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Repair Revolution: How Fixers Are Transforming Our Throwaway Culture
by Elizabeth Knight John WackmanEvery year, millions of people throw away countless items because they don&’t know how to fix them. Some products are manufactured in a way that makes it hard, if not impossible, for people to repair them themselves. This throwaway lifestyle depletes Earth&’s resources and adds to overflowing landfills. Now there&’s a better way. Repair Revolution chronicles the rise of Repair Cafes, Fixit Clinics, and other volunteer-run organizations devoted to helping consumers repair their beloved but broken items for free. Repair Revolution explores the philosophy and wisdom of repairing, as well as the Right to Repair movement. It provides inspiration and instructions for starting, staffing, and sustaining your own repair events. &“Fixperts&” share their favorite online repair resources, as well as tips and step-by-step instructions for how to make your own repairs. Ultimately, Repair Revolution is about more than fixing material objects: in an age of over-consumption and planned obsolescence, do-it-yourself repair is a way of caring for our lives, our communities, and our planet.
Repair of Concrete Structures
by R.T.L. Allen S. C. Edwards J.D.N. ShawThis practical and comprehensive book enables the engineer to diagnose the cause of a fault, choose the appropriate remedial technique and ensure that the repair work is completed satisfactorily. It will be of value to all those who need to commission, supervise or carry out repairs to concrete structures.
Repair, Protection and Waterproofing of Concrete Structures
by P. PerkinsA wealth of recent research into the continued deterioration of reinforced concrete structures has led to a review of methods of investigation and repair techniques. This thoroughly revised and updated new edition brings together the fundamental aspects of this world wide problem and offers advice on how investigations, diagnosis and consequent rem
Repair: Sustainable Design Futures
by Markus Berger Kate IrvinA collection of timely new scholarship, Repair: Sustainable Design Futures investigates repair as a contemporary expression of empowerment, agency, and resistance to our unmaking of the world and the environment. Repair is an act, metaphor, and foundation for opening up a dialogue about design’s role in proposing radically different social, environmental, and economic futures. Thematically expansive and richly illustrated, with over 125 visuals, this volume features an international, interdisciplinary group of contributors from across the design spectrum whose voices and artwork speak to how we might address our broken social and physical worlds. Organized around reparative thinking and practices, the book includes 30 long and short chapters, photo essays, and interviews that focus on multiple responses to fractured systems, relationships, cities, architecture, objects, and more. Repair will encourage students, academics, researchers, and practitioners in art, design and architecture practice and theory, cultural studies, environment and sustainability, to discuss, engage, and rethink the act of repair and its impact on our society and environment.
Repatriation of Indigenous Cultural Heritage: Experiences of Return in Central Australia (Museums in Focus)
by Jason M. GibsonRepatriation of Indigenous Cultural Heritage examines how returned materials - objects, photographs, audio and manuscripts - are being received and reintegrated into the ongoing social and cultural lives of Aboriginal Australians. Combining a critical examination of the making of these collections with an assessment of their contemporary significance, the book exposes the opportunities and challenges involved in returning cultural heritage for the purposes of maintaining, preserving or reviving cultural practice. Drawing on ethnographic work undertaken with Aboriginal communities and the institutions that hold significant collections, the author reveals important new insights about the impact of return on communities. Technological advances, combined with the push towards decolonising methodologies in Indigenous research, have resulted in considerable interest in ensuring that collections of cultural value are returned to Indigenous communities. Gibson challenges the rhetoric of museum repatriation, arguing that, while it has been tremendously important to advancing Indigenous interest, it is too often over-simplified. Repatriation of Indigenous Cultural Heritage offers a timely, critical perspective on current museum practice and its place within processes of cultural production and transmission. The book is sure to resonate in other international contexts where questions about Indigenous re-engagement and decolonisation strategies are being debated and will be of interest to students and scholars of Museum Studies, Indigenous Studies and Anthropology.
Repetition in Performance
by Eirini KartsakiThis book explores repetition in contemporary performance and spectatorship. It offers an impassioned account of the ways in which speech, movement and structures repeat in performances by Pina Bausch, Anne Teresa De Keersmaeker, Lone Twin Theatre, Haranczak/Navarre and Marco Berrettini. It addresses repetition in relation to processes of desire and draws attention to the forces that repetition captures and makes visible. What is it in performances of repetition that persuades us to return to them again and again? How might we unpack their complexities and come to terms with their demands upon us? While considering repetition in relation to the difficult pleasures we derive from the theatre, this book explores ways of accounting for such experiences of theatre in memory and writing.
Reporting World War II (World War II: The Global, Human, and Ethical Dimension)
by G. Kurt Piehler and Ingo TrauschweizerThis set of essays offers new insights into the journalistic process and the pressures American front-line reporters experienced covering World War II. Transmitting stories through cable or couriers remained expensive and often required the cooperation of foreign governments and the American armed forces. Initially, reporters from a neutral America documented the early victories by Nazi Germany and the Soviet invasion of Finland. Not all journalists strove for objectivity. During her time reporting from Ireland, Helen Kirkpatrick remained a fierce critic of that country’s neutrality. Once the United States joined the fight after the Japanese attack on Pearl Harbor, American journalists supported the struggle against the Axis powers, but this volume will show that reporters, even when members of the army sponsored newspaper, Stars and Stripes were not mere ciphers of the official line.African American reporters Roi Ottley and Ollie Stewart worked to bolster the morale of Black GIs and undermined the institutional racism endemic to the American war effort. Women front-line reporters are given their due in this volume examining the struggles to overcome gender bias by describing triumphs of Thérèse Mabel Bonney, Iris Carpenter, Lee Carson, and Anne Stringer.The line between public relations and journalism could be a fine one as reflected by the U.S. Marine Corps’ creating its own network of Marine correspondents who reported on the Pacific island campaigns and had their work published by American media outlets. Despite the pressures of censorship, the best American reporters strove for accuracy in reporting the facts even when dependent on official communiqués issued by the military. Many wartime reporters, even when covering major turning points, sought to embrace a reporting style that recorded the experiences of average soldiers. Often associated with Ernie Pyle and Bill Mauldin, the embrace of the human-interest story served as one of the enduring legacies of the conflict.Despite the importance of American war reporting in shaping perceptions of the war on the home front as well as shaping the historical narrative of the conflict, this work underscores how there is more to learn. Readers will gain from this work a new appreciation of the contribution of American journalists in writing the first version of history of the global struggle against Nazi Germany, imperial Japan, and fascist Italy.
Reposition Yourself Reflections
by T. D. JakesT.D. Jakes offers readers of the New York Times bestseller Reposition Yourself: Living Life Without Limits a collection of scripture and quotes that provides the spiritual underpinnings of his message about applying Christian principles to adjust to the many changes that life brings. Reposition Yourself, the narrative book, uses wisdom collected from more than thirty years of Jakes's experience counseling and working with high-profile and everyday people on financial, relational, and spiritual creativity on the path to an enriched life filled with contentment at every stage. Reposition Yourself Reflections collects the words that ground Reposition Yourself solidly in biblical teachings. Reflections is an essential keepsake, to carry with you in moments when inspiration and encouragement are needed.
Reposition Yourself: Living Life Without Limits
by T.D. JakesLife should be full of success, spirituality, and happy relationships, but we often settle for less—Reposition Yourself is a guide for living a more prosperous life through Christian principles.The star of BET&’s Mind, Body & Soul, and featured guest speaker on Oprah&’s Lifeclass, Potters House pastor T.D. Jakes offers readers the New York Times bestselling Reposition Yourself: Living Life Without Limits, an inspirational narrative self-help book that provides the spiritual underpinnings of his message about applying Christian principles to adjust to the many changes that life brings. In the vein of Joel Osteen&’s Become a Better You and Dr. Phil&’s Life Strategies, Reposition Yourself uses wisdom collected from more than thirty years of Jakes&’s experience counseling and working with high-profile and everyday people on financial, relational, and spiritual creativity on the path to an enriched life filled with contentment at every stage.
Represent! Embroidery: Stitch 10 Colorful Projects & 100+ Designs Featuring a Full Range of Shapes, Skin Tones & Hair Textures
by Bianca SpringerEmbroidery motifs for every hair type and person! Representation matters, and it’s finally time for an embroidery book that looks like you! Celebrate diversity with more than 50 embroidery motifs of people in a wide array of skin colors, body shapes, and natural hairstyles. No need for painstaking design alterations—you can simply jump right in and start stitching. Create 10 useful and stylish projects, from accessories to home decor. These inclusive embroidery projects represent every kind of beauty; see yourself and your loved ones in these designs. Expand your embroidery and sewing skills while increasing your appreciation of others! Celebrate beautiful YOU! Sew 10 fun projects, from wearable art to wall displays Embroider 50+ motifs in a full range of shapes, skin tones, and hair textures Includes small iron-on patterns and an envelope on the inside book cover for storage
Represent: Art and Identity Among the Black Upper-Middle Class (Routledge Research in Race and Ethnicity)
by Patricia A. BanksPatricia A. Banks traverses the New York and Atlanta art worlds to uncover how black identities are cultivated through black art patronage. Drawing on over 100 in-depth interviews, observations at arts events, and photographs of art displayed in homes, Banks elaborates a racial identity theory of consumption that highlights how upper-middle class blacks forge black identities for themselves and their children through the consumption of black visual art. She not only challenges common assumptions about elite cultural participation, but also contributes to the heated debate about the significance of race for elite blacks, and illuminates recent art world developments. In doing so, Banks documents how the salience of race extends into the cultural life of even the most socioeconomically successful blacks.
Representation and Materialization of Architecture and Space in Zimbabwe: Between National Icons and Dispositifs
by Langtone MaunganidzeThis volume is an empirical study examining the extent to which historic and iconic architecture and spaces in Zimbabwe - particularly in urban areas - have been mobilized to construct and reconstruct identities. The author explores the question of traditional and political architecture through analysis of a variety of structures, including monuments, museums, and indigenous and state buildings. Special attention is paid to the soapstone-carved Zimbabwe Bird, which for years has served as the national emblem. Overall, this book argues that while the production and use of architectural products and spaces have been regarded symbols of collective identity, they have also served as expressions of power and control.
Representation in Steven Universe
by John R. Ziegler Leah RichardsThis book assembles ten scholarly examinations of the politics of representation in the groundbreaking animated children’s television series Steven Universe. These analyses address a range of representational sites and subjects, including queerness, race, fandom, colonialism, and the environment, and provide an accessible foundation for further scholarship. The introduction contextualizes Steven Universe in the children’s science-fiction and anime traditions and discusses the series’ crucial mechanic of fusion. Subsequent chapters probe the fandom’s expressions of queer identity, approach the series’ queer force through the political potential of the animated body, consider the unequal privilege of different female characters, and trace the influence of anime director Kunihiko Ikuhara. Further chapters argue that Ronaldo allows satire of multiple media forms, focus on Onion as a surrealist trickster, and contemplate cross-species hybridity and consent. The final chapters concentrate on background art in connection with ecological and geological narratives, adopt a decolonial perspective on the Gems’ legacy, and interrogate how the tension between personal and cultural narratives constantly recreates memory.
Representations of Flemish Immigrants on the Early Modern Stage (Studies in Performance and Early Modern Drama)
by Peter Matthew McCluskeyImmigrants from the Low Countries constituted the largest population of resident aliens in early modern England. Possessing superior technology in a number of fields and enjoying governmental protection, the Flemish were charged by many native artisans with unfair economic competition. With xenophobic sentiments running so high that riots and disorders occurred throughout the sixteenth century, Elizabeth I directed her dramatic censor to suppress material that might incite further disorder, forcing playwrights to develop strategies to address the alien problem indirectly. Representations of Flemish Immigrants on the Early Modern Stage describes the immigrant community during this period and explores the consistently negative representations of Flemish immigrants in Tudor interludes, the impact of censorship, the playwrighting strategies that eluded it, and the continuation of these methods until the closing of the theatres in 1642.
Representations of France in English Satirical Prints 1740-1832 (War, Culture and Society, 1750-1850)
by J. MooresBetween 1740 and 1832, England witnessed what has been called its 'golden age of caricature', coinciding with intense rivalry and with war with France. This book shows how Georgian satirical prints reveal attitudes towards the French 'Other' that were far more complex, ambivalent, empathetic and multifaceted than has previously been recognised.
Representations of France in English Satirical Prints 1740–1832
by John Richard MooresBetween 1740 and 1832, England witnessed what has become known as its 'golden age of caricature'. This coincided with an era of dramatic social and political change both at home and abroad. In this period of intense international war and rivalry, Britain's relationship with France proved particularly turbulent, leading to suggestions that its national culture and identity was defined by its 'Francophobia'. Though they are often employed as shorthand evidence of hostility towards France, under closer scrutiny Georgian satirical prints reveal attitudes towards the French 'Other' that were far more complex, ambivalent, empathetic and multifaceted than has previously been recognised. At the same time, print satires purportedly dealing with French subjects were often commenting pointedly on British politics, society or culture, often in ways which revealed cultural insecurity rather than confident national superiority.
Representations of G.F. Watts: Art Making in Victorian Culture (Routledge Revivals)
by Colin TroddOriginally published in 2004. Once the most popular Victorian artist, G. F. Watts was also a complex and elusive figure. Influenced by evolutionary theory, he reinterpreted the tradition of the classical body, while his philanthropic and educational interests informed projects for a more affective public art. This book is the first modern account of the full range of Watts's different artistic interests and practices. Offering fresh approaches to his historical, allegorical and mythological paintings, it also traces his increasingly radical approach to portraiture and sculpture and examines the institutional and biographical factors behind his immense public profile. Together the essays present a comprehensive analysis of Watts's work and his vital relationship to the intellectual, cultural and social forces of his time.
Representations of Pain in Art and Visual Culture: Representations Of Pain In Art And Visual Culture (Routledge Advances in Art and Visual Studies)
by James Elkins Maria Pia Di BellaThe presentation of bodies in pain has been a major concern in Western art since the time of the Greeks. The Christian tradition is closely entwined with such themes, from the central images of the Passion to the representations of bloody martyrdoms. The remnants of this tradition are evident in contemporary images from Abu Ghraib. In the last forty years, the body in pain has also emerged as a recurring theme in performance art. Recently, authors such as Elaine Scarry, Susan Sontag, and Giorgio Agamben have written about these themes. The scholars in this volume add to the discussion, analyzing representations of pain in art and the media. Their essays are firmly anchored on consideration of the images, not on whatever actual pain the subjects suffered. At issue is representation, before and often apart from events in the world. Part One concerns practices in which the appearance of pain is understood as expressive. Topics discussed include the strange dynamics of faked pain and real pain, contemporary performance art, international photojournalism, surrealism, and Renaissance and Baroque art. Part Two concerns representations that cannot be readily assigned to that genealogy: the Chinese form of execution known as lingchi (popularly the "death of a thousand cuts"), whippings in the Belgian Congo, American lynching photographs, Boer War concentration camp photographs, and recent American capital punishment. These examples do not comprise a single alternate genealogy, but are united by the absence of an intention to represent pain. The book concludes with a roundtable discussion, where the authors discuss the ethical implications of viewing such images.
Representations of Policing in Northern Irish Theatre: 1921 – 2021 (New Directions in Irish and Irish American Literature)
by T. W. SaundersThis monograph provides the first sustained, chronological account of Northern Irish police officers’ representation in theatre. Importantly, its scope comprises a critical period of national and organisational development, beginning with the Partition of Ireland in 1921 and the founding of the Royal Ulster Constabulary (RUC) one year later in 1922. It progresses through the relevant theatrical and historical events of the century, through the period after the RUC’s dissolution and replacement with the Police Service of Northern Ireland (PSNI) in 2001, and concludes in 2021 to coincide with the centenary of Partition. As such, this project is distinctive in its ability to trace paradigm shifts in perceptions of the police over time, as they intersect with relevant historical events and milestones of political conflict in the province.
Representations of the Moon in Literature and Art
by Gabriela Gândara TerenasThis book brings together a collection of essays on the occasion of the fiftieth anniversary of the arrival of the first man on the moon – a time when tourist journeys to the moon, now a real possibility, were no more than a fantasy. Divided into four sections, illustrating different perceptions of the moon, the common aim of the essays in this book is to examine how mankind’s interest in the moon has been represented in Literature and the Arts, an objective underpinned by the desire to exploit the relationship between the so-called two cultures—the Humanities and Science—as C.P. Snow perceived them in his pioneering work (1959). The plethora of ways in which our companion satellite has been portrayed has led the authors of the essays to draw upon research from the history of science as well as from literary, cultural and artistic studies. In addition to analysing the impact on literature and music, of our arrival on the moon, whether real or imaginary, these studies also examine how writers along the centuries have appropriated the moon as a metaphor in order to project latent conflict, criticise the society or politics of their day, reflect upon scientific or technological discoveries or fantasise about journeys, encounters or imaginary realities.
Representations, Analysis and Recognition of Shape and Motion from Imaging Data: 7th International Workshop, RFMI 2017, Savoie, France, December 17–20, 2017, Revised Selected Papers (Communications in Computer and Information Science #842)
by Liming Chen Boulbaba Ben Amor Faouzi GhorbelThis book constitutes the refereed proceedings of the 7th International Workshop on Representations, Analysis and Recognition of Shape and Motion from Imaging Data, RFMI 2017, held in Savoi, France, in December 2017.The 8 revised full papers and 9 revised short papers presented were carefully reviewed and selected from 23 submissions. The papers are organized in topical sections on analyzing motion data; deep learning on image and shape data; 2D and 3D pattern classification; watermarking, segmentation and deformations.
Representing Atrocity in Taiwan: The 2/28 Incident and White Terror in Fiction and Film (Global Chinese Culture)
by Sylvia LinIn 1945, Taiwan was placed under the administrative control of the Republic of China, and after two years, accusations of corruption and a failing economy sparked a local protest that was brutally quashed by the Kuomintang government. The February Twenty-Eighth (or 2/28) Incident led to four decades of martial law that became known as the White Terror. During this period, talk of 2/28 was forbidden and all dissent violently suppressed, but since the lifting of martial law in 1987, this long-buried history has been revisited through commemoration and narrative, cinema and remembrance.Drawing on a wealth of secondary theoretical material as well as her own original research, Sylvia Li-chun Lin conducts a close analysis of the political, narrative, and ideological structures involved in the fictional and cinematic representations of the 2/28 Incident and White Terror. She assesses the role of individual and collective memory and institutionalized forgetting, while underscoring the dangers of re-creating a historical past and the risks of trivialization. She also compares her findings with scholarly works on the Holocaust and the aftermath of the atomic bombings of Japan, questioning the politics of forming public and personal memories and the political teleology of "closure." This is the first book to be published in English on the 2/28 Incident and White Terror and offers a valuable matrix of comparison for studying the portrayal of atrocity in a specific locale.
Representing China on the Historical London Stage: From Orientalism to Intercultural Performance (Routledge Advances in Theatre & Performance Studies)
by Dongshin ChangThis book provides a critical study of how China was represented on the historical London stage in selected examples from the late seventeenth century to the early twentieth century—which corresponds with the Qing Dynasty (1644-1911), China’s last monarchy. The examples show that during this historical period, the stage representations of the country were influenced in turn by Jesuit writings on China, Britain’s expanding material interest in China, the presence of British imperial power in Asia, and the establishment of diasporic Chinese communities abroad. While finding that many of these works may be read as gendered and feminized, Chang emphasizes that the Jesuits’ depiction of China as a country of high culture and in perennial conflict with the Tartars gradually lost prominence in dramatic imaginations to depictions of China’s material and visual attractions. Central to the book’s argument is that the stage representations of China were inherently intercultural and open to new influences, manifested by the evolving combinations of Chinese and English (British) traits. Through the dramatization of the Chinese Other, the representations questioned, satirized, and put in sharp relief the ontological and epistemological bases of the English (British) Self.
Representing Duchess Anna Amalia's Bildung: A Visual Metamorphosis in Portraiture from Political to Personal in Eighteenth-Century Germany (Routledge Research in Gender and Art)
by Christina K. LindemanThe cultural milieu in the “Age of Goethe” of eighteenth-century Germany is given fresh context in this art historical study of the noted writers’ patroness: Anna Amalia, Duchess of Weimar-Sachsen-Eisenach. An important noblewoman and patron of the arts, Anna Amalia transformed her court into one of the most intellectually and culturally brilliant in Europe; this book reveals the full scope of her impact on the history of art of this time and place. More than just biography or a patronage study, this book closely examines the art produced by German-speaking artists and the figure of Anna Amalia herself. Her portraits demonstrate the importance of social networks that enabled her to construct scholarly, intellectual identities not only for herself, but for the region she represented. By investigating ways in which the duchess navigated within male-dominated institutions as a means of advancing her own self-cultivation – or Bildung – this book demonstrates the role accorded to women in the public sphere, cultural politics, and historical memory. Cumulatively, Christina K. Lindeman traces how Anna Amalia, a woman from a small German principality, was represented as an active participant in enlightened discourses. The author presents a novel and original argument concerned with how a powerful woman used art to shape her identity, how that identity changed over time, and how people around her shaped it – an approach that elucidates the power of portraiture in eighteenth- and early nineteenth-century Europe.
Representing Enslavement and Abolition in Museums: Ambiguous Engagements (Routledge Research in Museum Studies)
by Ross Wilson Geoffrey Cubitt Laurajane Smith Kalliopi FousekiThe year 2007 marked the bicentenary of the Act abolishing British participation in the slave trade. Representing Enslavement and Abolition on Museums- which uniquely draws together contributions from academic commentators, museum professionals, community activists and artists who had an involvement with the bicentenary - reflects on the complexity and difficulty of museums' experiences in presenting and interpreting the histories of slavery and abolition, and places these experiences in the broader context of debates over the bicentenary's significance and the lessons to be learnt from it. The history of Britain’s role in transatlantic slavery officially become part of the National Curriculum in the UK in 2009; with the bicentenary of 2007, this marks the start of increasing public engagement with what has largely been a ‘hidden’ history. The book aims to not only critically review and assess the impact of the bicentenary, but also to identify practical issues that public historians, consultants, museum practitioners, heritage professionals and policy makers can draw upon in developing responses, both to the increasing recognition of Britain’s history of African enslavement and controversial and traumatic histories more generally.