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Origami Zodiac: East and West (Perfectly Mindful Origami Ser.)
by Mark BolithoEmbark on a paper-folding journey through western and eastern astrology that will inspire creativity and contemplation—from the author of Zoogami.This covetable collection of perfectly mindful origami includes twenty-five inventive paper projects for all signs of the zodiac, both eastern and western. From an elegant dragon and a complex scorpion to a stylized monkey and a classic rooster, each project is superbly designed and clearly explained with fully illustrated step-by-step instructions. Whether you are an origami beginner or a seasoned paper crafter looking for a more complex challenge, Perfectly Mindful Origami will exercise your mind while clearing it of clutter.
Origami Zoo Kit
by Joel SternChildren and beginners will love folding origami animals of every kind with this easy origami-for-kids kit. Origami Zoo Kit is designed to stimulate your child's imagination and creativity through the age-old art of paper folding. It contains instructions and patterned folding papers for thirteen adorable animals along with life-like trees and people (zoo visitors) who together form a complete zoo. Each character comes with simple folding instructions and the colorful papers can be folded up in just a few minutes. Stickers are provided to add finishing details to the models. Kids can then play with the animals on the fold-out zoo map that is provided. This map also has a coloring activity on the back! This origami kit contains: Full-color 48 page booklet Clear, step-by-step diagrams and instructions 15 fun origami projects 95 animal parts stickers 40 sheets of origami paper Fold-out zoo map The Origami Zoo Kit will provide hours of enjoyment for your kids while at the same time teaching them a valuable new skill!
The Origin of East Asian Medieval Capital Construction System: The Ancient City of Ye (China Perspectives)
by Niu RunzhenYe is a historical Chinese city built in 659 BC and burned down to the ground in AD 580. The book investigates the characteristics of the city’s layout and its deep influence on the urban construction in East Asia since the 6th century AD.By studying archaeological findings and historical documents, the author illustrates the historical significance of Ye city, both as capital for six dynasties over 370 years of ancient Chinese history and as a paragon of East Asian capital planning. Ye serves as an exemplary model for famous capitals in later dynasties of imperial China, such as Beijing and Xi’an. Its influence also extends to other East Asian capitals, including Seoul in Korea, Kyoto in Japan, and Hanoi in Vietnam. Comparing the archetypical structure of Ye city and the features of its East Asian descendants, the author encapsulates the lineage of capital city development across medieval East Asia and uncovers a philosophy of constriction that rests upon traditional Chinese thinking.The book will be an essential read for scholars and general readers interested in East Asian heritage, urbanology, and architecture, as well as a useful reference for urban planners willing to learn from historical experience.
Original Art Deco Allover Patterns (Dover Pictorial Archive Ser.)
by William RoweThe stylized geometric forms of Art Deco continue to be extremely popular with today's artists, designers, and craftspeople. In this highly useful archive, William Rowe interprets this streamlined decorative style in his own unique way. The artist's wit and inventiveness pervade a wealth of artfully arranged circles, squares, triangles, and other geometric shapes.This book is really two books in one: a striking collection of royalty-free ready-to-use graphics, as well as a helpful guide, offering visual suggestions on how to adapt, develop, and vary designs. Mr. Rowe first presents a full-page design, then, on the opposite page, displays variants of the design. You'll find a total of 59 fascinating patterns in all -- ideal for use in textile, wallpaper, stationery, packaging, and a host of other graphic design projects.
The Original Battle Creek Crime King: Adam “Pump” Arnold’s Vile Reign (True Crime)
by Blaine Pardoe Victoria HesterAdam "Pump" Arnold was both feared and regaled in Victorian- era Battle Creek. He was a bootlegger and a pimp, a robber and a con artist, an arsonist and a loan shark and even an assassin. Arnold faced off with the city over illegal liquor sales and flaunted his victory with a life-size statue of the mayor dressed as a hobo. Called the "greatest criminal in the history of Battle Creek," Arnold was convicted in a captivating public trial for the murder of his own son. Join authors Blaine Pardoe and Victoria Hester as they explore the life and misdeeds of the unabashed criminal mastermind who rocked Battle Creek to its core.
Original Sin: A Cultural History
by Alan Jacobs“[A]n engaging and lucid work by a sophisticated Evangelical from the American South. . . . For all its American bias, Alan Jacobs’s highly readably ORIGINAL SIN might fill one of the gaps in the post-Christian memory banks.” — Times Literary Supplement (London)“One wouldn’t expect a book about original sin to be entertaining, but Jacobs makes it so with deft prose and a touch of humor.” — Christian Century“Jacobs is a superb writer whose work is beginning to get the wider notice it has long deserved.” — Books & Culture ("Top Ten Books of the Year")Alan Jacobs presents an engagingly written, eminently humane, and insightful account of an all-important subject that is both timeless and timely. — George Marsden, author of Jonathan Edwards: A Life“Alan Jacobs’ cultural history of the controversies that Saint Augustine’s concept gave birth to is fascinating, entertaining, wonderfully researched, and thoroughly even-tempered, giving even the most disagreeable voices their say. Original Sin may well become the definitive book on the subject.” — Ron Hansen , Author of Exiles and A Stay Against ConfusionI do not believe in original sin. I do believe in Alan Jacobs. He is one the smartest and wittiest writers around on matters involving religion, and ORIGINAL SIN is a gem. — Alan Wolfe, Boisi Center for Religion and American Public Life, Boston CollegeIn this brilliant account, Wheaton College literature professor Jacobs traces the idea of original sin from the Bible to the present day. . . . In his hands these abstruse theological disputes are utterly engrossing. — Publishers Weekly, starred review“With extraordinary erudition and just enough lightness of touch to leaven the lump, Alan Jacobs traces the tangled ways that we have tried to think about human cussedness. — Frederick Buechner, author of Secrets in the DarkReplete with examples drawn from a number of different cultural expressions, including literature, film, and philosophy, [Original Sin] is intended to introduce a broad genearl audience to the complexity of explaining how human beings act evilly toward one another. — Library JournalA brilliantly illuminating, deeply thought-provoking intellectual journey. — Booklist“A strangely entertaining cultural survey . . . ” — The Wall Street JournalJacobs’s discussion is terrifically worthwhile for exposing how the idea of “evil,” as enunciated iwthin the doctrine, undergoes permutations and translations over time — BN.comSplendid...a book endeavoring to help us say and do something about the sin which so easily ensares. Strikingly, Jacobs argues that the ‘confraternity’ of humanity is best grounded not in our being made in the image of God but in our being made sinful in Adam. Truly a revolutionary thought—that the roots of our common humanity might be found, not in our dignity or even our potential, but in our depravity.” — Books & Culture“A deep pool of wisdom . . . an expression of what’s wrong with all of us. Jacobs’ prose often sings . . . Careful when you open this book--it could keep you up at nights.” — Christianity Today“Follows the history of thinking about original sin from Augustine to ‘Hellboy’ and rewards the curious reader with unique knowledge (of good and evil) on every page.” — Beliefnet (Best Religious Book of the Year)“Jacobs’s flowing prose keeps the book moving at a nice pace.” — Weekly Standard
Original Sisters: Portraits of Tenacity and Courage (Pantheon Graphic Library)
by Anita KunzFrom the internationally acclaimed artist, a stunning collection of portraits of ground-breaking women—Joan of Arc, Josephine Baker, Greta Thunberg, Misty Copeland, and many more history-making women whose names have been forgotten and are finally being brought to light. With a Foreword by Roxane Gay &“This book, as a whole, offers the reader possibility and promise … You will be introduced to many of these women for the first time, because history is rarely kind to women until it is forced to be. You will learn about artists and activists, rulers and rebels.&” —Roxane Gay, from the Foreword Original Sisters was born from the COVID-19 quarantine. In early March 2020, locked down in her home-studio in Toronto and longing for inspiration, artist Anita Kunz started researching women on the Internet. She wasn&’t sure what she was looking for, but she soon found an array of astonishing people who had done amazing things—some of whom she had heard of, but most of whom she had not. And then she began to paint their pictures and write down their stories. The result is a jaw-dropping feat of historic and artistic research. The wide variety of lives, occupations, time periods, and achievements is absolutely mind-bending. From Joan of Arc to Josephine Baker, from Hippolyta to Greta Thunberg, from Anne Frank to Misty Copeland: these women made and changed history. But there are just as many whom you&’ve never heard of, who were never recognized in their lifetimes, whose achievements need to be brought to light. They include the anti-Nazi activist Sophie Scholl, who was executed at age twenty-one by the Third Reich, and Alice Ball, a young African American scientist who discovered a treatment for leprosy but died tragically before she could receive credit for it. This is not only a breathtaking art book. Original Sisters also recounts a secret history that must be told so that it is a secret no more.
Original Sisters: Portraits of Tenacity and Courage (Pantheon Graphic Library)
by Anita KunzFrom the internationally acclaimed artist, a stunning collection of portraits of ground-breaking women—Joan of Arc, Josephine Baker, Greta Thunberg, Misty Copeland, and many more history-making women whose names have been forgotten and are finally being brought to light. With a Foreword by Roxane Gay.&“This book, as a whole, offers the reader possibility and promise … You will be introduced to many of these women for the first time, because history is rarely kind to women until it is forced to be. You will learn about artists and activists, rulers and rebels.&” —Roxane Gay, from the Foreword Original Sisters was born from the COVID-19 quarantine. In early March 2020, locked down in her home-studio in Toronto and longing for inspiration, artist Anita Kunz started researching women on the Internet. She wasn&’t sure what she was looking for, but she soon found an array of astonishing people who had done amazing things—some of whom she had heard of, but most of whom she had not. And then she began to paint their pictures and write down their stories. The result is a jaw-dropping feat of historic and artistic research. The wide variety of lives, occupations, time periods, and achievements is absolutely mind-bending. From Joan of Arc to Josephine Baker, from Hippolyta to Greta Thunberg, from Anne Frank to Misty Copeland: these women made and changed history. But there are just as many whom you&’ve never heard of, who were never recognized in their lifetimes, whose achievements need to be brought to light. They include the anti-Nazi activist Sophie Scholl, who was executed at age twenty-one by the Third Reich, and Alice Ball, a young African American scientist who discovered a treatment for leprosy but died tragically before she could receive credit for it.This is not only a breathtaking art book. Original Sisters also recounts a secret history that must be told so that it is a secret no more.
Origins of Arabia
by Andrew ThompsonFirst Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
The Origins of Comics: From William Hogarth to Winsor McCay
by Thierry SmolderenIn The Origins of Comics: From William Hogarth to Winsor McCay, Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted "sequential art" definition of the comic strip, Smolderen instead wishes to engage with the historical dimensions that inform that definition. His goal is to understand the processes that led to the twentieth-century comic strip, the highly recognizable species of picture stories that he sees crystallizing around 1900 in the United States. Featuring close readings of the picture stories, caricatures, and humoristic illustrations of William Hogarth, Rodolphe Töpffer, Gustave Doré, and their many contemporaries, Smolderen establishes how these artists were immersed in a very old visual culture in which images—satirical images in particular—were deciphered in a way that was often described as hieroglyphical. Across eight chapters, he acutely points out how the effect of the printing press and the mass advent of audiovisual technologies (photography, audio recording, and cinema) at the end of the nineteenth century led to a new twentieth-century visual culture. In tracing this evolution, Smolderen distinguishes himself from other comics historians by following a methodology that explains the present state of the form of comics on the basis of its history, rather than presenting the history of the form on the basis of its present state. This study remaps the history of this influential art form.
The Origins of Leftwing Cinema in China, 1932-37 (East Asia: History, Politics, Sociology and Culture)
by Vivian ShenThis book takes a cultural studies approach to analyze and account for the ways in which related to film, literature, cultural production, ideology, social change and modernity were in raised in the leftwing film movement of the 1930s.
The Origins of Monsters: Image and Cognition in the First Age of Mechanical Reproduction (The Rostovtzeff Lectures #2)
by David WengrowIt has often been claimed that "monsters"--supernatural creatures with bodies composed from multiple species--play a significant part in the thought and imagery of all people from all times. The Origins of Monsters advances an alternative view. Composite figurations are intriguingly rare and isolated in the art of the prehistoric era. Instead it was with the rise of cities, elites, and cosmopolitan trade networks that "monsters" became widespread features of visual production in the ancient world. Showing how these fantastic images originated and how they were transmitted, David Wengrow identifies patterns in the records of human image-making and embarks on a search for connections between mind and culture. Wengrow asks: Can cognitive science explain the potency of such images? Does evolutionary psychology hold a key to understanding the transmission of symbols? How is our making and perception of images influenced by institutions and technologies? Wengrow considers the work of art in the first age of mechanical reproduction, which he locates in the Middle East, where urban life began. Comparing the development and spread of fantastic imagery across a range of prehistoric and ancient societies, including Mesopotamia, Egypt, Greece, and China, he explores how the visual imagination has been shaped by a complex mixture of historical and universal factors. Examining the reasons behind the dissemination of monstrous imagery in ancient states and empires, The Origins of Monsters sheds light on the relationship between culture and cognition.
The Origins of the Arts Council Movement
by Anna Rosser UpchurchThis important new book offers an intellectual history of the 'arts council' policy model, identifying and exploring the ideas embedded in the model and actions of intellectuals, philanthropists and wealthy aesthetes in its establishment in the mid-twentieth century. The book examines the history of arts advocacy for national arts policies in the UK, Canada and the USA, offering an interdisciplinary approach that combines social and intellectual history, political philosophy and literary analysis. The book has much to offer academics, cultural policy and management students, artists, arts managers, arts advocates, cultural policymakers and anyone interested in the history and current moment of public arts funding in the West.
The Origins of Transmedia Storytelling in Early Twentieth Century Adaptation
by Alexis WeedonThis book explores the significance of professional writers and their role in developing British storytelling in the 1920s and 1930s, and their influence on the poetics of today’s transmedia storytelling. Modern techniques can be traced back to the early twentieth century when film, radio and television provided professional writers with new formats and revenue streams for their fiction. The book explores the contribution of four British authors, household names in their day, who adapted work for film, television and radio. Although celebrities between the wars, Clemence Dane, G.B. Stern, Hugh Walpole and A.E.W Mason have fallen from view. The popular playwright Dane, witty novelist Stern and raconteur Walpole have been marginalised for being German, Jewish, female or gay and Mason’s contribution to film has been overlooked also. It argues that these and other vocational authors should be reassessed for their contribution to new media forms of storytelling. The book makes a significant contribution in the fields of media studies, adaptation studies, and the literary middlebrow.
The Orillia Spirit: An Illustrated History of Orillia
by Randy Richmond James A. McgarveyThe history of Orillia, told through the stories of its people, bringing to life the community’s heritage and significance. The Orillia Spirit: Muddling through Canada’s first, and hilarious, experiment with daylight savings time, Mayor “Daylight Bill” Frost had it. Creating his own money and dreaming a drainage ditch would become a tourist attraction, Mayor Ben Johnson had it. Taking his town’s electric company by force, Mayor J.B. Tudhope had it. Inventing early forms of medicare and the first RVs, dreaming of universities and folk festivals, battling for decades over liquor and rinks, ordinary people had it. Something about the place immortalized in Stephen Leacock’s classic Sunshine Sketches of a Little Town has always inspired its people to reach for their dreams. Turn-of-the-twentieth-century leaders coined the phrase “the Orillia Spirit” to describe their drive to make the town a social, moral, and economic leader of Canada. The results have been comic, tragic, and heroic, as shown in this colourful history of Orillia.
ORLAN: A Hybrid Body of Artworks
by Simon DongerORLAN: A Hybrid Body of Artworks is an in-depth academic account of ORLAN's pioneering art in its entirety. The book covers her career in performance and a range of other art forms. This single accessible overview of ORLAN's practices describes and analyses her various innovative uses of the body as artistic material. Edited by Simon Donger with Simon Shepherd and ORLAN herself, the collection highlights her artistic impact from the perspectives of both performance and visual cultures. The book features: vintage texts by ORLAN and on ORLAN's work, including manifestos, key writings and critical studies ten new contributions, responses and interviews by leading international specialists on performance and visual arts over fifty images demonstrating ORLAN's art, with thirty full colour pictures a new essay by ORLAN, written specially for this volume a new bibliography of writing on ORLAN an indexed listing of ORLAN’s artworks and key themes.
Orlando (Queer Film Classics)
by Russell SheafferA film that transcends time, Sally Potter’s Orlando follows its titular character through nearly four hundred years of British history. Orlando starts life as a young man in the 1600s and then, mid-film, becomes a woman in the 1800s. Plot, production, and performance have all contributed to the film becoming a touchstone for Tilda Swinton’s ethereal and gender-bending mode.A Russian-French-Dutch-American-Italian-British co-production, Orlando was hailed as a monumental work of international art house cinema upon its release in 1992. Some understood Potter’s film, a work of ruthless and ingenious adaptation, as moving away from the lesbian content of Virginia Woolf’s novel. Russell Sheaffer uses a detailed analysis of screenplay drafts and more than three decades of reception to argue that while the film moves away from a direct investment in same-sex relationships, Orlando’s articulations of embodiment, desire, and time have made the film continually more queer in the years since its release.Taking cues from adaptation theory and gender studies, this book meticulously charts the distinct shift from lesbian feminist text to queer film classic, arguing that the film is as much an adaptation of Woolf’s A Room of One’s Own as it is of its eponymous novel.
Orlando in Vintage Postcards (Postcard History)
by Lynn M. Homan Thomas Reilly"Beautiful weather here. When are you coming?" Those words have been written millions of times on postcards mailed from Orlando. Known today as home to America's most famous theme parks, Orlando has always been a destination for visitors from all over the world. During its early period as "The Phenomenal City," through the years as "The City Beautiful," to the era of "The Action Center of Florida," Orlando has a story to tell.
Orleans
by Daniel LombardoOrleans, at the crook of Cape Cod's elbow, is a place of extraordinary beauty and unforgettable people. From the first known Cape Cod shipwreck, the Sparrowhawk in 1626, to the last Cape Cod wreck of a sailing ship, the Montclair in 1927, the town is bursting with tales to be told. There are the quiet stories of windmills, quahog fishermen, and cranberry harvesters set against the hanging of pirates, the threat of sea serpents, and attacks on Orleans by foreign countries. People flock to Rock Harbor on the west to watch the fishing boats go out or to watch the sun go down. Town Cove, with its windmill and inn, is on the north. To the east and south, Orleans opens up to the great Atlantic. The long spit of Nauset Beach is battered by the sea, as it protects Pleasant Bay and Pochet, Sampson, and Hog islands. With vivid photographs, Orleans brings to life the era of sailors such as Captain Linnell, who was as familiar with Calcutta and Hong Kong as he was with Rock Harbor; the time that Henry David Thoreau stayed at Higgins Tavern and met two young Italian organ grinders; and the day of the bombing of Orleans, when the Ainsleigh boy threatened a German submarine with his .22-caliber rifle.
Ornament
by Antoine PiconOnce condemned by Modernism and compared to a 'crime' by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well-known architects such as Herzog & de Meuron, Sauerbruch Hutton, Farshid Moussavi Architecture and OMA. There is no doubt that these new ornamental tendencies are inseparable from innovations in computer technology. The proliferation of developments in design software has enabled architects to experiment afresh with texture, colour, pattern and topology.Though inextricably linked with digital tools and culture, Antoine Picon argues that some significant traits in ornament persist from earlier Western architectural traditions. These he defines as the 'subjective' - the human interaction that ornament requires in both its production and its reception - and the political. Contrary to the message conveyed by the founding fathers of modern architecture, traditional ornament was not meant only for pleasure. It conveyed vital information about the designation of buildings as well as about the rank of their owners. As such, it participated in the expression of social values, hierarchies and order. By bringing previous traditions in ornament under scrutiny, Picon makes us question the political issues at stake in today's ornamental revival. What does it tell us about present-day culture? Why are we presently so fearful of meaning in architecture? Could it be that by steering so vehemently away from symbolism, contemporary architecture is evading any explicit contribution to collective values?
Ornament and Class: Modern Architecture and the Rise of the Bourgeoisie (Routledge Research in Architecture)
by Gary Huafan HeThis groundbreaking study examines the intricate relationship between the rise of the nineteenth-century bourgeoisie and the emergence of modern architecture, exploring this connection through major intellectual and theoretical works while also analyzing their tangible manifestations in buildings and architectural projects.Contrary to received narratives that describe the birth of modern architecture as primarily an aesthetic movement, Ornament and Class argues that the social and political maturation of the European bourgeoisie as a distinct-yet-heterogeneous group influenced modern attitudes toward architecture at every level. Bringing architecture into conversation with recent histories of the bourgeoisie in the social sciences, the book considers how architecture was used as a tool to separate the modern bourgeoisie from the aristocratic and clerical forces above and the working classes below. It explores how architects, clients, planners, and administrators grappled with and dealt with ornament, architecture, and modernity from within the new realities of urban and global capitalism, and shows how these realities serve as pedagogical touchstones that remain with us today.Historians, architecture scholars, and students interested in modern architecture, aesthetics, and European history, especially those focusing on the interplay between modern architecture and social development, will find this book an invaluable resource.
Ornament And Crime
by Adolf LoosAdolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training to why 'the lack of ornament is a sign of intellectual power'.
Ornament and Crime
by Adolf LoosRevolutionary essays on design, aesthetics and materialism - from one of the great masters of modern architectureAdolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training to why 'the lack of ornament is a sign of intellectual power'.Translated by Shaun WhitesideWith an epilogue by Joseph Masheck
Ornament and European Modernism: From Art Practice to Art History (Routledge Research in Art History)
by Loretta VandiThese in-depth, historical, and critical essays study the meaning of ornament, the role it played in the formation of modernism, and its theoretical importance between the mid-nineteenth century and the late twentieth century in England and Germany. Ranging from Owen Jones to Ernst Gombrich through Gottfried Semper, Alois Riegl, August Schmarsow, Wilhelm Worringer, Adolf Loos, Henry van de Velde, and Hermann Muthesius, the contributors show how artistic theories are deeply related to the art practice of their own times, and how ornament is imbued with historical and social meaning.
Ornament and Order: Graffiti, Street Art and the Parergon
by Rafael SchacterOver the last forty years, graffiti and street-art have become a global phenomenon within the visual arts. Whilst they have increasingly been taken seriously by the art establishment (or perhaps the art market), their academic and popular examination still remains within old debates which argue over whether these acts are vandalism or art, and which examine the role of graffiti in gang culture and in terms of visual pollution. Based on an in-depth ethnographic study working with some of the world’s most influential Independent Public Artists, this book takes a completely new approach. Placing these illicit aesthetic practices within a broader historical, political, and aesthetic context, it argues that they are in fact both intrinsically ornamental (working within a classic architectonic framework), as well as innately ordered (within a highly ritualized, performative structure). Rather than disharmonic, destructive forms, rather than ones solely working within the dynamics of the market, these insurgent images are seen to reface rather than deface the city, operating within a modality of contemporary civic ritual. The book is divided into two main sections, Ornament and Order. Ornament focuses upon the physical artifacts themselves, the various meanings these public artists ascribe to their images as well as the tensions and communicative schemata emerging out of their material form. Using two very different understandings of political action, it places these illicit icons within the wider theoretical debate over the public sphere that they materially re-present. Order is focused more closely on the ephemeral trace of these spatial acts, the explicitly performative, practice-based elements of their aesthetic production. Exploring thematics such as carnival and play, risk and creativity, it tracks how the very residue of this cultural production structures and shapes the socio-ethico guidelines of these artists’ lifeworlds.