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Oak Creek: Fifty Years of Progress
by Jim CechIn the early 1830s, U.S. officials forced the Menomonee and Potawatomi Indians to give up their lands in present-day Milwaukee County. Men from England and the eastern United States purchased large tracts of land along Lake Michigan from the government. Settlers like John Fowle, George Cobb, and Luther Rawson brought families to southeastern Wisconsin and helped establish the town of Oak Creek. For more than 100 years, Oak Creek retained its township status and rural character. But in 1955, Milwaukee city leaders attempted to annex Oak Creek's land and collect income tax revenue from a recently completed power plant. The small town won a legendary incorporation battle with their powerful northern neighbor, setting a precedent that also saved Franklin and Greenfield from being absorbed by Milwaukee.
Oak Creek, Wisconsin
by Larry Rowe Anita RoweOak Creek, Wisconsin, is a close-knit community with a long tradition of farming. Authors Anita and Larry Rowe have compiled this volume of photographs from the Oak Creek Historical Society, CNI newspapers, and many longtime residents to trace the history of Oak Creek from the turn of the century, when the community was mostly farmland, to its incorporation as a city in the 1950s. With this glimpse into Oak Creek's past, residents of all ages will delight in discovering the unique heritage of this city in southeastern Wisconsin. The images featured, many of which have never before been published, offer rare views into the daily lives of the area's early settlers at work and at play. Family histories, Oak Creek's struggle for an independent identity outside of the city of Milwaukee, the stories behind the historic buildings at the Oak Creek Historical Museum, and the colorful past of the city's taverns are all brought to life in Oak Creek, Wisconsin.
Oak Hill (Images of America)
by Dana Baldwin ThompsonBeginning with the Timucuan Indians around 2000 BC, life along the Indian River in Oak Hill has always been simple. The natural beauty and pristine environment that drew Oak Hill's first inhabitants to the area still abounds, and the waterfront lined with large oak trees continues to inspire a feeling of serenity and relaxation. The first Florida pioneers settled in Oak Hill around 1870 and were drawn by the treasures of a diverse ecosystem of marshland, cypress hammock, and timber pine forest. These first settlers harvested the natural resources of timber, turpentine, and salt, followed by citrus groves and a thriving fishing industry. The selected photographs in this book, many appearing courtesy of local families, document the lives and times of Floridians who chose to call Oak Hill home.
Oak Lane, Olney, and Logan
by Old York Road Historical Society Marita Krivda Poxon Rachel HildebrandtThe northern neighborhoods of Philadelphia, which include East Oak Lane, West Oak Lane, Olney, Logan, and Fern Rock, were first settled in the late 1600s and gradually evolved into distinct communities. Old York Road and other historical roadways connected the local farms, mills, and estates to adjoining Philadelphia and Germantown. Images of America: Oak Lane, Olney, and Logan is the first book to chronicle the history of these neighborhoods through rare photographs gathered from a variety of private and public collections. Pictured are the schools, churches, businesses, theaters, hospitals, row houses, and apartment buildings that characterize the area, as well as the estates of notables, including James Logan, Fannie Kemble, Charles Wilson Peale, Joseph Wharton, and T. Henry Asbury.
Oak Lawn Tornado of 1967
by Kevin KorstThe morning of April 21, 1967, was crisp and clear, marking the arrival of spring. As the day progressed, dark clouds covered the skies over Oak Lawn, and a deadly tornado touched down in the village just before 5:30 p.m. Cutting through the intersection of 95th Street and Southwest Highway and striking elsewhere, the storm left mountains of debris and over 30 people dead in its wake. Oak Lawn Community High School, St. Gerald Catholic Church, and the Fairway Super Mart were among the structures damaged or destroyed by the high winds. After the disaster, rescue workers and volunteers poured into Oak Lawn to search for survivors, while Christ Community Hospital and other institutions treated more than 400 injured people. The immense cleanup, which took weeks to complete, saw debris hauled out or disposed of in controlled fires. Despite the scope of the devastation, many of the affected structures were repaired or rebuilt within 12 months.
Oak Park in Vintage Postcards: In Vintage Postcards (Postcard History)
by Douglas DeuchlerAlthough it was first settled in the 1830s, Oak Park did not become an independent municipality until it split from Cicero Township in 1902. No longer a rustic small town, the village soon became a population magnet, attracting ever-larger numbers of prosperous, progressive people to settle in what many soon referred to as "the finest of the streetcar suburbs."Coincidentally, use of the penny picture postcard had approached a national mania during this era. Thus from the earliest years of the 20th century, the rapid growth and development of Oak Park was well documented, even celebrated, with a vast and varied array of outstanding postcard images.
The Oak Park Studio of Frank Lloyd Wright (Chicago Architecture And Urbanism Ser.)
by Lisa D. SchrenkBetween 1898 and 1909, Frank Lloyd Wright’s residential studio in the idyllic Chicago suburb of Oak Park served as a nontraditional work setting as he matured into a leader in his field and formulized his iconic design ideology. Here, architectural historian Lisa D. Schrenk breaks the myth of Wright as the lone genius and reveals new insights into his early career. With a rich narrative voice and meticulous detail, Schrenk tracks the practice’s evolution: addressing how the studio fit into the Chicago-area design scene; identifying other architects working there and their contributions; and exploring how the suburban setting and the nearby presence of Wright’s family influenced office life. Built as an addition to his 1889 shingle-style home, Wright’s studio was a core site for the ideological development of the prairie house, one of the first truly American forms of residential architecture. Schrenk documents the educational atmosphere of Wright’s office in the context of his developing design ideology, revealing three phases as he transitioned from colleague to leader. This heavily illustrated book includes a detailed discussion of the physical changes Wright made to the building and how they informed his architectural thinking and educational practices. Schrenk also addresses the later transformations of the building, including into an art center in the 1930s, its restoration in the 1970s and 80s, and its current use as a historic house museum. Based on significant original and archival research, including interviews with Wright’s family and others involved in the studio and 180 images, The Oak Park Studio of Frank Lloyd Wright offers the first comprehensive look at the early independent office of one of the world’s most influential architects.
Oak Ridge (Images of America)
by Ed WestcottOak Ridge is nestled in the foothills of East Tennessee, 25 miles west of Knoxville. Bordered on three sides by the Clinch River, the land first existed under other names--Elza, Robertsville, Scarboro, and Wheat--and became part of the Clinton Engineering Works later known as Oak Ridge. In 1942, 59,000 acres of land were transformed in a matter of weeks into a "secret city" that became known as the mysterious Manhattan District. As a direct result of the letter written by Albert Einstein to Pres. Franklin D. Roosevelt in 1939, the Manhattan District was created to develop new atomic weapons. Finally named Oak Ridge in 1943 and now thriving with a population of over 27,000, the town continues to be a significant center for the advancement of science and technology used throughout the world. In this pictorial history, photographs and personal descriptions guide readers on a visual journey of the construction of a city and the creation of the atomic bomb, to the post-war transformation of Oak Ridge into a major scientific community in the South.
An Oak Tree
by Catherine LoveFirst Published in 2017. Routledge is an imprint of Taylor & Francis, an Informa company.
Oakdale: The Lapeer State Home
by Jan Gillis Laura FromwillerThe Lapeer State Home has been a large part of the history of Lapeer County since its beginnings in 1895. After starting with three buildings and housing for 200 patients, the facility grew to encompass several hundred acres and, at its peak, accommodating over 4,000 patients. The history of the home includes a variety of memories from staff members, patients, and visitors who once walked its halls. Images of America: Oakdale: The Lapeer State Home provides a journey of this historic institution and attempts to bring some clarity to questions that remain about the home and its past.
Oakdale
by Chris Kretz Diane HollidayWhen Oakdale began in the 1680s, it was a woodland wilderness. Following the American Revolution, farmers cleared and worked the land. "Oyster King" Jacob Ockers and his men followed, working the bay. The railroad ushered in wealthy sportsmen to the South Side Sportsmen's Club. Some of these men, like William K. Vanderbilt and William Bayard Cutting, stayed and built palaces for their families. The scene changed starting in the 1920s, bringing flappers, artists, bootleggers, and Broncho Charlie, the last living Pony Express rider. The former mansions of the well-to-do now served as homes to a military academy and a religious cult, while still retaining their turn-of-the-century style.
Oakdale Cotton Mills (Images of America)
by Mary A. Browning Patricia M. KoehlerOakdale Cotton Mills, in continuous operation in rural Jamestown since 1865, began as Logan Manufacturing Company immediately after the Civil War. Its primary backer, Cyrus P. Mendenhall, was a descendant of Jamestown's early Quaker settler James Mendenhall. In the late 1880s, the mill's ownership moved to the Ragsdale family, which still owns it five generations later. Oakdale's mill village dates from the same period. Some families have lived and worked at Oakdale for multiple generations, developing a culture based on mutual trust and respect. As the mill struggles to compete with overseas products and as the number of employees dwindles, it is clear that a way of life and an industrial era are ending.
Oakland Park
by Oakland Park Historical Society Anne SalleeOakland Park was named for the massive stand of trees that lined the Middle River. Our first permanent settlers were the Whidby family, who came from Georgia to South Florida in 1901, when the area was known as Colahatchee. By 1918, other farming families had moved into the area, and bean and pepper fields were abundant. In 1923, a Miami development company initiated the Oakland Park subdivision with one of the biggest barbecues ever held in Broward County, with an estimated attendance of 5,000 people from Dade, Broward, and Palm Beach Counties. The city was incorporated first as Floranada in early 1925 by the American-British Improvement Company, a group of international investors. Plans for the resort included two 18-hole golf courses, a polo field, an aviation field, tennis courts, and a yacht club. It was intended to rival Palm Beach, but this vision was carried away with hurricane winds on September 18, 1926. Bankruptcy and devastating damage brought the development to an end. Despite offers from Fort Lauderdale and Pompano Beach, the citizens of Oakland Park agreed that the community could be run more efficiently as an independent city. The city was reorganized and reincorporated as Oakland Park on July 1, 1929.
Oakland University (Campus History)
by Dominique DanielOakland University was founded in 1957 when Alfred Wilson and Matilda Dodge Wilson donated $2 million and their 1,400-acre estate to Michigan State University to begin a new college in Oakland County. In 1959, the first students enrolled at Michigan State University–Oakland, and the university officially changed its name to Oakland University in 1963. From these beginnings, Oakland University has emphasized academic quality, concentrating on providing a dynamic, student-focused learning environment with integration of liberal and professional studies by a faculty of dedicated scholar-teachers. The natural beauty of the campus is enhanced by comprehensive recreational facilities and modern buildings that house the university’s many academic and student service programs as well as a growing population of residential students. From spirited Division I athletic events to visually engaging artistic performances and everything in between, OU allows students to engage with and discover a wide range of organizations and activities on campus.
Oakland's Chinatown (Images of America)
by William WongOakland's Chinatown has a history every bit as compelling as its more famous neighbor across San Francisco Bay. Chinese have been a presence in Oakland since the 1850s, bringing with them a rich and complex tradition that survived legalized discrimination that lingered until the 1950s. Once confined to a small area of downtown where restaurants stir-fried, laundries steamed, and vegetable stands crowded the sidewalks, Chinese gradually moved out into every area of Oakland, and the stands evolved into corner groceries that cemented entire neighborhoods. Chinese helped Oakland grow into a modern business and cultural center and have gained prominence in every aspect of the city's commerce, politics, and arts.
Oakmont
by Cheryl Zentgraf Gary Rogers Vince Gagetta Paula A. CalabreseLong before the Hulton Bridge, Hulton's Ferry carried locals across the Allegheny River to the road to Pittsburgh and the world beyond. The ferry helped transform a sparsely populated outpost in the early 1800s into a thriving settlement a few decades later and thus earns recognition as the first bookmark in the history of Oakmont. Others followed: the Allegheny Valley Railroad; a lake that covered part of what now is one of the town's busiest streets; Civil War and World War I army encampments; the Willows nightclub and its huge swimming pool; and boat clubs, yacht clubs, and a world-famous country club. Oakmont captures the history of these places and times-along with many others-through nearly two hundred vintage photographs.
Oasis: Modern Desert Homes Around the World
by iO Tillett WrightWelcome to the desert. Welcome home. This visually stunning tour of the world's most amazing desert homes will inspire &“desert vibes&” wherever you are. Creatives are drawn in by the extreme landscapes and limited resources of the desert; in fact, they&’re inspired by them, and the homes they&’ve built here prove it. From renovated Airstreams to sprawling, modern stucco, desert has become the new beachfront.In Oasis, artist iO Tillett Wright captures the best of this specific culture that emphasizes living simply, beautifully, and in connection with the earth. He highlights the homes that define this desert mindset, featuring the classics like Georgia O'Keefe's in Abiquiu, New Mexico, alongside more modern homes such as Michael Barnard&’s Solar House in Marfa, Texas. Casey Dunn&’s stunning photography will transport you to these relaxing refuges where you'll learn what elements create the balance of intentionality, ease, style, and function that these homes exude.
Oasis The Masterplan: Photographs by Kevin Cummins, featuring Noel Gallagher in his own words
by Kevin Cummins'This book really brings those early years back to me. Kevin's photographs captured us at the very beginning. This is a must-have book for every Oasis fan.' Noel Gallagher'As iconic photographer, adventurous fan and inside eye-witness, Kevin Cummins has always been where the cultural action is.' Paul Morley"Cummins, typical Manc, combining art with a good time, a sense of beauty, which explains the iconic shots of Liam and Noel in Man City shirts: memorable, defining images." - Miranda Sawyer, Observer'No one has captured the look of alternative UK music over the past half a century more tellingly than Kevin Cummins.' Simon Armitage***How does a band come into being? What are the myriad forces that shape their sound, look and identity? In 1993, Oasis signed to Creation Records and were shortly to begin recording their first album. The following year began with a masterplan - the creation of Oasis. At the centre of this enterprise was celebrated photographer Kevin Cummins, brought on board to help the band find a look that fitted their sound. In Oasis: The Masterplan we follow Cummins as he photographs the band as they cement their identity.Noel Gallagher's thoughts on football, fashion and music and his recollections of that formative year sit alongside those of Cummins himself. Throughout, we see how Oasis played with fashion and were taught how to pose and present themselves as they approached the summer when their first album, Definitely Maybe was released. The story from that moment on is well-known. Featuring 75% previously unseen images the book reveals just how effective the masterplan was to get them to that point.
Oaxaca Stories in Cloth: A Book About People, Identity, and Adornment
by Eric Sebastian MindlingWinner: 2017 IBPA Benjamin Franklin Awards, Gold, Multicultural 2017 IBPA Benjamin Franklin Awards, Silver, Art & Photography Oaxaca Stories in Cloth includes more than 175 sensitive, intimate, full-color portraits of traditional people of the Oaxacan hinterlands who continue to wrap themselves in the clothing that expresses their ancient, living culture. Eric Mindling captures this vanishing world with artistry and respect, and just in the nick of time. This book offers a window into a vanishing culture where few people have the opportunity to go.
Obama: The Historic Presidency In Photographs
by Barack Obama Pete Souza<P>Relive the extraordinary Presidency of Barack Obama through White House photographer Pete Souza's behind-the-scenes images and stories--some published here for the first time--with a foreword from the President himself.During Barack Obama's two terms, Pete Souza was with the President during more crucial moments than anyone else--and he photographed them all. Souza captured nearly two million photographs of President Obama, in moments highly classified and disarmingly candid. <P>Obama: An Intimate Portrait reproduces more than 300 of Souza's most iconic photographs with fine-art print quality in an oversize collectible format. Together they document the most consequential hours of the Presidency--including the historic image of President Obama and his advisors in the Situation Room during the bin Laden mission--alongside unguarded moments with the President's family, his encounters with children, interactions with world leaders and cultural figures, and more. <P>Souza's photographs, with the behind-the-scenes captions and stories that accompany them, communicate the pace and power of our nation's highest office. They also reveal the spirit of the extraordinary man who became our President. We see President Obama lead our nation through monumental challenges, comfort us in calamity and loss, share in hard-won victories, and set a singular example to "be kind and be useful," as he would instruct his daughters. <P><b>A New York Times Bestseller</b>
The Obama Portraits
by Richard Powell Dorothy Moss Taína Caragol Kim SajetA richly illustrated celebration of the paintings of President Barack Obama and First Lady Michelle Obama From the moment of their unveiling at the National Portrait Gallery in early 2018, the portraits of Barack and Michelle Obama have become two of the most beloved artworks of our time. Kehinde Wiley's portrait of President Obama and Amy Sherald's portrait of the former first lady have inspired unprecedented responses from the public, and attendance at the museum has more than doubled as visitors travel from near and far to view these larger-than-life paintings. After witnessing a woman drop to her knees in prayer before the portrait of Barack Obama, one guard said, "No other painting gets the same kind of reactions. Ever." The Obama Portraits is the first book about the making, meaning, and significance of these remarkable artworks.Richly illustrated with images of the portraits, exclusive pictures of the Obamas with the artists during their sittings, and photos of the historic unveiling ceremony by former White House photographer Pete Souza, this book offers insight into what these paintings can tell us about the history of portraiture and American culture. The volume also features a transcript of the unveiling ceremony, which includes moving remarks by the Obamas and the artists. A reversible dust jacket allows readers to choose which portrait to display on the front cover.An inspiring history of the creation and impact of the Obama portraits, this fascinating book speaks to the power of art—especially portraiture—to bring people together and promote cultural change.Published in association with the Smithsonian's National Portrait Gallery, Washington, DC
The Obelisk and the Englishman
by Dorothy U. SeylerWilliam John Bankes (1786-1855) was a pioneer in the nascent study of the language, history, and civilization of ancient Egypt. At the Abydos Temple he discovered the King List -- a wall of cartouches listing Egyptian kings in chronological order -- which was vital to the decoding of Egyptian hieroglyphs. At Philae he uncovered a fallen obelisk, which he arranged to be transported back to England. And in modern-day Jordan he was the first European to make sketches and site plans of the "lost" city of Petra.Bankes's life was rich and full, and his discoveries have proven to be quite valuable and influential. But, living in an era when homosexuality was a capital offense, he was persecuted for being gay and threatened with imprisonment and execution. His decision to travel and pursue his love of art and architecture went against his father's wishes that he follow in his footsteps and become a politician. Despite such obstacles, Bankes's pioneering work on ancient temples and artifacts now enriches the knowledge of modern Egyptologists, and his art collection and decorative talents can be enjoyed by those who visit his home, a National Trust estate -- with the obelisk from Philae still raised on the south lawn.Enhanced by many of Bankes's drawings and paintings, this engaging story is full of vivid detail about the beginnings of Egyptology, Regency England, and a fascinating individual, and it sets the record straight about Bankes's crucial role in setting the stage for the work of later scholars.From the Hardcover edition.
The Object at Hand: Intriguing and Inspiring Stories from the Smithsonian Collections
by Beth Py-LiebermanFrom Dorothy's ruby slippers to a speech that saved Teddy Roosevelt from assassination, this authoritative guide delivers in-depth reportage on the history of remarkable objects from the Smithsonian's collectionsFor American history, pop culture, and museum enthusiastsWith charm and exuberance, The Object at Hand presents a behind-the-scenes vantage point of the Smithsonian collections. Veteran Smithsonian magazine editor Beth Py-Lieberman weaves together adaptations of the magazine's extensive and compelling coverage and interviews with scholars, curators, and historians to take readers on an unforgettable journey through the Smithsonian museums.Objects are grouped into the themes audacity, utopia, fierce, haunting, deception, lost, desire, triumph, scale, optimism, playful, rhythm, and revealing to engage with the emotional dimensions of each object, how they relate to each other, and how they fit into the larger American story. A sampling includes: The Star-Spangled Banner Frida Kahlo's love letter to Diego RiveraAmelia Earhart's Lockheed Vega 5BNat Turner's BibleAn AIDS quilt panel honoring Roger Gail LyonA signpost from the Standing Rock protest A glass-plate portrait of Abraham Lincoln Life-sized model of a MegalodonThe Hope DiamondChuck Berry's CadillacPortrait of Henrietta LacksPy-Lieberman reflects on the profound connections between even outwardly dissimilar objects, and offers insight and stories from Smithsonian experts. The book explores artworks, scientific specimens, historical artifacts, airplanes, spacecraft, plants, and so much more, contemplating how each item represents different facets of humanity and resonates with cultural meaning in surprising ways. Whimsical, affecting, and insightful, The Object at Hand offers an intimate and exclusive tour of the Smithsonian collections.
Object-Based Learning and Well-Being: Exploring Material Connections
by Thomas Kador and Helen ChatterjeeObject-Based Learning and Well-Being provides the first explicit analysis of the combined learning and well-being benefits of working with material culture and curated collections. Following on from the widely acclaimed Engaging the Senses, this volume explicitly explores the connection between the value of material culture for both learning and well-being. Bringing together experts and practitioners from eight countries on four continents, the book analyses the significance of curated collections for structured cultural interventions that may bring both educational and well-being benefits. Topics covered include the role of material culture in relation to mental health; sensory impairments; and general student and teacher well-being. Contributors also consider how collections can be employed to positively address questions of identity and belonging relating to marginalisation, colonialism and forced displacement. Object-Based Learning and Well-Being should be a key first point of reference for academics and students who are engaged in the study of object-based learning, museums, heritage, health and well-being. The book will be of particular interest to practitioners working in higher education, or those working in the cultural, heritage, museums and health sectors.
Object Lessons in American Art
by Horace D. Ballard Kirsten Pai Buick Ellery E. Foutch Karl Kusserow Jeffrey Richmond-Moll Rebecca ZorachA rich exploration of American artworks that reframes them within current debates on race, gender, the environment, and moreObject Lessons in American Art explores a diverse gathering of Euro-American, Native American, and African American art from a range of contemporary perspectives, illustrating how innovative analysis of historical art can inform, enhance, and afford new relevance to artifacts of the American past. The book is grounded in the understanding that the meanings of objects change over time, in different contexts, and as a consequence of the ways in which they are considered. Inspired by the concept of the object lesson, the study of a material thing or group of things in juxtaposition to convey embodied and underlying ideas, Object Lessons in American Art examines a broad range of art from Princeton University’s venerable collections as well as contemporary works that imaginatively appropriate and reframe their subjects and style, situating them within current social, cultural, and artistic debates on race, gender, the environment, and more.Distributed for the Princeton University Art Museum