcourse, Ascott’s extraordinary pedagogical model for visual arts and cybernetics which used an integrative and systems-based model, drawing in behaviourism, analogue machines, performance and games. Using hitherto unpublished photographs and documents, this book will establish a more prominent place for cybernetics in post-war British art.
Art, Death and Lacanian Psychoanalysis
by Efrat Biberman Shirley Sharon-ZisserArt, Death and Lacanian Psychoanalysis examines the relationship between art and death from the perspective of Lacanian psychoanalysis. It takes a unique approach to the topic by making explicit reference to the death drive as manifest in theories of art and in artworks. Freud’s treatment of death focuses not on the moment of biological extinction but on the recurrent moments in life which he called "the death drive" or the "compulsion to repeat": the return precisely of what is most unbearable for the subject. Surprisingly, in some of its manifestations, this painful repetition turns out to be invigorating. It is this invigorating repetition that is the main concern of this book, which demonstrates the presence of its manifestations in painting and literature and in the theoretical discourse concerning them from the dawn of Western culture to the present. After unfolding the psychoanalytical and philosophical underpinnings for the return of the death drive as invigorating repetition in the sphere of the arts, the authors examine various aspects of this repetition through the works of Gerhard Richter, Jeff Wall, and contemporary Israeli artists Deganit Berest and Yitzhak Livneh, as well as through the writings of Virginia Woolf and James Joyce. First to articulate the stimulating aspect of the death drive in its relation to the arts and the conception of art as a varied repetition beyond a limit, Art, Death and Lacanian Psychoanalysis will be indispensable to psychoanalysts, scholars of art theory and aesthetics and those studying at the intersection of art and psychoanalysis.
Art Deco
by Eric KnowlesAlthough most associated with the 1920s and 30s, Art Deco began in France prior to World War I. During the interwar years the style evolved and was adopted by an international elite set as the perfect expression of modern opulence and elegance in an age that gave birth to jazz, the Charleston, speakeasies, glamorous Hollywood films and engineering marvels such as skyscrapers. At the height of its popularity the Art Deco influence was seen in a wide variety of remarkable and innovative applications from decorative arts such as jewelry, metalwork, ceramics, and glass to massive scale applications in architecture, interior design, fashion, public works projects and consumer goods from automobiles to telephones to jukeboxes. This unique book is a collection of the most beautiful examples of Art Deco style from personal statements in jewelry to skyscrapers that defined city skylines, and examines the social and cultural climates of the 1920s and 30s which were perfectly aligned with the optimism and elegance of Art Deco. It traces the seminal influences in its evolution including the Ballets Russes, Cubism and the Bauhaus and explains why Art Deco style continues to attract new collectors and enthusiasts who connect with this design styles' impeccable ability to convey opulence, elegance, and exclusivity.
Art Deco: Design Fantasies
by E. H. RaskinDerived from a rare French publication of the 1920s, Fantaisies Oceanographiques, these beguiling images pulse with the flowing grace of aquatic life. The 30 full-color plates feature 56 abstract and figurative patterns in authentic Art Deco style. Whether simply browsed for pleasure or as a source of ideas for design or decorative projects, these playful images of marine plants and animals offer a wealth of inspiration.
Art Deco: Decorative Patterns in Full Color
by Christian StollDerived from various avant-garde painting styles of the early twentieth century, the Art Deco movement comprised a mix of Cubism, abstraction, distortion, and simplification. Geometric shapes and vibrant colors were popular elements of this sophisticated style of ornamentation that found expression in architecture and the applied arts.This collection of sensuous, bold and exotic motifs, reprinted from a rare 1910 portfolio, contains a wealth of arresting Art Deco wallpaper patterns. 160 striking, royalty-free designs--a must-have collection for designers and craftworkers--depict a breathtaking array of florals, geometrics, and abstract designs, all stunning in their presentation and elegant in their simplicity.