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Renaissance Art: A Beginner's Guide (Beginner's Guides)
by Tom NicholsThe 15th century saw the evolution of a distinct and powerfully influential European culture. But what does the familiar phrase "Renaissance Art" actually describe? Through engaging discussion of timeless works by artists such as Jan van Eyck, Leonardo da Vinci, and Michelangelo, Nichols produces a masterpiece of his own as he explores the truly original and diverse character of the artistic Renaissance. Tom Nichols is a lecturer in Renaissance Art History at the University of Aberdeen, UK.
Renaissance Art: A Very Short Introduction
by Geraldine A. JohnsonArtists like Botticelli, Holbein, Leonardo, Durer, and Michelangelo and works such as the Last Supper fresco and the monumental marble statue of David, are familiar symbols of the Renaissance. But who were these artists, why did they produce such memorable images, and how would their original beholders have viewed these objects? Was the Renaissance only about great masters and masterpieces, or were women artists and patrons also involved? And what about the "minor" pieces that Renaissance men and women would have encountered in homes, churches and civic spaces? This Very Short Introduction answers such questions by considering both famous and lesser-known artists, patrons, and works of art within the cultural and historical context of Renaissance Europe. The volume provides a broad cultural and historical context for some of the Renaissance's most famous artists and works of art. It also explores forgotten aspects of Renaissance art, such as objects made for the home and women as artists and patrons. Considering Renaissance art produced in both Northern and Southern Europe, rather than focusing on just one region, the book introduces readers to a variety of approaches to the study of Renaissance art, from social history to formal analysis.
Renaissance Artists Who Inspired the World
by Roberta Stathis Gregory BlanchThis book gives you a glimpse of five important Renaissance artists from Italy--Sandro Botticelli, Leonardo da Vinci, Michelangelo, Raphael, and Sofonisba Anguissola.
Renaissance Drama by Women: Texts and Documents
by Marion Wynne-Davies S. P. Cerasano<p>Gathered for the first time in this unique volume are plays and documents which show that, contrary to traditional thinking, women did participate in the theatrical culture of the Renaissance. Women were authors, translators, performers, spectators, and even part-owners of theatres. <p>Included in this meticulously edited volume are four full-length plays, a fragment of a translation from Seneca by Queen Elizabeth I, a masque written for performance by a ladies’ school before Queen Anne and a collection of historical documents. <p><i>Renaissance Drama by Women: Texts and Documents</i> is the first collection to offer such a wealth of literary and historical material. The editors assist the reader in understanding the richness of the texts by providing modernized spellings, full notes, annotations of unfamiliar words and phraseology, biographical essays and a bibliography. This volume will be invaluable to students and scholars of Renaissance studies, theatre history and women’s studies.</p>
Renaissance Drama in Action: An Introduction To Aspects Of Theatre Practice And Performance
by Martin WhiteRenaissance Drama in Action is a fascinating exploration of Renaissance theatre practice and staging. Covering questions of contemporary playhouse design, verse and language, staging and rehearsal practices, and acting styles, Martin White relates the characteristics of Renaissance theatre to the issues involved in staging the plays today. This refreshingly accessible volume: * examines the history of the plays on the English stage from the seventeenth century to the present day * explores questions arising from reconstructions, with particular reference to the new Globe Theatre * includes interviews with, and draws on the work and experience of modern theatre practitioners including Harriet Walter, Matthew Warchus, Trevor Nunn, Stephen Jeffreys, Adrian Noble and Helen Mirren * includes discussions of familiar plays such as The Duchess of Malfi and 'Tis Pity She's A Whore, as well as many lesser known play-texts Renaissance Drama in Action offers undergraduates and A-level students an invaluable guide to the characteristics of Elizabethan and Jacobean drama, and its relationship to contemporary theatre and staging.
Renaissance Drama on the Edge
by Lisa HopkinsRecurring to the governing idea of her 2005 study Shakespeare on the Edge, Lisa Hopkins expands the parameters of her investigation beyond England to include the Continent, and beyond Shakespeare to include a number of dramatists ranging from Christopher Marlowe to John Ford. Hopkins also expands her notion of liminality to explore not only geographical borders, but also the intersection of the material and the spiritual more generally, tracing the contours of the edge which each inhabits. Making a journey of its own by starting from the most literally liminal of physical structures, walls, and ending with the wholly invisible and intangible, the idea of the divine, this book plots the many and various ways in which, for the Renaissance imagination, metaphysical overtones accrued to the physically liminal.
Renaissance Futurities: Science, Art, Invention
by Charlene Villaseñor Black and Mari-Tere ÁlvarezAt publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.Renaissance Futurities considers the intersections between artistic rebirth, the new science, and European imperialism in the global early modern world. Charlene Villaseñor Black and Mari-Tere Álvarez take as inspiration the work of Renaissance genius Leonardo da Vinci (1452–1519), prolific artist and inventor, and other polymaths such as philosopher Giulio "Delminio" Camillo (1480–1544), physician and naturalist Francisco Hernández de Toledo (1514–1587), and writer Miguel de Cervantes (1547–1616). This concern with futurity is inspired by the Renaissance itself, a period defined by visions of the future, as well as by recent theorizing of temporality in Renaissance and Queer Studies. This transdisciplinary volume is at the cutting edge of the humanities, medical humanities, scientific discovery, and avant-garde artistic expression.
Renaissance Ornaments and Designs
by Marty NobleThe 129 newly rendered and richly detailed designs in this splendid collection depict prime examples of Renaissance ornament. Borders, frames, decorative initials, and other configurations are filled with exquisite images of cherubs, mythical creatures, human figures, floral and foliated designs, interlacings, and more. Adapted from a number of authentic sources.
Renaissance Patterns for Lace, Embroidery and Needlepoint
by Federico VincioloSuperb reproduction of most popular 16th-century lace design book by Queen of France's favorite patterner. Contains all of the nearly 100 original patterns for point coupe, reticella, and guipure. The second part describes square netting and embroidery on cloth. 83 full-page plates.
Renaissance Porticoes and Painted Pergolas: Nature and Culture in Early Modern Italy (Visual Culture in Early Modernity)
by Natsumi NonakaThis book is the first study of the portico and its decorative program as a cultural phenomenon in Renaissance Italy. Focusing on a largely neglected group of porticoes decorated with painted pergolas that appeared in Rome and environs in the sixteenth and early seventeenth centuries, it tells the story of how an element of the garden—the pergola—became a pictorial topos in portico decoration, and evolved, hand in hand with its real cousin in the garden, into an object for cultural emulation among the educated patrons of early modern Rome. The liminality of both the portico and the pergola at the interface of architecture and garden is key to the interpretation of these architectural and painted forms, which rests on the intersecting frameworks of the classical tradition, natural history, and the cultural identity of the aristocracy. In the mediating space of the Renaissance portico, the illusionism pergola created an art gallery, a natural history museum, and a virtual garden where one could engage in leisurely strolls, learned conversations, appreciation of art, and scientific investigation, as well as extensive travel across time and space. The book proposes the interpretation that the illusionistic pergola was an artistic formula for the early modern perception of nature.
Renaissance Posthumanism
by Joseph Campana and Scott MaisanoConnecting Renaissance humanism to the variety of “critical posthumanisms” in twenty-first-century literary and cultural theory, Renaissance Posthumanism reconsiders traditional languages of humanism and the human, not by nostalgically enshrining or triumphantly superseding humanisms past but rather by revisiting and interrogating them. What if today’s “critical posthumanisms,” even as they distance themselves from the iconic representations of the Renaissance, are in fact moving ever closer to ideas in works from the fourteenth to the seventeenth century? What if “the human” is at once embedded and embodied in, evolving with, and de-centered amid a weird tangle of animals, environments, and vital materiality? Seeking those patterns of thought and practice, contributors to this collection focus on moments wherein Renaissance humanism looks retrospectively like an uncanny “contemporary”—and ally—of twenty-first-century critical posthumanism.
Renaissance Shakespeare/Shakespeare Renaissances: Proceedings of the Ninth World Shakespeare Congress
by Stanley Wells Sukanta Chaudhuri Randall Martin Brian Walsh Ros King James J. Marino Graham Holderness Barry Freeman Shaul Bassi Ann Jennalie Cook Emma Depledge Jean-Christophe Mayer Patrick Lonergan Courtney Lehmann Sharon O'Dair Poonam Trivedi Supriya Chaudhuri Darryl Chalk M. A. Katritzky Jill L. Levenson Margaret Shewring Hersh Zeifman Robert Darcy Joel Rodgers Atsuhiko Hirota Kimberly R. West Richard Fotheringham Eleanor Collins Martin Hilský Vlasta Gallerová Karel Kríž Robert Sturua Galz Engler Madalina Nicolaescu Kaori Kobayashi Zeno Ackermann Tina Krontiris Emily Oliver Carla Della Gatta Cristiane Busato Smith Anna Cetera Bi-Qi Beatrice LeiSelected contributions to the Ninth World Shakespeare Congress, which took place in July 2011 in Prague, represent the contemporary state of Shakespeare studies in thirty-eight countries worldwide. Apart from readings of Shakespeare’s plays and poems, more than forty chapters map Renaissance contexts of his art in politics, theater, law, or material culture and discuss numerous cases of the impact of his works in global culture from the Americas to the Far East, including stage productions, book culture, translations, film and television adaptations, festivals, and national heritage. The last section of the book focuses on the afterlife of Shakespeare in the work of the leading British dramatist Tom Stoppard. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Renaissance Siena: Art in Context (Sixteenth Century Essays & Studies #71)
by A. Lawrence JenkensThe art of Renaissance Siena is usually viewed in the light of developments and accomplishments achieved elsewhere, but Sienese artists were part of a dynamic dialogue that was shaped by their city’s internal political turmoil, diplomatic relationships with its neighbors, internal social hierarchies, and struggle for self-definition. These essays lead scholars in a new and exciting direction in the study of the art of Renaissance Siena, exploring the cultural dynamics of the city and its art in a specifically Sienese context. This volume shapes a new understanding of Sienese culture in the early modern period and defines the questions scholars will continue to ask for years to come. What emerges is a picture of Renaissance Siena as a city focused on meeting the challenges of the time while formulating changes to shape its future. Central to these changes are the city’s efforts to fashion a civic identity through the visual arts.
Renaissance Siena: Art in Context (Sixteenth Century Essays & Studies)
by A. Lawrence JenkensThe art of Renaissance Siena is usually viewed in the light of developments and accomplishments achieved elsewhere, but Sienese artists were part of a dynamic dialogue that was shaped by their city’s internal political turmoil, diplomatic relationships with its neighbors, internal social hierarchies, and struggle for self-definition. These essays lead scholars in a new and exciting direction in the study of the art of Renaissance Siena, exploring the cultural dynamics of the city and its art in a specifically Sienese context. This volume shapes a new understanding of Sienese culture in the early modern period and defines the questions scholars will continue to ask for years to come. What emerges is a picture of Renaissance Siena as a city focused on meeting the challenges of the time while formulating changes to shape its future. Central to these changes are the city’s efforts to fashion a civic identity through the visual arts.
Renaissance Theories of Vision (Visual Culture In Early Modernity Ser.)
by John Shannon Hendrix Charles H. CarmanHow are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.
Renaissance Theory (The Art Seminar)
by Robert Williams James ElkinsRenaissance Theory presents an animated conversation among art historians about the optimal ways of conceptualizing Renaissance art, and the links between Renaissance art and contemporary art and theory. This is the first discussion of its kind, involving not only questions within Renaissance scholarship, but issues of concern to art historians and critics in all fields. Organized as a virtual roundtable discussion, the contributors discuss rifts and disagreements about how to understand the Renaissance and debate the principal texts and authors of the last thirty years who have sought to reconceptualize the period. They then turn to the issue of the relation between modern art and the Renaissance: Why do modern art historians and critics so seldom refer to the Renaissance? Is the Renaissance our indispensable heritage, or are we cut off from it by the revolution of modernism? The volume includes an introduction by Rebecca Zorach and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on Renaissance art including Stephen Campbell, Michael Cole, Frederika Jakobs, Claire Farago, and Matt Kavaler.
Renaissance Woman: The Life of Vittoria Colonna
by Ramie TargoffA biography of Vittoria Colonna, confidante of Michelangelo, scion of one of the most powerful families of her era, and a pivotal figure in the Italian RenaissanceRamie Targoff’s Renaissance Woman tells of the most remarkable woman of the Italian Renaissance: Vittoria Colonna, Marchesa of Pescara. Vittoria has long been celebrated by scholars of Michelangelo as the artist’s best friend—the two of them exchanged beautiful letters, poems, and works of art that bear witness to their intimacy—but she also had close ties to Charles V, Pope Clement VII and Pope Paul III, Pietro Bembo, Baldassare Castiglione, Pietro Aretino, Queen Marguerite de Navarre, Reginald Pole, and Isabella d’Este, among others. Vittoria was the scion of an immensely powerful family in Rome during that city’s most explosively creative era. Art and literature flourished, but political and religious life were under terrific strain. Personally involved with nearly every major development of this period—through both her marriage and her own talents—Vittoria was not only a critical political actor and negotiator but also the first woman to publish a book of poems in Italy, an event that launched a revolution for Italian women’s writing. Vittoria was, in short, at the very heart of what we celebrate when we think about sixteenth-century Italy; through her story the Renaissance comes to life anew.
Renaissance and Baroque Ceiling Masterpieces (Dover Pictorial Archive)
by DoverThe lofty painted ceilings of Europe's palaces and churches rank among the greatest treasures of the Renaissance and Baroque eras. This unique assemblage features brilliant full-color reproductions of some of the finest examples of such art. Drawn from two rare French and German portfolios of the nineteenth century, this unique volume re-creates more than 60 magnificent ceilings from Parisian drawing rooms, German castles, and Italian galleries.Richly depicting scenes from nature and mythology, this collection abounds in chubby cherubs, ethereal goddesses, heroes in full battle armor, and all manner of animals, both legendary and realistic. In addition, a generous assortment of floral ornaments includes rosettes, garlands, and clusters of acanthus and other decorative leaves and vines. Whether used in their entirety or as individual motifs, these designs will add beauty and sophistication to any art or craft project.
Renaissance and Medieval Costume
by Camille BonnardMaidens in tasseled gowns and elaborate headpieces. Jousting knights in armor with swords and breastplates. Young men in flowing robes and wide-brimmed hats, others on horseback with decorative trappings. This superb collection displays a detailed gallery of costumes worn in the eleventh through fifteenth century, with captions translated from the original French of scholar Camille Bonnard and magnificent illustrations by Roman artist and engraver Paul Mercuri. Historically authentic, the images are based on figures from period paintings, frescoes, sculptures, and illuminated manuscripts in museums and churches of Italy's culturally rich cities, including Milan, Florence, and Rome. Reproduced directly from a nineteenth-century edition, this illustrated study includes 120 splendid full-color plates showcasing head-to-toe apparel worn by citizens of all classes: nobility, the bourgeois, soldiers, ecclesiastics, and others. More than a history of fashion, the clothing in this treasury reveals the background of the wearer--from his finances to his social standing. Beautifully rendered, this volume is a glorious resource for historians, illustrators, theatrical designers, and anyone with an interest in the history of fashion. Includes captions and a new introduction.
Renaissance in the Classroom: Arts Integration and Meaningful Learning
by Gail Burnaford Arnold Aprill Cynthia WeissThis book is a nuts-and-bolts guide to arts integration, across the curriculum in grades K-12, describing how students, teachers, and artists get started with arts integration, work through classroom curriculum involving the arts, and go beyond the typical "unit" to engage in the arts throughout the school year. The framework is based on six years of arts integration in the Chicago Arts Partnerships in Education (CAPE).
Renaissance in the Classroom: Arts Integration and Meaningful Learning
by Gail Burnaford Arnold Aprill Cynthia WeissThis book invites readers to consider the possibilities for learning and growth when artists and arts educators come into a classroom and work with teachers to engage students in drama, dance, visual art, music, and media arts. It is a nuts-and-bolts guide to arts integration, across the curriculum in grades K-12, describing how students, teachers, and artists get started with arts integration, work through classroom curriculum involving the arts, and go beyond the typical "unit" to engage in the arts throughout the school year. The framework is based on six years of arts integration in the Chicago Arts Partnerships in Education (CAPE). Renaissance in the Classroom: *fully explains the planning, implementation, and assessment processes in arts integration; *frames arts integration in the larger context of curriculum integration, problem-based learning, and the multiple intelligences; *provides the theoretical frameworks that connect standards-based instruction to innovative teaching and learning, and embeds arts education in the larger issue of whole school improvement; *blends a description of the arts integration process with personal stories, anecdotes, and impressions of those involved, with a wealth of examples from diverse cultural backgrounds; *tells the stories of arts integration from the classroom to the school level and introduces the dynamics of arts partnerships in communities that connect arts organizations, schools, and neighborhoods; *offers a variety of resources for engaging the arts--either as an individual teacher or within a partnership; and *includes a color insert that illustrates the work teachers, students, and artists have done in arts integration schools and an extensive appendix of tools, instruments, Web site, contacts, and curriculum ideas for immediate use. Of primary interest to K-12 classroom teachers, arts specialists, and visiting artists who work with young people in schools or community arts organizations, this book is also highly relevant and useful for policymakers, arts partnerships, administrators, and parents.
Renato and the Lion
by Barbara DiLorenzoThe touching, magical story of a boy in a war-torn country and the stone lion that rescues him. Renato loves his home in Florence, Italy. He loves playing with his friends in the Piazza della Signoria. He loves walking home by the beautiful buildings and fountains with his father in the evenings. And he especially loves the stone lion who seems to smile at him from a pedestal in the piazza. The lion makes him feel safe.But one day his father tells him that their family must leave. Their country is at war, and they will be safer in America. Renato can only think of his lion. Who will keep him safe?With luminous watercolor paintings, Barbara DiLorenzo captures the beauty of Florence in this heartwarming and ultimately magical picture book.
Rendering Tips for the Costume Designer: Simple Steps for Better Drawing and Painting
by Jessica ParrRendering Tips for the Costume Designer: Simple Steps for Better Drawing and Painting is a guide for students and costume designers who want to improve their drawing, painting, and rendering skills. The book is divided into three sections – Drawing Tips, Painting Tips, and Linework Tips – and includes detailed step-by-step instructions for chapters such as "How to Draw Faces and Hair," "How to Draw Hands," and "How to Draw Feet and Shoes". This format allows readers to pick and choose which techniques to study, enabling them to focus on the areas that give them the most difficulty. Filled with practical information and over 100 illustrations, this reference guide can be used in conjunction with any figure drawing method or painting media. Within these pages, readers will find the answers to the most common rendering questions: Where do the shadows go? How do I make my figures look less stiff? How do I draw patterned fabric? Rendering Tips for the Costume Designer is an invaluable resource for students in Costume Rendering and Costume Design courses, along with professional costume designers looking to improve their rendering skills.
Rendering in Pen and Ink: The Classic Book On Pen and Ink Techniques for Artists, Illustrators, Architects , and Designers
by Arthur L. GuptillArthur L. Guptill's classic Rendering in Pen and Ink has long been regarded as the most comprehensive book ever published on the subject of ink drawing. This is a book designed to delight and instruct anyone who draws with pen and ink, from the professional artist to the amateur and hobbyist. It is of particular interest to architects, interior designers, landscape architects, industrial designers, illustrators, and renderers. Contents include a review of materials and tools of rendering; handling the pen and building tones; value studies; kinds of outline and their uses; drawing objects in light and shade; handling groups of objects; basic principles of composition; using photographs, study of the work of well-known artists; on-the-spot sketching; representing trees and other landscape features; drawing architectural details; methods of architectural rendering; examination of outstanding examples of architectural rendering; solving perspective and other rendering problems; handling interiors and their accessories; and finally, special methods of working with pen including its use in combination with other media. The book is profusely illustrated with over 300 drawings that include the work of famous illustrators and renderers of architectural subjects such as Rockwell Kent, Charles Dana Gibson, James Montgomery Flagg, Willy Pogany, Reginald Birch, Harry Clarke, Edward Penfield, Joseph Clement Coll, F.L. Griggs, Samuel V. Chamberlain, Louis C. Rosenberg, John Floyd Yewell, Chester B. Price, Robert Lockwood, Ernest C. Peixotto, Harry C. Wilkinson, Bertram Grosvenor Goodhue, and Birch Burdette Long. Best of all, Arthur Guptill enriches the text with drawings of his own.
Rendering in SketchUp
by Daniel TalThe sure way for design professionals to learn SketchUp modeling and rendering techniquesRendering In SketchUp provides instructions for creating 3D photoreal graphics for SketchUp models using integrated rendering programs. The book serves as a beginner rendering manual and reference guide to further develop rendering skills. With an emphasis on step-by-step process, SketchUp users learn a universal approach to rendering varied SketchUp projects, including architecture, interiors, and site design models.The book focuses on tasks and principles at the core of photorealistic rendering, including:Rendering process: Learn a step-by-step process focused on workflow within SketchUp's familiar workspace. Universal method: Understand how the process can be used to work with a variety of different integrated rendering programs, including Shaderlight, SU Podium and Twilight Render**. These programs are easy to learn and function in SketchUp. >Textures and materials: Discover how to obtain, apply and edit texture images representing surfaces. Component details: Learn how to acquire and organize model details to allow for rich, expressive settings while maintaining computer and SketchUp performance. Exterior and simulated lighting: Learn to set exterior lighting with the SketchUp's Shadow menu or illuminate a scene with simulated lights, lamps, and bulbs. Render settings: Use specific settings for various rendering programs to quickly set texture character, image quality, and graphic output. Computer specifications: Find out how computers produce renders and the type of computer hardware required to streamline the process. Photoshop post-processing: Learn how to further refine rendered images in Photoshop. **Free online chapters: The book reviews specific settings for SketchUp and the rendering plug-in Shaderlight. Given the ever-changing nature of technology, free, online accompanying chapters detail settings for additional integrated rendering programs including SU Podium, Twilight Render, and more.