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The New Social Theory Reader
by Steven Seidman; Jeffrey C. AlexanderThis is the first anthology to thematize the dramatic upward and downward shifts that have created the new social theory, and to present this new and exciting body of work in a thoroughly trans-disciplinary manner. In this revised second edition readers are provided with a much greater range of thinkers and perspectives, including new sections on such issues as imperialism, power, civilization clash, health and performance. The first section sets out the main schools of contemporary thought, from Habermas and Honneth on new critical theory, to Jameson and Hall on cultural studies, and Foucault and Bourdieu on poststructuralism. The sections that follow trace theory debates as they become more issues-based and engaged. They are:the post-foundational debates over morality, justice and epistemological truththe social meaning of nationalism, multiculturalism and globalizationidentity debates around gender, sexuality, race, the self and post-coloniality.This new edition provides more ample biographical and intellectual introductions to each thinker, and substantial introductions to each of the major sections. The editors introduce the volume with a newly revised, interpretive overview of social theory today.The New Social Theory Reader is an essential, reliable guide to current theoretical debates.
The New Soviet Theatre (Routledge Revivals)
by Joseph MacleodFirst Published in 1943, The New Soviet Theatre presents Joseph Macleod’s take on the development and rapid changes in the Soviet Theatre since late 1930s. Through scattered articles and reports, books and bulletins, and his own visits to the USSR, Macleod showcases what we know as ‘Socialist Realism’. He brings themes like the shortcomings of the old theatre; the audience beyond the Caucasus; new socialist audiences; Alexey Popov of the Central Theatre of the Red Army; new writers and new plays; and popularity of Shakespeare both in the central theatres and in remoter and unexpected places. Written graphically but founded on scholarship this book will be an essential read for scholars and researchers of history of theatre, European theatre, theatre and performance studies.
The New Space: Movement and Experience in Viennese Modern Architecture
by Christopher LongScholars have long stressed the problem of ornament and expression when considering Viennese modernism. By the first decade of the 20th century, however, the avant-garde had shifted its focus from the surface to the interior. Adolf Loos (1870-1933), together with Josef Frank (1885-1967) and Oskar Strnad (1879-1935), led this generation of architects to interpret modernism through culture and lifestyle. They were interested in the experience of architectural space: how it could be navigated, inhabited, and designed to reflect the modern way of life while also offering respite from it. The New Space traces the theoretical conversation about space carried out in the writings and built works of Loos, Frank, and Strnad over four decades. The three ultimately explored what Le Corbusier would later--independently--term the architectural promenade. Lavishly illustrated with new photography and architectural plans, this important book enhances our understanding of the development of modernism and of architectural theory and practice.
The New Spatial Planning: Territorial Management with Soft Spaces and Fuzzy Boundaries
by Graham Haughton Philip Allmendinger David Counsell Geoff VigarSpatial planning, strongly advocated by government and the profession, is intended to be more holistic, more strategic, more inclusive, more integrative and more attuned to sustainable development than previous approaches. In what the authors refer to as the New Spatial Planning, there is a fairly rapidly evolving maturity and sophistication in how strategies are developed and produced. Crucially, the authors argue that the reworked boundaries of spatial planning means that to understand it we need to look as much outside the formal system of practices of ‘planning’ as within it. Using a rich empirical resource base, this book takes a critical look at recent practices to see whether the new spatial planning is having the kinds of impacts its advocates would wish. Contributing to theoretical debates in planning, state restructuring and governance, it also outlines and critiques the contemporary practice of spatial planning. This book will have a place on the shelves of researchers and students interested in urban/regional studies, politics and planning studies.
A New Spin on Drunkard's Path: 12 Innovative Projects—Deceptively Simple Techniques
by John Kubiniec“John Kubiniec’s aim is to take the fear and mystery out of creating with curves, and has put together enough intriguing designs to tempt any quilter.” —Down Under QuiltsShake up the Drunkard’s Path block with quilting teacher John Kubiniec. Go beyond the basics of curved piecing with twelve innovative projects based on a classic pattern. Discover how sewing pre-pieced units like rail fences, half-square triangles, and sixteen-patches can completely change up the Drunkard’s Path look. Take it a step further with creative sashings and add-ons to alter the finished layout. The end result looks complex but is actually easy to sew!“The instructions are foolproof. It is amazing the variety you can create when you start to experiment—these twelve designs are all different and should keep any quilter happy for months. This is a book to ignite your creative imagination.” —yarnsandfabrics.co.uk“Many quilters avoid curved piecing, but the projects in this book will make you want to try—and buy in! The quilts look very complicated, but John breaks down the steps to make it easy, and painless.” —Quilter’s Connection“A new take on curved piecing. Go beyond the basics with twelve innovative projects based on a classic pattern.” —Today’s Quilter
The New Spirit of Creativity: Work, Compromise, and the Art and Design University
by Saara LiinamaaThe New Spirit of Creativity examines creativity as an embedded institutional value and priority within public art institutions and higher education. The book unpacks the everyday work, organization, and administration of artistic creativity and its clashes with a "new spirit" of creativity that has widely taken hold. Based on fieldwork conducted at three art and design universities in Canada, Saara Liinamaa tackles the fraught landscape of contemporary higher education, the uncertainties of cultural work, and ongoing concerns around austerity in Canada. This book traces how creativity is not simply practiced within the art school, but also inequitably recognized and rewarded. Liinamaa identifies the many compromises required between artistic creativity and the new spirit, while demonstrating how not all compromises are created equally; compromise can support or erode creative diversity. Drawing on a range of original sources – including interviews, participant observation, policy and planning, and media – this work makes a compelling case as to why art and design schools are worthy of sustained attention. By connecting shared interests across sociology, education, cultural studies, art history, and cultural theory, The New Spirit of Creativity makes a novel and agenda-setting contribution to our understanding of artistic creativity, compromise, and cultural work.
New Stamped Metal Jewelry: Innovative Techniques for 23 Custom Jewelry Designs
by Lisa Niven Kelly Taryn MccabeInnovative Techniques for 23 Custom Jewelry Designs
The New Stone Age: Ideas and Inspiration for Living with Crystals
by Carol WooltonA fashion-forward guide to living well with crystals from the jewelry editor of British Vogue—including guidance and advice from designers, jewelers, and celebrity crystal fans.The New Stone Age guides you through fifteen different types of stones, categorized by color, and teaches you how to stylishly incorporate them into your wardrobe, home, and beyond. Assigning each crystal to a particular ailment of the modern age, whether it&’s self-doubt, travel anxiety, or restlessness, Carol Woolton explains how a simple crystal worn around your neck, tossed in your purse, or sitting next to your computer can help inspire you to make positive changes in your life. Woolton traces the history of crystals, showing how the same quartz that was used as a form of protection in the handles of Egyptian daggers can also be hung near a bedside to help with burnout. Filled with insights, facts, and real-life stories from people who attribute dramatic personal improvements to their crystals, The New Stone Age is a fun and informative idea book for crystal lovers everywhere.
The New Stranded Colorwork: Techniques and Patterns for Vibrant Knitwear
by Mary Scott HuffClassic Norwegian knitting techniques are reinvigorated with a modern twist in this clear and concise handbook to stranded colorwork. Featuring 20 innovative and fun projects - such as the Lotus Blossom Vest, the Go for Baroque Tote, the Counting Crows Pullover, and the Wedding Belle Cardigan - this guide accompanies each with detailed instructional outlines in the tutorial section and is perfect for a variety of skill levels. Going beyond the usual snowflake and reindeer motifs of traditional Norwegian patterns, this modern resource addresses a niche few other knitting guides have explored and offers a technique section that is enjoyable thanks to its conversational tone. Advanced techniques are also highlighted, such as managing two balls of yarn, adding steeks, and finishing cut edges.
The New Street Photographers Manifesto: Any Camera, Anywhere
by Tanya NagarWhether you shoot with a digital SLR, a Holga or the camera on your phone, today's cameras let you seize the moment and shoot whenever and wherever you like. This makes them perfect for street photography, the genre of choice of some of the greatest photographers of all time, with names like Henri Cartier-Bresson, Weegee and Robert Frank turning gritty reality into iconic images.In this book, Tanya Nagar will open your eyes to the photographic potential of your urban world environment, offering the tricks and techniques that put you in the right place, at the right time, and let you create amazing photos. In addition to everything that'll give you the right skills and headspace to capture great images on the street, Nagar has brought together a stunning showcase of some of the greatest emerging street photographers of our age to inspire you.
The New Street Photographers Manifesto: Any Camera, Anywhere
by Tanya NagarHit the streets with your camera and capture life in all its excitementWhether you shoot with a digital SLR, a Holga or the camera on your phone, today's cameras let you seize the moment and shoot whenever and wherever you like. This makes them perfect for street photography, the genre of choice of some of the greatest photographers of all time, with names like Henri Cartier-Bresson, Weegee and Robert Frank turning gritty reality into iconic images.In this book, Tanya Nagar will open your eyes to the photographic potential of our urban world, offering the tricks and techniques that put you in the right place, at the right time, and let you create amazing photos.
New Suburbanism: Tall Buildings And Sustainable Development (Design and the Built Environment)
by Kheir Al-KodmanyMuch of the anticipated future growth in the United States will take place in suburbia. The critical challenge is how to accommodate this growth in a sustainable and resilient manner. This book explores the role of suburban tall as a viable, sustainable alternative to continued suburban sprawl. It identifies 10 spatial patterns in which tall buildings have been integrated into the American suburbs. The study concludes that the Tall Building and Transit-Oriented-Development (TB-TOD) model is the most appropriate to promote sustainable suburbanism. The findings are based on analyzing over 300 projects in 24 suburban communities within three major metropolitan areas including: Washington, DC, Miami, Florida, and Chicago, Illinois. The book furnishes planning strategies that address the social, economic, and environmental aspects of sustainable tall building development. It also discusses sustainable architectural design and site planning strategies and provides case studies of sustainable tall buildings that were successfully integrated into suburban settings.
New SubUrbanisms
by Judith K De JongHistorically, we see the city as the cramped, crumbling core of development and culture, and the suburb as the vast outlying wasteland – convenient, but vacant. Contemporary urban design proves this wrong. In New SubUrbanisms, Judith De Jong explains the on-going "flattening" of the American Metropolis, as suburbs are becoming more like their central cities – and cities more like their suburbs through significant changes in spatial and formal practice as well as demographic and cultural changes. These revisionist practices are exemplified in the emergence of hybrid sub/urban conditions such as parking practices, the residential densification of suburbia, hyper-programmed public spaces and inner city big-box retail, among others. Each of these hybridized conditions reflects to varying degrees the reciprocating influences of the urban and the suburban. Each also offers opportunities for innovation in new formal and spatial practices that re-configure conventional understandings of urban and suburban, and in new ways of forming the evolving American metropolis. Based on this new understanding, De Jong argues for the development of new ways of building the city. Aimed at students and practitioners of urban design and planning New SubUrbanisms attempts to re-frame the contemporary metropolis in a way that will generate more instrumental engagement – and ultimately, better design.
New Tatting: Modern Lace Motifs and Projects
by Tomoko MorimotoA beautiful and detailed introduction to tatting! With the growing interest in lace, New Tatting is a fantastic book for getting started in the craft. Tatting is a means of creating lace by looping threads together using tiny shuttles and your fingers (with occasional help from a crochet hook). It creates dainty chains and edgings as well as single motifs and is used to edge and decorate textiles and clothing, as jewelry, or as large-scale lace projects in itself. Tatting is getting new respect in the crafting world as people discover its traditional beauty while giving it a more modern inflection. In New Tatting, you will explore modern color and a fresh approach to tatting with incredible step by-step photos and beautiful projects. This book appeals to people who have never tatted before as well as tatters looking for something new and inspirational. Anyone interested in making lace will find that New Tatting offers everything needed to get started.
New Tax Guide for Writers, Artists, Performers, and Other Creative People
by Peter Jason RileyNew Tax Guide provides an in-depth look at income and taxes for various types of artists, writers, performers, and other creative people. A general guide to smart record keeping, business and tax forms, best practices, and common mistakes to avoid, the fifth edition offers creatively employed individuals the most current and clear advice on topics such as crowdfunding, deductible expenses, and what to do if you get audited.
New Technologies in Building and Construction: Towards Sustainable Development (Lecture Notes in Civil Engineering #258)
by David Bienvenido-Huertas Juan Moyano-CamposThis book presents contributions on new technologies in building and construction. Buildings are complex elements that impact environment significantly. The sustainability of this sector requires a holistic and multidisciplinary approach that allows adequate strategies to be established to reduce its environmental impact. This heterogeneity is represented in these chapters, which have been developed by researchers from different countries. The book is divided into three sections: (i) analysis, (ii) design and modeling, and (iii) solutions. The book chapters together represent an advance in current knowledge about new technologies in building and construction, crucial for researchers, engineers, architects, policy makers, and stakeholders.
New Technologies to Improve Patient Rehabilitation: 4th Workshop, REHAB 2016, Lisbon, Portugal, October 13-14, 2016, Revised Selected Papers (Communications in Computer and Information Science #1002)
by Habib M. Fardoun Ahlam A. Hassan M. Elena de la GuíaThis book constitutes the thoroughly refereed proceedings of the 4th International Workshop on ICTs for Improving Patients Rehabilitation Research Techniques, REHAB 2016, held in Lisbon, Portugal, in October 2016.The 10 revised full papers presented were carefully reviewed and selected from 33 submissions. The papers explore how technology can contribute toward smarter and effective rehabilitation methods.
New Television: The Aesthetics and Politics of a Genre
by Martin ShusterEven though it’s frequently asserted that we are living in a golden age of scripted television, television as a medium is still not taken seriously as an artistic art form, nor has the stigma of television as “chewing gum for the mind” really disappeared. Philosopher Martin Shuster argues that television is the modern art form, full of promise and urgency, and in New Television, he offers a strong philosophical justification for its importance. Through careful analysis of shows including The Wire, Justified, and Weeds, among others; and European and Anglophone philosophers, such as Stanley Cavell, Hannah Arendt, Martin Heidegger, and John Rawls; Shuster reveals how various contemporary television series engage deeply with aesthetic and philosophical issues in modernism and modernity. What unifies the aesthetic and philosophical ambitions of new television is a commitment to portraying and exploring the family as the last site of political possibility in a world otherwise bereft of any other sources of traditional authority; consequently, at the heart of new television are profound political stakes.
The New Television Handbook (Media Practice)
by Patricia HollandThe New Television Handbook?provides an exploration of the theory and practice of television at a time when the medium is undergoing radical changes. The book looks at television from the perspective of someone new to the industry, and explores the place of the medium within a?constantly changing digital landscape. This title discusses key skills involved in television production, including: producing, production management, directing, camera, sound, editing and visual effects. Each of these activities is placed within a wider context as it traces the production process from commissioning to post-production. The book outlines the broad political and economic context of the television industry. It gives an account of television genres, in particular narrative, factual programmes and news, and it considers the academic discipline of media studies and the ways in which theorists have analysed and tried to understand the medium. It points to the interplay of theory and practice as it draws on the history of the medium and observes the ways in which the past continues to influence and invigorate the present. The New Television Handbook?includes: contributions from practitioners ranging from established producers to new entrants; a comprehensive list of key texts and television programmes; a revised glossary of specialist terms; a section on training and ways of getting into the industry. By combining theory, real-world advice and a detailed overview of the industry and its history,?The New Television Handbook?is an ideal guide for students of media and television studies and young professionals entering the television industry.
New Tendencies: Art at the Threshold of the Information Revolution (1961 - #1978)
by Armin MedoschNew Tendencies, a nonaligned modernist art movement, emerged in the early 1960s in the former Yugoslavia, a nonaligned country. It represented a new sensibility, rejecting both Abstract Expressionism and socialist realism in an attempt to formulate an art adequate to the age of advanced mass production. In this book, Armin Medosch examines the development of New Tendencies as a major international art movement in the context of social, political, and technological history. Doing so, he traces concurrent paradigm shifts: the change from Fordism (the political economy of mass production and consumption) to the information society, and the change from postwar modernism to dematerialized postmodern art practices. Medosch explains that New Tendencies, rather than opposing the forces of technology as most artists and intellectuals of the time did, imagined the rapid advance of technology to be a springboard into a future beyond alienation and oppression. Works by New Tendencies cast the viewer as coproducer, abolishing the idea of artist as creative genius and replacing it with the notion of the visual researcher. In 1968 and 1969, the group actively turned to the computer as a medium of visual research, anticipating new media and digital art.Medosch discusses modernization in then-Yugoslavia and other nations on the periphery; looks in detail at New Tendencies' five major exhibitions in Zagreb (the capital of Croatia); and considers such topics as the group's relation to science, the changing relationship of manual and intellectual labor, New Tendencies in the international art market, their engagement with computer art, and the group's eventual eclipse by other "new art practices" including conceptualism, land art, and arte povera. Numerous illustrations document New Tendencies' works and exhibitions.
New Tendencies: Art at the Threshold of the Information Revolution (1961 - 1978) (Leonardo)
by Armin MedoschAn account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics.New Tendencies, a nonaligned modernist art movement, emerged in the early 1960s in the former Yugoslavia, a nonaligned country. It represented a new sensibility, rejecting both Abstract Expressionism and socialist realism in an attempt to formulate an art adequate to the age of advanced mass production. In this book, Armin Medosch examines the development of New Tendencies as a major international art movement in the context of social, political, and technological history. Doing so, he traces concurrent paradigm shifts: the change from Fordism (the political economy of mass production and consumption) to the information society, and the change from postwar modernism to dematerialized postmodern art practices. Medosch explains that New Tendencies, rather than opposing the forces of technology as most artists and intellectuals of the time did, imagined the rapid advance of technology to be a springboard into a future beyond alienation and oppression. Works by New Tendencies cast the viewer as coproducer, abolishing the idea of artist as creative genius and replacing it with the notion of the visual researcher. In 1968 and 1969, the group actively turned to the computer as a medium of visual research, anticipating new media and digital art.Medosch discusses modernization in then-Yugoslavia and other nations on the periphery; looks in detail at New Tendencies' five major exhibitions in Zagreb (the capital of Croatia); and considers such topics as the group's relation to science, the changing relationship of manual and intellectual labor, New Tendencies in the international art market, their engagement with computer art, and the group's eventual eclipse by other “new art practices” including conceptualism, land art, and arte povera. Numerous illustrations document New Tendencies' works and exhibitions.
The New Tenement: Residences in the Inner City Since 1970
by Florian UrbanThis book examines "new tenements"—dense, medium-rise, multi-storey residences that have been the backbone of European inner-city regeneration since the 1970s and came with a new positive view on urban living. Focusing principally on Berlin, Copenhagen, Glasgow, Rotterdam, and Vienna, it relates architectural design to an evolving intellectual framework that mixed anti-modernist criticism with nostalgic images and strategic goals, and absorbed ideas about the city as a generator of creativity, locale of democratic debate, and object of personal identification.This book analyses new tenements in the context of the post-functionalist city and its mixed-use neighbourhoods, redeveloped industrial sites and regenerated waterfronts. It demonstrates that these buildings are both generators and outcome of an urban environment characterised by information exchange rather than industrial production, individual expression rather than mass culture, visible history rather than comprehensive renewal, and conspicuous difference rather than egalitarianism. It also shows that new tenements evolved under a welfare state that all over Europe has come under pressure, but still to a certain degree balances and controls heterogeneity and economic disparities.
New Theatre in Italy: 1963–2013 (Routledge Advances in Theatre & Performance Studies)
by Valentina ValentiniNew Theatre in Italy 1963-2013 makes the case for the centrality of late-millennium Italian avant-garde theatre in the development of the new forms of performance that have emerged in the 21st Century. Starting in the Sixties, young artists and militants in Italy reacted to the violence in their streets and ruptures in the family unit that are now recognized as having been harbingers of the end of the global post-war system. As traditional rituals of State and Church faltered, a new generation of cultural operators, largely untrained and driven away from political activism, formed collectives to explore new ways of speaking theatrically, new ways to create and experience performance, and new relationships between performer and spectator. Although the vast majority of the works created were transient, like all performance, their aesthetic and social effects continue to surface today across media on a global scale, affecting visual art, cinema, television and the behavioural aesthetics of social networks.
New Theatre Vistas: Modern Movements in International Literature (Studies in Modern Drama)
by Judy L. OlivaFirst Published in 1996. Part of a series of ‘Studies in Modern Drama’, Volume 7 This volume Studies in Modern Drama collects essays on contemporary theatre which reveal the changing face of the world, as well as challenges to the boundaries of traditional stage production. Authors examine familiar texts in new settings, discovering what editor Judy Lee Oliva calls “the effect of cultural- specific gestures, stances and the nuance of words,” so that audiences and critics are forced to recognize stereotypes and re-evaluate older critical methods. Topics range from directing gay and working-class theatre in Scotland to producing American and British drama in Holland, Belgium, and Poland. New voices in the theatre are heard, and old ones are put to new tests. What remains is the power of performance to inspire emotional and intellectual response. Writers, directors, costume designers, producers, and critics provide an uncommon range of perspectives to the changing roles of theatre in an increasingly global community.
New Thoughts On The Black Arts Movement
by Lisa Gail Collins Alondra Nelson Cherise Pollard James Smethurst Cherise Smith Wendy Walters Michelle Joan Wilkinson Lee Bernstein Lorrie Smith Margo Natalie Crawford Houston Baker Emily Bernard Erina Duganne Adam Gussow Rod Hernandez Kellie Jones Mary Ellen LennonDuring the 1960s and 1970s, a cadre of poets, playwrights, visual artists, musicians, and other visionaries came together to create a renaissance in African American literature and art. This charged chapter in the history of African American culture—which came to be known as the Black Arts Movement—has remained largely neglected by subsequent generations of critics. New Thoughts on the Black Arts Movement includes essays that reexamine well-known figures such as Amiri Baraka, Larry Neal, Gwendolyn Brooks, Sonia Sanchez, Betye Saar, Jeff Donaldson, and Haki Madhubuti. In addition, the anthology expands the scope of the movement by offering essays that explore the racial and sexual politics of the era, links with other period cultural movements, the arts in prison, the role of Black colleges and universities, gender politics and the rise of feminism, color fetishism, photography, music, and more. An invigorating look at a movement that has long begged for reexamination, this collection lucidly interprets the complex debates that surround this tumultuous era and demonstrates that the celebration of this movement need not be separated from its critique.