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Ornament and Crime
by Adolf LoosRevolutionary essays on design, aesthetics and materialism - from one of the great masters of modern architectureAdolf Loos, the great Viennese pioneer of modern architecture, was a hater of the fake, the fussy and the lavishly decorated, and a lover of stripped down, clean simplicity. He was also a writer of effervescent, caustic wit, as shown in this selection of essays on all aspects of design and aesthetics, from cities to glassware, furniture to footwear, architectural training to why 'the lack of ornament is a sign of intellectual power'.Translated by Shaun WhitesideWith an epilogue by Joseph Masheck
Ornament and European Modernism: From Art Practice to Art History (Routledge Research in Art History)
by Loretta VandiThese in-depth, historical, and critical essays study the meaning of ornament, the role it played in the formation of modernism, and its theoretical importance between the mid-nineteenth century and the late twentieth century in England and Germany. Ranging from Owen Jones to Ernst Gombrich through Gottfried Semper, Alois Riegl, August Schmarsow, Wilhelm Worringer, Adolf Loos, Henry van de Velde, and Hermann Muthesius, the contributors show how artistic theories are deeply related to the art practice of their own times, and how ornament is imbued with historical and social meaning.
Ornament and Order: Graffiti, Street Art and the Parergon
by Rafael SchacterOver the last forty years, graffiti and street-art have become a global phenomenon within the visual arts. Whilst they have increasingly been taken seriously by the art establishment (or perhaps the art market), their academic and popular examination still remains within old debates which argue over whether these acts are vandalism or art, and which examine the role of graffiti in gang culture and in terms of visual pollution. Based on an in-depth ethnographic study working with some of the world’s most influential Independent Public Artists, this book takes a completely new approach. Placing these illicit aesthetic practices within a broader historical, political, and aesthetic context, it argues that they are in fact both intrinsically ornamental (working within a classic architectonic framework), as well as innately ordered (within a highly ritualized, performative structure). Rather than disharmonic, destructive forms, rather than ones solely working within the dynamics of the market, these insurgent images are seen to reface rather than deface the city, operating within a modality of contemporary civic ritual. The book is divided into two main sections, Ornament and Order. Ornament focuses upon the physical artifacts themselves, the various meanings these public artists ascribe to their images as well as the tensions and communicative schemata emerging out of their material form. Using two very different understandings of political action, it places these illicit icons within the wider theoretical debate over the public sphere that they materially re-present. Order is focused more closely on the ephemeral trace of these spatial acts, the explicitly performative, practice-based elements of their aesthetic production. Exploring thematics such as carnival and play, risk and creativity, it tracks how the very residue of this cultural production structures and shapes the socio-ethico guidelines of these artists’ lifeworlds.
Ornament of the Italian Renaissance
by Arthur L. BlakesleeThis glorious gallery of stunning architectural accents from Italy's Middle Ages has been assembled from a rare, early-twentieth-century publication: * Grotesques from carved panels of choir stalls* Breathtaking tombstone and ceiling ornaments * Sumptuous stone balcony panels... and much more, all reproduced in sixty richly detailed illustrations. Designers and artists of every variety will revel in this modestly priced treasury of authentic Renaissance style.
The Ornamental Arts of Japan
by George Ashdown AudsleyJapanese art was virtually unknown in the West until the middle of the nineteenth century, when the island nation emerged from 200 years of self-imposed isolation. A passion for Japanese culture swept Europe, and this landmark publication opened the eyes of the world to the grace and beauty of Japanese design.George Ashdown Audsley, a leader in the revival of English decorative design and one of the first Britons to specialize in Japanese art, assembled this outstanding collection. Featuring 60 full-color plates, it offers spectacular examples of Japanese painting, printing, embroidery, lacquer work, and cloisonné as well as masterpieces in ivory and porcelain. Informative captions accompany each illustration. Art lovers, rare book collectors, and enthusiasts of Japanese culture will treasure this magnificent selection of timeless art.
Ornamental Borders, Scrolls and Cartouches in Historic Decorative Styles (Dover Pictorial Archive)
by Syracuse Ornamental Co.Hundreds of beautiful copyright-free line illustrations of intricately carved furniture trimmings. Delicate floral wreaths, scrolls, more.
Ornamental Designs from Architectural Sheet Metal: The Complete Broschart & Braun Catalog, ca. 1900 (Dover Pictorial Archive)
by Wm. A. Braun Jacob BroschartA must for architectural historians, restoration specialists and vintage home enthusiasts: 1,095 late Victorian-era designs, superbly drawn or photographed, including egg and dart enrichments; bead, flute and ogee enrichments; drapery and drop ornaments; urns, vases and wreaths; eagles, lion heads and gargoyles; rosettes, ribbons, garlands and festoons; sunbursts, weather vanes and more.
Ornamental Ironwork: Over 670 Illustrations (Dover Pictorial Archive)
by A. DurenneFinely detailed illustrations, selected from rare turn-of-the-century sources, provide striking examples of decorative ironwork designed to embellish balconies, gates, window grilles, staircases, doorways, and other architectural features. A rich source of inspiration and elegant, royalty-free material for graphic artists, designers, and craftworkers.
Ornamental Lakes: Their Origins and Evolution in English Landscapes
by Wendy BishopOrnamental Lakes traces the history of lakes in England, from their appearance in the early eighteenth century, through their development in the 1750s, and finally to their decline in the nineteenth century. Aside from the natural lakes in the Lake District, the bodies of water we see in England today are man-made, primarily intended to ornament the landscapes of the upper classes. Through detailed research, author Wendy Bishop argues that, contrary to accepted thinking, the development of lakes led to the dissolution of formal landscapes rather than following changes in landscape design. Providing a comprehensive overview of lakes in England, including data on who made these lakes, how, and when, it additionally covers fishponds, water gardens, cascades and reservoirs. Richly illustrated and accompanied by case studies across the region, this book offers new insights in landscape history for students, researchers and those interested in how landscapes evolve.
The Ornamented Chair
by Zilla Rider LeaDiscriminating decorators and collectors, no less than dealers and researchers in antiques, have long felt the need of a comprehensive study of the ornamented chair and its development in America. This book is the product of an effort to satisfy that need and at the same time to bring new pleasures to lovers of beautiful furniture.The book is based on photographic and research material collected by the late Esther Stevens Brazer, who spent a lifetime in the study and revival of early American decoration.The authors are all qualified researchers, teachers, and decorators. In their text they present a general history of chair types, facts regarding ornamentation, and informative accounts of some of the leading craftsmen and decorators of the various periods. The final chapter of the book briefly relates the history of the Society and describes how its members carry forward the efforts of Esther Stevens Brazer, maintaining in their research, their teaching, and their restorations the standards of an old craft and the traditions of its finest workmen.
The Ornamented Chair
by Zilla Rider LeaDiscriminating decorators and collectors, no less than dealers and researchers in antiques, have long felt the need of a comprehensive study of the ornamented chair and its development in America. This book is the product of an effort to satisfy that need and at the same time to bring new pleasures to lovers of beautiful furniture.The book is based on photographic and research material collected by the late Esther Stevens Brazer, who spent a lifetime in the study and revival of early American decoration.The authors are all qualified researchers, teachers, and decorators. In their text they present a general history of chair types, facts regarding ornamentation, and informative accounts of some of the leading craftsmen and decorators of the various periods. The final chapter of the book briefly relates the history of the Society and describes how its members carry forward the efforts of Esther Stevens Brazer, maintaining in their research, their teaching, and their restorations the standards of an old craft and the traditions of its finest workmen.
The Ornamented Tray: Two Centuries of Ornamented Trays (1720-1920)
by W. D. John Zilla Rider LeaThis authoritative and definitive work contains the first formal history of antique trays every published. Each of its six chapters is written by a different authority. <P><P>They discuss:Lace-Edge PaintingThe "Chippendale" StyleTrays Ornamented with Gold LeafThe Freehand Bronze TechniquesStenciled TraysThe Country Painted TrayThe book is lavishly illustrated with more than 500 photographs, seven of them in full color, including pictures of trays prized by museums and private collectors, as well as hundreds selected from the unique photographic collection of the late Esther Stevens Brazer.
Oro de rey: Luis Miguel. La biografía
by Francisco Javier León HerreraEsta nueva biografía, impactante y reveladora como las anteriores, profundiza en los aspectos más importantes de su vida. Desnuda al ser humano que hay detrás de la leyenda, comparte las claves de su extenso legado musical lleno de anécdotas y complicadas decisiones, así como el bagaje existencial de amor, dolor, amistades, traiciones, heridas familiares, sueños rotos, amargura y esperanza. Tras sus dos bestsellers sobre el Sol: Luis Mi Rey, biografía autorizada por el artista que sirvió de base para la serie televisiva sobre su vida, y el más reciente, Luis Miguel: la historia, Javier León Herrera y Juan Manuel Navarro completan la trilogía sobre la existencia del cantante más amado en México, Argentina, Colombia, Estados Unidos, Chile, Puerto Rico, Perú, Bolivia, Brasil, España, Italia y Centroamérica. Oro de Rey ayuda a comprender más al artista adentrándose en el adulto lejos de la sombra -no del fantasma- de Luisito Rey. Gracias a sus confesiones y al testimonio de las personas que más lo conocen, los autores desvelan, con rigor y respeto, a un Luis Miguel más íntimo. En estas páginas se descubrirán los miedos, las luces y las sombras de un luchador que no deja de preguntarse por qué ha tenido que nadar tanto tiempo refugiado en un caparazón, a contracorriente de su propio espíritu y deseo, urgido de una catarsis definitiva que cierre círculos y sane su alma de tantas heridas. Los autores se adentran en aspectos determinantes de su vida: sus huellas de abandono, la ausencia materna, su hogar roto, los hermanos separados, sus éxitos y su estancamiento en la más reciente y profunda crisis en la que tocó fondo: el "Trienio Horribilis" de 2015 a 2017, y su resurgir en 2018, con los detalles de su renacer con el que celebró 50 años: sus bodas de oro con la vida. ¡Larga vida al Rey!
Oro su Argento
by Elena Chernikova Paola SambrunaUn racconto di vita reale, sul ritorno alla vita. L'anima che esce dal corpo, difficilmente riesce a ritornarvi.
Orozco's American Epic: Myth, History, and the Melancholy of Race
by Mary K. CoffeyBetween 1932 and 1934, José Clemente Orozco painted the twenty-four-panel mural cycle entitled The Epic of American Civilization in Dartmouth College's Baker-Berry Library. An artifact of Orozco's migration from Mexico to the United States, the Epic represents a turning point in his career, standing as the only fresco in which he explores both US-American and Mexican narratives of national history, progress, and identity. While his title invokes the heroic epic form, the mural indicts history as complicit in colonial violence. It questions the claims of Manifest Destiny in the United States and the Mexican desire to mend the wounds of conquest in pursuit of a postcolonial national project. In Orozco's American Epic Mary K. Coffey places Orozco in the context of his contemporaries, such as Diego Rivera and David Alfaro Siqueiros, and demonstrates the Epic's power as a melancholic critique of official indigenism, industrial progress, and Marxist messianism. In the process, Coffey finds within Orozco's work a call for justice that resonates with contemporary debates about race, immigration, borders, and nationality.
Orphan, Agent, Prima, Pawn
by Elizabeth KiemThe Bolshoi Saga: SvetlanaThe year is 1958, and sixteen-year-old Svetlana is stuck in a Moscow orphanage designated for the unwanted children of Stalin’s enemies. Ballet is her obsession and salvation, her only hope at shedding a tainted family past. When she is invited to join the Bolshoi Ballet—the crown jewel of Russian culture and the pride of the Soviet Union—her dreams appear to have been realized. But she quickly learns that nobody’s past or secrets are safe.The dreaded KGB knows about the mysterious trances Sveta has suffered, inexplicable episodes that seem to offer glimpses of the past. Some very powerful people believe Sveta is capable of serving the regime as more than a ballerina, and they wish to recruit her to spy on the West as part of the nascent Soviet psychic warfare program. If she is to erase the sins of her family, if she is to dance on the world stage for the Motherland—if she is to survive—she has no choice but to explore her other gift.
Orphan Black and Philosophy
by Richard Greene Rachel Robison-GreeneIn Orphan Black, several apparently unconnected women discover that they are exact physical doubles, that there are more of them out there, that they are all illegally produced clones, and that someone is having them killed. They find themselves in the midst of a secret and violent struggle between a fundamentalist religious group, a fanatical cult of superhuman biological enhancement, a clandestine department of the military, and a giant biotech corporation. Law enforcement is powerless and easily manipulated by these sinister forces. The clones are forced to form their own Clone Club, led by the resourceful Sarah Manning, to defend themselves against their numerous enemies and to find out exactly where they came from and why. <p><p> Orphan Black continually raises philosophical issues, as well as ethical and policy questions deserving philosophical analysis. What makes a person a unique individual? Why is it so important for us to know where we came from? Should we have a say in whether a clone is made of us? Is it immoral to generate clones with built-in health problems or personality defects - and if so, does that mean that producers of clones must practice eugenic selection? What light does the behavior of members of the Clone Club shed on the nature-nurture debate? Is it relevant that most are heterosexual, one is a lesbian, and one is a transgender male? <p> This TV show shows us problems of biotechnology which will soon be vital everyday issues. But what kind of a future faces us when human clones are commonplace? Will groups of human clones have a tight bond of solidarity making them a threat to democracy? If the world is going to be taken over by an evil conspiracy, would it better be a scientific cult like Neolution or a religious cult like the Prolethians? Should biotech corporations be able to own the copyright on human DNA sequences? What rules of morality apply when you can't trust the police and powerful groups are ready to murder you?
Orphan Black Classified Clone Reports: The Secret Files of Dr. Delphine Cormier
by Delphine CormierThe ultimate guide to all of the characters, conspiracies, and shadowy organizations in the smart, innovative BBC America television thriller Orphan Black.Designed to resemble the classified files and notes of Dr. Delphine Cormier, this in-world compendium chronicles the inner workings of the mysterious people and organizations at the heart of the acclaimed hit television series Orphan Black. A detailed and creative look at the thrilling international hit series, Orphan Black Classified Clone Report includes detailed dossiers of Sarah Manning, Felix Dawkins, and all of the show’s beloved characters; examines every twist and turn from season one to the present; provides exclusive information on the Dyad Institute, the Neolution clone program, and the notorious Proletheans; and features observations of the different clones from their monitors, classified intelligence, breakthroughs in Cosima’s research, and private journal entries chronicling Delphine’s experience with the clone club and her own complicated love for Cosima.Packed with exclusive concept art, photos, and ephemera, Orphan Black Classified Clone Report is an immersive reading experience and essential companion for fans of Orphan Black.
Orphan Block Quilts: Making a Home for Antique, Vintage, Collectible and Leftover Quilt Blocks
by Tricia Lynn MaloneyMake a home for your orphaned blocks!Orphaned blocks can find their way into any quilter's life. Whether they are leftover from an unfinished project, collectible blocks found at a garage sale, or even antique blocks discovered in your great-aunt's attic, Tricia Lynn Maloney will teach you how to care for your orphan blocks, and make a home for them.Orphan Block Quilts includes: *14 projects, with 11 variations. From full-size bed quilts to table runners, these projects incorporate blocks from the 1880s to the 1950s.*Instructions on caring for your orphan blocks. Find out about the common problems you might encounter with your orphans, and how to work with them.*Advice on designing a setting. Not only does Tricia provide guidance on creating companions blocks and finding companion fabric, she also offers insight on how she overcame the design challenges of each project. *The story behind each quilt. In addition to historical information about various fabrics and blocks, Tricia shares the stories of two of the blockmakers, providing a precious glimpse of the lives sewn into the seams of the blocks. If you don't have any orphan blocks, Tricia gives you advice on locating potential sources, whether from your own family or online. And it's easy to substitute brand-new blocks, and make a new quilt from the ground up. Check out the 11 variations in the book, where Tricia did just that! Whether your orphan blocks are antique, vintage, collectible or simply leftover from a recent project, you can sew the perfect setting that will let the blocks shine!
The Orphan of Zhao and Other Yuan Plays
by Stephen H. West Wilt L. IdemaThe zaju in this volume explore the consequences of loyalty and betrayal, ambition and enlightenment, and piety and drunkenness.
The Orphan of Zhao and Other Yuan Plays: The Earliest Known Versions (Translations from the Asian Classics)
by Stephen West Wilt IdemaThis is the first anthology of Yuan-dynasty zaju (miscellaneous comedies) to introduce the genre to English-speaking readers exclusively through translations of the plays' fourteenth-century editions. Almost all previous translations of Yuan-dynasty zaju are based on late-Ming regularized editions that were heavily adapted for performance at the Ming imperial court and then extensively revised in the seventeenth century for the reading pleasure of Jiangnan literati. These early editions are based on leading actor scripts and contain arias, prose dialogue, and cue lines. They encompass a fascinating range of subject matter, from high political intrigue to commoner life and religious conversion. Crackling with raw emotion, violent imagery, and colorful language and wit, the zaju in this volume explore the consequences of loyalty and betrayal, ambition and enlightenment, and piety and drunkenness. The collection features seven of the twenty-six available untranslated zaju published in the fourteenth century, with a substantial introduction preceding each play and extensive annotations throughout. The editors also include translations of the Ming versions of four of the included plays and an essay that synthesizes recent Chinese and Japanese scholarship on the subject.
Orphaned Landscapes: Violence, Visuality, and Appearance in Indonesia
by Patricia SpyerLess than a year after the end of authoritarian rule in 1998, huge images of Jesus Christ and other Christian scenes proliferated on walls and billboards around a provincial town in eastern Indonesia where conflict had arisen between Muslims and Christians. A manifestation of the extreme perception that emerged amid uncertainty and the challenge to seeing brought on by urban warfare, the street paintings erected by Protestant motorbike-taxi drivers signaled a radical departure from the aniconic tradition of the old colonial church, a desire to be seen and recognized by political authorities from Jakarta to the UN and European Union, an aim to reinstate the Christian look of a city in the face of the country’s widespread islamicization, and an opening to a more intimate relationship to the divine through the bringing-into-vision of the Christian god.Stridently assertive, these affectively charged mediations of religion, masculinity, Christian privilege and subjectivity are among the myriad ephemera of war, from rumors, graffiti, incendiary pamphlets, and Video CDs, to Peace Provocateur text-messages and children’s reconciliation drawings. Orphaned Landscapes theorizes the production of monumental street art and other visual media as part of a wider work on appearance in which ordinary people, wittingly or unwittingly, refigure the aesthetic forms and sensory environment of their urban surroundings. The book offers a rich, nuanced account of a place in crisis, while also showing how the work on appearance, far from epiphenomenal, is inherent to sociopolitical change. Whether considering the emergence and disappearance of street art or the atmospherics and fog of war, Spyer demonstrates the importance of an attunement to elusive, ephemeral phenomena for their palpable and varying effects in the world.Orphaned Landscapes: Violence, Visuality, and Appearance in Indonesia is available from the publisher on an open-access basis.
Orphans of the East: Postwar Eastern European Cinema And The Revolutionary Subject
by Constantin ParvulescuUnlike the benevolent orphan found in Charlie Chaplin's The Kid or the sentimentalized figure of Little Orphan Annie, the orphan in postwar Eastern European cinema takes on a more politically fraught role, embodying the tensions of individuals struggling to recover from war and grappling with an unknown future under Soviet rule. By exploring films produced in postwar Hungary, the German Democratic Republic, Czechoslovakia, Romania, and Poland, Parvulescu traces the way in which cinema envisioned and debated the condition of the post-World War II subject and the "new man" of Soviet-style communism. In these films, the orphan becomes a cinematic trope that interrogates socialist visions of ideological institutionalization and re-education and stands as a silent critic of the system's shortcomings or as a resilient spirit who has resisted capture by the political apparatus of the new state.
The Orpheus Clock
by Simon GoodmanThe passionate, gripping, true story of one man's single-minded quest to reclaim what the Nazis stole from his family, their beloved art collection, and to restore their legacy.Simon Goodman's grandparents came from German-Jewish banking dynasties and perished in concentration camps. And that's almost all he knew about them--his father rarely spoke of their family history or heritage. But when he passed away, and Simon received his father's old papers, a story began to emerge. The Gutmanns, as they were known then, rose from a small Bohemian hamlet to become one of Germany's most powerful banking families. They also amassed a magnificent, world-class art collection that included works by Degas, Renoir, Botticelli, Guardi, and many, many others. But the Nazi regime snatched from them everything they had worked to build: their remarkable art, their immense wealth, their prominent social standing, and their very lives. Simon grew up in London with little knowledge of his father's efforts to recover their family's prized possessions. It was only after his father's death that Simon began to piece together the clues about the Gutmanns' stolen legacy and the Nazi looting machine. He learned much of the collection had gone to Hitler and Hermann Goering; other works had been smuggled through Switzerland, sold and resold to collectors and dealers, with many works now in famous museums. More still had been recovered by Allied forces only to be stolen again by heartless bureaucrats--European governments quietly absorbed thousands of works of art into their own collections. Through painstaking detective work across two continents, Simon has been able to prove that many works belonged to his family, and successfully secure their return. With the help of his family, Simon initiated the first Nazi looting case to be settled in the United States. They also brought about the first major restitution in The Netherlands since the post-war era. Goodman's dramatic story, told with great heart, reveals a rich family history almost obliterated by the Nazis. It is not only the account of a twenty-year long detective hunt for family treasure, but an unforgettable tale of redemption and restoration.
Orson Welles in Focus: Texts and Contexts
by James N. Gilmore and Sidney Gottlieb“A wonderful and distinct addition to the Welles canon . . . these pieces explore key elements of Welles’s career, personality, and political beliefs.” —Library JournalThrough his radio and film works, such as The War of the Worlds and Citizen Kane, Orson Welles became a household name in the United States. Yet Welles’s multifaceted career went beyond these classic titles and included lesser-known but nonetheless important contributions to television, theater, newspaper columns, and political activism. Orson Welles in Focus: Texts and Contexts examines neglected areas of Welles’s work, shedding light on aspects of his art that have been eclipsed by a narrow focus on his films. By positioning Welles’s work during a critical period of his activity (the mid-1930s through the 1950s) in its larger cultural, political, aesthetic, and industrial contexts, the contributors to this volume examine how he participated in and helped to shape modern media. This exploration of Welles in his totalityilluminates and expands our perception of his contributions that continue to resonate today.“Anyone who thinks they know Welles will have their eyes opened [by this book].” —Paul Heyer, author of The Medium and the Magician“This is a fascinating collection, several of the contributions making the reader wish for more.” —Film International“A team of scholars has examined the many facets of Orson Welles’ amazing life—theatrical innovator, radio star, celebrated filmmaker, newspaper columnist and progressive activist.” —Wellesnet